Neo-Dada

Un peut d’eau dans du savon (c.1980) by Beatrice Wood

The artwork named “Un peut d’eau dans du savon,” created by Beatrice Wood circa 1980, belongs to the Neo-Dada and Feminist Art movements. The artwork features a central figure which appears to be a stylized representation of a female form. The figure, rendered in a pinkish hue, is positioned against a contrasting blue background with …

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Electronic Superhighway: Continental U.S., Alaska, Hawaii (1996) by Nam June Paik

“Electronic Superhighway: Continental U.S., Alaska, Hawaii,” created by Nam June Paik in 1996, is a prominent Neo-Dada installation artwork. This expansive installation uses neon lights and a multitude of television screens to outline the map of the United States, including Alaska and Hawaii, symbolizing the interconnectedness and the pervasive nature of electronic communication across the …

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Evolution, Revolution, Resolution (1989) by Nam June Paik

“Evolution, Revolution, Resolution” is an installation artwork created by Nam June Paik in 1989. This piece belongs to the Neo-Dada art movement. The artwork is recognized for its characteristic installation genre. The artwork depicts a humanoid figure assembled from various electronic components, predominantly vintage television screens arranged to form a human shape. The screens, some …

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Fractal Flasher (1994) by Nam June Paik

“Fractal Flasher,” created by Nam June Paik in 1994, is an installation artwork associated with the Neo-Dada art movement. The artwork’s composition features an eclectic assembly of electronic components, embodying Paik’s pioneering approach to integrating multimedia and modern technology in art. The artwork displays an array of lights, speakers, and circuits organized in a manner …

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Hydra-Budda by Nam June Paik

The artwork titled “Hydra-Buddha,” created by Nam June Paik, belongs to the Neo-Dada art movement and is classified as an installation. This piece reflects the distinct characteristics of its genre through its unconventional use of materials and arrangement. The artwork is organized in a composed yet seemingly chaotic manner, featuring two CRT televisions placed within …

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Pre-Bell-Man by Nam June Paik

The artwork titled “Pre-Bell-Man,” created by artist Nam June Paik, is associated with the Neo-Dada art movement and falls under the genre of installation. The installation presents a combination of diverse elements that together create a unique and thought-provoking piece typical of Neo-Dada’s embrace of absurdity and assemblage of everyday objects. In the artwork, a …

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Robot (1993) by Nam June Paik

The artwork titled “Robot,” created by Nam June Paik in 1993, belongs to the Neo-Dada art movement and is categorized under the installation genre. This piece exemplifies the intersection of traditional art forms with modern technological elements. In the artwork, a humanoid robot stands as the central figure, crafted from an eclectic mix of materials …

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Mermaidmischief (2009) by John Chamberlain

The artwork titled “Mermaidmischief,” created by artist John Chamberlain in 2009, is a sculpture representative of the Neo-Dada art movement. The genre of this piece is sculpture, which is often associated with three-dimensional artworks that occupy physical space and may be experienced from multiple angles. The artwork in question presents a dynamic assembly of forms …

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SPHINXGRIN TWO by John Chamberlain

“SPHINXGRIN TWO” is a sculpture by artist John Chamberlain, associated with the Neo-Dada art movement. The artwork captures the essence of Chamberlain’s distinctive style, characterized by the use of unconventional materials and a dynamic, abstract form. The sculpture comprises of twisted and contorted metallic elements, resembling a series of intertwined, elongated limbs. The reflective surface …

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Untitled (Couch) by John Chamberlain

The artwork, titled “Untitled (Couch),” was created by the artist John Chamberlain and falls within the Neo-Dada art movement. It is a sculpture that embodies the movement’s characteristic integration of everyday objects into fine art, challenging conventional notions of sculpture and aesthetics. The artwork presents a meticulously compressed form resembling two large rectangular blocks of …

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Choices by John Chamberlain

The artwork entitled “Choices” by John Chamberlain, is a distinguished piece within the Neo-Dada art movement. This sculpture can be found on display at the esteemed Solomon R. Guggenheim Museum in New York City, NY, US. The artwork epitomizes Chamberlain’s renowned use of industrial materials such as metal and auto parts, which he transforms into …

