The artwork titled “A Feminine Thought I” was created by Dieter Roth in 1971. It belongs to the Neo-Dada art movement and is categorized as a symbolic painting. The artwork features a complex and layered composition, predominantly executed in fine, delicate line work. It depicts abstract forms that resemble both architectural structures and organic shapes, …
“Alpa” is an artwork created by Dieter Roth in 1972, categorized under the Neo-Dada and Op Art movements. This figurative piece encompasses vivid visual elements typical of these movements and speaks profoundly through its imagery. The artwork prominently features a vibrant depiction set against a contrasting background. The central focus showcases a scene rendered in …
The artwork titled “Alpa” by Dieter Roth, created in the year 1972, is associated with the art movements Neo-Dada and Op Art, and falls within the figurative genre. The central element of the artwork features a vibrant, colorful label set against a smooth, deep blue background. The label itself depicts a pastoral scene with cows …
The artwork, titled “Alpa,” was created by Dieter Roth in 1972. It falls under the Neo-Dada art movement and is classified as a figurative work. This piece is characterized by the integration of recognizable and unconventional elements, exemplifying the Neo-Dada movement’s tendency to blur the boundaries between art and everyday life. The artwork features a …
The artwork titled “Ars Alpina I” was created by the artist Dieter Roth in the year 1972. This piece belongs to the Neo-Dada and Op Art movements and is categorized within the abstract genre. The artwork showcases a vibrant use of colors, predominantly featuring red and blue hues. It appears to incorporate geometric shapes and …
“Auf Wiedersehn Sharpie (D.244)” is an abstract artwork created by Dieter Roth in 1972, belonging to the Neo-Dada and Op Art movements. The artwork exemplifies Roth’s innovative style and techniques, characteristic of these movements, which emphasize a combination of abstract forms and optical illusions. The artwork is a visually complex composition featuring a myriad of …
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“Aus: Containers,” crafted by Dieter Roth in 1973, is an abstract artwork that resides within the Neo-Dada and Pop Art movements. The artwork features a grid framework that acts as a spatial organizer for the colorful, repetitive pattern within each cell. Each cell seems to display a variation of the same abstract form, utilizing a …
The artwork, entitled “Bats”, created by Dieter Roth in 1981, belongs to the Neo-Dada art movement and is categorized under the figurative genre. The artwork features a bright yellow background upon which intricately rendered illustrations of bats and text overlays are presented. The central figures are hand-drawn bats, characterized by whimsical and playful linework, reflecting …
The artwork, entitled “Berlin 1,” was created by Dieter Roth in 1970. It belongs to the Neo-Dada art movement and is categorized within the abstract genre. This piece exemplifies Roth’s innovative approach, embedding elements characteristic of the Neo-Dada philosophy that challenge traditional notions of art through unconventional forms and media. The artwork itself is a …
The artwork entitled “Berlin 2,” created by Dieter Roth in 1970, belongs to the Neo-Dada movement and is classified within the abstract genre. The composition is a notable reflection of the artist’s innovative approach during this period. The artwork features a grid layout with a soft pink background as its primary base color. On this …
The artwork “Big Tardt for Richard,” created by Dieter Roth in 1972, belongs to the Neo-Dada art movement, showcasing abstract genre characteristics. In a formal tone, it can be observed that the composition employs a monochromatic palette, likely involving a printmaking technique, and features a complex, layered arrangement of forms. The central focus appears to …
The artwork, titled “Big Theatre,” was created by Dieter Roth in 1972. This piece belongs to the Neo-Dada art movement and is categorized within the abstract genre. The monochromatic artwork exhibits a complex and intricate composition, densely packed with various geometric shapes and patterns. The scene appears to be divided into distinct sections, each containing …
“Brush Action” is an abstract artwork created by Dieter Roth in 1977. This piece is associated with the Neo-Dada art movement, characterized by its experimental and avant-garde approach. The artwork features a minimalist composition, with a large, dark, and fluid brushstroke forming an abstract shape. The brushstroke seems to loop and swirl, creating an impression …
The artwork titled “By the Sea,” created by Dieter Roth in 1971, belongs to the Neo-Dada art movement and is categorized under the genre of sketch and study. The artwork features two panels placed side by side, each depicting an intricate and somewhat abstract scene. The composition is dominated by geometric lines and forms, creating …
The artwork titled “By the Sea, from Behind” was created by Dieter Roth in 1972. It is an abstract work associated with the Neo-Dada art movement. The artwork exhibits a combination of vibrant colors and dynamic forms. Dominated by a structure that appears reminiscent of an ornate chalice or trophy, it features a range of …
The artwork titled “Calm Life” is created by artist Dieter Roth in the year 1970. It is a prominent piece within the Neo-Dada art movement and is categorized under the still life genre. The artwork features a detailed line drawing that depicts two vases filled with exuberant blooms, placed on separate tables in front of …
The artwork, titled “Untitled,” was created by the renowned artist Dieter Roth in 1978. It belongs to the art movements of Abstract Expressionism and Neo-Dada, and it is categorized under the genre of abstract art. The artwork features a chaotic and dynamic composition, characterized by its vigorous application of paint in a variety of colors, …
“View of the Emme” is a landscape artwork created by Dieter Roth in 1971, situated within the Neo-Dada and Pop Art movements. The piece presents a unique aesthetic characteristic of its genre, capturing the scenic beauty of the Emme River through Roth’s distinctive style. The artwork is a rich and evocative representation of a river …
The artwork titled “When G Dug into the Toys he Struck Terrible Shit” was created by Dieter Roth in 1969. It belongs to the Neo-Dada art movement and is categorized within the abstract genre. The artwork exhibits a striking composition executed in shades of red, delineated within a rectangular boundary. Central to the composition is …
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“Brett Whiteley’s artwork, titled ‘Giraffes and Finger,’ is a figurative piece belonging to the Neo-Dada art movement. The artwork distinctly incorporates surrealistic elements and reflects a stylistic blend of abstraction and representation.” The artwork features a black ink sketch of giraffes, rendered in a loose and expressive style characteristic of Brett Whiteley’s work. The sketch …
