The artwork titled “Amanda in The Mirror” is a photograph created by the artist Nan Goldin. It belongs to the Contemporary and Feminist Art movements. The artwork depicts a young woman named Amanda standing in front of a mirror, engaging in what appears to be a moment of introspection or preparation. She holds a compact …
The artwork, titled “At the Bar. C. Toon and So, Bangkok”, was created by Nan Goldin in 1992. This piece is a part of the Contemporary and Feminist Art movements and falls under the genre of both photography and nude painting (nu). In the artwork, Goldin captures a vivid and intimate scene at a bar, …
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The artwork titled “Misty and Jimmy,” created by the artist Nan Goldin in 1980, is a notable piece within the Contemporary and Feminist Art movements. This photograph captures a moment between two individuals, presumably “Misty” and “Jimmy,” who are seated in the back of a vehicle. Goldin, known for her candid and raw style, delivers …
The artwork titled “Sharon W. the Christmas Tree, NYC,” created by artist Nan Goldin in 1990, belongs to the Contemporary and Feminist Art movements and is a photograph. This piece is emblematic of Goldin’s exploration of intimate and raw moments, capturing the essence of her subjects in unguarded states. In the artwork, a person with …
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The artwork, titled “Abduction,” was created by Harmonia Rosales in 2017. It is associated with the Postcolonial and Feminist Art movements and falls under the genre of symbolic painting. In the artwork, a powerful and dynamic scene is depicted. It features a figure, draped in a flowing pink cloth, intertwined with a majestic eagle against …
The artwork titled “Assumption of a Woman,” created by Harmonia Rosales in 2020, falls under the genres of Postcolonial art and Feminist Art. Characterized as a symbolic painting, it embodies themes central to the intersection of cultural identity and gender. In the artwork, four figures elevate a central woman, all appearing to defy gravity as …
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The artwork “Awakening,” created by Harmonia Rosales in 2017, belongs to the postcolonial art and feminist art movements and is a symbolic painting from the series “B.I.T.C.H. Black Imaginary To Counter Hegemony (2017).” The painting vividly captures a narrative rich in symbolism and cultural recontextualization. The artwork portrays two figures, one depicted soaring above with …
“Beauty,” created in 2019 by Harmonia Rosales, is a distinguished piece within the realms of Postcolonial and Feminist art. This religious painting is part of the artwork series “The Orisha’s (2019)” and embodies a profound and meaningful aesthetic. The artwork illustrates two regal figures, both adorned with intricate golden accents on their skin, set against …
The artwork titled “Birth of Oshun” by Harmonia Rosales, created in 2017, is a notable piece in the art movements of Postcolonial Art and Feminist Art. This mythological painting is part of the series “B.I.T.C.H. Black Imaginary To Counter Hegemony (2017).” The artwork depicts a reimagining of the mythological scene popularized by Botticelli’s “The Birth …
The artwork titled “I Exist,” created by Harmonia Rosales in 2017, is a part of her series “B.I.T.C.H. Black Imaginary To Counter Hegemony.” It belongs to the postcolonial and feminist art movements and falls within the genre of religious painting. The central theme of the artwork reflects a reimagining and subversion of traditional biblical narratives …
The artwork titled “Lioness,” created by Harmonia Rosales in 2017, is a symbolic painting that belongs to the art movements of Postcolonial and Feminist Art. It is part of Rosales’s series titled “B.I.T.C.H. Black Imaginary To Counter Hegemony (2017).” In this representation, the artist portrays a serene, intimate scene where a woman and a majestic …
The artwork, titled “Our Lady of Regla,” was created by Harmonia Rosales in 2019. It falls under the art movements of Postcolonial art and Feminist art and belongs to the genre of religious painting. “The artwork” depicts an ethereal vision of the Madonna and Child but reframes this iconic Christian imagery within a postcolonial and …
The artwork titled “Oya’s Betrayal” was created by Harmonia Rosales in 2020. It belongs to the art movements of Postcolonial art and Feminist Art and is classified under the genre of religious painting. The artwork depicts a scene imbued with significant cultural and religious symbolism. Three central figures are clad in ornate, flowing garments, their …
“The Annunciation of a Woman” is a religious painting created in 2018 by the artist Harmonia Rosales. The artwork belongs to the Postcolonial and Feminist art movements. The artwork portrays a significant scene wherein the central focus lies on two elegantly depicted figures set against a gilded background. On the left, a winged figure draped …
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“The Creation of God” by Harmonia Rosales, completed in 2017, is a significant contribution to the Postcolonial and Feminist art movements. This religious painting is part of the “B.I.T.C.H. Black Imaginary To Counter Hegemony (2017)” series. The artwork reimagines Michelangelo’s iconic fresco, “The Creation of Adam,” by presenting Black women in the roles of God …
The artwork named “The Virgin,” created by Harmonia Rosales in 2017, belongs to the genres of Postcolonial art and Feminist Art. It is a religious painting and part of the series “B.I.T.C.H. Black Imaginary To Counter Hegemony (2017).” The artwork portrays a mother and child, reflecting traditional imagery often associated with the Virgin Mary and …
“The Virtuous Woman” is a symbolic painting created by Harmonia Rosales in 2017. This work is part of the postcolonial and feminist art movements and belongs to the B.I.T.C.H. Black Imaginary To Counter Hegemony series of 2017. The artwork features a woman depicted in a manner reminiscent of Leonardo da Vinci’s Vitruvian Man, emphasizing symmetry …
The artwork titled “Woman-House” by Louise Bourgeois, created in 1947 in France, employs oil on canvas as its medium. This piece is part of the artist’s series “Femme Maison” and is situated within the Surrealism and Feminist Art movements. It is considered a symbolic painting, capturing complex themes of identity and the roles of women. …
