The artwork “Dances of Mexico” by Carlos Merida, created in 1939, is an expression of the Muralism movement and falls within the genre painting category. The painting embodies the cultural spirit and traditional dance themes from Mexico, a common subject of the time that sought to depict everyday life and the country’s rich heritage. The …
The artwork, titled “Dances of Mexico,” was created by the artist Carlos Merida in the year 1939. This piece is aligned with the Muralism art movement and belongs to the genre of genre painting. The artwork vividly embodies the essence of Mexican culture through its depiction of traditional dancers. Utilizing bold and simplified forms, Merida …
“Figures at Work” is a genre painting created by Carlos Merida in 1927, belonging to the Muralism art movement. The artwork depicts a series of figures engaged in laborious activities, emphasizing the communal and collaborative nature of manual work. In the artwork, four individuals, dressed in simple attire with red and white clothing, are engaged …
The artwork, titled “Musicians,” was created by the artist Carlos Merida in 1927. It belongs to the Muralism art movement and falls under the genre painting category. In this artwork, Carlos Merida presents a group of five musicians, dressed in traditional attire. The figures are positioned against a plain background, drawing attention to their vivid …
The artwork titled “Native Couple,” created by artist Carlos Merida in 1939, belongs to the Muralism art movement and falls under the genre of genre painting. This piece is an exemplary representation of Merida’s work and reflects the cultural themes that Muralism often addresses. In the artwork, a man and a woman are depicted in …
The artwork, titled “Desocupados (detalle)”, was created by Antonio Berni in 1934. It belongs to the Social Realism and Muralism movement and falls under the genre of genre painting. In the artwork, a group of men is depicted sitting in a line, appearing to be in a state of dejection and idleness. Their postures and …
The artwork named “Jujuy” was created by the artist Antonio Berni in 1937. It falls within the art movements of Social Realism and Muralism, and it is categorized as a genre painting. In the artwork, a group of people, primarily women and children, are depicted engaged in daily activities, likely set in a rural or …
The artwork titled “LA NIÑA” by Antonio Berni, belongs to the Social Realism and Muralism art movements and is a portrait genre piece. In the artwork, a young girl is depicted seated while holding a small stringed instrument, likely a guitar. She is dressed in a modest outfit consisting of a light-colored cardigan and dress, …
The artwork titled “Manifestacion (Demonstration)” was created by Antonio Berni in 1934. It belongs to the art movements of Social Realism and Muralism and is categorized within the genre of genre painting. In “Manifestacion”, Antonio Berni captures a vivid moment of social unrest and collective expression. The artwork portrays a densely packed crowd of individuals, …
Manifestacion, (Demonstration) (1934) by Antonio Berni Read More »
“Maquette for The Story of LA” is an artwork created by Carlos Almaraz in 1988. This piece is associated with the Muralism art movement and serves as both a mural and a study sketch. The artwork is a vibrant and intricate narrative that visually encapsulates various scenes and elements representing Los Angeles. The artwork spans …
Maquette for The Story of LA (1988) by Carlos Almaraz Read More »
“Mutiny on the Amistad,” painted by Hale Woodruff between 1938 and 1939, belongs to the art movement known as Muralism. Categorized as both a mural and a history painting, this artwork is part of the larger Amistad Murals series created during the same period. The artwork portrays a dynamic and tumultuous scene aboard the ship …
Mutiny on the Amistad (1938 – 1939) by Hale Woodruff Read More »
The artwork, titled “Opening Day at Talladega College,” was created by Hale Woodruff between 1938 and 1939. Belonging to the Muralism and Regionalism movements, this piece is a part of the “Amistad Murals (1938-1939)” series and falls under the mural and history painting genres. The artwork vividly portrays the bustling activities and vibrant community spirit …
Opening Day at Talladega College (1938 – 1939) by Hale Woodruff Read More »
“Repatriation of the Freed Captives” is an exquisite mural created by Hale Woodruff in 1939, belonging to the art movements of Muralism and Regionalism. Part of the Amistad Murals series (1938-1939), this historical painting vividly captures a moment of significant historical import. The artwork is rich in vibrant color, dynamic composition, and expressive figures. It …
Repatriation of the Freed Captives (1939) by Hale Woodruff Read More »
The artwork titled “The Building of Savery Library,” created by Hale Woodruff in 1942, belongs to the art movements of Muralism and Regionalism. The piece is part of the “Amistad Murals (1938-1939)” series and is categorized as both a mural and genre painting. This mural depicts a vibrant and dynamic construction scene, illustrating a group …
The Building of Savery Library (1942) by Hale Woodruff Read More »
The artwork, entitled “Trial of the Amistad Captives,” was created by Hale Woodruff in 1939. It belongs to the art movement of Muralism and falls within the genres of mural and history painting. This piece is part of the Amistad Murals series produced between 1938-1939. The mural vividly captures a historical courtroom scene involving the …
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The artwork entitled “Underground Railroad” was created by the artist Hale Woodruff in the year 1939. This piece belongs to the art movements of Muralism and Regionalism, and it falls under the genres of mural and history painting. It is part of the Amistad Murals series, which was produced from 1938 to 1939. In this …
The artwork titled “Man at the Crossroads/Man, Controller of the Universe” was painted by Diego Rivera between 1933 and 1934. It is a fresco, a technique where water-based pigments are applied on freshly laid lime plaster, making the painting an integral part of the wall. The piece exemplifies the Mexican Muralism movement, which sought to …
Man at the Crossroads/Man, Controller of the Univers (1933 – 1934) by Diego Rivera Read More »
The fresco “Maturation” was created by the renowned Mexican artist Diego Rivera between 1926 and 1927. It is part of the Muralism art movement and categorized as an allegorical painting. This artwork is located at the Chapingo Autonomous University in Texcoco, Mexico. Rivera is celebrated for his contributions to public art, especially in Mexico, and …
The artwork “Triumph of the Revolution” by Diego Rivera was created in 1926 and is a fresco painting that embodies the Muralism art movement. Depicting an allegorical representation, this artwork is situated at the Chapingo Autonomous University in Texcoco, Mexico. The painting presents a group of figures, likely symbolizing the people of Mexico, in a …
