Dada

The Rich Broker (Portrait of Beatrice and Marcel Duchamp) (1928) by Beatrice Wood

“The Rich Broker (Portrait of Beatrice and Marcel Duchamp)” is a 1928 painting by the artist Beatrice Wood. This portrait, which belongs to the Dada movement, captures an intimate and possibly symbolic scene involving the artist Beatrice and the French artist Marcel Duchamp. The artwork, characterized by its delicate and minimalist approach, presents two figures …

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Hasard by Jean Arp

The artwork titled “Hasard,” created by Jean Arp, belongs to the Dada art movement and is classified within the genre of abstract art. This piece exemplifies the unconventional and avant-garde characteristics typical of Dada, challenging traditional artistic conventions through its form and composition. In the artwork, three irregularly shaped black forms are set against a …

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Hitler by Jean Arp

The artwork named “Hitler,” created by artist Jean Arp, is an abstract piece rooted in the Dada movement. This avant-garde art form, notable for its anarchic and anti-war themes, finds expression in Arp’s work through its unconventional and seemingly chaotic composition. The artwork manifests a collage of disparate and fragmented elements that seem to be …

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Illustration for Tristan Tzara’s “Vingt-cinq poèmes” (1918) by Jean Arp

The artwork titled “Illustration for Tristan Tzara’s ‘Vingt-cinq poèmes’” was created by Jean Arp in 1918. It belongs to the Dada art movement and is categorized as an illustration. The artwork features an abstract form, rendered in bold, black lines against a neutral background. The composition is characterized by its fluid, organic shapes, which intertwine …

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Illustration for Tristan Tzara’s “Vingt-cinq poèmes” (1918) by Jean Arp

The artwork titled “Illustration for Tristan Tzara’s ‘Vingt-cinq poèmes’,” created by Jean Arp in 1918, belongs to the Dada art movement and falls under the genre of illustration. This specific piece reflects the avant-garde and anti-establishment principles characteristic of Dada, a movement that emerged as a response to the horrors of World War I. The …

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Illustration for Tristan Tzara’s “Vingt-cinq poèmes” (1918) by Jean Arp

The artwork in question is an illustration created by Jean Arp for Tristan Tzara’s “Vingt-cinq poèmes,” dating back to 1918. This piece is associated with the Dada art movement and belongs to the illustration genre. In the artwork, irregular and abstract black shapes are prominently displayed against a blank background. The composition evokes a sense …

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Illustration for Tristan Tzara’s “Vingt-cinq poèmes” (1918) by Jean Arp

The artwork, “Illustration for Tristan Tzara’s ‘Vingt-cinq poèmes’,” was created by Jean Arp in 1918. This piece is part of the Dada art movement and is classified as an illustration. The artwork comprises an abstract black ink form on a plain background, suggestive of organic shapes and fluid lines. The illustration appears to have a …

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Illustration for Tristan Tzara’s “Vingt-cinq poèmes” (1918) by Jean Arp

The artwork titled “Illustration for Tristan Tzara’s ‘Vingt-cinq poèmes’” was created by Jean Arp in 1918. Belonging to the Dada art movement, this piece serves as an illustration for the literary work by Tristan Tzara and falls within the genre of illustration. The artwork exhibits a non-representational form, typical of the Dada movement, which sought …

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Illustration for Tristan Tzara’s “Vingt-cinq poèmes” (1918) by Jean Arp

The artwork is an illustration created by Jean Arp in the year 1918 for Tristan Tzara’s collection “Vingt-cinq poèmes.” It belongs to the Dada art movement and is categorized as an illustration. The artwork features an abstract black form set against a light background. It is characterized by its organic, flowing shapes, and it conveys …

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Illustration for Tristan Tzara’s “Vingt-cinq poèmes” (1918) by Jean Arp

The artwork is an illustration created by Jean Arp in 1918 for Tristan Tzara’s “Vingt-cinq poèmes”. This piece is associated with the Dada art movement and falls under the genre of illustration. The artwork consists of abstract forms rendered in black ink against a cream-colored background. The shapes appear organic and fluid, intertwining within a …