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FROSTYDICKFANTASY (2008) by John Chamberlain

The artwork titled “FROSTYDICKFANTASY,” created by artist John Chamberlain in 2008, is a notable example of the Neo-Dada art movement. This piece is a sculpture, reflecting the innovative and unconventional characteristics associated with this genre and movement. The sculpture is an intricate assembly of metallic components, twisted and intertwined in a dynamic composition that emanates …

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“Empire” (“Papa”) Ray Gun (1959) by Claes Oldenburg

The artwork, titled “Empire” (“Papa”) Ray Gun, was created by artist Claes Oldenburg in 1959. This piece is associated with the Neo-Dada art movement and falls under the genre of sculpture. In its form, the artwork presents an intriguing structure with organic contours and a pronounced, abstract shape. Its rough, uneven texture suggests a labor-intensive …

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Geometric Mouse, Scale A (1975) by Claes Oldenburg

“Geometric Mouse, Scale A,” created by Claes Oldenburg in 1975, is a notable piece associated with the Neo-Dada and Pop Art movements. The artwork, a sculpture, epitomizes Oldenburg’s innovative and playful approach to form and structure. The sculpture is composed of a series of geometric shapes, including circles and rectangles, which are thoughtfully assembled to …

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Giant Soft Fan (1967) by Claes Oldenburg

The artwork, titled “Giant Soft Fan,” is a sculpture created by Claes Oldenburg in the year 1967. This piece is associated with the Neo-Dada and Pop Art movements. The sculpture exemplifies Oldenburg’s distinctive approach to everyday objects, characterized by a playful and often whimsical representation. The artwork portrays an oversized electric fan, constructed with soft, …

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Untitled by Robert Rauschenberg

The artwork attributed to Robert Rauschenberg, untitled and conceived within the Neo-Dada movement, presents itself as an abstract exploration of form, texture, and color. This particular piece is a testament to the ethos of Neo-Dada, which sought to blur the boundaries between art and life, incorporating everyday materials into the artistic process to challenge traditional …

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On Hold (Arcadian Retreat) (1996) by Robert Rauschenberg

“On Hold (Arcadian Retreat)” is a figurative artwork created by artist Robert Rauschenberg in 1996. Rauschenberg, a prominent figure associated with the Neo-Dada art movement, is known for his innovative works that often combine elements of painting and collage. This genre of his artwork integrates various materials and imagery, reflecting a distinctive and eclectic artistic …

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Oracle (1965) by Robert Rauschenberg

The artwork titled “Oracle” was created by Robert Rauschenberg in 1965 and resonates with the Neo-Dada movement. As an installation piece, it encapsulates the genre’s fondness for challenging traditional concepts of art by incorporating everyday objects into the artwork. This work contributes to the innovative legacy of Rauschenberg, famously known for his integrative methods and …

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Park – ROCI MEXICO (1985) by Robert Rauschenberg

The artwork titled “Park – ROCI MEXICO” by Robert Rauschenberg, created in 1985, exemplifies the Neo-Dada movement and belongs to the figurative genre. The piece reflects the artist’s distinctive approach to art that emerged during the mid-20th century, integrating various materials and techniques to challenge traditional aesthetics and emphasize the importance of context in the …

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Patrician Barnacle (Scale) (1981) by Robert Rauschenberg

The artwork titled “Patrician Barnacle (Scale)” by artist Robert Rauschenberg was created in 1981 and belongs to the Neo-Dada art movement. This installation piece embodies the experimental spirit characteristic of Rauschenberg’s work, blurring the lines between various artistic mediums and incorporating everyday objects to challenge traditional art definitions. “Patrician Barnacle (Scale)” is a complex installation …

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Phoenix (Scale) (1978) by Robert Rauschenberg

The artwork entitled “Phoenix (Scale)” was created by artist Robert Rauschenberg in 1978. It can be classified within the Neo-Dada movement and is considered an installation piece. It serves as a manifestation of Rauschenberg’s exploration of material and form, where traditional boundaries of art are challenged and redefined. The artwork appears as a three-dimensional installation, …

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Ozone Bus Billboard (1991) by Robert Rauschenberg