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“Wall Street Banquet” is a fresco by Diego Rivera completed in 1928, part of his work during the Muralism art movement. The artwork is an allegorical painting located at the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. Diego Rivera was known for his impactful murals that often contained social and political messages. …
“Zapata’s Horse” is a fresco created by the renowned artist Diego Rivera in 1930. This history painting is part of “The History of Cuernavaca and Morelos” series and epitomizes the Mexican Muralism art movement. Rivera’s work is displayed within the historical confines of the Palace of Cortés in Cuernavaca, Mexico. The fresco is a visual …
“Night of the Poor” is a fresco created by Diego Rivera in 1928, belonging to the Muralism art movement. This genre painting is housed in the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. The artwork depicts a deeply emotional and somber scene, embodying the plight and struggles of the poor. The composition …
The artwork titled “Our Bread” by Diego Rivera, created in 1928, is a quintessential example of fresco painting representing the Muralism movement. This allegorical painting is housed in the Secretariat of Public Education Main Headquarters, located in Mexico City, Mexico. In “Our Bread,” Diego Rivera illustrates a communal scene centered around a table, where an …
The artwork titled “Pan American Unity,” created by Diego Rivera in 1940, is an exemplary piece belonging to the Muralism movement and epitomizes the genre of allegorical painting. This expansive mural vividly captures a myriad of historical, cultural, and social themes, showcasing Rivera’s masterful blend of symbolism and realism. The mural is divided into multiple …
“Partition of the Land,” created by Diego Rivera in 1924, is a fresco belonging to the Muralism art movement and can be categorized as a genre painting. This artwork is situated in Chapingo Autonomous University in Texcoco, Mexico. The artwork depicts a vivid scene filled with numerous figures, symbolizing the social dynamics and land reforms …
The artwork titled “Pre-Hispanic America,” created by Diego Rivera in 1950, belongs to the Muralism art movement and is characterized as a history painting with elements of illustration. This vibrant and detailed piece encapsulates various aspects of pre-Hispanic American cultures and societies. The artwork presents a dynamic and intricate tableau that conveys a rich narrative …
The artwork titled “Revelation of the Way” is a fresco created by the distinguished artist Diego Rivera in the year 1926. It belongs to the Muralism art movement and represents an allegorical painting. This remarkable piece is located at Chapingo Autonomous University, Texcoco, Mexico. “Revelation of the Way” vividly captures a celestial vision, showcasing a …
The artwork, titled “Subterranean Forces,” was created by Diego Rivera during the years 1926 to 1927. Executed in the medium of fresco, this piece is a prominent example of the Muralism movement and falls under the genre of allegorical painting. The fresco is located in Chapingo Autonomous University in Texcoco, Mexico. This fresco depicts a …
Subterranean Forces (1926 – 1927) by Diego Rivera Read More »
The artwork, titled “Sugar Plantation, Tealtenango, Morelos and Indian Slaves in the Gold Mines,” is a creation of the artist Diego Rivera, known for his contributions to the Muralism art movement. This genre painting is a part of Rivera’s series “The History of Cuernavaca and Morelos.” The artwork presents a vivid depiction of colonial exploitation …
“Tehuana Women,” a fresco painted in 1923 by Diego Rivera, is an exemplary piece of the Muralism movement. Measuring 476 x 214 cm, this genre painting is a part of the series titled “Political Vision of the Mexican People” and is prominently displayed at the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. …
“The Abundant Earth,” created by Diego Rivera in 1926, is a fresco that remains an exemplary piece in the art movement known as Muralism. This allegorical painting is located at the Chapingo Autonomous University in Texcoco, Mexico. Rivera, through this work, explores themes of fertility, nature, and harvest, characteristic of his style and the broader …
“The Ancient Indian World,” a fresco created by Diego Rivera between 1929 and 1935, is a history painting belonging to the Muralism art movement. It is part of “The History of Mexico” series and is located at the Palacio Nacional in Mexico City, Mexico. The artwork is a vivid and intricate depiction of ancient indigenous …
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“The Arsenal,” crafted by Diego Rivera in 1928, is a prominent fresco housed in the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. This artwork is a quintessential example of the Muralism movement and belongs to the genre painting category. In the artwork, Rivera vividly depicts a bustling scene rich in symbolism and …
“The Blood of the Revolutionary Martyrs Fertilizing the Earth,” created by Diego Rivera between 1926 and 1927, is a fresco epitomizing the Muralism art movement. This allegorical painting, measuring 244 by 491 centimeters, is prominently displayed at the Chapingo Autonomous University in Texcoco, Mexico. The artwork depicts a profound narrative through its symbolism and composition. …
“The History of Medicine in Mexico: The People’s Demand for Better Health” is an allegorical painting created by the artist Diego Rivera in 1953. The artwork is a fresco, adherent to the Muralism art movement. The painting is a vibrant and expansive mural that showcases the history and evolution of medicine in Mexico, reflecting on …
The artwork titled “Allegory of California” was created by Diego Rivera between 1930 and 1931 in San Francisco, California, United States. Executed in the medium of fresco, the work is part of the Muralism art movement and falls under the genre of allegorical painting. “Allegory of California” vividly portrays the richness and diversity of California …
“Alliance of the Peasant and the Industrial Worker,” created by Diego Rivera in 1924, is a fresco located at Chapingo Autonomous University in Texcoco, Mexico. This artwork, representative of the Muralism movement, is an allegorical painting. The fresco features a central figure, dressed in a red garment, with arms outstretched, standing against a radiant sunburst …
Alliance of the Peasant and the Industrial Worker (1924) by Diego Rivera Read More »
“The Day of the Dead,” created by Diego Rivera in 1924, is a fresco that belongs to the Muralism movement and the genre painting category. The artwork is located at the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. The artwork portrays a vibrant and lively celebration of the Day of the Dead …
“The Exploiters” is a fresco painted by Diego Rivera in 1926. The artwork, an exemplary piece of the Muralism movement and allegorical painting genre, is located at Chapingo Autonomous University in Texcoco, Mexico. The artwork portrays a vivid and striking scene, characteristic of Rivera’s unique style and profound socio-political commentary. On the left side, a …