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Illustration for Tristan Tzara’s “Vingt-cinq poèmes” (1918) by Jean Arp

The artwork titled “Illustration for Tristan Tzara’s ‘Vingt-cinq poèmes’” was created by Jean Arp in 1918. It falls under the Dada art movement and is categorized as an illustration. The artwork features an abstract, organic form rendered in black ink against a stark, white background. Its shapes are fluid and appear to intertwine, creating a …

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Mustache Hat (1932) by Jean Arp

“Mustache Hat,” a notable artwork created by Jean Arp in 1932, is a representation of the Dada art movement and falls under the figurative genre. The artwork, characterized by its abstract forms and simplistic approach, is emblematic of Arp’s contribution to the avant-garde style that challenged traditional aesthetics. The artwork features a bold, black shape …

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Squares or Rectangles Arranged According to the Laws of Chance (1916 – 1917) by Jean Arp

The artwork “Squares or Rectangles Arranged According to the Laws of Chance” is a creation by Jean Arp, produced between 1916 and 1917. It is part of the Dada art movement and falls within the genre of abstract art. The artwork features an arrangement of rectangles and squares, varying in size and color. These shapes …

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Plate 9 of Les Jeux de la poupée (The Games of the Doll) (1949) by Hans Bellmer

“Plate 9 of Les Jeux de la poupée (The Games of the Doll)” is a photographic artwork created by Hans Bellmer in 1949. This piece is associated with the Dada and Surrealism art movements. The artwork features a surreal, unsettling arrangement that typifies the genre of Dada and Surrealism by defying conventional aesthetics and expectations. …

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Plate from La Poupée (1936) by Hans Bellmer

The artwork, titled “Plate from La Poupée,” created by Hans Bellmer in 1936, is a significant piece associated with the Dada and Surrealism movements. Categorized as a photograph, this creation encapsulates the unique and evocative essence of these avant-garde artistic trends. This particular piece of art features a provocative and surreal assembly of doll parts, …

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Plate from La Poupée (1936) by Hans Bellmer

“Plate from La Poupée,” created by Hans Bellmer in 1936, is an artwork that belongs to the Dada and Surrealism art movements. The piece, classified within the genre of photography, exemplifies Bellmer’s unique and provocative style. The artwork displays a meticulous arrangement that evokes a surreal and unsettling atmosphere. It features a partial human-like doll …

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Very Rare Picture of Earth (1915) by Francis Picabia

The artwork “Very Rare Picture of Earth,” crafted by Francis Picabia in 1915, exemplifies the Dada art movement and falls within the figurative genre. This significant piece can be found in the Peggy Guggenheim Collection in Venice, Italy. The artwork is a vivid representation characterized by geometric abstraction and mechanical forms. Dominated by a palette …

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Junelle (c.1921 – c.1922) by Francis Picabia

“Junelle,” a remarkable piece by Francis Picabia, crafted between approximately 1921 and 1922, epitomizes the abstract and Dada art movements. Executed with watercolor on paper, this abstract artwork measures 74 by 60 centimeters and is currently held in a private collection. The artwork employs a combination of geometric shapes and sharp lines, forming a cohesive …

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Machine Turn Quickly (1917) by Francis Picabia

The artwork titled “Machine Turn Quickly,” created by Francis Picabia in 1917, is a notable piece within the realms of Abstract Art and Dada movements. Executed in oil on canvas, this figurative artwork exemplifies Picabia’s innovative approach and his inclination towards mechanical and abstract themes. In the artwork, Picabia intricately combines geometric shapes and mechanical …

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Portrait of a Doctor (1935 – 1938) by Francis Picabia

“Portrait of a Doctor” is a figurative artwork created by Francis Picabia, a notable figure in the Dada art movement, during the period of 1935 to 1938. This piece is prominently displayed at Tate Britain in London, UK. The artwork presents a surreal and striking composition that deviates from conventional portraiture. The figure, presumably the …

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Astrazione (1921) by Julius Evola