The artwork “Woman-House” created by Louise Bourgeois in 1983, is a significant piece within the United States that is considered part of both the Confessional Art and Feminist Art movements. This installation is one of the works from the “Femme Maison” series. The genre of this artwork transcends traditional forms of expression, engaging with themes …
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“Woman-House,” created by Louise Bourgeois in 1994 in the United States, belongs to the art movements of Confessional Art and Feminist Art. This sculpture is part of Bourgeois’s “Femme Maison” series. The artwork embodies the unique fusion of the human form with a domestic structure, presenting a powerful visual commentary on the themes of identity, …
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“Fallen Woman (Femme Maison)” is a figurative artwork created by Louise Bourgeois between 1946 and 1947, falling under the art movements of Feminist Art and Surrealism. It is part of the “Femme Maison” series. The artwork depicts a female figure in a surreal and abstract form. The woman’s body blends into the architecture, specifically a …
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The artwork titled “Femme Maison” was created by Louise Bourgeois in 1947. It belongs to the Feminist Art and Surrealism movements and falls under the genre of figurative art. This piece is part of Bourgeois’s “Femme Maison” series. The artwork presents a provocative and complex image, combining figurative elements with surrealist touches. It depicts a …
“Femme Maison,” created by Louise Bourgeois between 1945 and 1947, is a significant work that falls under the art movements of Feminist Art and Surrealism. The piece is part of the “Femme Maison” series and belongs to the figurative genre, demonstrating Bourgeois’s distinctive approach to exploring themes of female identity and domesticity. The artwork depicts …
The artwork titled “Femme Maison,” created by Louise Bourgeois between 1945 and 1947, is a noteworthy piece associated with the Feminist Art and Surrealism movements. This figurative artwork belongs to the “Femme Maison” series. In the artwork, a female figure is depicted, but rather than a head, the figure’s torso is surmounted by a small …
The artwork titled “Femme Maison,” created by Louise Bourgeois in 1947, is a part of the “Femme Maison” series and is associated with both the Feminist Art and Surrealism movements. It belongs to the figurative genre. In the artwork, a female figure is depicted with a house as her upper body, replacing her head and …
The artwork titled “Femme Maison” was created by Louise Bourgeois in 1981. This sculpture is part of the “Femme Maison” series and is associated with the Confessional Art and Feminist Art movements. The piece exemplifies the genre of sculpture, reflecting Bourgeois’ introspective and feminist concerns. The artwork is a sculptural representation dominated by elongated, cylindrical …
The artwork titled “Femme Maison” was created in 1982 by the artist Louise Bourgeois. It is part of the “Femme Maison” series and belongs to the Confessional and Feminist Art movements. This sculpture genre piece is a reflective and evocative representation of gender and identity themes prevalent in Bourgeois’ oeuvre. The artwork features a female …
The artwork, “Femme Maison” by Louise Bourgeois, created in 1994, is a profound representation within the Confessional Art and Feminist Art movements. This sculpture belongs to the “Femme Maison” series and poignantly encapsulates themes central to these movements. The artwork displays a stark white house structure encompassing the body of a woman where her head …
The artwork, titled “Femme Maison,” created by the renowned artist Louise Bourgeois in 2001, is a part of the art movements Confessional Art and Feminist Art. This fascinating piece belongs to the genre of sculpture and is a part of the “Femme Maison” series. “Femme Maison” features a soft, plush human form lying horizontally on …
The artwork titled “Femme Maison” was created by Louise Bourgeois in 2005. This piece falls within the genres of Confessional Art and Feminist Art and belongs to Bourgeois’ “Femme Maison” series, which is known for exploring themes of femininity and domestic life. This particular work is a sculpture, which is indicative of Bourgeois’ interest in …
The artwork, titled “Femme Maison. To Eat or Be Eaten,” was created by the artist Louise Bourgeois circa 1985. This piece belongs to the art movements of Feminist Art and Surrealism, and falls under the figurative genre. It is part of the “Femme Maison” series. The artwork depicts a body of a woman with the …
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The artwork, titled “Untitled,” was created by Louise Bourgeois in 1947. It is part of the “Femme Maison” series and belongs to the Feminist Art and Surrealism movements. The piece is categorized as figurative, sketch, and study, exemplifying Bourgeois’ exploration of themes related to female identity and domesticity within a surreal context. The artwork presents …
The artwork, titled “Les Voleuses De Gratte Ciel,” was created by Louise Bourgeois in 1949. This piece is part of the Feminist Art and Surrealism movements and falls within the figurative, sketch, and study genre. It is also included in Bourgeois’ “Femme Maison” series. The artwork depicts a minimalistic yet evocative sketch characterized by its …
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“An Unpeopled Land In Uncharted Waters,” created by Kara Walker in 2010, is a figurative artwork associated with the Feminist Art movement. The artwork presents a profound visual narrative through its careful use of contrast and form. The composition features a stark black silhouette of a figure against a gradually shaded gray background, which transitions …
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The artwork, titled “A Subtlety,” was created by the artist Kara Walker in 2014. Belonging to the Feminist Art movement, this sculpture exemplifies a powerful commentary on social and historical themes. The artwork is an immense, visually striking sculpture made out of refined white sugar, depicting a sphinx-like figure with distinctly African feminine features. The …
The artwork titled “Br’er” created by Kara Walker in 1996 is part of the Feminist Art movement and falls under the genre of figurative art. The artwork features two humanoid figures rendered in an expressive, monochromatic palette. The central figure is depicted with an exaggerated, voluminous form, incorporating multiple rounded elements that evoke a sense …