The artwork titled “Ozone Bus Billboard,” created by Robert Rauschenberg in 1991, falls under the Neo-Dada art movement and is classified within the design genre. The artwork is a vibrant composition that features a collage-like arrangement of various visual elements, overlaid with the bold, white text spelling out “OZONE”. The background is a lively mix …

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Pilot (Jammer) (1975) by Robert Rauschenberg

The artwork, titled “Pilot (Jammer)”, was created by Robert Rauschenberg in 1975 and belongs to the Neo-Dada art movement. It is an installation genre piece that exemplifies Rauschenberg’s innovative approach to art. The artwork features three large fabric panels in varying colors, predominantly turquoise, yellow, and white. These panels are hung from the wall, suspended …

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Plain Salt (Cardboard) (1971) by Robert Rauschenberg

“Plain Salt (Cardboard)” is an installation artwork created by Robert Rauschenberg in 1971. This artwork belongs to the Neo-Dada art movement. Renowned for repurposing ordinary materials into compelling artistic compositions, Rauschenberg utilizes various cut and folded cardboard pieces, primarily branded “Plain Salt,” to construct a layered and textured assembly. The artwork features an array of …

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Publicon – Station I (1978) by Robert Rauschenberg

The artwork titled “Publicon – Station I,” created by Robert Rauschenberg in 1978, belongs to the Neo-Dada movement and falls under the genre of installation art. The artwork prominently features a large golden paddle positioned vertically in the center. This paddle is set against a background composed of sections in vibrant and varied colors, including …

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Rainbow Harp (1985) by Robert Rauschenberg

The artwork titled “Rainbow Harp” by Robert Rauschenberg, created in 1985, belongs to the Neo-Dada art movement and is classified as an installation. This piece exemplifies the innovative and avant-garde tendencies of the movement, reflecting Rauschenberg’s signature style and experimental approach. The artwork consists of a fabric, distinctly colored in various pastel and subdued hues, …

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Revolver IV (1967) by Robert Rauschenberg

The artwork titled “Revolver IV,” created by Robert Rauschenberg in 1967, represents a significant piece within the Neo-Dada art movement. This installation work exemplifies the artist’s innovative approach, merging vibrant visual elements with tactile components to challenge conventional artistic boundaries. In the artwork, a prominent circular disc is displayed within a metallic frame, showcasing an …

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Riding Bikes (1998) by Robert Rauschenberg

The artwork, “Riding Bikes” by Robert Rauschenberg, created in 1998, belongs to the Neo-Dada art movement and falls under the installation genre. “Riding Bikes” showcases a dynamic interplay of neon lights shaped to form bicycles, arranged in a visually striking and symmetrical composition. The bright, vivid hues of neon—comprising red, blue, yellow, and green—create an …

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Rome Flea Market (V) (1952) by Robert Rauschenberg

“Rome Flea Market (V)” is a piece by Robert Rauschenberg, created in 1952, falling under the Neo-Dada art movement. This artwork belongs to the genre of photography. The artwork captures an intricately draped fabric, showcasing delicate fringes and a floral pattern, covering the front portion of an old vehicle. The headlight and the registration plate, …

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Samarkand Stitches III (1988) by Robert Rauschenberg

“Samarkand Stitches III” is a figurative artwork created by the artist Robert Rauschenberg in 1988. This piece is associated with the Neo-Dada art movement. The artwork exhibits a diverse and dynamic composition of colors, patterns, and imagery. The artwork is composed of a vibrant array of textile patterns featuring a central section of bold, multicolored …

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Sant’Agnese (Venetian) (1973) by Robert Rauschenberg

The artwork titled “Sant’Agnese (Venetian)” was created by the artist Robert Rauschenberg in the year 1973. This piece belongs to the Neo-Dada art movement and falls under the genre of installation art. The artwork prominently features two wooden chairs positioned opposite each other, with a suspended white cloth draped between them. The simplicity and subdued …

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Should Love Come First (c.1951) by Robert Rauschenberg

The artwork, “Should Love Come First” by Robert Rauschenberg, created around the year 1951, is a collage belonging to the Neo-Dada art movement and is classified under the figurative genre. The composition invites contemplation through its assemblage of various elements and forms. The artwork features a diverse array of components, unified within a single canvas …

