Neoclassicism

Stand in the town of Cora embedded in the wall of the house of Mr Antonio Corbi by Giovanni Battista Piranesi

The artwork, titled “Stand in the town of Cora embedded in the wall of the house of Mr. Antonio Corbi,” is a creation by Giovanni Battista Piranesi, an artist associated with the Neoclassicism movement. Representing the design genre, this piece exemplifies architectural elements meticulously embedded in a structure. The artwork depicts intricate architectural details, focusing …

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St. Anne, the Virgin and Child Jesus by Giovanni Battista Piranesi

The artwork titled “St. Anne, the Virgin and Child Jesus” is the creation of Giovanni Battista Piranesi, an artist renowned for his contributions to the Neoclassicism art movement. This piece, which belongs to the genre of religious painting, captivates the viewer with its profound subject matter and exquisite detailing. The artwork portrays a deeply intimate …

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The Roman antiquities, t. 1, Plate XIX (1756; Italy) by Giovanni Battista Piranesi

The artwork, titled “The Roman antiquities, t. 1, Plate XIX,” is an etching created by Giovanni Battista Piranesi in 1756 in Italy. This piece is a part of the “Le antichità Romane” series and belongs to the Neoclassicism art movement. It is a cityscape genre artwork that exemplifies Piranesi’s meticulous detail and passion for ancient …

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The Roman antiquities, t. 1, Plate XIX. Duct of Caracalla. (1756; Italy) by Giovanni Battista Piranesi

The artwork, titled “The Roman antiquities, t. 1, Plate XIX. Duct of Caracalla,” was created by Giovanni Battista Piranesi in 1756 in Italy. Utilizing the etching medium, this piece belongs to the Neoclassicism art movement and falls under the genre of design. It is part of the series “Le antichità Romane.” The artwork meticulously depicts …

The Roman antiquities, t. 1, Plate XIX. Duct of Caracalla. (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 1, Plate XL (1756; Italy) by Giovanni Battista Piranesi

The artwork, titled “The Roman Antiquities, t. 1, Plate XL,” was created by Giovanni Battista Piranesi in 1756. This Italian etching exemplifies the Neoclassicism art movement and falls within the design genre. It is part of the series “Le antichità Romane.” The artwork meticulously details the architectural plans and elevations of the ancient Roman baths, …

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The Roman antiquities, t. 1, Plate XLIII. Plan of the ancient Roman Forum (1756; Italy) by Giovanni Battista Piranesi

The artwork titled “The Roman antiquities, t. 1, Plate XLIII. Plan of the ancient Roman Forum” was created by Giovanni Battista Piranesi in 1756 in Italy. The medium used for this piece is etching, and it is part of the art movement known as Neoclassicism. The genre of this artwork is design, and it is …

The Roman antiquities, t. 1, Plate XLIII. Plan of the ancient Roman Forum (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian (1756; Italy) by Giovanni Battista Piranesi

“The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian,” an etching crafted by Giovanni Battista Piranesi in 1756, exemplifies the Neoclassical art movement and is classified within the genre of design. This artwork originates from Italy and is part of the series “Le antichità Romane.” The artwork is an intricately detailed …

The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian (1756; Italy) by Giovanni Battista Piranesi

The artwork titled “The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian” was created by Giovanni Battista Piranesi in 1756 in Italy. This work is an etching and belongs to the Neoclassicism art movement, specifically within the design genre. It is part of the series “Le antichità Romane”. The artwork features …

The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 1, Plate XLI. The Nymphaeum of Nero, the Stadium, the `Odeo, and the Temples of the people Flavia, manufactured by Domitian (1756; Italy) by Giovanni Battista Piranesi

The artwork “The Roman antiquities, t. 1, Plate XLI. The Nymphaeum of Nero, the Stadium, the `Odeo, and the Temples of the people Flavia, manufactured by Domitian” was created by Giovanni Battista Piranesi in 1756 in Italy. This etching, which falls within the Neoclassicism art movement and the design genre, is part of the series …