The artwork “Burn” by Kara Walker, created in 1998, is a significant representation within the Feminist Art movement and is categorized as figurative. In the artwork, a black silhouette depicts a female figure enshrouded in flames, capturing a moment of intense emotion and drama. The detailed contours of the flames engulf the figure, adding a …
“Christ’s Entry into Journalism” is an artwork created by Kara Walker in 2017. As a piece of feminist art within the figurative genre, it presents a complex and detailed scene that invites deep contemplation and interpretation. The intricate composition is rendered in monochromatic tones, featuring a multitude of figures entangled in various actions, gestures, and …
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The artwork “Confederate Prisoners Being Conducted from Jonesborough to Atlanta, from Harper’s Pictorial History of the Civil War (Annotated)” by artist Kara Walker, created in 2005, falls within the Feminist Art movement and is categorized as figurative art. The piece merges historical representation with a contemporary critique, imbuing the work with layered meanings relevant to …
“**Cotton Hoards in Southern Swamp, from Harper’s Pictorial History of the Civil War (Annotated)**,” created by Kara Walker in 2005, is a figurative artwork belonging to the Feminist Art movement. The artwork is an annotated adaptation of a historical illustration, merging Walker’s signature silhouetted figures with a traditional historical scene. The artwork presents a striking …
The artwork titled “Exodus of Confederates from Atlanta, from Harper’s Pictorial History of the Civil War (Annotated)” was created by the artist Kara Walker in 2005. It belongs to the Feminist Art movement and is classified as figurative in genre. This piece features a striking juxtaposition of silhouettes and historical imagery. In the foreground, a …
The artwork, entitled “Gone, An Historical Romance of a Civil War as It Occurred Between the Dusky Thighs of One Young Negress and Her Heart,” was created by artist Kara Walker in 1994. It belongs to the Feminist Art movement and is categorized as a figurative genre piece. The artwork is a large-scale mural that …
The artwork, titled “Lost Mountain at Sunrise from Harper’s Pictorial History of the Civil War (Annotated),” was created by Kara Walker in 2005 and falls under the Feminist Art movement. It belongs to the figurative genre. In the artwork, a prominent obelisk-like silhouette stands in the foreground, set against a detailed background depicting a mountain …
The artwork titled “Negress Notes,” created by Kara Walker in 1995, is a notable piece within the Feminist Art movement and belongs to the figurative genre. The artwork portrays a poignant scene rendered with intricate detailing and a limited color palette. A faceless male figure, dressed in a simple, workman’s attire, is depicted on his …
The artwork “Untitled” by Kara Walker, created in 1996, belongs to the Feminist Art movement and falls under the figurative genre. The artwork prominently features stark black silhouettes against a white background, creating a strong visual contrast. The silhouettes depict a woman, holding a head, engaging with another person who appears to have a fantastical …
“Untitled Film Still #17” is a photograph by artist Cindy Sherman, created in 1979 as part of her influential “Untitled Film Stills” series. The artwork is associated with the Feminist Art movement, which arose during the late 1960s and 1970s, emphasizing the role of personal politics in the making of art. This particular series of …
“Untitled Film Still #18” is an artwork created by Cindy Sherman in 1979. As a notable piece from the “Untitled Film Stills” series, it falls within the Feminist Art movement, typifying the focus on themes of female identity and representation. Through this black and white photograph, Sherman plays with the conventions of film and gender, …
“Untitled Film Still #19” is a black and white photograph created by artist Cindy Sherman in 1979. As a key figure in the Feminist Art movement, Sherman’s work often explores themes of identity, gender roles, and representation. This photograph is part of her “Untitled Film Stills” series, which consists of staged images that resemble scenes …
“Untitled Film Still #20” is a photographic artwork created by Cindy Sherman in 1979. This piece is a part of the “Untitled Film Stills” series and is associated with the Feminist Art movement. The genre of the artwork is photography, where Sherman often explores the construction of identity and the nature of representation. In “Untitled …
“Untitled Film Still #21” is an artwork by Cindy Sherman created in 1979, and it forms part of her “Untitled Film Stills” series. This series is renowned for its exploration of female roles and identity within the context of feminist art, employing photography as its medium. Sherman’s stills are evocative of scenes from 1950s and …
The artwork “Untitled Film Still #2” by Cindy Sherman, created in 1977, is part of the “Untitled Film Stills” series and is associated with the Feminist Art movement. The piece is a photograph that serves as a commentary on female stereotypes and the representation of women in media. In the black and white image, we …
“Untitled Film Still #14” is an artwork created by Cindy Sherman in 1977, belonging to the broader art movement known as Feminist Art. The genre of this particular piece is photography and it is a part of Sherman’s “Untitled Film Stills” series. The work is a black and white photograph that captures Sherman herself posed …
“Untitled Film Still #15” is a photograph by Cindy Sherman created in 1978, part of her “Untitled Film Stills” series, which is a seminal work in the Feminist Art movement. The photograph is in black and white and depicts a young woman seated by a window. The setting seems to be an indoor room with …
The artwork “Untitled Film Still #16” is by Cindy Sherman, created in the year 1979. It is a part of the Feminist Art movement and belongs to the genre of photography, specifically within Sherman’s “Untitled Film Stills” series. This work, like others in the series, aims to explore gender roles and the depiction of women …
“Untitled Film Still #17” is a black-and-white photograph created by artist Cindy Sherman in 1978. Part of the “Untitled Film Stills” series, it belongs to the Feminist Art movement. Sherman’s work is categorized under the genre of photography and often explores themes of identity and representation. This particular image captures a woman in what appears …