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Sky Garden (Stoned Moon) (1968) by Robert Rauschenberg

“Sky Garden (Stoned Moon)” is a collage artwork created by the acclaimed artist Robert Rauschenberg in 1968. This piece is associated with the Pop Art and Neo-Dada movements and falls under the genre of figurative art. The artwork prominently features a collage that intricately combines technical schematics of a spacecraft with evocative imagery of palm …

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Soaring Dribble Glut (1992) by Robert Rauschenberg

“Soaring Dribble Glut” is an installation artwork created by Robert Rauschenberg in 1992, belonging to the Neo-Dada art movement. The artwork showcases a synthesis of eclectic materials, characteristic of the installation genre, and is distinguished by its experimental and unconventional composition that challenges traditional art forms. The artwork consists of a large, vertically-oriented arrow sign …

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Allegory (1960) by Robert Rauschenberg

The artwork in question, titled “Allegory,” was created by Robert Rauschenberg in the year 1960. This assemblage piece is representative of the Neo-Dada movement and falls under the genre of figurative art. “Allegory” features a complex and vibrant composition where abstract, seemingly disconnected elements are brought together. Dominating the left side of the assemblage is …

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Sor Aqua (Venetian) (1973) by Robert Rauschenberg

“Sor Aqua (Venetian)” is an installation artwork created in 1973 by renowned artist Robert Rauschenberg. It belongs to the Neo-Dada art movement. The artwork is characterized by its unconventional assembly of everyday objects and materials, which is a signature trait of the Neo-Dada genre. The artwork features a rustic, standalone bathtub filled with water, positioned …

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Soviet American Array VII (1991) by Robert Rauschenberg

The artwork, titled “Soviet American Array VII,” was created by Robert Rauschenberg in 1991. It belongs to the Neo-Dada art movement and is classified under the figurative genre. The artwork showcases a blend of imagery that reflects a complex narrative, blending both Soviet and American cultural elements. In “Soviet American Array VII,” the artist employs …

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Stop Side Early Winter Glut (1987) by Robert Rauschenberg

“Stop Side Early Winter Glut,” an assemblage created in 1987 by artist Robert Rauschenberg, is a distinct manifestation of the Neo-Dada art movement and falls within the genre of installation art. The artwork captivates through its bold use of everyday objects, molded together to construct a compelling and thought-provoking piece. The centerpiece of the assemblage …

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Automobile Tire Print (1953) by Robert Rauschenberg

“Automobile Tire Print” by Robert Rauschenberg, created in 1953, is an exemplary piece of Neo-Dada movement, located at the San Francisco Museum of Modern Art (SFMOMA) in San Francisco, CA, USA. Classified under the genre of figurative and abstract art, this artwork represents a unique interplay between everyday objects and artistic expression. The artwork consists …

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Balcone Glut (Neapolitan) (1987) by Robert Rauschenberg

“Balcone Glut (Neapolitan),” an artwork crafted by Robert Rauschenberg in 1987, is an assemblage that is positioned within the Neo-Dada movement and categorized as an installation genre. This particular piece exemplifies Rauschenberg’s innovative approach to art, merging various materials to create a thought-provoking composition. The artwork consists of a combination of metallic objects, displaying a …

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Blue Urchin (1974) by Robert Rauschenberg

“Blue Urchin,” created by Robert Rauschenberg in 1974, is a notable work within the Neo-Dada movement and exemplifies figurative genre art. The artwork manifests a complex amalgamation of visual elements, demonstrating Rauschenberg’s distinctive approach. The artwork prominently features a diverse collage of imagery and textured layers, creating a dynamic composition on a textile canvas. The …

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Studies for Chinese Summerhall #II (1984) by Robert Rauschenberg

The artwork titled “Studies for Chinese Summerhall #II” by Robert Rauschenberg, created in 1984, belongs to the Neo-Dada art movement and is classified under the figurative genre. This artwork exemplifies Rauschenberg’s innovative approach to combining disparate visual elements to create a cohesive narrative. The artwork is composed of three distinct sections, each offering a unique …