The Roman antiquities, t. 1, Plate XLI. The Nymphaeum of Nero, the Stadium, the `Odeo, and the Temples of the people Flavia, manufactured by Domitian (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 1, Plate XLIV. Plan of Mount Capitoline and its fortress; Perspective of the two horns or stones that stood in the sides of the Capitoline (1756; Italy) by Giovanni Battista Piranesi

“The Roman antiquities, t. 1, Plate XLIV. Plan of Mount Capitoline and its fortress; Perspective of the two horns or stones that stood in the sides of the Capitoline” is an etching created in 1756 by the artist Giovanni Battista Piranesi in Italy. The artwork is a part of the series “Le antichità Romane” and …

The Roman antiquities, t. 1, Plate XLIV. Plan of Mount Capitoline and its fortress; Perspective of the two horns or stones that stood in the sides of the Capitoline (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 1, Plate XLVI. Plan of the lower part of the `Palace of the Caesars believed the Baths Palatine (Drawing and inc. By Francesco Piranesi) (1756; Italy) by Giovanni Battista Piranesi

The artwork titled “The Roman antiquities, t. 1, Plate XLVI. Plan of the lower part of the ‘Palace of the Caesars believed the Baths Palatine,” was created by Giovanni Battista Piranesi in 1756 in Italy. This artwork, produced using the medium of etching, belongs to the Art Movement of Neoclassicism and is categorized under the …

The Roman antiquities, t. 1, Plate XLVI. Plan of the lower part of the `Palace of the Caesars believed the Baths Palatine (Drawing and inc. By Francesco Piranesi) (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 1, Plate XLV. Plan of upper floor of the Caesars Palace de `d` home `s believed Augustus (Drawing and inc. By Francesco Piranesi) (1756; Italy) by Giovanni Battista Piranesi

The artwork, titled “The Roman Antiquities, t. 1, Plate XLV. Plan of upper floor of the Caesars Palace de `d` home `s believed Augustus,” was created by Giovanni Battista Piranesi in 1756, Italy. This piece, executed in the etching medium, belongs to the Neoclassicism art movement and falls under the genre of design. It is …

The Roman antiquities, t. 1, Plate XLV. Plan of upper floor of the Caesars Palace de `d` home `s believed Augustus (Drawing and inc. By Francesco Piranesi) (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 2, Plate XXI. Urn of marble found in the burial chamber above (figures carved from Barbault). (1756; Italy) by Giovanni Battista Piranesi

The artwork titled, “The Roman antiquities, t. 2, Plate XXI. Urn of marble found in the burial chamber above (figures carved from Barbault),” was created by the renowned artist Giovanni Battista Piranesi in 1756 in Italy. Executed in the medium of etching, this work is part of the Neoclassicism art movement and belongs to the …

The Roman antiquities, t. 2, Plate XXI. Urn of marble found in the burial chamber above (figures carved from Barbault). (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 2, Plate XXIV. Columns with their capitals, architrave, frieze and cornice existing under the arches inside the Mausoleum of Constance. (1756; Italy) by Giovanni Battista Piranesi

The artwork, titled “The Roman antiquities, t. 2, Plate XXIV. Columns with their capitals, architrave, frieze and cornice existing under the arches inside the Mausoleum of Constance,” is an etching by Giovanni Battista Piranesi, created in 1756 in Italy. It belongs to the Neoclassicism art movement and falls under the genre of design. The artwork …

The Roman antiquities, t. 2, Plate XXIV. Columns with their capitals, architrave, frieze and cornice existing under the arches inside the Mausoleum of Constance. (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 2, Plate XXIX. View of the Tomb of the Scipios believed outside Porta S. Sebastiano. (1756; Italy) by Giovanni Battista Piranesi

The artwork, titled “The Roman antiquities, t. 2, Plate XXIX. View of the Tomb of the Scipios believed outside Porta S. Sebastiano,” was created by Giovanni Battista Piranesi in 1756 in Italy. This piece is an etching, belonging to the Neoclassicism art movement. It is categorized under the design genre and forms part of the …

The Roman antiquities, t. 2, Plate XXIX. View of the Tomb of the Scipios believed outside Porta S. Sebastiano. (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 2, Plate XXVIII. Plan, and elevation cross-section of the Tomb of the Scipios. (1756; Italy) by Giovanni Battista Piranesi