“The Festival of The Distribution of The Land” is a fresco created by Diego Rivera between 1923 and 1924. This piece is a significant representation of the Muralism art movement, categorized under the genre of genre painting. The artwork is located in the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. The artwork …
The Festival of The Distribution of The Land (1923 – 1924) by Diego Rivera Read More »
“The Festival of The First of May,” created by Diego Rivera between 1923 and 1924, is a fresco emblematic of the Muralism movement and falls within the genre of genre painting. This significant artwork is housed in the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. The artwork portrays a bustling scene centered …
The Festival of The First of May (1923 – 1924) by Diego Rivera Read More »
“The Hands of Nature Offering Water,” created by the renowned artist Diego Rivera in 1951, is a fresco rendered on polystyrene. Falling under the Muralism art movement, this allegorical painting exemplifies Rivera’s distinct style and thematic inclination. The artwork vividly embodies the artist’s vision, merging natural elements with human activities to communicate a broader message …
The Hands of Nature Offering Water (1951) by Diego Rivera Read More »
The artwork titled “Carnival of Mexican Life. Dictatorship” was created by Diego Rivera in 1936. This fresco, a part of the Muralism movement, is categorized as an allegorical painting. It is currently located in the Palacio de Bellas Artes in Mexico City, Mexico. The artwork depicts a vibrant and dramatic scene filled with various figures, …
Carnival of Mexican Life. Dictatorship (1936) by Diego Rivera Read More »
“Colonisation, ‘The Great City of Tenochtitlan’,” created by the renowned artist Diego Rivera between the years 1945 and 1952, stands as a monumental work within the Muralism movement. This history painting, imposing in its scale with dimensions of 971 by 492 cm, is housed in the Palacio Nacional in Mexico City, Mexico. The artwork offers …
Colonisation, ‘The Great City of Tenochtitlan’ (1945 – 1952) by Diego Rivera Read More »
“Conquest and Revolution” is a fresco created by Diego Rivera between 1930 and 1931. The artwork is part of the “The History of Cuernavaca and Morelos” series and is associated with Muralism, a prominent art movement. The genre of this piece can be classified as history painting. The artwork, displayed on a grand wall, vividly …
Conquest and Revolution (1930 – 1931) by Diego Rivera Read More »
The artwork, titled “Creation,” was created by the artist Diego Rivera between the years 1922 and 1923. Executed in the medium of fresco and gold leaf, it is an exemplary piece of Muralism and belongs to the genre of religious painting. This significant mural is located at the San Ildefonso College in Mexico City, Mexico. …
“Death of the Capitalist,” created by Diego Rivera in 1928, is a fresco that belongs to the Muralism art movement and fits within the genre painting category. The artwork is located in the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. The artwork portrays a scene dense with symbolism and social commentary. Central …
The artwork, titled “The History of Mexico: From Conquest to the Future,” is a fresco created by Diego Rivera between 1929 and 1935. This piece, a part of the Muralism movement, falls under the genre of history painting and is located in the Palacio Nacional in Mexico City, Mexico. This monumental series, known as “The …
The History of Mexico: From Conquest to the Future (1929 – 1935) by Diego Rivera Read More »
“The History of Mexico” is a fresco by Diego Rivera, created between 1929 and 1935. This exemplary piece of history painting belongs to the Muralism movement and is part of the “The History of Mexico” series. The artwork, which encapsulates profound historical narratives, is located in the Palacio Nacional in Mexico City, Mexico. The artwork …
The History of Mexico (1929 – 1935) by Diego Rivera Read More »
“The History of Mexico,” painted by Diego Rivera between 1929 and 1935, is a fresco belonging to the Muralism art movement and falls within the genre of history painting. This piece is part of a series known as “The History of Mexico” and is located in the Palacio Nacional in Mexico City, Mexico. The artwork …
The History of Mexico (1929 – 1935) by Diego Rivera Read More »
The artwork titled “The History of Mexico” was created by artist Diego Rivera between the years 1929 and 1935. Executed in the fresco medium, this piece belongs to the Muralism art movement and falls under the genre of history painting. It is part of a series also named “The History of Mexico” and is located …
The History of Mexico (1929 – 1935) by Diego Rivera Read More »
“The History of Mexico,” a mural series by Diego Rivera, was created between 1929 and 1935 using the medium of fresco. This masterful piece belongs to the Muralism art movement and is categorized under the genre of history painting. The artwork is prominently displayed in the Palacio Nacional in Mexico City, Mexico. The artwork is …
The History of Mexico (1929 – 1935) by Diego Rivera Read More »
“The Huastec Civilisation,” crafted by the esteemed artist Diego Rivera in 1950, is a prominent piece within the Muralism movement. This historical painting resides in the Palacio Nacional, Mexico City, Mexico. The artwork vividly portrays the Huastec people and their way of life. At the forefront, individuals are seen engaging in various activities such as …
“The Land’s Bounty Rightfully Possessed,” created by the renowned artist Diego Rivera in 1926, is a fresco that belongs to the Muralism movement and is located at Chapingo Autonomous University in Texcoco, Mexico. This allegorical painting portrays a profound narrative about the relationship between the land and its people. The artwork depicts a central scene …
The Land’s Bounty Rightfully Possessed (1926) by Diego Rivera Read More »
“The Learned”, a fresco created in 1928 by the renowned artist Diego Rivera, resides in the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. As an allegorical painting falling under the Muralism movement, it stands as a testament to Rivera’s commitment to blending social message with public art. The artwork features a group …
The artwork, titled “The Liberated Earth with The Powers of Nature Controlled by Man,” was created by Diego Rivera between 1926 and 1927. Executed in the fresco medium, this piece exemplifies the Muralism art movement. Its dimensions are 692 x 598 cm, and it is classified as an allegorical painting. The artwork is currently located …
“Detroit Industry, South Wall,” a fresco created by the renowned artist Diego Rivera between 1932 and 1933, exemplifies the Muralism movement. As a genre painting, this artwork is prominently housed at the Detroit Institute of Arts in Detroit, Michigan, US. The artwork is a vibrant and dynamic depiction of industrial life. At the heart of …