“Chateau Vesuv,” created by Dieter Roth in 1967, is a symbolic painting associated with the Neo-Dada art movement. This artwork, reflective of Roth’s unique artistic expression, exemplifies the playful yet thought-provoking characteristics common within this period and genre. The artwork features a simplistic yet evocative depiction of a chateau with a slanted roof, the house …
The artwork titled “Curriculum Vitae,” created by Dieter Roth in 1970, belongs to the Neo-Dada art movement and is categorized under the genre of abstract art. This piece of art embodies the experimental and often unconventional methods typical of Neo-Dada, which challenges traditional aesthetics and embraces new materials and techniques. The artwork features an abstract …
The artwork, titled “Daily Mirror,” was created by the artist Dieter Roth in 1961. This piece is associated with the Neo-Dada art movement and falls under the genre of an artist’s book. The artwork is a uniquely constructed book that has been manipulated and transformed into a three-dimensional object. Its pages appear dense and tightly …
The artwork titled “Doppelform” created by Dieter Roth in 1971 belongs to the Neo-Dada art movement and falls under the abstract genre. “Doppelform” manifests a vibrant and dynamic composition, characterized by a series of concentric shapes. The artwork features layers of variously colored forms, beginning with a central figure in shades of red and expanding …
The artwork entitled “Double Quartet,” created by Dieter Roth in 1971, is an exemplary piece from the Neo-Dada movement and falls within the abstract genre. The artwork presents a complex and multi-layered design, which includes an array of forms and colors interwoven in a seemingly chaotic yet deliberate arrangement. The composition is dominated by a …
The artwork, titled “Double Self-Portrait of the Artist,” was created by Dieter Roth in 1972. Associated with the Neo-Dada art movement, this piece is classified within the self-portrait genre. The artwork presents an abstract representation of two figures juxtaposed within a single frame, rendered in a monochromatic scheme. The use of silhouette-like profiles, set against …
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The artwork titled “Düsseldorf,” created by Dieter Roth in 1970, is a significant piece within the Neo-Dada movement and falls under the abstract genre. The artwork features a repetitive, grid-like arrangement of small, intricate images that appear almost as vignettes across a monochromatic pale blue background. Each vignette seems to depict various scenes, possibly urban, …
The artwork titled “Entenjagd,” created by Dieter Roth in 1971, belongs to the Neo-Dada art movement and is classified as an installation genre piece. The artwork appears to be a wooden box with an open lid used as a display platform. Inside the box, there is a scene with small figurines, possibly representing ducks, and …
The artwork titled “Garden Sculpture,” created by Dieter Roth in 1996, belongs to the art movements of Neo-Dada and Post-Minimalism. It is a genre of installation art, demonstrating a complex assembly of various materials meticulously arranged within an enclosed space. In the artwork, multiple interconnected structures made from an assortment of materials such as wood, …
The artwork titled “Girl Mat” was created by Dieter Roth in 1979 and belongs to the Neo-Dada art movement. Classified as a symbolic painting, it showcases Roth’s signature approach to art, where traditional boundaries and meanings are often blurred and redefined. The artwork features a chaotic yet intentional array of scribbles, shapes, and colors on …
The artwork, titled “Graphic with Cocoa,” was created by the artist Dieter Roth in the year 1968. This piece is associated with the Neo-Dada art movement and falls within the abstract genre. The artwork features a complex composition dominated by earthy tones and textured surfaces. Rough patches of brown, suggestive of the incorporation of cocoa, …
The artwork, titled “Hat Ring,” is an installation piece created by the Neo-Dada artist Dieter Roth in 1971. The assemblage exemplifies the Neo-Dada movement’s inclination towards subverting traditional art forms and incorporating everyday objects into artistic expressions. The artwork presents a collection of small, intricately designed hats, each distinct in shape and material, arranged in …
The artwork titled “Hemdenstein,” created by Dieter Roth in 1971, belongs to the Neo-Dada art movement and falls under the abstract genre. The artwork comprises a rectangular frame filled with a meticulous arrangement of lines and shapes that interact with each other. The central motif features a complex grid pattern combined with vertical and horizontal …
“Ins Meer,” created by Dieter Roth in 1970, is an installation artwork associated with the Neo-Dada art movement. The artwork features a modest-sized cardboard box that is slightly worn and opened to reveal its contents. Inside the box, there is a small, colorful toy airplane set against a backdrop reminiscent of the sea or sky, …
The artwork titled “Cheese Race” was created by the artist Dieter Roth in 1970. This piece falls within the Neo-Dada art movement and is characterized by its abstract genre. The artwork displays an array of organic textures and materials, seemingly incorporating actual pieces of cheese. Positioned horizontally across the canvas, these elements evoke both decay …
The artwork, entitled “Rabbit-Shit-Rabbit,” was created by Dieter Roth in 1972. This sculpture is associated with the Neo-Dada art movement. “Rabbit-Shit-Rabbit” is a provocative piece that unquestionably challenges traditional notions of art and aesthetics. This sculpture is composed of natural materials and unmistakably takes the form of a rabbit. The use of organic and unrefined …
The artwork, titled “Small Island,” was created by Dieter Roth in 1968 and belongs to the Neo-Dada movement. This piece is an installation that exemplifies Roth’s avant-garde approach to art, blending everyday materials and unconventional techniques to create a thought-provoking visual experience. In this installation, Roth has constructed a miniature, abstract representation of an island …
“Small Landscape” by Dieter Roth, created in 1968, is an abstract work associated with the Neo-Dada art movement. The artwork, displaying Roth’s innovative approach, merges elements of various materials to convey a provocative, textural composition. The artwork encompasses an earthy, organic aesthetic, possibly created using soil or sand, as it shows a raw, unrefined texture. …
“Knoblauchtruhe,” crafted by artist Dieter Roth in 1971, is a notable example of the Neo-Dada art movement. This installation piece exemplifies the avant-garde and unconventional spirit of the era, characterized by its inventive use of everyday materials and its challenge to traditional art forms. The artwork comprises a rectangular structure, constructed from what appears to …