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Study for Currents #26 (1970) by Robert Rauschenberg

“Study for Currents #26” is a collage artwork created in 1970 by Robert Rauschenberg. This piece belongs to the Neo-Dada art movement and is classified under the figurative genre. The artwork prominently features a montage of various newspaper clippings. These clippings display headlines and images covering a range of topics, including political events, social issues, …

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Sulphur Bank (Hoarfrost) (1974) by Robert Rauschenberg

The artwork, titled “Sulphur Bank (Hoarfrost),” was created by the artist Robert Rauschenberg in the year 1974. It belongs to the Neo-Dada art movement and is categorized as an installation. The artwork is rendered on a vertically oriented piece of fabric, predominantly yellow, reminiscent of a draped or suspended piece of cloth. Various imprints and …

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Summerstorm (1959) by Robert Rauschenberg

The artwork titled “Summerstorm,” created by Robert Rauschenberg in 1959, is an assemblage piece associated with the Neo-Dada art movement. This figurative artwork is a vivid representation of Rauschenberg’s innovative and eclectic approach to art-making. Upon examining the artwork, it is evident that the composition is intricate, with a variety of textures and forms integrated …

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Susan–Central Park N.Y.C. (III) (1951) by Robert Rauschenberg

The artwork titled “Susan–Central Park N.Y.C. (III)” was created by artist Robert Rauschenberg in the year 1951. This piece is associated with the Neo-Dada art movement and belongs to the genre of photography. The artwork presents a black and white photograph depicting a serene scene in Central Park, New York City. A woman is comfortably …

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The Ancient Incident (Kabal American Zephyr) (1981) by Robert Rauschenberg

“The Ancient Incident (Kabal American Zephyr)” is a compelling installation artwork created by Robert Rauschenberg in 1981, reflecting the stylistic elements of the Neo-Dada art movement. The artwork features an intriguing assemblage that defies conventional artistic norms. The artwork presents an elaborate configuration of two wooden chairs placed atop a structure of wooden, tiered platforms …

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Borealis Shares I (1990) by Robert Rauschenberg

“Borealis Shares I,” crafted by Robert Rauschenberg in 1990, is an installation piece aligned with the Neo-Dada art movement. This artwork exemplifies the genre’s tendency to blend various mediums and materials, creating a complex and thought-provoking visual experience. The artwork features a pane of what appears to be tarnished brass or similarly hued reflective material …

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Canto XIV, From XXIV Drawings from Dante’s Inferno (1959) by Robert Rauschenberg

The artwork, titled “Canto XIV, From XXIV Drawings from Dante’s Inferno,” was created by Robert Rauschenberg in 1959. This piece belongs to the Neo-Dada art movement and is classified as a literary painting. The dimensions of the artwork are 36.8 by 29.2 centimeters. The composition of the artwork is marked by an abstract yet evocative …

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Catch (Urban Bourbon) (1993) by Robert Rauschenberg

“Catch (Urban Bourbon)” is a 1993 artwork by Robert Rauschenberg that belongs to the Neo-Dada art movement and falls within the figurative genre. The artwork is a vibrant collage featuring a dynamic arrangement of images and colors that reflect an urban landscape. The composition includes various urban elements such as signage, building facades, and figures, …

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Clan Destiny (1995) by Robert Rauschenberg

“Clan Destiny,” a figurative artwork created by Robert Rauschenberg in 1995, belongs to the Neo-Dada art movement. The artwork showcases Rauschenberg’s characteristic juxtaposition of diverse images and materials, reflecting a dynamic fusion of abstract and representational elements. The artwork is a vibrant collage consisting of various segments of imagery, presented with an eclectic mix of …

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Cover for TIME Magazine—November 29, 1976 (1976) by Robert Rauschenberg

The artwork titled “Cover for TIME Magazine—November 29, 1976” was created by Robert Rauschenberg in the year 1976. This piece belongs to the Neo-Dada art movement and falls under the genre of design. The artwork features a collage-style composition dominating the cover of a TIME Magazine issue. Central to the piece is an image of …

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The Happy Apocalypse [Original Artwork for Padre Pio Liturgical Hall] (1999) by Robert Rauschenberg