Detroit Industry, South Wall (1932 – 1933) by Diego Rivera Read More »
“Dream of a Sunday Afternoon in Alameda Park” is a fresco created by the renowned artist Diego Rivera in 1948. The artwork, a part of the Muralism art movement, falls within the genre of genre painting and is prominently displayed at the Museo Mural Diego Rivera in Mexico City, Mexico. The artwork depicts a bustling …
Dream of a Sunday Afternoon in Alameda Park (1948) by Diego Rivera Read More »
The artwork “Entering the City,” created by Diego Rivera in 1930, is a fresco that belongs to the Muralism art movement and falls under the genre of history painting. This piece is a part of the series “The History of Cuernavaca and Morelos” and is located in the Palace of Cortés in Cuernavaca, Mexico. The …
The artwork titled “Entry into the Mine” was created by the renowned artist Diego Rivera in 1923. It is a fresco, measuring 474 x 366 cm, and is associated with the Muralism movement. This genre painting is located at the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. The artwork depicts laborers entering …
“Evening Twilight at Acapulco” is an exquisite piece of art created in 1956 by the renowned artist Diego Rivera. This landscape painting, belonging to the art movement known as Muralism, was rendered using oil, canvas, and tempera as its medium. Measuring 30 x 40 cm, this artwork is part of a private collection. The artwork …
Evening Twilight at Acapulco (1956) by Diego Rivera Read More »
The artwork titled “Exit from the Mine” was created by Diego Rivera in 1923. This fresco is part of Rivera’s “Political Vision of the Mexican People” series and is currently housed in the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. Belonging to the Muralism art movement and classified as a genre painting, …
The artwork, titled “Figure Symbolizing the African Race,” was created by Diego Rivera in 1951. This piece, rendered in fresco and polystyrene, belongs to the Muralism art movement and is categorized under the genre of allegorical painting. The artwork depicts an imposing central figure, representing the African race, situated prominently against a rich tapestry of …
Figure Symbolizing the African Race (1951) by Diego Rivera Read More »
“The Liberation of the Peon,” created by Diego Rivera in 1923, is a fresco painting embodying the themes of the Muralism art movement. This genre painting, located at the Secretariat of Public Education Main Headquarters in Mexico City, Mexico, serves as a poignant expression of socio-political narratives prevalent during its time. The artwork depicts a …
The Liberation ofThe Peon (1923) by Diego Rivera Read More »
“The Making of a Fresco, Showing The Building of a City” is an artwork created by Diego Rivera in 1931. Executed in the medium of fresco, this piece is associated with the Muralism art movement and classified within the genre painting category. The fresco is located at the San Francisco Art Institute (SFAI) in San …
The Making of a Fresco, Showing The Building of a City (1931) by Diego Rivera Read More »
“The Market” is an artwork by Diego Rivera, created between 1923 and 1924. The medium of this piece is fresco and it belongs to the Muralism movement, categorized under genre painting. This significant work is located in the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. The artwork depicts a bustling market scene …
The artwork, titled “The Mechanization of The Country,” was created by artist Diego Rivera in 1926. It is a fresco, an art medium involving the technique of mural painting upon freshly laid lime plaster. This piece belongs to the Muralism art movement and can be categorized as an allegorical painting. The artwork is currently housed …
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“Figure Symbolizing the Asiatic Race,” created by Diego Rivera in 1951, is a fresco on polystyrene and belongs to the art movement known as Muralism. This artwork falls within the genre of allegorical painting. The artwork depicts a central figure symbolizing the Asiatic race, rendered in vibrant colors and bold lines that are characteristic of …
Figure Symbolizing the Asiatic Race (1951) by Diego Rivera Read More »
“Frozen Assets” is a fresco created by the esteemed artist Diego Rivera in 1931. Utilizing mediums such as fresco, steel, and concrete, this artwork is a quintessential representation of the Muralism movement. It measures 188.5 x 239 cm and falls under the genre of genre painting. Currently housed in the Dolores Olmedo Collection in Mexico …
“Good Friday on the Santa Anita Canal,” a fresco created by Diego Rivera between 1923 and 1924, is a striking representation of the Muralism art movement. The artwork, belonging to the genre painting category, measures 456 by 356 cm and is part of the series “Political Vision of the Mexican People.” The artwork portrays a …
Good Friday on the Santa Anita Canal (1923 – 1924) by Diego Rivera Read More »
“The Papermakers,” crafted by the eminent artist Diego Rivera in 1950, is a fresco painting that exemplifies the art movement known as Muralism. This genre painting is located in the Palacio Nacional in Mexico City, Mexico. The artwork vividly depicts the traditional process of papermaking in a dynamic and vibrant manner. In the left section, …
“The Perpetual Renewal of the Revolutionary Struggle” is a fresco created by the renowned artist Diego Rivera between 1926 and 1927. As a seminal piece within the Muralism Movement, this artwork is displayed at Chapingo Autonomous University in Texcoco, Mexico. Measuring approximately 354 by 357 centimeters, the fresco is categorized as a genre painting, a …
The Perpetual Renewal of the Revolutionary Struggle (1926 – 1927) by Diego Rivera Read More »
The artwork titled “The Sacrificial Offering Day of the Dead” was created by the artist Diego Rivera between 1923 and 1924. Executed in the fresco medium, it is a part of the Muralism art movement and measures 415 by 237 centimeters. This genre painting is included in the series “Political Vision of the Mexican People” …
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“The Sugar Mill,” a fresco created by Diego Rivera in 1923, is an exquisite example of the Muralism movement. This genre painting is part of the “Political Vision of the Mexican People” series and measures 482 by 366 cm. It is located in the Secretariat of Public Education Main Headquarters in Mexico City, Mexico. The …
“The World of Today and Tomorrow,” created by Diego Rivera between 1929 and 1935, is a fresco that stands as a prominent piece within the Muralism movement. This genre painting is part of “The History of Mexico” series and is located in the Palacio Nacional in Mexico City, Mexico. The artwork is an elaborate fresco …
The World of Today and Tomorrow (1929 – 1935) by Diego Rivera Read More »
The artwork, titled “Totonac Civilization,” was created by Diego Rivera in 1950. This fresco, a notable example of the Muralism art movement, falls under the genre of history painting. It is located in the Palacio Nacional in Mexico City, Mexico. “Totonic Civilization” is a rich and intricate portrayal of the Totonac culture. The upper part …