The artwork titled “Doll Clothes,” crafted by Cindy Sherman in 1975, belongs to the Feminist Art movement and is categorized as a photograph. In this piece, Sherman explores themes central to feminist discourse, utilizing her distinct approach to visual art. The artwork features a juxtaposition of two images: on the left, a photo of a …
The artwork titled “Untitled Film Still #22,” created by Cindy Sherman in 1979, belongs to the feminist art movement and is part of the “Untitled Film Stills” series. This genre of artwork is classified as a photograph. In this piece, Sherman explores themes of female identity and representation through the medium of self-portraiture in a …
The artwork “Untitled Film Still #23,” created by Cindy Sherman in 1979, is a significant piece within the Feminist Art movement. This artwork belongs to the genre of photography and is a part of the larger series entitled “Untitled Film Stills.” The black-and-white photograph depicts a young woman dressed in vintage attire, including a buttoned …
The artwork titled “Untitled Film Still #24” by Cindy Sherman, created in 1979, is a notable piece within the Feminist Art movement and belongs to the genre of photography. It is part of the series “Untitled Film Stills,” which consists of staged black-and-white photographs that explore and challenge female stereotypes in popular culture. In the …
“Untitled Film Still #25,” created by Cindy Sherman in 1979, is a renowned piece within the Feminist Art movement. This artwork, a photo, captures a particular moment that evokes a narrative, typical of Sherman’s evocative and nuanced style. The artwork features a young woman standing alongside a body of water, with a pier extending into …
The artwork entitled “Untitled Film Still #26,” created by Cindy Sherman in 1979, is a notable piece within the Feminist Art movement. This photograph is part of Sherman’s renowned series “Untitled Film Stills,” which has significantly contributed to discussions surrounding gender, identity, and representation in art. The artwork captures a solitary figure in a long, …
“Untitled Film Still #27,” created by Cindy Sherman in 1979, is an evocative example of Feminist Art and falls within the genre of photography. This work is part of Sherman’s renowned “Untitled Film Stills” series. The artwork portrays a young woman with a contemplative and somewhat distressed expression. Her attire, a leopard-print collared jacket, and …
The artwork, titled “Untitled Film Still #27b,” was created by Cindy Sherman in 1979. It belongs to the Feminist Art movement and is a photograph that forms part of her renowned series “Untitled Film Stills.” In this monochromatic composition, a woman wearing a nightgown stands barefoot in a corner of a starkly lit corridor. Her …
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“Untitled Film Still #28” is an artwork created by Cindy Sherman in 1979 as part of the Feminist Art movement. This piece belongs to the genre of photography and is a part of her acclaimed series, “Untitled Film Stills.” The artwork depicts a woman standing between two doors, one of which is numbered 508. The …
The artwork “Untitled Film Still #29,” created in 1979 by artist Cindy Sherman, belongs to the Feminist Art movement and is a part of the “Untitled Film Stills” series. This piece, a photograph, exemplifies the genre of photo art. “Untitled Film Still #29” depicts a woman standing against a textured, somewhat deteriorated wall, dramatically lit …
The artwork, “Untitled Film Still #30,” was created by Cindy Sherman in 1979. This piece is part of the Feminist Art movement and belongs to the genre of photographic art. It is one of a series known as the “Untitled Film Stills.” The artwork depicts a close-up, black-and-white photograph of a woman’s face, capturing a …
The artwork titled “Untitled E,” created by Cindy Sherman in 1975, is a significant piece within the Feminist Art movement and falls under the genre of photography. It is part of the series “Untitled A-E.” The artwork features a close-up black-and-white photograph of a person in a striking and evocative pose. The individual is adorned …
“Fashion #123” is a photograph by Cindy Sherman, created in 1983. It is a notable piece within the Feminist Art movement. This artwork captures Sherman’s distinctive style, which often involves elaborate self-portraits that delve into various aspects of identity, gender, and societal roles. In this artwork, Sherman portrays a figure using a direct and somewhat …
The artwork titled “History Portrait #224” was created by Cindy Sherman in 1990. It belongs to the Feminist Art movement and is part of the “History Portraits” series, produced between 1988 and 1990. The genre of this artwork is photographic. In the artwork, a figure dressed in what appears to be classical attire mimicking a …
“Untitled #100” is a photograph created by Cindy Sherman in 1982. This artwork is situated within the Feminist Art movement and is a poignant example of the photo genre. The artwork presents a compelling composition featuring a figure partially veiled in shadow, dressed in a textured red garment that contrasts starkly with the darkness surrounding …
“Untitled #126” is a photograph created by Cindy Sherman in 1983, and it belongs to the Feminist Art movement. In this artwork, the artist explores themes central to the genre through the medium of photography. The artwork depicts an individual clad in distressed, layered clothing which appears to be made from coarse fabric. The attire …
The artwork titled “Untitled #183” was created by the artist Cindy Sherman in 1988. This piece is associated with the Feminist Art movement and falls under the genre of photography. “Untitled #183” is part of Sherman’s “History Portraits” series, which spanned from 1988 to 1990. The artwork depicts a woman dressed in historical attire, suggestive …
The artwork titled “Untitled #193,” created by Cindy Sherman in 1988, is a prominent piece within the Feminist Art movement. Belonging to the “History Portraits” series which spanned from 1988 to 1990, this photograph exemplifies Sherman’s innovative approach to exploring identity and representation through historical referencing. In the artwork, a figure is depicted clad in …
The artwork titled “Untitled #196” by Cindy Sherman, created in 1989, is a notable piece within the Feminist Art movement. As part of her “History Portraits” series, which spanned from 1988 to 1990, this artwork is classified under the genres of portrait and self-portrait. Sherman’s “Untitled #196” exemplifies her unique approach to exploring themes of …