The artwork titled “The Roman antiquities, t. 2, Plate XXVIII. Plan, and elevation cross-section of the Tomb of the Scipios” was created by Giovanni Battista Piranesi in 1756 in Italy. This piece, crafted using the etching technique, belongs to the Neoclassicism art movement and falls under the genre of capriccio. It is part of the …

The Roman antiquities, t. 2, Plate XXVIII. Plan, and elevation cross-section of the Tomb of the Scipios. (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 2, Plate XXVII. Plan of a factory tomb outside Porta Maggiore in a vineyard next to Tower Pignataro. (1756; Italy) by Giovanni Battista Piranesi

The artwork titled “The Roman antiquities, t. 2, Plate XXVII. Plan of a factory tomb outside Porta Maggiore in a vineyard next to Tower Pignataro” is an etching by Giovanni Battista Piranesi, created in 1756 in Italy. This piece is part of the “Le antichità Romane” series and is associated with the Neoclassicism art movement. …

The Roman antiquities, t. 2, Plate XXVII. Plan of a factory tomb outside Porta Maggiore in a vineyard next to Tower Pignataro. (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 2, Plate XXVI. Previous cross-section of large urn and other details. (1756; Italy) by Giovanni Battista Piranesi

“The Roman antiquities, t. 2, Plate XXVI” is an etching by Giovanni Battista Piranesi, created in 1756 in Italy. This artwork, which falls under the Neoclassicism art movement and belongs to the genre of design, is part of the series “Le antichità Romane”. The artwork presents detailed architectural plans and cross-sectional views of ancient Roman …

The Roman antiquities, t. 2, Plate XXVI. Previous cross-section of large urn and other details. (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 2, Plate XXV. Large urn of porphyry, within which is believed to have been placed the body of Constance. (1756; Italy) by Giovanni Battista Piranesi

The artwork titled “The Roman antiquities, t. 2, Plate XXV. Large urn of porphyry, within which is believed to have been placed the body of Constance,” is an etching created by Giovanni Battista Piranesi in 1756, Italy. This creation is a part of the Neoclassicism art movement and belongs to the design genre. It forms …

The Roman antiquities, t. 2, Plate XXV. Large urn of porphyry, within which is believed to have been placed the body of Constance. (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 2, Plate XXXI. Fragment of stucco gouged by the time of Nicchioni is one of the interior of the factory before burial. (1756; Italy) by Giovanni Battista Piranesi

The artwork titled “The Roman antiquities, t. 2, Plate XXXI. Fragment of stucco gouged by the time of Nicchioni is one of the interior of the factory before burial,” executed by Giovanni Battista Piranesi in 1756, is a fine etching representative of the Neoclassicism art movement. This particular piece belongs to the artwork series “Le …

The Roman antiquities, t. 2, Plate XXXI. Fragment of stucco gouged by the time of Nicchioni is one of the interior of the factory before burial. (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 2, Plate XXXIII. Insight into the tomb of Alexander Severus. (1756; Italy) by Giovanni Battista Piranesi

The artwork titled “The Roman antiquities, t. 2, Plate XXXIII. Insight into the tomb of Alexander Severus” was created by Giovanni Battista Piranesi in 1756 in Italy. This etching, which belongs to the Neoclassicism art movement, falls within the design genre and is part of the series “Le antichità Romane.” The artwork is a detailed …

The Roman antiquities, t. 2, Plate XXXIII. Insight into the tomb of Alexander Severus. (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 2, Plate XXXII. Plan and external view of the tomb of Alexander Severus located outside Porta S. John about a mile from the aqueducts. (1756; Italy) by Giovanni Battista Piranesi

The artwork is an etching titled “The Roman antiquities, t. 2, Plate XXXII. Plan and external view of the tomb of Alexander Severus located outside Porta S. John about a mile from the aqueducts.” Created by Giovanni Battista Piranesi in 1756 in Italy, it is part of the Neoclassicism art movement and falls under the …