The artwork entitled “Atomic Aircraft” was created by David Alfaro Siqueiros in the year 1956. This piece is a part of the Muralism movement and is classified under the genre of symbolic painting. The artwork presents an intricate composition featuring various abstract forms and dynamic structures. Its bold use of color and texture evokes a …
Atomic aircraft (1956) by David Alfaro Siqueiros Read More »
“Cain in the United States” is a thought-provoking piece created in 1947 by the artist David Alfaro Siqueiros. Utilizing pyroxylin on wood as his medium, Siqueiros crafted this artwork within the framework of the Muralism art movement. This genre painting measures 93 x 76 cm and elicits strong emotions through its compelling and evocative depiction …
Cain in the United States (1947) by David Alfaro Siqueiros Read More »
The artwork, titled “Ceiling on the area of Vida y Obra de General Ignacio Allende,” is a mural created by the esteemed artist David Alfaro Siqueiros. This piece belongs to the Muralism movement and falls under the genre of design. The artwork graces the ceiling, characterized by a series of arches adorned with vivid and …
Ceiling on the area of Vida y Obra de General Ignacio Allende by David Alfaro Siqueiros Read More »
“Chichen Itza Burning,” created by David Alfaro Siqueiros in 1948, is a pyroxylin painting measuring 91 x 71 cm. This artwork is part of the Muralism art movement and falls under the cityscape genre. The artwork dramatically captures the essence of the ancient Mayan city of Chichen Itza engulfed in flames. Dominating the composition is …
Chichen Itza Burning (1948) by David Alfaro Siqueiros Read More »
The artwork, titled “Cultural Polyforum,” was created by David Alfaro Siqueiros in 1971. Executed in the medium of pyroxylin, the piece belongs to the Muralism movement and falls within the design genre. The artwork showcases a dynamic mural encompassing multiple panels, each vividly adorned with bold strokes and striking colors. Intricate patterns and abstract forms …
Cultural Polyforum (1971) by David Alfaro Siqueiros Read More »
The artwork, titled “Cultural Polyforum,” was created by the distinguished artist David Alfaro Siqueiros in 1971. Executed in pyroxylin, this piece belongs to the Muralism movement and falls within the genre of design. The artwork showcases a dynamic and expressive design that integrates bold shapes and vibrant colors. Siqueiros’ masterful use of fluid, intricate lines …
Cultural Polyforum (1971) by David Alfaro Siqueiros Read More »
“Death to the Invader,” created by David Alfaro Siqueiros between 1941 and 1942, is an allegorical painting that falls within the Muralism art movement. Executed using pyroxylin on masonite, this artwork is characterized by dynamic compositions and powerful symbolism, exemplifying Siqueiros’s commitment to socio-political themes. The artwork vividly depicts a scene filled with intense action …
Death to the Invader (1941 – 1942) by David Alfaro Siqueiros Read More »
The artwork titled “Death to the Invader” was created by the artist David Alfaro Siqueiros between the years 1941 and 1942. Rendered using pyroxylin, this piece is part of the Muralism movement and serves as an allegorical painting. The artwork presents a dynamic and turbulent scene, characterized by bold and vivid colors. At the center, …
Death to the Invader (1941 – 1942) by David Alfaro Siqueiros Read More »
The artwork, titled “Detail of fresque,” was created by David Alfaro Siqueiros, a prominent figure within the Muralism art movement, and it belongs to the genre of genre painting. The piece showcases Siqueiros’ adeptness in depicting powerful, evocative scenes that reflect the human condition and social realities. In the artwork, a muscular figure is portrayed …
“For Complete Social Security of All Mexicans” is an allegorical painting created by the renowned artist David Alfaro Siqueiros between 1953 and 1956. The artwork, executed in pyroxylin, is an exemplary piece of the Muralism art movement. The artwork is a vivid and dynamic composition that effectively conveys its strong thematic concerns with social security …
For Complete Social Security of All Mexicans (1953 – 1956) by David Alfaro Siqueiros Read More »
“For the Complete Safety of all Mexicans on Work” is an allegorical painting created by David Alfaro Siqueiros between 1952 and 1954. Executed in pyroxylin, the artwork belongs to the Muralism movement. It emphasizes the artist’s commitment to the social and political conditions of his time, aiming to reflect the ethos and struggles of the …
For the Complete Safety of all Mexicans on Work (1952 – 1954) by David Alfaro Siqueiros Read More »
The artwork entitled “King Cuauhtemoc” was created by David Alfaro Siqueiros in 1950. Rendered in pyroxylin, this piece is a manifestation of the muralism art movement. The artwork, measuring 183 by 130 cm, falls under the genre of symbolic painting. In the artwork, a heroic figure, presumably King Cuauhtemoc, is depicted standing atop a platform …
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The artwork, entitled “Mural,” was created by David Alfaro Siqueiros in 1944. Rendered in pyroxylin, it belongs to the Muralism art movement and is classified within the genre painting genre. This grandiose mural showcases a dynamic and dramatic scene. The composition is dominated by powerful, muscular figures, depicted with exaggerated anatomical features that convey a …
The artwork titled “Mural of Orozco,” created by the renowned artist David Alfaro Siqueiros, exemplifies the Muralism art movement. Depicting a portrait through the medium of a mural, this piece highlights the distinctive style and thematic elements characteristic of the Muralism genre. The artwork features a striking rendition of an individual’s face, prominently filling the …
The artwork titled “New University Emblem,” created by David Alfaro Siqueiros in 1952, is rendered using pyroxylin. This piece is part of the Muralism art movement and is categorized in the design genre. The dimensions of the artwork are 125 x 70 cm, and it resides in a private collection. The artwork showcases an abstract …
New University Emblem (1952) by David Alfaro Siqueiros Read More »
“Our Present Image,” created in 1947 by the eminent artist David Alfaro Siqueiros, is a symbolic painting central to the Muralism art movement, rendered in pyroxylin. This profound piece is housed at the Museum of Modern Art (MoMA) in New York City, NY, US. The artwork depicts a large, imposing figure whose face appears as …
Our Present Image (1947) by David Alfaro Siqueiros Read More »
The artwork entitled “Peace,” created by David Alfaro Siqueiros in 1961, is a notable piece within the Muralism movement and belongs to the symbolic painting genre. Currently, this artwork resides in a private collection, preserving its intimate and evocative message. In the artwork, a solitary hand extends from the lower portion, grasping a pink rose …