The artwork titled “Untitled,” created by Cindy Sherman in 1976, is part of the feminist art movement and belongs to the photo genre. It is a piece from her series “Bus Riders.” In the artwork, Sherman employs a black-and-white photographic medium to convey her artistic vision. In this artwork, a solitary figure is seated against …
The artwork, created by Cindy Sherman in 1976, is titled “Untitled” and belongs to the “Bus Riders” series. It is a photographic piece that is associated with the Feminist Art movement. In this work, Sherman addresses issues related to identity and representation. In the artwork, a person is seated on a chair against a plain …
The artwork, titled “Untitled Film Still #31,” was created by Cindy Sherman in 1979 as part of the Feminist Art movement. It belongs to the genre of photography and is a piece within the “Untitled Film Stills” series. The artwork features a woman standing against a dimly lit, textured backdrop, partially obscured by shadows. She …
The artwork titled “Untitled Film Still #3,” created by artist Cindy Sherman in 1977, belongs to the Feminist Art movement and is part of the “Untitled Film Stills” series. This genre of the artwork is a photograph. In the artwork, a woman is depicted in what appears to be a domestic setting, characterized by the …
The artwork entitled “Untitled Film Still #32,” created by the distinguished artist Cindy Sherman in 1979, belongs to the Feminist Art movement and falls within the genre of photography. It is part of the larger series known as “Untitled Film Stills.” In the artwork, the viewer is presented with a black-and-white photograph depicting a woman …
“Untitled Film Still #33,” created by Cindy Sherman in 1979, is a photograph that belongs to the Feminist Art movement. This artwork is part of her renowned series titled “Untitled Film Stills.” The artwork features a woman sitting on the edge of a bed in what appears to be a dimly lit, possibly sparsely furnished …
“Untitled Film Still #34” is a photograph created by Cindy Sherman in 1979. The artwork is part of her renowned series “Untitled Film Stills,” which belongs to the Feminist Art movement. This genre of art often employs photography to explore themes related to gender roles and identity. The artwork depicts a woman reclining on a …
The artwork, titled “Untitled Film Still #35,” was created by the artist Cindy Sherman in 1979. It belongs to the Feminist Art movement and is a part of her “Untitled Film Stills” series, which falls under the genre of photographic art. In “Untitled Film Still #35,” Sherman presents an evocative black-and-white photograph that captures a …
“Untitled Film Still #36,” created by Cindy Sherman in 1979, is a part of the Feminist Art movement and belongs to the “Untitled Film Stills” series. The artwork falls under the genre of photography. The artwork features a black and white silhouette of a woman, which appears to capture a moment of dressing or undressing. …
“Untitled Film Still #37,” created in 1979 by Cindy Sherman, belongs to the Feminist Art movement and is a part of her renowned “Untitled Film Stills” series. This artwork falls under the genre of photography. The artwork features a black-and-white photograph depicting a woman standing nonchalantly against a brick fireplace in what appears to be …
The artwork titled “Untitled Film Still #38” was created by Cindy Sherman in 1979. It is part of the “Untitled Film Stills” series and belongs to the Feminist Art movement. Executed in the genre of photography, the artwork is a significant contribution to feminist discourse in the visual arts. In “Untitled Film Still #38,” the …
The artwork, titled “Untitled Film Still #39,” was created by Cindy Sherman in 1979. This work is part of the Feminist Art movement and falls under the photo genre. It belongs to Sherman’s renowned series, “Untitled Film Stills.” The artwork captures a solitary female figure in a domestic setting, seemingly in a state of introspection …
The artwork, titled “Untitled,” is a 1976 piece by Cindy Sherman, a prominent artist associated with the Feminist Art movement. This photographic work belongs to the “Bus Riders” series. In this black and white photograph, a solitary figure is seated on a chair against a plain white backdrop, creating a stark contrast that draws the …
The artwork titled “Untitled,” created by Cindy Sherman in 1976, belongs to the Feminist Art movement and is part of the “Bus Riders” series. This piece falls within the photo genre. The artwork depicts a person seated on a chair against a plain backdrop. The individual is attired in a light-colored jacket, plaid pants, and …
The artwork, “Untitled” by Cindy Sherman, created in 1976, is a notable piece within the Feminist Art movement. It belongs to the “Bus Riders” series and is classified under the genre of photo art. The artwork depicts an individual seated against a stark, white backdrop, which emphasizes the subject’s presence. The subject is dressed in …
The artwork, titled “Untitled,” was created by Cindy Sherman in 1976. It belongs to the Feminist Art movement and falls under the photograph genre. This piece is part of the “Bus Riders” series. The artwork features a single figure seated against a plain backdrop, adorned in a white jacket and plaid pants, with a hat …
The artwork, “Untitled,” created by Cindy Sherman in 1976, is part of the Feminist Art movement and falls under the genre of photography. This particular piece is a part of her series “Bus Riders.” The artwork presents a figure seated against a plain background. The individual is dressed in a white jacket paired with plaid …
The artwork, titled “Untitled” and created by Cindy Sherman in 1976, falls under the Feminist Art movement and is part of the photo genre. It belongs to the “Bus Riders” series. In this artwork, the subject is seated on a simple chair placed against a stark white wall, creating a minimalistic background. The individual is …
“Untitled,” created by Cindy Sherman in 1976, is a photograph that forms part of the “Bus Riders” series—a notable work within the Feminist Art movement. This artwork exemplifies Sherman’s genre and approach, characterized by her depiction of enthralling and provocative personas. In this particular piece, the artwork captures a seated figure against a plain, unadorned …
The artwork titled “Untitled” was created by Cindy Sherman in 1976. It belongs to the art movement known as Feminist Art and is a photograph categorized under the genre of photo. This particular piece is part of Sherman’s “Bus Riders” series. In the artwork, a lone figure is seated on a chair against a plain …