“Astrazione,” created by Julius Evola in 1921, is a prominent work belonging to the Abstract Art and Dada movements. This abstract artwork exemplifies the innovative spirit and non-traditional techniques of its genre, reflecting the artistic trends of the early 20th century. The artwork “Astrazione” features a dynamic interplay of forms and colors. Predominantly, the painting …

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Composizione futurista by Julius Evola

The artwork titled “Composizione futurista,” created by Julius Evola, belongs to the abstract art movement and has significant influences from Dada. This piece is a representative example of abstract genre art, exploring the intricate interplay of colors, shapes, and spatial dynamics. In the artwork, various abstract forms and geometrical shapes dominate the composition, presenting a …

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Composizione (Paesaggio) Dada n. 3 (o n. 2) (1921) by Julius Evola

The artwork titled “Composizione (Paesaggio) Dada n. 3 (o n. 2)” was crafted by Julius Evola in 1921. This piece belongs to the Abstract Art and Dada movement, and it is categorized under the abstract genre. The artwork showcases a complex interplay of geometric shapes and fluid forms, blending a spectrum of muted and vibrant …

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La libra s’infiamma e le piramidi (1921) by Julius Evola

The artwork, entitled “La libra s’infiamma e le piramidi,” was created by Julius Evola in 1921. It belongs to the Dada art movement and is characterized by its abstract genre. The artwork features a dynamic interplay of geometric shapes and colors, evoking a sense of enigmatic symbolism. Dominated by vertical and horizontal lines, the composition …

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Paesaggio interiore, apertura del diaframma (1921) by Julius Evola

The artwork titled “Paesaggio interiore, apertura del diaframma” was created by artist Julius Evola in 1921. This piece aligns with the Abstract Art and Dada movement and falls under the genre of abstract art. The artwork features a dynamic composition of shapes and forms, interwoven to create a visually compelling abstract landscape. Various geometric and …

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Small table (upper surface) (1920) by Julius Evola

The artwork “Small Table (Upper Surface)”, created by Julius Evola in 1920, belongs to both the Abstract Art and Dada movements and is classified as abstract genre. This piece encapsulates the dynamic interplay of shapes, colors, and forms characteristic of these early 20th-century artistic explorations. The artwork features an intriguing arrangement of organic shapes intertwined …

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Untitled by Julius Evola

The artwork, titled “Untitled,” created by Julius Evola, represents the Dada art movement and belongs to the abstract genre. This piece exemplifies an array of geometric and flowing shapes amalgamated in a vibrant color palette that includes shades of blue, yellow, and orange. Dominating the central section of the artwork, there appears to be a …

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Untitled by Julius Evola

The artwork, “Untitled,” created by Julius Evola, belongs to the Abstract Art and Dada art movements and falls under the genre of abstract art. This piece exemplifies the experimental and avant-garde approaches characteristic of these movements. The artwork features a vivid amalgamation of geometric shapes and forms intertwined in an abstract manner. Dominant colors in …

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The Fig Leaf by Francis Picabia

“The Fig Leaf,” crafted by the artist Francis Picabia, is an exemplary work of the Dada movement, executed in the genre of figurative art. This artwork encapsulates the experimental and avant-garde spirit of Dadaism through its unique and abstract representation. The artwork features a silhouette of a human figure, executed in black, with notable emphasis …

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The Bride Stripped Bare by her Bachelors (1915 – 1923; United States) by Marcel Duchamp

“The Bride Stripped Bare by her Bachelors,” created by Marcel Duchamp between 1915 and 1923 in the United States, is an exemplification of the Dada art movement, distinguished by its use of unconventional mediums including oil, varnish, and glass. This figurative artwork, belonging to the genre of Dada, confronts traditional aesthetic norms and resides at …

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To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour (1918; Buenos Aires, Argentina) by Marcel Duchamp

The artwork titled “To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour” was created by Marcel Duchamp in 1918, during his time in Buenos Aires, Argentina. This piece is made of oil on glass and belongs to the Dada art movement, known for its …

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1200 Bags of Coal (installation view at “International Exhibition of Surrealism”) (1938; New York City, United States) by Marcel Duchamp