The artwork, titled “Large Trolley,” was created by Dieter Roth in 1972 and is associated with the Neo-Dada art movement. Classified as a sketch and study, this piece exemplifies the artist’s approach to merging industrial and conceptual elements in a minimalist style. In this artwork, a trolley is delineated in a precise, linear manner, emphasizing …
The artwork titled “Course of the World,” created by Dieter Roth in 1970, falls under the Neo-Dada art movement and is classified as an installation. This composition exemplifies Roth’s innovative approach to art, blending elements of assemblage and unconventional materials, characteristic of the Neo-Dada ethos. The artwork features an intriguing assemblage comprising two anthropomorphic figures, …
The artwork, “Literature Sausage,” is a sculpture created by Dieter Roth in 1974. It is part of the Neo-Dada art movement. The artwork features a visual and conceptual composition that embodies the playful and often ironic sensibilities of Neo-Dada. The artwork consists of two pieces of sausage, artfully composed within a wooden frame. The sausages, …
The artwork titled “Lorelei, The Long Distance Sonata” was created by artist Dieter Roth in the year 1978. This piece, categorized under the Neo-Dada art movement, is a figurative work. The artwork consists of a light blue wooden cabinet, which, when opened, reveals an array of cassette tapes organized in slots on the right-hand side. …
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The artwork, titled “Malego by the Sea” and created by Dieter Roth in 1972, is a piece belonging to the Neo-Dada art movement and falls under the genre of figurative art. In “Malego by the Sea,” one observes a composition featuring various geometric forms arranged within a square frame. A prominent vertical shape intersects with …
The artwork “Self-Portrait Looking at The Last Supper” by Marisol Escobar, created in 1984, is a significant work belonging to the Neo-Dada art movement, rendered in the genre of sculpture. This piece intricately weaves together the elements of self-portraiture and historical religious narrative. The artwork portrays a three-dimensional reinterpretation of Leonardo da Vinci’s “The Last …
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The artwork entitled “Shoe and Hand” by Marisol Escobar, created in 1964, is an evocative piece synonymous with the Neo-Dada art movement. This movement sought to blur the lines between art and life, often incorporating humor and found objects into the creation process. The genre of this particular piece is figurative, which represents forms that …
“The Death of Head and Leg” is a notable artwork by Marisol Escobar, created in 1969. As a part of the Neo-Dada art movement, this piece exemplifies the figurative genre, showcasing Escobar’s unique perspective and contribution to the artistic expressions of her time. The artwork presents a compelling and somewhat disconcerting visual. It depicts a …
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The artwork titled “The Family,” created by Marisol Escobar in 1962, is a significant piece rendering a sculptural representation of a family. Crafted from wood, this work is an embodiment of the Neo-Dada art movement and is classified as a sculpture. The piece is housed in the Museum of Modern Art (MoMA) located in New …
“The Generals” is a renowned sculpture crafted by the artist Marisol Escobar in 1962. This artwork, which exemplifies the Neo-Dada art movement, is fashioned from wood and various mixed media. Currently, the piece is housed at the Albright-Knox Art Gallery located in Buffalo, NY, USA. It stands as a distinct example of mid-20th-century art that …
The artwork titled “Baby Girl,” created by Marisol Escobar in 1963, is a significant piece within the Neo-Dada art movement, classified under the genre of sculpture. The sculpture features a large, wooden representation of a baby girl, characterized by its block-like construction and stylized proportions. The head is prominently large and rounded with carved facial …
The artwork, known as “Cultural Head,” was created by Marisol Escobar in 1973. It falls under the Neo-Dada art movement and is categorized as a figurative piece. In “Cultural Head,” the central figure’s face is depicted with a pronounced somberness using a monochromatic palette. Surrounding the head, a striking arrangement of multicolored imprints of hands …
“Five Hands and One Finger,” created by Marisol Escobar in 1971, is an artwork aligned with the Abstract Expressionism and Neo-Dada movements. The genre of this piece is figurative, depicting hands in a manner that challenges traditional representations and evokes a variety of interpretations. In the artwork, various hands are illustrated in a loosely clustered …
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The artwork titled “Forest” was created by Marisol Escobar in 1973. It belongs to the Abstract Expressionism and Neo-Dada art movements and is categorized as figurative art. Depicted in the artwork is a monochromatic composition that captures a dense array of leaves in various shapes and sizes. The dominant shades of black and white create …
The artwork, titled “Kalimpong 1” and created by Marisol Escobar in 1970, is associated with the art movements of Abstract Expressionism and Neo-Dada. The genre of this artwork is figurative. “Kalimpong 1” reveals an intricate and complex composition, predominantly composed of dark and subdued tones counterbalanced by lighter linear details. The artwork features a densely …
The artwork, titled “Love” and created by artist Marisol Escobar in 1962, is a representative piece of the Neo-Dada art movement. This sculpture exemplifies the genre’s tendency to juxtapose everyday objects in unexpected ways. The artwork comprises a simplistic base made of a beige, clay-like material resembling a flattened form. Upon this base, an upright …
The artwork, entitled “Paris Review,” was created by Marisol Escobar in 1967. It is associated with the Neo-Dada art movement and falls under the genre of figurative art. The artwork presents a simplified, almost abstracted depiction: a white silhouette of a face in profile against a solid green background. This face appears to be tilting …
The artwork titled “Pnom Penh, Two” was created by Marisol Escobar in 1970. It belongs to the art movements of Abstract Expressionism and Neo-Dada and falls under the genre of figurative art. The artwork features a composition that appears to be a dense collection of intricately arranged hand shapes, rendered in monochromatic tones. The hands …
The artwork titled “Portrait of Sidney Janis Selling Portrait of Sidney Janis by Marisol” was created by the artist Marisol Escobar in 1968. It belongs to the Neo-Dada art movement and is categorized within the sculpture genre. The artwork portrays two wooden figures, both depicting the same individual, Sidney Janis, a notable art dealer. The …