The artwork, titled “Untitled,” was created by Cindy Sherman in 1976. This photo is part of the “Bus Riders” series and falls under the Feminist Art movement. The artwork presents an individual seated on a chair against a stark, plain backdrop. The subject is wearing a dark hat, a light-colored jacket, and wide-legged plaid trousers. …
The artwork under discussion is titled “Untitled,” created by artist Cindy Sherman in 1976. This piece belongs to the Feminist Art movement and is part of the “Bus Riders” series. It is a photographic artwork that exemplifies the genre of staged photography, where Sherman uses herself as a model to explore identity and societal roles. …
“Untitled Film Still #40,” created by Cindy Sherman in 1979, is a notable piece within the realm of Feminist Art. The artwork is a part of Sherman’s acclaimed “Untitled Film Stills” series, which critiques and deconstructs the representation of women in media and cinema. This genre of photography embodies a significant voice in the feminist …
“Untitled Film Still #41” is a photograph created by Cindy Sherman in 1979. This artwork is part of the “Untitled Film Stills” series and is recognized as an important piece within the Feminist Art movement. The artwork depicts a solitary figure, a woman, standing with her hands on her hips. She is dressed in casual …
The artwork titled “Untitled Film Still #4” by Cindy Sherman, dated 1977, is part of the Feminist Art movement. The piece belongs to the photo genre and is a part of the “Untitled Film Stills” series. “Untitled Film Still #4” depicts a solitary female figure standing in a doorway within a stark, dimly lit hallway. …
The artwork titled “Untitled Film Still #42” was created by Cindy Sherman in 1979. This piece is part of the “Untitled Film Stills” series and belongs to the Feminist Art movement, classified under the genre of photography. The artwork depicts a black-and-white scene featuring a solitary woman standing outside a stark, symmetrical building reminiscent of …
The artwork titled “Untitled Film Still #43,” created by Cindy Sherman in 1979, is a salient piece within the Feminist Art movement. It belongs to the genre of photographic art and is part of Sherman’s acclaimed series, “Untitled Film Stills.” The artwork captures a lone female figure, barefoot and dressed in a white outfit, seated …
“Untitled Film Still #44,” created in 1979 by Cindy Sherman, is a photograph that belongs to the Feminist Art movement and is part of the “Untitled Film Stills” series. The artwork features a striking black-and-white depiction of a lone woman standing beside a prominent building that bears the sign “Flagstaff.” The architectural structure, with its …
“Untitled Film Still #45,” created by Cindy Sherman in 1979, is a notable piece within the Feminist Art movement. This photographic artwork belongs to the “Untitled Film Stills” series, which is renowned for its exploration of gender roles and stereotypes in media and society. The artwork features a woman in a swimming pool, partially submerged …
“Untitled Film Still #46,” created by Cindy Sherman in 1979, is a significant work within the Feminist Art movement. This photograph belongs to the renowned “Untitled Film Stills” series, exemplifying the genre of staged photography. The artwork depicts a scene set in a pool, where a solitary figure wearing goggles swims through the water. The …
“Untitled Film Still #47” is an artwork by Cindy Sherman, created in 1979 as part of the Feminist Art movement. This photograph belongs to Sherman’s seminal series “Untitled Film Stills.” The series portrays various archetypical female characters, capturing themes of identity and the portrayal of women in media. The artwork is a black-and-white photograph depicting …
The artwork, titled “Untitled Film Still #48,” was created by Cindy Sherman in 1979 and is part of the Feminist Art movement. It is a photographic work that captures a staged scene reminiscent of film stills, exploring themes of identity and societal roles. In the artwork, the viewer is presented with a black-and-white photograph depicting …
The artwork titled “Untitled,” created by Cindy Sherman in 1976, is a significant piece within the Feminist Art movement. This photograph belongs to her “Bus Riders” series, which delves into themes of identity and social roles. The artwork features a black-and-white image of a figure seated against a plain backdrop, clad in casual attire that …
The artwork, titled “Untitled,” is a photograph created by artist Cindy Sherman in 1976. It belongs to the Feminist Art movement and is part of the “Bus Riders” series. This particular piece falls under the genre of photo art. In this black and white photograph, a subject sits against a plain, light-colored wall. The subject, …
The artwork “Untitled #198,” a piece created in 1989 by artist Cindy Sherman, is part of the “History Portraits” series from 1988 to 1990 and belongs to the Feminist Art movement. Noted for its photographic genre, the artist’s work explores themes of identity, representation, and the role of women in historical and cultural contexts. In …
“Untitled #199” by Cindy Sherman, created in 1989, is an evocative piece from the “History Portraits (1988-1990)” series. This artwork is representative of the Feminist Art movement and is executed in the genre of photography. The artwork showcases a woman dressed in what appears to be vintage attire, suggestive of an era from the past. …
The artwork, titled “Untitled #200,” was created by Cindy Sherman in 1989 and belongs to the art movement known as Feminist Art. It is categorized under the genres of portrait and self-portrait, and is a part of the series “History Portraits” which spans from 1988 to 1990. The artwork features a person dressed in elaborate …
The artwork titled “Untitled” by artist Cindy Sherman, created in 2010, represents the Feminist Art movement and falls under the photo genre. In the artwork, two distinct figures are prominently presented against a backdrop that portrays a mirrored black-and-white landscape scene, suggesting a garden or park. On the left side of the artwork, there is …
The artwork titled “Untitled” by Cindy Sherman, created in 2010, is a significant piece in the Feminist Art movement and falls under the genre of photo. The composition prominently features two figures, positioned against an intricately detailed black and white backdrop. Each figure appears in a distinct costume and pose, evoking a narrative rich with …