The artwork titled “1200 Bags of Coal” was created by Marcel Duchamp in 1938 and was exhibited in New York City, United States, as part of the “International Exhibition of Surrealism”. This installation piece falls under the art movements of Dada and Surrealism, and it belongs to the installation genre. The artwork presents a striking …

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Disks Bearing Spirals (1923) by Marcel Duchamp

“Disks Bearing Spirals,” created by Marcel Duchamp in 1923, is a compelling abstract artwork rendered using pencil and ink on paper. This piece, reflecting the intersection of the Dada and Op Art movements, fascinates with its intricate and hypnotic design. The artwork consists of a circular composition featuring seven smaller circles, each containing a unique …

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Glider Containing a Water Mill in Neighboring Metals (1915) by Marcel Duchamp

The artwork titled “Glider Containing a Water Mill in Neighboring Metals” was created by Marcel Duchamp in 1915. It belongs to the Dada art movement and is classified as a ready-made installation. The dimensions of this piece are 147 x 79 cm, and it is currently housed in the Philadelphia Museum of Art located in …

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L.H.O.O.Q, Mona Lisa with moustache (1919) by Marcel Duchamp

The artwork, titled “L.H.O.O.Q.” and created by Marcel Duchamp in 1919, employs the medium of pencil and ready-made materials. It is a portrait measuring 19.7 x 12.4 cm and belongs to the Dada art movement. This notable piece is currently housed at the Philadelphia Museum of Art in Philadelphia, Pennsylvania, USA. The artwork features a …

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Please touch – Cover design for “Le Surréalisme” (1947) by Marcel Duchamp

The artwork, titled “Please touch – Cover design for ‘Le Surréalisme’”, was created by Marcel Duchamp in 1947. This piece belongs to the Dada and Surrealism art movements and is categorized under the genre of design. The artwork measures 24.3 x 20.8 cm and is presently located at the Georges Pompidou Center in Paris, France. …

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Rotary demisphere (1924) by Marcel Duchamp

The artwork, “Rotary Demisphere,” created by Marcel Duchamp in 1924, is a ready-made installation that exemplifies the Dada and Kinetic Art movements. It is currently housed at the Yale University Art Gallery in New Haven, Connecticut, USA. In describing the artwork, one finds a mechanical assembly prominently featuring a rotating element constructed with precision and …

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Rotary demisphere (1925) by Marcel Duchamp

The artwork, titled “Rotary Demisphere,” was created by Marcel Duchamp in 1925. This piece, crafted using the ready-made technique, reflects the Dada and Kinetic Art movements. It is categorized as an installation genre. The artwork features a mechanically driven, rotating hemispherical object mounted on a stand. The central hemisphere displays a striking spiral pattern that …

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Rotary Glass Plates (Precision Optics) (1920) by Marcel Duchamp

The artwork, titled “Rotary Glass Plates (Precision Optics)” and created by Marcel Duchamp in 1920, is a ready-made piece that measures 120.6 by 184.1 centimeters. It falls within the genres of Dada and Kinetic Art and is considered an installation. The piece exemplifies Duchamp’s unconventional approach to art, using everyday objects and presenting them in …

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Rotorelief n°11 – Total Eclipse / Rotorelief n°12 – White spiral (1935) by Marcel Duchamp

“Rotorelief n°11 – Total Eclipse / Rotorelief n°12 – White Spiral” is a notable artwork created by Marcel Duchamp in 1935. The artwork, housed in the Georges Pompidou Center in Paris, France, is a fine example of Duchamp’s engagement in the Dada and Op Art movements. The medium employed for this creation is lithography on …

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Sixteen Miles of String ( installation for ‘The First Papers of Surrealism’ exhibition) (1942; New York City, United States) by Marcel Duchamp

The artwork titled “Sixteen Miles of String (installation for ‘The First Papers of Surrealism’ exhibition)” was created by the eminent artist Marcel Duchamp in 1942 in New York City, United States. This piece is representative of the Dada and Surrealism movements and belongs to the genre of installation art. The installation features a vast expanse …