The artwork “Electric Dress” was created by artist Atsuko Tanaka in 1956. It is an assemblage and installation art piece aligned with the Neo-Dada art movement. The artwork is an embodiment of postwar avant-garde aesthetics and serves to blur the lines between fashion, sculpture, and technology. The “Electric Dress” looks like a wearable garment fashioned …
The artwork you’re referring to, “Tokyo Work” by Atsuko Tanaka, was created in 1955 and is associated with the Neo-Dada art movement, typically characterized by its installation genre. However, the image you’ve provided does not depict “Tokyo Work” or any piece by Atsuko Tanaka. Instead, the image shows what appears to be a large outdoor …
“Library for the Birds of Antwerp,” created by Mark Dion in 1993, is an installation artwork that belongs to the Neo-Dada art movement. The piece consists of a central, large, bare tree-like structure set within a circular, tiled base. Various objects, resembling books and birdcages, are attached to the tree branches, symbolizing a unique library …
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“Library for the Birds of Massachusetts” is a 2005 installation artwork by Mark Dion, associated with the Neo-Dada art movement. The artwork encapsulates a unique interface between natural and artificial elements within an enclosed setting, inviting viewers to explore a distinctive narrative through its visual and conceptual layers. The artwork depicts an installation featuring a …
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“Library for the Birds of Massachusetts (detail)” is an installation artwork created in 2005 by artist Mark Dion, associated with the Neo-Dada movement. The artwork presents a visually intricate and conceptually rich assembly of objects. In the artwork, a central tree structure forms the focal point, with various branches adorned with a myriad of items …
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The artwork titled “Life Raft (Zurich)” was created by artist Mark Dion in the year 1995. This piece is part of the Neo-Dada art movement and falls under the genre of installation art. The artwork portrays a lifelike scene atop a modular platform supported by red drums, simulating a raft. On this platform, there is …
The artwork, titled “Polar Bears and Toucans [from Amazonas to Svalbard]”, was created by Mark Dion in 1991. This installation piece is associated with the Neo-Dada art movement. The composition features a lifelike recreation of a polar bear positioned in a metal bucket, suggestively interacting with a payphone. This surreal combination of a wild animal …
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The artwork titled “Providence Cabinet,” created by artist Mark Dion in the year 2001, is a part of the Neo-Dada art movement and falls under the genre of installation art. The artwork features a wooden cabinet filled with an eclectic collection of objects, both natural and man-made. The upper portion of the cabinet contains various …
The artwork, titled “Travels of William Bartram Reconsidered,” was created by Mark Dion in 2008. This piece belongs to the Neo-Dada art movement and is classified as an installation genre. The artwork consists of a wooden cabinet with multiple drawers, each meticulously opened to display an array of small objects, specimens, and curiosities. Atop the …
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“Tropical Collectors (Bates, Spruce and Wallace)” is an installation artwork created in 2009 by artist Mark Dion and is associated with the Neo-Dada art movement. The artwork features a meticulously arranged collection of objects reminiscent of an exploration or expedition setup, evocative of the scientific and naturalist pursuits of the 19th century. The artwork presents …
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The artwork, titled “Urban Wildlife Observation Unit,” is a 2002 installation by artist Mark Dion. This piece, belonging to the Neo-Dada art movement, was installed in Madison Square Park, New York. It exemplifies the genre of installation art, designed to engage viewers in an immersive experience. The artwork features a small, camouflage-patterned building situated amidst …
The artwork titled “When Dinosaurs Ruled the Earth (Toys R U.S.)” was created by artist Mark Dion in the year 1995 and is associated with the Neo-Dada art movement. This piece falls under the genre of installation, characterized by its detailed and immersive spatial presentation. The artwork portrays a meticulously designed children’s bedroom, filled with …
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“Bedtime Stories” is a symbolic painting created in 1987 by the artist Beatrice Wood, who was associated with the Neo-Dada art movement. The artwork exemplifies a combination of whimsical and symbolic elements that parallel the characteristics of Neo-Dada, which often include a playful irony and a departure from conventional aesthetics. The artwork features a central …
The artwork, titled “Career Women,” crafted by Beatrice Wood in 1990, belongs to the Neo-Dada and Feminist Art movements and falls within the sculpture genre. The sculpture portrays a poignant and somewhat provocative scene, featuring three female figures standing confidently atop a male figure who is lying supine on the ground. The female figures are …
The artwork, titled “Design for Morning,” was created by Beatrice Wood around the year 1950 and is representative of the Neo-Dada art movement. This piece features a stylized representation of a female torso with arms akimbo. The torso is portrayed without a head and lower body, placing emphasis on the upper body. The chest is …
“Every Maiden’s Dream” is a sculpture created by Beatrice Wood around the year 1990, associated with the Neo-Dada art movement. In the artwork, a whimsical scene is depicted where a figure, clad in simple clothing and a cap, perches confidently atop a pink, fantastical creature resembling a mythical beast. This vibrant sculpture, characterized by earthy …
The artwork titled “Is My Hat on Straight?” was created by Beatrice Wood in 1969. This sculpture belongs to the Neo-Dada movement. The artwork depicts a seated figure, created in a whimsical and expressive style. The figure is a woman with long, black hair wearing a blue dress and a hat adorned with pink flowers. …
The artwork, titled “Men with Their Wives,” was created by Beatrice Wood in 1996. This sculpture belongs to the Neo-Dada and Feminist Art Movements. The piece exemplifies Wood’s skill in the genre of sculpture and offers a contemplative reflection on social constructs and gender roles within a domestic setting. The artwork depicts a group of …
The artwork titled “Not Married” was created by Beatrice Wood in 1965. It belongs to the Neo-Dada and Feminist Art movements and is classified as a sculpture. The artwork depicts a female figure seated on a rustic chair, holding a cat on her lap. The woman’s attire includes a modest, long-sleeved dress in muted tones, …