The artwork titled “Untitled,” created by Cindy Sherman in 2010, is a prominent piece within the Feminist Art movement and belongs to the genre of photography. This particular artwork features two distinct female figures against a black-and-white background depicting a natural scenery with a path leading into a wooded area. On the left, a woman …
The artwork, “Untitled” by Cindy Sherman, created in 2010, belongs to the Feminist Art movement and falls under the photo genre. In the composition, two female figures are set against the backdrop of a symmetrically mirrored black-and-white photograph of a lush and serene garden pathway. The figure on the left, dressed in a form-fitting, vintage-style …
“Untitled #201,” created in 1989 by Cindy Sherman, is a photographic piece that belongs to the feminist art movement. This artwork is part of Sherman’s “History Portraits” series, which she produced between 1988 and 1990. The artwork depicts a person dressed in historical attire, resembling clothing from the late 18th to early 19th century. The …
The artwork, titled “Untitled Film Still #49,” was created by Cindy Sherman in 1979 and is a part of the “Untitled Film Stills” series. This piece belongs to the Feminist Art movement and falls under the genre of photography. In the artwork, a woman is captured in black and white, standing near an open closet …
“Untitled Film Still #50,” created by Cindy Sherman in 1979, is an eminent piece belonging to the Feminist Art movement. This photograph is part of her renowned series, “Untitled Film Stills.” In this artwork, the scene is set within a dimly lit, sophisticated living room, characterized by mid-century modern furniture and ambient lighting. The central …
The artwork titled “Untitled Film Still #5” is a part of the series “Untitled Film Stills” by artist Cindy Sherman, created in 1977. It belongs to the Feminist Art movement and is categorized within the genre of photography. The artwork presents a black and white photograph of a woman, centrally framed and gazing thoughtfully while …
“Untitled Film Still #53” by Cindy Sherman is a black-and-white photograph created in 1980, exemplifying the Feminist Art movement. This piece is part of Sherman’s influential “Untitled Film Stills” series and is currently housed at the Allen Memorial Art Museum (AMAM) in Oberlin, Ohio, USA. The artwork is notable for its commentary on female identity …
The artwork, “Untitled Film Still #6” by Cindy Sherman, was created in 1977 and falls within the Feminist Art movement. This particular piece is part of the “Untitled Film Stills” series, which consists of photographic works. In “Untitled Film Still #6,” a woman is depicted in a black-and-white photograph, reclining on a bed and gazing …
The artwork “Untitled Film Still #62” by Cindy Sherman, created in 1977, falls within the Feminist Art movement and belongs to the genre of photography. This piece is part of the “Untitled Film Stills” series. In the artwork, a black and white photograph, we observe a woman sitting on the floor in a domestic setting. …
“Untitled Film Still #7,” created in 1977 by Cindy Sherman, is a prominent piece in the Feminist Art movement. The artwork, part of the “Untitled Film Stills” series, is a black-and-white photograph that exemplifies the genre’s exploration of female identity and societal roles. The artwork features a woman posing provocatively in a domestic setting, with …
“Untitled Film Still #8” is a photograph produced by Cindy Sherman in 1977, forming part of the “Untitled Film Stills” series, emblematic of the Feminist Art movement. The artwork, quintessentially a black-and-white photograph, typifies the photo genre and showcases themes central to the exploration of female identity and representation in visual culture. In the artwork, …
“Untitled Film Still #84,” created in 1979 by artist Cindy Sherman, is a significant work within the Feminist Art movement. This evocative photograph is part of Sherman’s renowned “Untitled Film Stills” series and exemplifies her talent in using staged imagery to critique gender and identity. The artwork depicts a female figure positioned in a domestic …
The artwork titled “Untitled Film Still #9” was created by Cindy Sherman in 1977. This piece is part of the feminist art movement and falls within the genre of photo. It belongs to Sherman’s renowned series “Untitled Film Stills”. In the artwork, a woman is seen lounging on a beachside patio, seated on a reclining …
The artwork, titled “Untitled #204” by Cindy Sherman, was created in 1989 as part of the “History Portraits” series, which spans from 1988 to 1990. Falling under the Feminist Art movement, this photographic piece exemplifies the genre’s critical engagement with themes of identity, representation, and the constructed nature of visual culture. In “Untitled #204,” the …
“Untitled #205,” created by artist Cindy Sherman in 1989, is a portrait and self-portrait artwork that belongs to the feminist art movement. It is part of her renowned series “History Portraits (1988-1990).” The artwork depicts a woman captivatingly posed against a dark, richly textured floral backdrop. The subject, semi-nude and draped in a delicate lace …
“Untitled #207” is an artwork created by Cindy Sherman in 1989, falling within the Feminist Art movement. This piece, characterized as both a portrait and self-portrait, is part of the “History Portraits” series (1988-1990). The artwork captures the transformative and performative aspects of Sherman’s practice, wherein she adopts various historical personas, thus engaging in a …
“Untitled #209,” created by Cindy Sherman in 1989, belongs to the feminist art movement and falls under the genre of portraiture and self-portraiture. This artwork is a part of her distinguished “History Portraits” series, which was active between 1988 and 1990. The artwork portrays a figure dressed in elaborate historical attire, reminiscent of Renaissance portraiture. …
The artwork, entitled “Untitled #210,” was created by Cindy Sherman in 1989. It is a part of the “History Portraits” series, which spans from 1988 to 1990, and belongs to the Feminist Art movement. The piece falls within the photographic genre. The artwork presents a meticulously staged self-portrait, where the artist has transformed herself into …
“Untitled #211” by Cindy Sherman, created in 1989, is a notable work within the Feminist Art movement. As part of her “History Portraits” series from 1988 to 1990, this photographic artwork exemplifies Sherman’s exploration of identity, gender, and representation through the lens of historical portraiture. The artwork presents a meticulously constructed and evocative portrait featuring …