The artwork titled “The Happy Apocalypse [Original Artwork for Padre Pio Liturgical Hall]” was created by the artist Robert Rauschenberg in 1999. This piece belongs to the Neo-Dada art movement and is classified within the figurative genre. The artwork is a semi-circular composition that predominantly features a large globe at its center, segmented by golden …

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The Interloper Tries His Disguises (Kabal American Zephyr) (1982) by Robert Rauschenberg

“The Interloper Tries His Disguises (Kabal American Zephyr)” is an installation artwork created by the renowned artist Robert Rauschenberg in 1982. Belonging to the Neo-Dada art movement, the artwork reflects the era’s characteristic blend of conventional aesthetics with rebellion and critique of traditional art forms. The artwork consists of an assemblage that juxtaposes a worn-out …

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Third Time Painting (1961) by Robert Rauschenberg

“Third Time Painting,” created by artist Robert Rauschenberg in 1961, is a notable piece in the Neo-Dada art movement. This assemblage installation exemplifies the artist’s innovative approach to merging painting with found objects and everyday materials. The artwork features a visually compelling composition of various materials incorporated into the painted surface. Dominated by abstract forms …

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Tibetan Garden Song ROCI TIBET (1986) by Robert Rauschenberg

The artwork “Tibetan Garden Song ROCI TIBET” was created by the distinguished artist Robert Rauschenberg in 1986. It is associated with the Neo-Dada art movement and falls under the genre of installation art. The artwork prominently features a wooden string instrument, likely a violin, which is installed upright in a reflective metal bucket. This installation …

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Trophy V (for Jasper Johns) (1962) by Robert Rauschenberg

The artwork, titled “Trophy V (for Jasper Johns),” was created by Robert Rauschenberg in 1962. This piece is rendered in the medium of assemblage and falls under the Neo-Dada art movement. It is classified within the figurative genre. The artwork embodies a dynamic and layered composition typical of Rauschenberg’s assemblage style. It features an amalgamation …

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Cupule (Spread) (1979) by Robert Rauschenberg

“Cuplue (Spread)” is a 1979 collage by Robert Rauschenberg, an artist associated with the Neo-Dada art movement. The artwork, which falls under the figurative genre, showcases Rauschenberg’s characteristic style of combining diverse visual elements to create a cohesive composition. The artwork features an eclectic mix of images and textures, creating a dynamic and layered composition. …

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Dart (Signal) (1980) by Robert Rauschenberg

The artwork, titled “Dart (Signal),” created by Robert Rauschenberg in 1980, is a collage representative of the Neo-Dada art movement and falls within the figurative genre. The composition of the artwork employs a variety of imagery, seamlessly integrating disparate photographic elements. The central portion of the artwork is dominated by a green field populated with …

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Doubleluck (1995) by Robert Rauschenberg

The artwork, “Doubleluck,” crafted by the artist Robert Rauschenberg in 1995, epitomizes the Neo-Dada art movement and is classified within the figurative genre. “Doubleluck” features a striking juxtaposition of various elements, creating a multidimensional visual narrative. Central to the composition are two horizontally arranged, vividly depicted koi fish, their forms mirroring each other. The fish, …

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Eco Echo I (1993) by Robert Rauschenberg

“Eco Echo I” is an installation artwork created by Robert Rauschenberg in 1993, belonging to the Neo-Dada art movement. The artwork, reflecting the intertwining of environmental and technological themes, showcases the experimental and eclectic style characteristic of Rauschenberg’s oeuvre. The artwork features a windmill-like structure composed of various colorful and industrial materials, arranged in a …

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Untitled [double Rauschenberg] (c.1950) by Robert Rauschenberg

The artwork titled “Untitled [double Rauschenberg]” was created by Robert Rauschenberg around 1950. It belongs to the Neo-Dada art movement and is categorized within the figurative genre. This piece exemplifies Rauschenberg’s innovative use of materials and forms during the early stages of his career. The artwork displays a blue-hued photographic silhouette depicting two human forms …

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Untitled (Early Egyptian) (1973) by Robert Rauschenberg