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Lofty (1947) by Kurt Schwitters

The artwork “Lofty” is a sculpture created by artist Kurt Schwitters in 1947. Schwitters, who was associated with the Dada movement, crafted this piece to embody the spirit of Dada, which often embraced a sense of irrationality, reject conventional aesthetic standards, and showcased a fondness for collage and abstraction. The year 1947 places “Lofty” in …

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Man soll nicht asen mit Phrasen (1930) by Kurt Schwitters

The artwork “Man soll nicht asen mit Phrasen” was created by Kurt Schwitters in 1930, contributing to the Dada art movement characterized by its avant-garde and often anti-art sensibilities. As a figurative piece, it reflects Schwitters’ engagement with representational elements amidst the broader context of Dada’s typically nonconformist approach. The artwork is a collage composed …

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N Watercolor 1. (The Heart Goes from Sugar to Coffee) (1919) by Kurt Schwitters

The artwork entitled “N Watercolor 1. (The Heart Goes from Sugar to Coffee)” is a creation by the artist Kurt Schwitters dating back to 1919. As a watercolor, this piece is part of the Dada art movement and falls within the figurative genre. The artwork is housed in the esteemed collection of the Museum of …

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The And-Picture (1919) by Kurt Schwitters

“The And-Picture,” created in 1919 by artist Kurt Schwitters, is an abstract collage that embodies the anarchic spirit of the Dada movement. This artwork is a visual amalgamation of found objects and printed materials, arranged asymmetrically to challenge traditional aesthetic norms. The medium employed in its creation is consistent with Dadaist sensibilities that embraced the …

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The Holy Night by Antoni Allegri, known as Correggio… (1947) by Kurt Schwitters

The artwork titled “The Holy Night by Antoni Allegri, known as Correggio” was created by the artist Kurt Schwitters in 1947. It is executed in the medium of collage, a method likely reflecting the Dada movement’s principles of which Schwitters was a proponent. The artwork measures 52.9 x 33.8 cm and falls within the figurative …

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The Spring Door (1938) by Kurt Schwitters

“The Spring Door” is an assemblage artwork created by artist Kurt Schwitters in 1938. This abstract piece reflects the Dada movement with which Schwitters was associated, featuring a composition that strays from traditional representational art, embracing the unconventional. The artwork measures 87.8 by 72 centimeters and employs a variety of materials to achieve its complex …

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Untitled (D’Cily) (1942) by Kurt Schwitters

The artwork “Untitled (D’Cily)” was crafted by the artist Kurt Schwitters in the year 1942. As an abstract composition, it belongs to the Dada art movement, which is known for its avant-garde and often non-conformist approach to art, emphasizing absurdity and spontaneity. The genre reflects an intellectual and emotive exploration beyond representational boundaries and seeks …

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Katharina Ondulata (1920; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork “Katharina Ondulata,” created by artist Max Ernst in 1920, is a symbolic painting that originates from the Dada art movement. The piece was crafted in Cologne, Germany, and employs a mixture of mediums, including gouache, pencil, ink, and paper. With dimensions of 31.5 x 27.5 cm, the artwork is part of the collection …

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Untitled (c.1920; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork under discussion is an untitled piece by artist Max Ernst, dated to around 1920 and originating from Cologne, Germany. Executed as a collage on paper, it exemplifies the Dada art movement, which is recognized for its avant-garde and often anarchic qualities. This particular piece is categorized within the genre of symbolic painting, utilized …

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Untitled (c.1920; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork in question is an untitled piece by Max Ernst, created around 1920 in Cologne, Germany. The medium employed is collage on paper, which fits into the artistic practices of Dada, an avant-garde movement characterized by its radical opposition to the cultural and intellectual conformities of the time. As a symbolic painting, the artwork …

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Untitled (Dada) (c.1922; Cologne / Cöln / Köln, Germany) by Max Ernst