“Untitled #213” is an artwork created by Cindy Sherman in 1989. This piece belongs to the History Portraits series (1988-1990) and is associated with the Feminist Art movement. The artwork is classified within the genres of portrait and self-portrait. In this particular composition, the artist, Cindy Sherman, has utilized complex costuming, makeup, and props to …
The artwork in question is “Untitled #214,” created by Cindy Sherman in 1989. This piece is part of the “History Portraits” series, produced from 1988 to 1990, and belongs to the Feminist Art movement. Categorized under the genre of photography, the artwork showcases Sherman’s renowned approach to exploring identity, gender roles, and societal norms through …
“Untitled #215” is an artwork created by Cindy Sherman in 1989. It belongs to the Feminist Art movement and is a part of her “History Portraits” series, produced between 1988 and 1990. This particular piece falls under the genres of portrait and self-portrait. In the artwork, the subject is adorned in elaborate, historical attire, meticulously …
“Untitled #216” is an artwork created by Cindy Sherman in 1989. The piece is part of the “History Portraits” series, produced between 1988 and 1990, and is considered an example of Feminist Art within the genre of photographic artwork. The artwork features a female figure dressed in elaborate historical attire, reminiscent of Renaissance portraits. The …
The artwork, “Untitled #223,” was created by Cindy Sherman in 1989. It belongs to the series “History Portraits” which was produced between 1988-1990 and is associated with the Feminist Art movement. The genre of this piece is a photograph. In “Untitled #223,” a woman, dressed in clothing reminiscent of historical paintings, is depicted holding a …
The artwork “Untitled #225,” created by Cindy Sherman in 1990, is part of the “History Portraits” series, which spans from 1988 to 1990. This photographic piece belongs to the genre of feminist art, specifically within the photo medium. In “Untitled #225,” Sherman employs her characteristic approach of self-portraiture, posing in elaborate costumes and makeup to …
The artwork, titled “Untitled #226,” was created by the artist Cindy Sherman in 1990. It belongs to the Feminist Art movement and falls under the genre of photography. This piece is part of the “History Portraits” series, which was produced between 1988 and 1990. In this artwork, the subject is depicted in a classic and …
The artwork titled “Untitled #228” by Cindy Sherman, created in 1990, belongs to the Feminist Art movement and falls within the genre of photography. This piece is part of the “History Portraits” series, created between 1988 and 1990. The artwork depicts a figure adorned in a flowing red robe, cinched with darker sashes, accentuating an …
“Untitled #250” is an artwork created by Cindy Sherman in 1992, belonging to the Feminist Art movement and classified under the photo genre. The artwork presents a sculptural mannequin resembling an elderly woman, lying on a dense bed of disheveled, dark hair. The figure, with an exaggerated anatomical form, includes prominent artificial breasts and a …
The artwork, created by Cindy Sherman in 1992, is titled “Untitled #263”. It belongs to the feminist art movement and falls under the genre of photography. The artwork presents a complex, surreal scene featuring fragmented and disembodied elements of mannequins and artificial body parts. At the center, a torso clad in a patterned sash lies …
“Untitled #296,” created by Cindy Sherman in 1994, is a significant piece within the Feminist Art movement and is classified as a photograph. This artwork is remarkable for its complex and evocative portrayal of identity and representation. The artwork features a figure cloaked in a white garment, sitting in a somewhat theatrical pose. The figure’s …
The artwork titled “Untitled #299,” created by Cindy Sherman in 1994, is a significant piece within the Feminist Art movement. This photograph falls under the genre of photo, reflecting Sherman’s distinct commentary on gender, identity, and societal roles. In examining the artwork, one notices its dramatic and theatrical quality. The central figure, presumably portrayed by …
The artwork titled “Untitled #351” is a photograph created by Cindy Sherman in the year 2000, and it is associated with the Feminist Art movement. The genre of the artwork is photo. The artwork features a figure portrayed in elaborate makeup and costume. The subject wears a lavender and silver metallic outfit, highlighting a distinct …
The artwork is titled “Untitled #353,” created by Cindy Sherman in the year 2000. It belongs to the Feminist Art movement and is categorized under the genre of photography. In the artwork, a figure is depicted seated and exuding a composed yet somewhat defiant demeanor. The individual is portrayed with elaborate makeup, particularly distinctive blue …
The artwork titled “Untitled #354,” created by Cindy Sherman in the year 2000, belongs to the Feminist Art movement and is classified as a photo. This work exemplifies Sherman’s distinctive approach to exploring identity and societal roles through elaborate self-portraiture. In the artwork, a woman is portrayed seated against a plain backdrop. She wears a …
“Untitled #355,” created by Cindy Sherman in the year 2000, is a notable piece within the Feminist Art movement. This photo artwork exemplifies Sherman’s exploration of identity, representation, and the constructed nature of femininity. In the artwork, the subject is depicted in a highly stylized manner, characteristic of Sherman’s work. The figure, adorned with exaggerated …
The artwork titled “Untitled #359,” created by Cindy Sherman in the year 2000, is a part of the Feminist Art movement and falls within the genre of photography. The artwork features a striking depiction of a female figure with pronounced facial makeup and a braided hairstyle, adorned with multiple layers of jewelry. The subject’s gaze …
“Untitled #360,” crafted in the year 2000 by Cindy Sherman, is a prominent piece within the Feminist Art movement. This artwork, categorized within the genre of photography, is emblematic of Sherman’s distinctive approach to exploring themes surrounding identity and representation. The artwork depicts a female figure with exaggerated makeup, emphasizing heavy blush, strikingly red lips, …