“Prometheus Bound” is an artwork by David Alfaro Siqueiros, a prominent figure within the Muralism movement. This mythological painting vividly conveys the tortured figure of Prometheus, embodying the epic narrative with a powerful visual language. The artwork exudes a dramatic intensity, with swirling, molten hues of reds, oranges, and blacks dominating the scene. The chaotic …
The artwork named “Rectory” is a mural by the distinguished artist David Alfaro Siqueiros. It represents the Muralism movement and falls under the genre of design. The artwork is a grand and dynamic mural adorning the exterior of a significant structure. It features a bold depiction of human figures in motion, symbolizing movement and progress. …
The artwork, titled “Self-Portrait,” was created by David Alfaro Siqueiros in 1945. This painting, rendered in oil on canvas, is associated with the Muralism movement and falls within the self-portrait genre. In this striking self-portrait, the artist depicts himself in a dramatic and expressive manner. The composition is dominated by a large, detailed hand reaching …
“Solitary Confinement,” created by David Alfaro Siqueiros in 1961, is an allegorical painting belonging to the Muralism art movement. The artwork vividly encapsulates the themes of isolation and confinement, traits emblematic of Siqueiros’ profound narrative style. The artwork portrays a harrowing depiction of a confined space, where the central focus is a small window with …
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The artwork named “The Elements,” created by David Alfaro Siqueiros in 1922, is an exemplary piece of the Muralism movement and belongs to the genre of allegorical painting. The composition features a central figure that appears to be an angelic or celestial being with a solemn expression and crossed arms, emanating a sense of profound …
“The March of Humanity,” created by David Alfaro Siqueiros in 1971, is a significant artwork rendered in pyroxylin. This piece belongs to the Muralism art movement and embodies an allegorical painting genre. The artwork vividly captures a complex and dynamic scene, filled with a multitude of figures and symbolic imagery. The artwork is dominated by …
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The artwork titled “The March of Humanity” was created by David Alfaro Siqueiros in 1971 using pyroxylin. It belongs to the Muralism art movement and falls under the genre of allegorical painting. “The March of Humanity” is a grand mural that depicts a dynamic and tumultuous scene, rich with vibrant colors and complex figures. The …
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“The March of Humanity” is a 1971 pyroxylin mural by the esteemed artist David Alfaro Siqueiros, emblematic of the Muralism art movement and categorized as an allegorical painting. The artwork is an ambitious and dynamic mural that depicts an intense, sprawling scene filled with numerous figures, seemingly engaged in a multitude of fervent actions. The …
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“The March of Humanity” is an illustrious painting created by the renowned artist David Alfaro Siqueiros in 1971. Executed in pyroxylin, this artwork is a prominent example of the Muralism movement and falls within the genre of allegorical painting. The artwork is a vibrant and dynamic mural teeming with intricate figures and motifs. It depicts …
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The artwork known as “The People for the University. The University for the People” was created by David Alfaro Siqueiros between the years 1952 and 1956. This piece is part of the Muralism art movement and falls under the design genre, typifying the fervent social and political themes often explored by its adherents. This impactful …
“The Resurrection of Cuauhtemoc” (1950) is a historical painting created by David Alfaro Siqueiros, a renowned Mexican muralist. Executed in pyroxylin on masonite, this work exemplifies the Muralism movement and is noted for its vivid representation of historical themes. The artwork depicts the legendary Aztec leader Cuauhtemoc, symbolizing resistance and resilience in the face of …
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The artwork titled “The Revolution,” created by David Alfaro Siqueiros, is a mural representative of the Muralism movement. Falling within the genre of genre painting, this compelling mural by Siqueiros showcases a vivid and dynamic portrayal of revolutionary fervor. The artwork depicts an uprising with a multitude of figures, predominantly composed of armed individuals advancing …
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“The Torment of Cuauhtemoc,” created by the artist David Alfaro Siqueiros in 1950, is a history painting executed in pyroxylin on masonite. This artwork is a significant representation within the Muralism movement, a style focused on large-scale, public murals that address social and political themes. The artwork depicts a harrowing scene from history, illustrating the …
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The artwork, titled “Unfinished Mural,” was created by David Alfaro Siqueiros around 1940. This mural, which is part of the Muralism art movement, exemplifies the genre of design through its ambitious scope and dynamic interplay of colors and forms. The mural itself occupies the walls and ceiling of an arched hallway, creating an immersive experience …
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The artwork titled “View of a mural depicting Democracy breaking her chains,” created in 1934 by David Alfaro Siqueiros, is an allegorical painting executed in the pyroxylin medium. It belongs to the Muralism art movement. The artwork portrays a powerful and dramatic scene where a heroic female figure, symbolizing Democracy, is depicted breaking free from …
View of a mural depicting Democracy breaking her chains (1934) by David Alfaro Siqueiros Read More »
The artwork titled “Call to Revolution and Table of Universal Brotherhood (Homecoming of the Worker of the New Day)” is a powerful example of symbolic and history painting executed by José Clemente Orozco between 1930 and 1931. Orozco, a prominent figure of the Mexican Muralism movement, created this piece as part of “The New School …
The artwork entitled “Call to Revolution and Table of Universal Brotherhood (Science, Labor and Art)” is a significant piece created by José Clemente Orozco between 1930 and 1931. It is part of the mural cycle at The New School and exemplifies the Muralism art movement, a trend in which Mexican artists articulated social and political …
The artwork “Call to Revolution and Table of Universal Brotherhood” by Jose Clemente Orozco, created during the years 1930-1931, is a significant piece within the muralism art movement. This piece belongs to a series of murals crafted for The New School in New York City, USA. Characterized by its symbolic and historical painting genres, Orozco’s …