Entitled “Untitled (Dada)” and crafted circa 1922 in Cologne, Germany, this artwork is a creation of artist Max Ernst. It is a symbolic painting belonging to the Dada art movement. The medium of the artwork is oil on canvas, with dimensions measuring approximately 43.2 by 31.5 centimeters. The painting is part of the collection at …

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La Grande Roue Orthochromatique… (1919; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork, titled “La Grande Roue Orthochromatique…” by Max Ernst, dates back to 1919 and was created in Cologne, Germany. It is a symbolic painting belonging to the Dada art movement, rendered in gouache on paper. The composition displays an intricate and abstract arrangement of geometric forms and mechanical elements. In the artwork, various objects …

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Hydrometric Demonstration (1920; Cologne / Cöln / Köln, Germany) by Max Ernst

“Hydrometric Demonstration,” created by Max Ernst in 1920 in Cologne, Germany, is a collage and gouache artwork on paper, belonging to the Dada art movement and falling under the genre of still life. The artwork features a stunning array of mechanical and scientific instruments seemingly assembled in an imaginative and surreal arrangement. It conveys a …

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Loplop Introduces Loplop (1930; Paris, France) by Max Ernst

The artwork, “Loplop Introduces Loplop” by Max Ernst, created in 1930 in Paris, France, is a manifestation of the Dada art movement. This symbolic painting, with dimensions of 100 x 180 cm, employs a combination of collage, oil, and wood techniques. Currently housed in a private collection, it intricately blends surreal imagery and symbolic figures. …

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Punching Ball or the Immortality of Buonarroti (1920; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork entitled “Punching Ball or the Immortality of Buonarroti,” created by Max Ernst in 1920, originates from Cologne, Germany. The piece is rendered using gouache, photomontage, and ink, and it belongs to the Dada art movement. Categorized as a self-portrait, this artwork combines Ernst’s penchant for innovation with the surrealist and anti-establishment ethos of …

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Stratified Rocks, Nature’s Gift of Gneiss Lava Iceland Moss… (1920; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork titled “Stratified Rocks, Nature’s Gift of Gneiss Lava Iceland Moss…” was created by the artist Max Ernst in 1920 in Cologne, Germany. Rendered with gouache and pencil on cardboard, it reflects the Dada art movement. The artwork measures 19.1 by 24.1 centimeters and is categorized as a symbolic painting. It is currently housed …

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Switzerland, Birth-Place of Dada (1920; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork “Switzerland, Birth-Place of Dada” was created by Max Ernst in 1920 in Cologne, Germany. This piece is a collage made on paper, and it belongs to the Dada art movement. It falls within the genre of symbolic painting. In the artwork, the viewer is presented with a surreal assemblage that includes human figures …

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Ambiguous Figures (1 copper plate, 1 zinc plate, 1 rubber cloth…) (c.1919; Cologne / Cöln / Köln, Germany) by Max Ernst

“Ambiguous Figures (1 copper plate, 1 zinc plate, 1 rubber cloth…),” created by Max Ernst circa 1919 in Cologne, Germany, employs collage, gouache, Indian ink, and paper as its mediums. The artwork belongs to the Dada and Metaphysical art movements and falls within the genre of symbolic painting. The artwork presents an abstract and surreal …

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The Chinese Nightingale (1920; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork titled “The Chinese Nightingale” was created by Max Ernst in 1920 in Cologne / Cöln / Köln, Germany. It is a photomontage medium adhering to the Dada art movement. The dimensions of the artwork are 12.2 x 8.8 cm, and it falls within the genre of symbolic painting. The artwork features an enigmatic …

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The Elephant Celebes (1921; Cologne / Cöln / Köln, Germany) by Max Ernst

“The Elephant Celebes,” created by Max Ernst in 1921 in Cologne, Germany, is a distinguished work of art measuring 125.4 x 107.9 cm. This symbolic painting, crafted using collage and oil on canvas, belongs to the Dada and Metaphysical art movements. The artwork is currently housed in the Tate Modern, London, UK. The artwork “The …

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The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (1920; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork “The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses,” created by Max Ernst in 1920, is a gouache painting on paper. It belongs to the Dada art movement and is classified as a symbolic painting. This artwork, measuring 74.3 x 99.7 cm, …