The artwork “Untitled (Early Egyptian),” created by Robert Rauschenberg in 1973, is an installation representative of the Neo-Dada art movement. This piece exemplifies the genre of installation art, where objects are arranged to create a specific environment or convey a particular idea. The artwork features a deconstructed bicycle lying upside down on a wooden floor, …

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Untitled (Early Egyptian) (1973) by Robert Rauschenberg

“Untitled (Early Egyptian)” by Robert Rauschenberg, created in 1973, is an installation piece belonging to the Neo-Dada art movement. The artwork, characterized by its repurposing of everyday objects, embodies the genre’s focus on challenging traditional art boundaries and engaging with contemporary culture through unconventional materials. The artwork features a deconstructed and reconfigured bicycle, with its …

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Untitled (Early Egyptian) (1973) by Robert Rauschenberg

The artwork, titled “Untitled (Early Egyptian)”, was created by Robert Rauschenberg in the year 1973. It belongs to the Neo-Dada art movement and falls under the genre of installation art. The artwork presents a deconstructed and repurposed tricycle with an integrated metal bucket, set atop a wooden floor. The tricycle’s frame and wheels lie horizontally, …

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Untitled [Feticcio Personale, Rome] (1952) by Robert Rauschenberg

“Untitled [Feticcio Personale, Rome]” is a photograph created by the artist Robert Rauschenberg in 1952, belonging to the Neo-Dada art movement. The artwork exemplifies the genre through its unique and unconventional approach, characteristic of Rauschenberg’s explorative style. The artwork features a sculptural bust, set against an indistinct background that evokes a sense of antiquity. The …

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Untitled (formerly titled Collage with Horse) (1957) by Robert Rauschenberg

The artwork titled “Untitled (formerly titled Collage with Horse)” was created by the artist Robert Rauschenberg in the year 1957. This piece is an example of the Neo-Dada movement and belongs to the abstract genre. The artwork features a variety of elements that coexist in a seemingly chaotic yet deliberate arrangement. On the left, a …

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Untitled [Franz Kline, Black Mountain] (1952) by Robert Rauschenberg

The artwork titled “Untitled [Franz Kline, Black Mountain]”, created by Robert Rauschenberg in 1952, is a significant piece within the Neo-Dada art movement. This photograph captures an individual peering through a window, framed by the structural elements of the window panes. The setting appears to be outdoors, surrounded by natural scenery, indicated by the greenery …

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Farm Garden (1988) by Robert Rauschenberg

“Farm Garden” is a figurative artwork created by Robert Rauschenberg in 1988, exemplifying the Neo-Dada art movement. The artwork vividly portrays a blend of natural elements and imagery, synonymous with Rauschenberg’s distinctive approach. The artwork is a striking composition that amalgamates both abstract and representational elements. The upper portion features an abstract, textural expanse rendered …

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Gear (Jammer) (1976) by Robert Rauschenberg

The artwork titled “Gear (Jammer)”, created by Robert Rauschenberg in 1976, is an installation piece associated with the Neo-Dada art movement. The piece exemplifies the artist’s innovative approach and is characteristic of the genre’s emphasis on unconventional materials and forms. The artwork comprises a large, horizontally positioned panel made of what appears to be fabric …

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Greenhouse Glut (Neapolitan) (1987) by Robert Rauschenberg

The artwork titled “Greenhouse Glut (Neapolitan)” was created by the artist Robert Rauschenberg in the year 1987. Executed in the medium of assemblage, this piece is part of the Neo-Dada art movement and falls under the genre of installation art. The artwork comprises a visually intricate arrangement of various found objects, assembled together to create …

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Untitled [glass Tires] (1997) by Robert Rauschenberg

The artwork, titled “Untitled [glass Tires],” was created by the artist Robert Rauschenberg in 1997. It belongs to the Neo-Dada art movement and is categorized within the genre of installation art. The artwork consists of two intricately detailed glass tires which are mounted in an upright position within a metallic framework. The transparent glass material …

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Untitled (Gold Painting) (1964) by Robert Rauschenberg

“Untitled (Gold Painting)” is a 1964 abstract artwork created by Robert Rauschenberg, a prominent figure in the Neo-Dada art movement. The artwork, composed in mixed media, manifests the artist’s exploration of texture and materiality in abstract form. The artwork itself exudes a rich, golden texture, predominantly covered in gold leaf or a gold-like material. The …