“Call to Revolution and Table of Universal Brotherhood (Struggle in the Orient)” is a symbolic and historical painting created by artist Jose Clemente Orozco between 1930 and 1931. Part of the mural cycle known as “The New School Mural Cycle,” this artwork is distinguished by its powerful symbolism and its connection to the Muralism art …
The artwork titled “Call to Revolution and Table of Universal Brotherhood,” created by the artist Jose Clemente Orozco in 1930-1931, is a fresco that belongs to the Muralism art movement. This piece is part of a series known as “The New School Mural Cycle” and is classified under the genres of symbolic painting and history …
The artwork “Catharsis” by Jose Clemente Orozco, created in 1934 in Mexico City, Mexico, is a fresco housed in the Palacio de Bellas Artes, Mexico City. It is a symbolic painting that falls under the Muralism movement. The artwork vividly depicts a tumultuous and chaotic scene, characterized by a dense crowd of intertwined human figures …
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The artwork titled “Ceiling mural of Hospicio Cabanas,” created by Jose Clemente Orozco in 1939 in Guadalajara, Mexico, is a fresco that belongs to the Muralism art movement and falls under the genre of battle painting. The artwork is a striking depiction of industrial and mechanical forms intertwined with humanoid shapes, suggesting themes of war …
Ceiling mural of Hospicio Cabanas (1939; Guadalajara, Mexico) by Jose Clemente Orozco Read More »
“Ceiling of Colegio de San Ildefonso,” painted by José Clemente Orozco in 1926 in Mexico City, Mexico, is an exquisite example of a fresco from the Muralism art movement. This symbolic painting exemplifies Orozco’s mastery of the medium and his profound engagement with significant cultural and historical themes of his time. The artwork depicts a …
Ceiling of Colegio de San Ildefonso (1926; Mexico City, Mexico) by Jose Clemente Orozco Read More »
The artwork titled “Cortés and La Malinche” was created by the artist José Clemente Orozco in 1926 in Mexico City, Mexico. This fresco painting is associated with the Muralism art movement and falls under the genre of portraiture. The artwork portrays two central figures, Cortés and La Malinche, with a profound expression of intensity and …
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“Panel 7. Departure of Quetzalcoatl – The Epic of American Civilization” is an artwork created by Jose Clemente Orozco from 1932 to 1934, located in the Baker-Berry Library at Dartmouth College in Hanover, New Hampshire, United States. This piece utilizes the fresco medium and belongs to the muralism art movement. It is a symbolic painting …
The artwork, titled “Destruction of Mythology, Study,” is a 1930 creation by the artist Jose Clemente Orozco. It belongs to the art movement known as Muralism and is categorized as a sketch and study. The artwork is a monochrome draft executed in a sketchy style, featuring dynamic lines and expressive forms. The composition is marked …
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“Dive Bomber and Tank,” created in 1940 by the artist Jose Clemente Orozco in Mexico, is a fresco painting emblematic of the Muralism art movement. Measuring 275 by 550 centimeters, this symbolic painting is housed at the Museum of Modern Art (MoMA) in New York City, NY, US. The artwork depicts a powerful and chaotic …
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The artwork titled “Entrance of Colegio de San Ildefonso” was created by the artist Jose Clemente Orozco in 1926 in Mexico City, Mexico. This piece, executed in the medium of fresco, belongs to the Muralism movement and is classified under the genre of symbolic painting. The artwork adorns the prominent entrance of the Colegio de …
Entrance of Colegio de San Ildefonso (1926; Mexico City, Mexico) by Jose Clemente Orozco Read More »
The artwork titled “Farewell,” created by artist Jose Clemente Orozco in 1926 in Mexico City, Mexico, is a fresco that belongs to the Muralism art movement. This symbolic painting poignantly captures a powerful narrative through stark and evocative imagery. The artwork presents a scene filled with deep emotional undertones and symbolic gestures. Dominating the composition …
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The artwork, titled “Father Hidalgo,” was created in 1949 by the distinguished artist Jose Clemente Orozco in Guadalajara, Mexico. This fresco, rendered in the genre of portraiture, is a significant contribution to the Muralism art movement. The piece portrays a dynamic and intense depiction of its subject, Father Hidalgo, capturing the fervent spirit and historical …
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The artwork titled “La Conquete,” created by the artist Jose Clemente Orozco, utilizes the medium of fresco and is a significant piece within the Muralism movement. Categorized as a battle painting, this work embodies the dynamic and intense themes commonly associated with such a genre. The artwork depicts a powerful and dramatic scene, dominated by …
The artwork is titled “Man of Fire,” created by the renowned artist José Clemente Orozco in 1939, located in Guadalajara, Mexico. This fresco, a significant piece within the Muralism movement, exemplifies the symbolic painting genre. The fresco captures a dynamic and dramatic scene centered upon a figure engulfed in flames, embodying a powerful and profound …
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“Panel 19. Modern Migration of the Spirit” is a fresco by the renowned artist José Clemente Orozco, created between 1932 and 1934 in Hanover, United States. This symbolic painting, part of the “The Epic of American Civilization (Dartmouth College Cycle)” series, is emblematic of the Muralism art movement. The artwork is housed in the Baker-Berry …
The artwork titled “Omniciencia” was crafted by the renowned artist Jose Clemente Orozco in 1925 in Mexico City, Mexico. This fresco, emblematic of the Muralism movement, belongs to the genre of symbolic painting. The artwork portrays a scene rich in symbolic elements, reflective of Orozco’s profound engagement with social and philosophical themes. Central to the …
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The artwork titled “Panel 10. Totem Poles – The Epic of American Civilization” was created by José Clemente Orozco between the years 1932 and 1934. It belongs to the art movement known as Muralism and falls under the genres of history painting and symbolic painting. This particular piece is part of “The Epic of American …
The artwork titled “Panel 11. Machine Totems – The Epic of American Civilization,” created by Jose Clemente Orozco between 1932 and 1934, is part of the Dartmouth College Cycle, specifically within the series “The Epic of American Civilization.” This piece is representative of the Muralism art movement and falls within the genres of history painting …