The Roman antiquities, t. 2, Plate XXXII. Plan and external view of the tomb of Alexander Severus located outside Porta S. John about a mile from the aqueducts. (1756; Italy) by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 4, Plate XVI. A view of the portion of the ship built and planted before the Travertine substructures of the Temple of Aesculapius Tiber Island. by Giovanni Battista Piranesi

The artwork, titled “The Roman antiquities, t. 4, Plate XVI. A view of the portion of the ship built and planted before the Travertine substructures of the Temple of Aesculapius Tiber Island,” is an exquisite etching crafted by Giovanni Battista Piranesi. Belonging to the Neoclassicism art movement, this cityscape forms part of the series “Le …

The Roman antiquities, t. 4, Plate XVI. A view of the portion of the ship built and planted before the Travertine substructures of the Temple of Aesculapius Tiber Island. by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 4, Plate XVIII. Inscriptions in Bridge of Four Heads. by Giovanni Battista Piranesi

The artwork, titled “The Roman antiquities, t. 4, Plate XVIII. Inscriptions in Bridge of Four Heads,” is an etching created by Giovanni Battista Piranesi. It belongs to the Neoclassicism art movement and falls under the genre of design. This etching is part of the series “Le antichità Romane.” In the artwork, Piranesi meticulously depicts both …

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The Roman antiquities, t. 4, Plate XVII. View of the Bridge of the Four Heads Fabrizio said today. by Giovanni Battista Piranesi

The artwork, titled “The Roman antiquities, t. 4, Plate XVII. View of the Bridge of the Four Heads Fabrizio said today,” is an etching created by Giovanni Battista Piranesi. It belongs to the Neoclassicism art movement and falls under the genre of design. This piece is part of the series “Le antichità Romane.” The artwork …

The Roman antiquities, t. 4, Plate XVII. View of the Bridge of the Four Heads Fabrizio said today. by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 4, Plate XV. Map of the Tiber Island and the two bridges that lead to it. by Giovanni Battista Piranesi

The artwork titled “The Roman antiquities, t. 4, Plate XV. Map of the Tiber Island and the two bridges that lead to it,” created by Giovanni Battista Piranesi, is an etching belonging to the Neoclassicism art movement. It is a cityscape and part of the series “Le antichità Romane.” This detailed map depicts the Tiber …

The Roman antiquities, t. 4, Plate XV. Map of the Tiber Island and the two bridges that lead to it. by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 4, Plate XV. View the progress of one of the stacks of the Triumphal Bridge. by Giovanni Battista Piranesi

The artwork entitled “The Roman antiquities, t. 4, Plate XV. View the progress of one of the stacks of the Triumphal Bridge” by Giovanni Battista Piranesi is an exquisite etching that falls within the Neoclassicism art movement. Created as part of the “Le antichità Romane” series, the piece is categorized under the genre of design. …

The Roman antiquities, t. 4, Plate XV. View the progress of one of the stacks of the Triumphal Bridge. by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 4, Plate XX. Cutaway view of the Bridge of Four Heads. by Giovanni Battista Piranesi

The artwork, “The Roman antiquities, t. 4, Plate XX. Cutaway view of the Bridge of Four Heads,” is an etching created by Giovanni Battista Piranesi. This piece belongs to the Neoclassicism art movement and falls under the design genre. It is part of the series “Le antichità Romane.” The artwork provides a meticulous cutaway view …

The Roman antiquities, t. 4, Plate XX. Cutaway view of the Bridge of Four Heads. by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 4, Plate XXIII. Plant and inscriptions of Cestius Bridge. by Giovanni Battista Piranesi

The artwork titled “The Roman Antiquities, t. 4, Plate XXIII. Plant and inscriptions of Cestius Bridge” is an etching by the artist Giovanni Battista Piranesi. It belongs to the Neoclassicism art movement and the design genre. This artwork is part of the series “Le antichità Romane.” In this meticulously detailed etching, the viewer is presented …

The Roman antiquities, t. 4, Plate XXIII. Plant and inscriptions of Cestius Bridge. by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 4, Plate XXII. View of the Bridge Cestius. by Giovanni Battista Piranesi