The artwork, titled “The Woman Who Was Jealous,” was created by Beatrice Wood in 1985. It is a portrait and symbolic painting belonging to the Neo-Dada art movement. In this artwork, three abstract female figures are drawn with simple lines and minimalistic features. The expressions and postures of the figures suggest interplay of emotions. The …
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The artwork named “Un peut d’eau dans du savon,” created by Beatrice Wood circa 1980, belongs to the Neo-Dada and Feminist Art movements. The artwork features a central figure which appears to be a stylized representation of a female form. The figure, rendered in a pinkish hue, is positioned against a contrasting blue background with …
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“Allen in Vision” by Nam June Paik, created in 1990, is an exemplar of the Neo-Dada art movement and falls within the figurative genre. The artwork portrays a series of four images set within frames and arranged in a 2×2 grid. Each image displays a distorted, abstract visage that appears to be digitally manipulated, characteristic …
The artwork titled “Beuys Vox” is a creation by the artist Nam June Paik, completed in the year 1989. It is a representative piece of the Neo-Dada art movement and falls within the genre of installation art. This artwork features a vintage television set encased in a wooden cabinet, with its doors partially open to …
“Diamond Sat” is an artwork by Nam June Paik, created in 1998. It exemplifies the Neo-Dada art movement and belongs to the installation genre. The artwork comprises a series of televisions integrated into a geometric, diamond-shaped arrangement, hanging from the ceiling. Strikingly, the televisions are encased in an intricate network of neon lights, emitting a …
“Electronic Superhighway: Continental U.S., Alaska, Hawaii,” created by Nam June Paik in 1996, is a prominent Neo-Dada installation artwork. This expansive installation uses neon lights and a multitude of television screens to outline the map of the United States, including Alaska and Hawaii, symbolizing the interconnectedness and the pervasive nature of electronic communication across the …
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“Evolution, Revolution, Resolution” is an installation artwork created by Nam June Paik in 1989. This piece belongs to the Neo-Dada art movement. The artwork is recognized for its characteristic installation genre. The artwork depicts a humanoid figure assembled from various electronic components, predominantly vintage television screens arranged to form a human shape. The screens, some …
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The artwork, “Fin de Siecle” by Nam June Paik, created in 1993, belongs to the Neo-Dada art movement and is categorized as an installation. This work of art reflects Paik’s innovative approach to combining technology and art in thought-provoking ways. In “Fin de Siecle,” Nam June Paik masterfully integrates a variety of materials and electronic …
The artwork entitled “Flower,” crafted by Nam June Paik in 2006, belongs to the Neo-Dada art movement and can be classified under the figurative genre. The artwork features a bold and abstract depiction of a flower, rendered through dynamic and thick brushstrokes in a variety of vibrant colors. Dominated by a central red form representing …
“Fractal Flasher,” created by Nam June Paik in 1994, is an installation artwork associated with the Neo-Dada art movement. The artwork’s composition features an eclectic assembly of electronic components, embodying Paik’s pioneering approach to integrating multimedia and modern technology in art. The artwork displays an array of lights, speakers, and circuits organized in a manner …
The artwork titled “Good Girl/Bad Girl,” created by Nam June Paik, belongs to the Neo-Dada art movement and is categorized as an installation. “Good Girl/Bad Girl” is a whimsical and thought-provoking piece of media artwork characterized by its innovative use of television monitors and various electronic components. The artwork features a figure composed of multiple …
The artwork titled “Hydra-Buddha,” created by Nam June Paik, belongs to the Neo-Dada art movement and is classified as an installation. This piece reflects the distinct characteristics of its genre through its unconventional use of materials and arrangement. The artwork is organized in a composed yet seemingly chaotic manner, featuring two CRT televisions placed within …
The artwork titled “I Ching 36” was created by Nam June Paik in 1991 and belongs to the Neo-Dada art movement. It is classified under the installation genre. The artwork is a visually engaging installation characterized by its assemblage of multiple small television monitors arranged in the form of a cross or person-like shape. Each …
“Life Is Tape” is a figurative artwork created by Nam June Paik, a prominent figure within the Neo-Dada art movement, in the year 1976. The artwork exemplifies the characteristics of the Neo-Dada movement, which is known for its innovative and rebellious qualities that challenge traditional aesthetics and concepts. The artwork features a minimalist and abstract …
The artwork, titled “Li Tai Po,” was created by Nam June Paik in 1988. It belongs to the Neo-Dada art movement and is categorized as an installation piece. The artwork consists of a grid arrangement of 21 small television monitors. Each monitor in the artwork displays various images, creating a constantly shifting visual experience. The …
“More Log in Less Logging,” created by Nam June Paik in 1993, is a Neo-Dada installation artwork. The piece is emblematic of Paik’s innovative approach to art, utilizing technology in a manner reflective of the Neo-Dada movement’s embrace of multimedia and absurdist aesthetics. The artwork consists of a collection of television screens arranged in a …
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The artwork titled “Ommah” was created by the artist Nam June Paik in the year 2005. It belongs to the Neo-Dada art movement and is categorized under the genre of installation. The artwork features a traditional Korean hanbok, specifically the upper garment known as a jeogori, rendered in a translucent, light-pink fabric. This garment is …
The artwork titled “Pre-Bell-Man,” created by artist Nam June Paik, is associated with the Neo-Dada art movement and falls under the genre of installation. The installation presents a combination of diverse elements that together create a unique and thought-provoking piece typical of Neo-Dada’s embrace of absurdity and assemblage of everyday objects. In the artwork, a …
“Radio Man,” created by Nam June Paik in 1987, is a notable artwork within the Neo-Dada movement classified as an installation. The artwork employs an array of elements to create a coherent and visually striking piece. The artwork features a vintage wooden cabinet serving as the base structure, upon which various components are meticulously arranged. …