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Untitled [John Cage, Black Mountain] (1952) by Robert Rauschenberg

The artwork entitled “Untitled [John Cage, Black Mountain]” is a photograph created by Robert Rauschenberg in 1952 and is categorized under the Neo-Dada art movement. This piece exemplifies the genre of photo art, capturing a moment that reflects the experimental spirit of the era. The artwork features a candid side profile of an individual seated …

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Untitled (Kabal American Zephyr) (1983) by Robert Rauschenberg

The artwork, entitled “Untitled (Kabal American Zephyr)”, was created by Robert Rauschenberg in 1983. It belongs to the Neo-Dada art movement and is categorized under the genre of installation. The artwork comprises an arrangement of found objects that include an old metal chair and a vintage Royal Crown Cola sign with a thermometer attached. The …

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Untitled [Merce (III)] (1953) by Robert Rauschenberg

“Untitled [Merce (III)],” created by Robert Rauschenberg in 1953, is a photographic artwork belonging to the Neo-Dada movement. The artwork reflects the unconventional and experimental nature of the movement, which Rauschenberg was known to be a prominent figure of. The artwork features a monochromatic photograph of an individual captured in mid-pose within the subdued setting …

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Untitled [nine Feticci Personali, Rome] (1953) by Robert Rauschenberg

The artwork “Untitled [nine Feticci Personali, Rome]” by Robert Rauschenberg, created in 1953, is a part of the Neo-Dada art movement and falls under the genre of photography. The piece showcases Rauschenberg’s avant-garde style, blending everyday objects with artistic expression to challenge conventional boundaries. In the artwork, a tranquil park scene is depicted, punctuated by …

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Untitled (Runt) (2008) by Robert Rauschenberg

The artwork “Untitled (Runt)” by Robert Rauschenberg, created in 2008, is a collage that falls within the figurative genre. It is part of the “Runt, 2006-2008” series and belongs to the Neo-Dada art movement. The composition showcases the artist’s unique ability to blend various visual elements into a cohesive narrative. The artwork features fragmented and …

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Hillary Rodham Clinton Campaign Print (2000) by Robert Rauschenberg

The artwork, titled “Hillary Rodham Clinton Campaign Print,” was created by Robert Rauschenberg in the year 2000. It belongs to the Neo-Dada art movement and can be classified within the figurative genre. The artwork presents a complex collage composed of various images and elements. Dominating the upper portion, there is a cluster of elephant hindquarters, …

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Hog Heaven (Scale) (1973) by Robert Rauschenberg

“Hog Heaven (Scale)” is an installation artwork created by artist Robert Rauschenberg in 1973. This piece is associated with the Neo-Dada art movement. The artwork presents a complex integration of mixed media and three-dimensional elements, characteristic of Rauschenberg’s innovative approach. The artwork features a large multifaceted panel adorned with a collage of images, textures, and …

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Individual (From 7 Characters) (1982) by Robert Rauschenberg

“Individual (From 7 Characters)” is an artwork created by Robert Rauschenberg in 1982. It is an assemblage that belongs to the Neo-Dada art movement and fits within the installation genre. The artwork features a combination of elements arranged in a deliberate and visually engaging manner. Positioned centrally at the top is a collage-like assemblage comprising …

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Interview (1955) by Robert Rauschenberg

“Interview,” created by Robert Rauschenberg in 1955, is a Neo-Dada installation artwork. This piece exemplifies the innovative approaches characteristic of the Neo-Dada movement, integrating everyday objects and non-traditional materials into art. The artwork features a mixed-media assemblage, incorporating various found objects, images, and textures. A worn, white door is prominent in the composition, which opens …

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Interview (1955) by Robert Rauschenberg

“Interview,” created by Robert Rauschenberg in 1955, is an assemblage installation associated with the Neo-Dada art movement. The artwork features a complex arrangement of found objects, materials, and paint, amalgamated into a structured yet abstract piece. The artwork presents a multifaceted composition, defined by its juxtaposition of various textures and forms. An old door, positioned …

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