The artwork titled “The Roman antiquities, t. 4, Plate XXII. View of the Bridge Cestius,” crafted by the artist Giovanni Battista Piranesi, is an etching that belongs to the Neoclassicism art movement. This piece falls within the design genre and is part of the series known as “Le antichità Romane.” The artwork features a meticulously …

The Roman antiquities, t. 4, Plate XXII. View of the Bridge Cestius. by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 4, Plate XXI. Other split, profiles and details of the Bridge of Four Heads. by Giovanni Battista Piranesi

“The Roman antiquities, t. 4, Plate XXI. Other split, profiles and details of the Bridge of Four Heads,” created by the artist Giovanni Battista Piranesi, is an etching that embodies the Neoclassicism art movement and belongs to the cityscape genre. This artwork is part of Piranesi’s series titled “Le antichità Romane.” The artwork meticulously illustrates …

The Roman antiquities, t. 4, Plate XXI. Other split, profiles and details of the Bridge of Four Heads. by Giovanni Battista Piranesi Read More »

The Roman antiquities, t. 4, Plate XXIV. Elevation of the bridge and its foundations Cestius. by Giovanni Battista Piranesi

The artwork entitled “The Roman antiquities, t. 4, Plate XXIV. Elevation of the bridge and its foundations Cestius” is an etching created by Giovanni Battista Piranesi. This piece, which belongs to the Neoclassicism movement, is part of the series “Le antichità Romane” and falls under the genre of design. The artwork provides a detailed architectural …

The Roman antiquities, t. 4, Plate XXIV. Elevation of the bridge and its foundations Cestius. by Giovanni Battista Piranesi Read More »

Various bases and a stem of columns by Giovanni Battista Piranesi

The artwork titled “Various bases and a stem of columns” by Giovanni Battista Piranesi belongs to the Neoclassicism art movement and falls within the genre of design. It features meticulously detailed drawings of classical architectural elements, notably the bases and stems of columns, showcasing Piranesi’s mastery in the depiction of ancient architectural styles. The artwork …

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Various capitals, column (Villa Albani, St. Clement, St. Cosmas, etc.) by Giovanni Battista Piranesi

The artwork titled “Various capitals, column (Villa Albani, St. Clement, St. Cosmas, etc.)” was created by Giovanni Battista Piranesi, a prominent artist associated with the Neoclassicism art movement. This artwork falls under the genre of design and showcases an assortment of intricately detailed column capitals from various renowned structures such as Villa Albani, St. Clement, …

Various capitals, column (Villa Albani, St. Clement, St. Cosmas, etc.) by Giovanni Battista Piranesi Read More »

Various capitals (St. John Lateran, St. Mary in Cosmedin, S. Lorenzo fm etc.) by Giovanni Battista Piranesi

The artwork titled “Various capitals (St. John Lateran, St. Mary in Cosmedin, S. Lorenzo fm etc.)” is created by Giovanni Battista Piranesi and belongs to the Neoclassicism art movement. The genre of the artwork is classified as design. The artwork presents a detailed illustration of various architectural capitals from notable locations such as St. John …

Various capitals (St. John Lateran, St. Mary in Cosmedin, S. Lorenzo fm etc.) by Giovanni Battista Piranesi Read More »

Various capitals (Villa Albani, S Prisca, Praxedes S, S Clement, etc.) by Giovanni Battista Piranesi

The artwork, titled “Various capitals (Villa Albani, S Prisca, Praxedes S, S Clement, etc.)”, is a design piece created by Giovanni Battista Piranesi, a prominent artist associated with the Neoclassicism art movement. The artwork serves as an intricate study of architectural capitals, highlighting the decorative elements used in various notable buildings such as Villa Albani, …

Various capitals (Villa Albani, S Prisca, Praxedes S, S Clement, etc.) by Giovanni Battista Piranesi Read More »

Various capitelli by Giovanni Battista Piranesi

The artwork titled “Various capitelli” by Giovanni Battista Piranesi belongs to the Neoclassicism art movement and falls under the genre of design. The artwork presents a detailed engraving depicting various designs of Corinthian and Composite capitals. Each capital is meticulously rendered, showcasing the intricate carvings and flourishes characteristic of classical architectural elements. The image includes …