The artwork titled “Robot,” created by Nam June Paik in 1993, belongs to the Neo-Dada art movement and is categorized under the installation genre. This piece exemplifies the intersection of traditional art forms with modern technological elements. In the artwork, a humanoid robot stands as the central figure, crafted from an eclectic mix of materials …
The artwork, titled “TV is New Heart” and created by Nam June Paik in 1989, belongs to the Neo-Dada art movement. It is an installation piece. This work of art encapsulates Paik’s exploration of media and technology. The artwork is a sculptural installation featuring a grand, elaborately designed wooden frame that resembles a classical architectural …
“TV-Tulips,” created by Nam June Paik in the year 2000, belongs to the Neo-Dada art movement and is categorized within the installation genre. The artwork is composed of a series of visually striking images presented in a television or screen format. The artwork features a series of four frames, each containing vibrant and abstract visuals. …
The artwork, titled “Untitled,” was created by Nam June Paik in 1978. It belongs to the Neo-Dada art movement and falls within the installation genre. The artwork features a cylindrical container, seemingly a repurposed household object, such as a pot or pan, which has been transformed into a piece of contemporary art. Its outer surface …
The artwork titled “V-Idea” was created by Nam June Paik in 1984 and belongs to the Neo-Dada art movement. It is categorized under the figurative genre. In this artwork, Paik presents a visual composition that features a series of vertical bands in a spectrum of colors including yellow, blue, green, pink, and black. Each band …
“Penthouse #50” is a sculpture created by the artist John Chamberlain in 1969. This work is aligned with the Neo-Dada art movement, a precursor to Pop Art that emerged in the late 1950s and 1960s. Neo-Dada artists were known for their use of modern materials, as well as their interest in redefining the boundaries and …
The artwork titled “Mermaidmischief,” created by artist John Chamberlain in 2009, is a sculpture representative of the Neo-Dada art movement. The genre of this piece is sculpture, which is often associated with three-dimensional artworks that occupy physical space and may be experienced from multiple angles. The artwork in question presents a dynamic assembly of forms …
The artwork titled “Pineapplesurprise,” created by the artist John Chamberlain in 2010, belongs to the Neo-Dada art movement and falls within the genre of sculpture. The sculpture exhibits dynamic, robust forms that twist and extend upward from a knotted base, portraying a sense of both organic fluidity and structured chaos. The surface texture appears intricate, …
“SPHINXGRIN TWO” is a sculpture by artist John Chamberlain, associated with the Neo-Dada art movement. The artwork captures the essence of Chamberlain’s distinctive style, characterized by the use of unconventional materials and a dynamic, abstract form. The sculpture comprises of twisted and contorted metallic elements, resembling a series of intertwined, elongated limbs. The reflective surface …
The artwork, titled “Untitled (Couch),” was created by the artist John Chamberlain and falls within the Neo-Dada art movement. It is a sculpture that embodies the movement’s characteristic integration of everyday objects into fine art, challenging conventional notions of sculpture and aesthetics. The artwork presents a meticulously compressed form resembling two large rectangular blocks of …
The artwork entitled “Choices” by John Chamberlain, is a distinguished piece within the Neo-Dada art movement. This sculpture can be found on display at the esteemed Solomon R. Guggenheim Museum in New York City, NY, US. The artwork epitomizes Chamberlain’s renowned use of industrial materials such as metal and auto parts, which he transforms into …
The artwork titled “Foam Sculpture,” created by artist John Chamberlain, is a notable piece within the Neo-Dada art movement. This genre of art, known for its embrace of unconventional materials and methods, finds a profound exemplar in this sculpture composed of foam. Through its form and materiality, the sculpture stands as a representation of the …
The artwork titled “FROSTYDICKFANTASY,” created by artist John Chamberlain in 2008, is a notable example of the Neo-Dada art movement. This piece is a sculpture, reflecting the innovative and unconventional characteristics associated with this genre and movement. The sculpture is an intricate assembly of metallic components, twisted and intertwined in a dynamic composition that emanates …
The artwork, titled “Empire” (“Papa”) Ray Gun, was created by artist Claes Oldenburg in 1959. This piece is associated with the Neo-Dada art movement and falls under the genre of sculpture. In its form, the artwork presents an intriguing structure with organic contours and a pronounced, abstract shape. Its rough, uneven texture suggests a labor-intensive …
“Empire” (“Papa”) Ray Gun (1959) by Claes Oldenburg Read More »
“Geometric Mouse, Scale A,” created by Claes Oldenburg in 1975, is a notable piece associated with the Neo-Dada and Pop Art movements. The artwork, a sculpture, epitomizes Oldenburg’s innovative and playful approach to form and structure. The sculpture is composed of a series of geometric shapes, including circles and rectangles, which are thoughtfully assembled to …
Geometric Mouse, Scale A (1975) by Claes Oldenburg Read More »
The artwork, titled “Giant Soft Fan,” is a sculpture created by Claes Oldenburg in the year 1967. This piece is associated with the Neo-Dada and Pop Art movements. The sculpture exemplifies Oldenburg’s distinctive approach to everyday objects, characterized by a playful and often whimsical representation. The artwork portrays an oversized electric fan, constructed with soft, …
The artwork attributed to Robert Rauschenberg, untitled and conceived within the Neo-Dada movement, presents itself as an abstract exploration of form, texture, and color. This particular piece is a testament to the ethos of Neo-Dada, which sought to blur the boundaries between art and life, incorporating everyday materials into the artistic process to challenge traditional …
The artwork entitled “No Wake Glut” was created by the renowned artist Robert Rauschenberg in 1986. As an assemblage, it is a physical manifestation of the Neo-Dada movement and would be classified within the installation genre. Crafted during a period when Rauschenberg was exploring the use of found objects to convey complex narratives, this artwork …
“On Hold (Arcadian Retreat)” is a figurative artwork created by artist Robert Rauschenberg in 1996. Rauschenberg, a prominent figure associated with the Neo-Dada art movement, is known for his innovative works that often combine elements of painting and collage. This genre of his artwork integrates various materials and imagery, reflecting a distinctive and eclectic artistic …