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (1920; Cologne / Cöln / Köln, Germany) by Max Ernst Read More »

The postman Cheval (1932; Paris, France) by Max Ernst

“The Postman Cheval,” created by Max Ernst in 1932 in Paris, France, is a symbolic painting embodying the Dada art movement. The artwork utilizes the medium of collage on paper, characteristic of Dada’s exploration of surrealistic and symbolic themes. The artwork is a collage that intricately combines various elements to create a surreal composition. Central …

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Cormorants (1920; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork, entitled “Cormorants,” was created by Max Ernst in 1920 in Cologne (Cöln/Köln), Germany. This piece employs the medium of collage on paper and belongs to the Dada art movement, categorizing it within the genre of symbolic painting. The artwork features a surreal assemblage of various elements intricately arranged in a dreamlike scene. In …

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The Small Fistule That Says Tic Tac (1920; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork titled “The Small Fistule That Says Tic Tac,” created by Max Ernst in 1920 in Cologne, Germany, is a symbolic painting from the Dada art movement. This piece was executed using gouache on paper and measures 36.2 x 24.5 cm. It is currently housed in the Museum of Modern Art (MoMA) in New …

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The Young Chimaera (1920; Cologne / Cöln / Köln, Germany) by Max Ernst

“The Young Chimaera,” created by Max Ernst in 1920 in Cologne, Germany, is a Dada artwork measuring 25.5 by 8.5 cm. This symbolic painting, housed in a private collection, is crafted using collage, gouache, watercolor, and paper. The artwork depicts a surrealistic figure, which appears to be a fantastical hybrid creature, seemingly embodying multiple elements …

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The Imaginary Portrait of the Marquis de Sade by Man Ray

“The Imaginary Portrait of the Marquis de Sade,” created by Man Ray, is an oil painting on canvas and is classified under the Dada art movement. This portrait can be found in a private collection. The artwork evokes a surreal and enigmatic atmosphere, consistent with the Dada movement’s penchant for challenging conventional aesthetics and norms. …

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Tristan Tzara (1921) by Man Ray

The artwork titled “Tristan Tzara,” created by the acclaimed artist Man Ray in the year 1921, embodies the essence of the Dada art movement through the medium of photography. As a prominent figure in the Dadaist genre, Man Ray’s composition juxtaposes seemingly unrelated elements to challenge conventional perceptions and evoke a sense of surrealism. In …

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Untitled (Aztec figurine of the goddess Tlazoteotl) (c.1932) by Man Ray

The artwork titled “Untitled (Aztec figurine of the goddess Tlazoteotl)” is a photomontage and gelatin silver print created by Man Ray around 1932. This piece is associated with the Surrealism and Dada art movements and falls under the genre of photo. It is part of the collection at the Museum of Modern Art (MoMA) in …

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A Night at Saint Jean by Man Ray

“A Night at Saint Jean” is an artwork by the renowned artist Man Ray, known for his association with the Dada art movement. This piece, categorized as figurative, embodies the avant-garde and often unconventional characteristics typical of Dada. The artwork depicts a solitary figure standing in an expansive, seemingly infinite landscape. The landscape is rendered …

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Cadeau/Gift (Replica of the Lost 1921 Original) by Man Ray

The artwork, entitled “Cadeau/Gift (Replica of the Lost 1921 Original),” is a piece by the renowned artist Man Ray, associated with the Dada art movement. Classified under the genre of sculpture, this particular piece is held within a private collection. The artwork exemplifies the avant-garde and provocative spirit of the Dada movement. “Cadeau/Gift” features an …

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Composition (Marchand de Couleurs) (1929) by Man Ray

The artwork, titled “Composition (Marchand de Couleurs)” and created by Man Ray in 1929, exemplifies the Dada art movement through its abstract genre. Rendered in oil and pencil on linen, the piece reflects the innovative spirit characteristic of Man Ray’s artistic endeavors during this period. “Composition (Marchand de Couleurs)” demonstrates a harmonious yet striking blend …

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