The artwork titled “Panel 12. Machine Totems – The Epic of American Civilization” was created by Jose Clemente Orozco between 1932 and 1934. This piece is part of the Muralism art movement and falls under the genres of history painting and symbolic painting. It belongs to the series “The Epic of American Civilization (Dartmouth College …
The artwork, “Panel 13. Cortez and the Cross – The Epic of American Civilization,” was created by José Clemente Orozco between 1932 and 1934. It belongs to the Muralism art movement and falls under the genres of history painting and symbolic painting. This piece is part of the greater series “The Epic of American Civilization …
“Panel 14. The Machine – The Epic of American Civilization,” is a work created by artist Jose Clemente Orozco between 1932 and 1934. This mural is part of the Dartmouth College Cycle, and it belongs to the Muralism movement, a genre of art that focuses on paintings executed directly on walls or ceilings. The artwork …
The artwork titled “Panel 15. Anglo America – The Epic of American Civilization” was created by Jose Clemente Orozco between 1932 and 1934. It is part of the Muralism movement and belongs to the genres of history painting and symbolic painting. This piece is from the series “The Epic of American Civilization (Dartmouth College Cycle) …
The artwork titled “Panel 16. Hispano America – The Epic of American Civilization” was created by José Clemente Orozco between 1932 and 1934. This piece belongs to the art movement known as Muralism, and it is categorized under the genres of history painting and symbolic painting. It is part of the series “The Epic of …
“Panel 18. Modern Human Sacrifice – The Epic of American Civilization” is an artwork created by the revered artist Jose Clemente Orozco between 1932 and 1934. This piece is part of the larger mural series titled “The Epic of American Civilization (Dartmouth College Cycle)”, which is an exemplar of the Muralism art movement and falls …
“Panel 1. Migration – The Epic of American Civilization” is an artwork by Jose Clemente Orozco, created between 1932 and 1934. Part of the Muralism movement, this piece falls under the genres of history painting and symbolic painting. It belongs to the series known as “The Epic of American Civilization (Dartmouth College Cycle) 1932-1934.” The …
“The artwork ‘Panel 20. Chains of the Spirit – The Epic of American Civilization’ was created by Jose Clemente Orozco from 1932 to 1934. This piece belongs to the Muralism movement and is categorized as both a history painting and a symbolic painting. It is part of the series ‘The Epic of American Civilization (Dartmouth …
The artwork, titled “Panel 21. Modern Industrial Man 1 – The Epic of American Civilization,” was created by José Clemente Orozco between 1932 and 1934. It is part of the art movement known as Muralism and falls within the genres of history painting and symbolic painting. This piece is one panel of the larger series …
“Panel 21. Modern Industrial Man 2 – The Epic of American Civilization” is an artwork by Jose Clemente Orozco, created between 1932 and 1934. This piece belongs to the Muralism art movement and falls within the genre of history and symbolic painting. It forms part of the larger series “The Epic of American Civilization (Dartmouth …
The artwork titled “Panel 2. Snake and Spears – The Epic of American Civilization” was created by José Clemente Orozco between 1932 and 1934. This mural is part of the “The Epic of American Civilization (Dartmouth College Cycle)” series and falls under the Muralism art movement. It is characterized as both a history painting and …
The artwork termed “Panel 3. Ancient Human Sacrifice” is part of “The Epic of American Civilization,” a series created by renowned artist Jose Clemente Orozco between 1932 and 1934. The medium employed is fresco, aligning with the Muralism movement. It is categorized within the genres of history painting and symbolic painting. The entire series, including …
The artwork titled “Panel 4. Aztec Warriors – The Epic of American Civilization” was created by Jose Clemente Orozco between 1932 and 1934. This piece belongs to the Muralism art movement and is categorized as both a history painting and a symbolic painting. It is part of “The Epic of American Civilization” series, specifically the …
“Panel 5. The Coming of Quetzalcoatl – The Epic of American Civilization” is a profound mural created by José Clemente Orozco, spanning the years 1932 to 1934. This artwork belongs to the Muralism movement and serves as a symbolic and historical painting within the series “The Epic of American Civilization” located at Dartmouth College. The …
The artwork, titled “Panel 6. Pre Columbian Golden Age – The Epic of American Civilization,” was created by Jose Clemente Orozco between 1932 and 1934. It is part of the mural series “The Epic of American Civilization (Dartmouth College Cycle) 1932-1934” and belongs to the Muralism movement. The genre of the artwork encompasses both history …
“Panel 7. The Departure of Quetzalcoatl – The Epic of American Civilization” is a mural painted by Jose Clemente Orozco between 1932 and 1934. This artwork belongs to the Muralism movement and falls within the genres of history painting and symbolic painting. It is part of “The Epic of American Civilization (Dartmouth College Cycle) 1932-1934” …
“Panel 8. The Prophecy – The Epic of American Civilization” is an artwork created by Jose Clemente Orozco between 1932 and 1934. The piece belongs to the art movement known as Muralism and falls within the genres of history painting and symbolic painting. It is part of the larger series titled “The Epic of American …
The artwork, titled “Panel 9. Totem Poles – The Epic of American Civilization,” was created by Jose Clemente Orozco between 1932 and 1934. This piece is part of the “The Epic of American Civilization (Dartmouth College Cycle) 1932-1934” series, and it belongs to the Muralism art movement. The genre of the artwork is categorized as …
The artwork titled “Prometheanist” was created by the artist José Clemente Orozco in 1924 in Mexico City, Mexico. This piece is executed in the fresco medium and belongs to the Muralism art movement. Classified as a symbolic painting, the artwork reflects the characteristic style and thematic concerns of Orozco and his contemporaries in this genre. …
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The artwork titled “Reaching Out” by Jose Clemente Orozco, created in 1924 in Mexico City, Mexico, is a fresco that belongs to the Muralism art movement and falls under the genre of symbolic painting. The artwork portrays two hands descending from the top of the fresco, each gently placing a coin into what appears to …
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The artwork titled “Revolutionaries on the March” was created by Jose Clemente Orozco in 1924, located in Mexico City, Mexico. This piece, a fresco, exemplifies the Muralism movement and falls within the genre of battle painting. In this compelling fresco, figures of revolutionaries are depicted marching forward, their forms heavy and burdened with the weight …
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