On Hold (Arcadian Retreat) (1996) by Robert Rauschenberg Read More »
The artwork titled “Oracle” was created by Robert Rauschenberg in 1965 and resonates with the Neo-Dada movement. As an installation piece, it encapsulates the genre’s fondness for challenging traditional concepts of art by incorporating everyday objects into the artwork. This work contributes to the innovative legacy of Rauschenberg, famously known for his integrative methods and …
The artwork titled “Park – ROCI MEXICO” by Robert Rauschenberg, created in 1985, exemplifies the Neo-Dada movement and belongs to the figurative genre. The piece reflects the artist’s distinctive approach to art that emerged during the mid-20th century, integrating various materials and techniques to challenge traditional aesthetics and emphasize the importance of context in the …
Park – ROCI MEXICO (1985) by Robert Rauschenberg Read More »
The artwork titled “Patrician Barnacle (Scale)” by artist Robert Rauschenberg was created in 1981 and belongs to the Neo-Dada art movement. This installation piece embodies the experimental spirit characteristic of Rauschenberg’s work, blurring the lines between various artistic mediums and incorporating everyday objects to challenge traditional art definitions. “Patrician Barnacle (Scale)” is a complex installation …
Patrician Barnacle (Scale) (1981) by Robert Rauschenberg Read More »
The artwork entitled “Phoenix (Scale)” was created by artist Robert Rauschenberg in 1978. It can be classified within the Neo-Dada movement and is considered an installation piece. It serves as a manifestation of Rauschenberg’s exploration of material and form, where traditional boundaries of art are challenged and redefined. The artwork appears as a three-dimensional installation, …
The artwork entitled “Pilgrim” was created by artist Robert Rauschenberg in 1960 and is associated with the Neo-Dada art movement. It can be characterized as belonging to the genre of installation. This work, typical of the artist’s approach during that period, showcases the fusion of abstract expressionist touches with everyday objects, which is a hallmark …
The artwork titled “Ozone Bus Billboard,” created by Robert Rauschenberg in 1991, falls under the Neo-Dada art movement and is classified within the design genre. The artwork is a vibrant composition that features a collage-like arrangement of various visual elements, overlaid with the bold, white text spelling out “OZONE”. The background is a lively mix …
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The artwork titled “Pilgrim” is a 1960 assemblage by the artist Robert Rauschenberg, associated with the Neo-Dada movement. This piece represents an installation genre. The artwork is a sophisticated assemblage that combines elements of both painting and sculpture. A prominent feature of the artwork is an old, wooden chair placed in front of a painted …
The artwork, titled “Pilot (Jammer)”, was created by Robert Rauschenberg in 1975 and belongs to the Neo-Dada art movement. It is an installation genre piece that exemplifies Rauschenberg’s innovative approach to art. The artwork features three large fabric panels in varying colors, predominantly turquoise, yellow, and white. These panels are hung from the wall, suspended …
“Plain Salt (Cardboard)” is an installation artwork created by Robert Rauschenberg in 1971. This artwork belongs to the Neo-Dada art movement. Renowned for repurposing ordinary materials into compelling artistic compositions, Rauschenberg utilizes various cut and folded cardboard pieces, primarily branded “Plain Salt,” to construct a layered and textured assembly. The artwork features an array of …
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The artwork titled “Publicon – Station I,” created by Robert Rauschenberg in 1978, belongs to the Neo-Dada movement and falls under the genre of installation art. The artwork prominently features a large golden paddle positioned vertically in the center. This paddle is set against a background composed of sections in vibrant and varied colors, including …
Publicon – Station I (1978) by Robert Rauschenberg Read More »
The artwork titled “Rainbow Harp” by Robert Rauschenberg, created in 1985, belongs to the Neo-Dada art movement and is classified as an installation. This piece exemplifies the innovative and avant-garde tendencies of the movement, reflecting Rauschenberg’s signature style and experimental approach. The artwork consists of a fabric, distinctly colored in various pastel and subdued hues, …
The artwork, titled “Recital (Spread),” was created by Robert Rauschenberg in 1980. Belonging to the Neo-Dada art movement, it is categorized under the genre of abstract art. The artwork is a vibrant collage that features a multitude of images and patterns in an eclectic arrangement. Dominated by horizontal bands and vertical sections, it incorporates a …
The artwork titled “Revolver IV,” created by Robert Rauschenberg in 1967, represents a significant piece within the Neo-Dada art movement. This installation work exemplifies the artist’s innovative approach, merging vibrant visual elements with tactile components to challenge conventional artistic boundaries. In the artwork, a prominent circular disc is displayed within a metallic frame, showcasing an …
The artwork, “Riding Bikes” by Robert Rauschenberg, created in 1998, belongs to the Neo-Dada art movement and falls under the installation genre. “Riding Bikes” showcases a dynamic interplay of neon lights shaped to form bicycles, arranged in a visually striking and symmetrical composition. The bright, vivid hues of neon—comprising red, blue, yellow, and green—create an …
“Rome Flea Market (V)” is a piece by Robert Rauschenberg, created in 1952, falling under the Neo-Dada art movement. This artwork belongs to the genre of photography. The artwork captures an intricately draped fabric, showcasing delicate fringes and a floral pattern, covering the front portion of an old vehicle. The headlight and the registration plate, …
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“Samarkand Stitches III” is a figurative artwork created by the artist Robert Rauschenberg in 1988. This piece is associated with the Neo-Dada art movement. The artwork exhibits a diverse and dynamic composition of colors, patterns, and imagery. The artwork is composed of a vibrant array of textile patterns featuring a central section of bold, multicolored …
Samarkand Stitches III (1988) by Robert Rauschenberg Read More »
The artwork titled “Sant’Agnese (Venetian)” was created by the artist Robert Rauschenberg in the year 1973. This piece belongs to the Neo-Dada art movement and falls under the genre of installation art. The artwork prominently features two wooden chairs positioned opposite each other, with a suspended white cloth draped between them. The simplicity and subdued …
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The artwork, titled “Satellite” by Robert Rauschenberg, was created in 1955 utilizing the assemblage and mixed media technique. This piece is part of the Neo-Dada art movement and falls within the installation genre. It is currently housed at the Whitney Museum of American Art in New York City, NY, USA. The artwork presents a rich …
The artwork, “Should Love Come First” by Robert Rauschenberg, created around the year 1951, is a collage belonging to the Neo-Dada art movement and is classified under the figurative genre. The composition invites contemplation through its assemblage of various elements and forms. The artwork features a diverse array of components, unified within a single canvas …
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“Sky Garden (Stoned Moon)” is a collage artwork created by the acclaimed artist Robert Rauschenberg in 1968. This piece is associated with the Pop Art and Neo-Dada movements and falls under the genre of figurative art. The artwork prominently features a collage that intricately combines technical schematics of a spacecraft with evocative imagery of palm …
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“Skyway” is a collage created by the renowned artist Robert Rauschenberg in 1964. This artwork, which embodies elements of the Pop Art and Neo-Dada movements, falls under the figurative genre. The piece is characterized by its diverse and layered imagery, incorporating various visual elements. The artwork is a striking juxtaposition of diverse images and subjects, …
“Soaring Dribble Glut” is an installation artwork created by Robert Rauschenberg in 1992, belonging to the Neo-Dada art movement. The artwork showcases a synthesis of eclectic materials, characteristic of the installation genre, and is distinguished by its experimental and unconventional composition that challenges traditional art forms. The artwork consists of a large, vertically-oriented arrow sign …
Soaring Dribble Glut (1992) by Robert Rauschenberg Read More »
“Soar (Runt)” is a collage artwork created by Robert Rauschenberg in 2007, falling under the Neo-Dada art movement and belonging to the figurative genre. This piece is part of the “Runt” series, which was produced between 2006 and 2008. The artwork displays various elements combined in a cohesive manner, reflecting Rauschenberg’s distinctive approach to art. …
The artwork in question, titled “Allegory,” was created by Robert Rauschenberg in the year 1960. This assemblage piece is representative of the Neo-Dada movement and falls under the genre of figurative art. “Allegory” features a complex and vibrant composition where abstract, seemingly disconnected elements are brought together. Dominating the left side of the assemblage is …
“Archive,” created by Robert Rauschenberg in 1963, is an abstract collage representative of the Neo-Dada art movement. The artwork utilizes a variety of materials and images to craft a visually complex and multi-layered composition that embodies the spirit of Neo-Dada with its eclectic and fragmented aesthetic. The artwork’s composition is characterized by an amalgamation of …
“Sor Aqua (Venetian)” is an installation artwork created in 1973 by renowned artist Robert Rauschenberg. It belongs to the Neo-Dada art movement. The artwork is characterized by its unconventional assembly of everyday objects and materials, which is a signature trait of the Neo-Dada genre. The artwork features a rustic, standalone bathtub filled with water, positioned …
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The artwork titled “Soviet American Array VI” was created by the artist Robert Rauschenberg in 1988. It belongs to the Neo-Dada art movement and is categorized under the figurative genre. This piece is currently housed in the National Gallery of Art, located in Washington, DC, US. The artwork is a vivid collage composed of various …
Soviet American Array VI (1988) by Robert Rauschenberg Read More »
The artwork, titled “Soviet American Array VII,” was created by Robert Rauschenberg in 1991. It belongs to the Neo-Dada art movement and is classified under the figurative genre. The artwork showcases a blend of imagery that reflects a complex narrative, blending both Soviet and American cultural elements. In “Soviet American Array VII,” the artist employs …
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The artwork, titled “Sri Lanka VI,” was created by Robert Rauschenberg in 1983. It is part of the Neo-Dada art movement and falls under the figurative genre. The artwork features a vibrant and eclectic composition. Central to the piece is an oval-shaped frame, filled with various overlapping images and textures. Within this frame, a fish …
The artwork titled “SSS (Seed Sack Stack) (Runt)” was created by Robert Rauschenberg in 2007. Executed in the medium of collage, it belongs to the Neo-Dada art movement and falls under the figurative genre. This particular piece is part of the “Runt” series, which spanned from 2006 to 2008. In “SSS (Seed Sack Stack) (Runt)”, …
SSS (Seed Sack Stack) (Runt) (2007) by Robert Rauschenberg Read More »
The artwork, titled “Stop”, was created by Robert Rauschenberg in 1963. It belongs to the Neo-Dada art movement and falls within the figurative genre. This distinctive piece prominently features a “Stop” sign as its focal point, set against a vibrant backdrop of red and other collaged elements. Various urban imagery such as buildings, other street …
“Stop Side Early Winter Glut,” an assemblage created in 1987 by artist Robert Rauschenberg, is a distinct manifestation of the Neo-Dada art movement and falls within the genre of installation art. The artwork captivates through its bold use of everyday objects, molded together to construct a compelling and thought-provoking piece. The centerpiece of the assemblage …
Stop Side Early Winter Glut (1987) by Robert Rauschenberg Read More »
The artwork titled “Streaker” by Robert Rauschenberg, created in 1997, belongs to the Neo-Dada movement and is classified as an installation. The artwork features a wooden chair that has been bisected along its vertical axis, presenting a distinct and thought-provoking visual impression. Each half of the chair remains intact structurally yet is separated, creating a …
The artwork, titled “Street Sounds East,” is a figurative piece created by Robert Rauschenberg in 1994 and is part of the Neo-Dada art movement. The composition of the artwork presents a collage-like arrangement, featuring three distinct sections that contribute to an urban narrative. In the upper section, barbed wire and fences are depicted against a …
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“Art Box”, created by Robert Rauschenberg in 1963, is an exemplary work of the Neo-Dada art movement, defined within the installation genre. The artwork stands as a testament to Rauschenberg’s innovative approach, integrating everyday objects and elements to challenge traditional artistic expressions. The artwork features a rectangular wooden box, open on one side to reveal …