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Various shells taken from the real by Giovanni Battista Piranesi

The artwork, named “Various shells taken from the real,” was created by Giovanni Battista Piranesi and belongs to the Neoclassicism art movement, classified as a design genre. This detailed illustration demonstrates Piranesi’s skill in rendering natural forms with precision and sophistication. The composition presents an array of meticulously depicted shells, showcasing a rich variety of …

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Vases and toiletries, found in Pompeii by Giovanni Battista Piranesi

The artwork titled “Vases and toiletries, found in Pompeii” was created by Giovanni Battista Piranesi, a prominent figure in the Neoclassicism art movement. This piece belongs to the genre of design and exemplifies the meticulous and intricate detailing characteristic of the Neoclassic style. The artwork portrays a collection of vases and toiletries, arranged in a …

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Vase with ancient marble griffins and ribbing by Giovanni Battista Piranesi

The artwork, titled “Vase with ancient marble griffins and ribbing,” is a creation of Giovanni Battista Piranesi, belonging to the Neoclassicism art movement and falls within the genre of design. This intricate artwork showcases a vase adorned with decorative elements and griffin motifs, displaying an embodiment of classical elegance and meticulous attention to detail. In …

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Veduta dell`Atrio del Portico di Ottavia by Giovanni Battista Piranesi

“Veduta dell’Atrio del Portico di Ottavia” is an exquisite artwork created by Giovanni Battista Piranesi, a distinguished artist associated with the Neoclassicism movement. This compelling piece belongs to the cityscape genre and masterfully captures the architectural grandeur and historical significance of its subject matter. The artwork presents a detailed and intricate view of the ancient …

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Vedute di Roma by Giovanni Battista Piranesi

“Vedute di Roma,” an evocative artwork by Giovanni Battista Piranesi, is a significant piece within the Neoclassicism art movement. This design genre masterpiece captures the grandeur and historical essence of Rome through intricate architectural renderings and elaborate detail. The artwork portrays a scenic view of ancient Roman ruins, emphasizing the monumental and timeless nature of …

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Vedute di Roma by Giovanni Battista Piranesi

The artwork titled “Vedute di Roma” is a creation of Giovanni Battista Piranesi, an eminent artist associated with the Neoclassicism art movement. Rendered in the genre of cityscapes, this piece exemplifies the intricate and evocative style that characterizes his interpretations of Rome’s architectural grandeur. In the artwork, a majestic and somewhat romanticized ruin dominates the …

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Vedute di Roma by Giovanni Battista Piranesi

The artwork, “Vedute di Roma,” is a cityscape created by Giovanni Battista Piranesi, an artist associated with the Neoclassicism movement. This piece illustrates Piranesi’s masterful ability to capture the grandeur and intricacy of ancient Roman architecture. In this artwork, one is immediately drawn to the impressive depiction of a classical ruin, overgrown with foliage yet …

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Vedute di Roma by Giovanni Battista Piranesi

The artwork titled “Vedute di Roma” is the creation of Giovanni Battista Piranesi, a prominent figure in the Neoclassicism movement. As an example of the cityscape genre, the artwork showcases Piranesi’s meticulous attention to detail and his admiration for the grandeur of Rome’s architectural heritage. In this monochromatic depiction, the ruins of ancient Roman structures …

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Vedute di Roma by Giovanni Battista Piranesi

The artwork, titled “Vedute di Roma,” by Giovanni Battista Piranesi, is a significant piece within the Neoclassicism art movement. It belongs to the genre of cityscape, showcasing the artist’s meticulous attention to architectural details and urban scenery. This detailed depiction exhibits ancient Roman ruins enveloped by overgrown vegetation, emphasizing the grandeur and decay of classical …

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Vedute di Roma by Giovanni Battista Piranesi

The artwork entitled “Vedute di Roma,” created by Giovanni Battista Piranesi, is a distinguished piece belonging to the Neoclassicism movement. This extraordinary cityscape vividly captures the essence of Rome’s architectural grandeur. In the artwork, we observe a meticulously detailed etching of a classical Roman ruin, enveloped by abundant and overgrown flora. The scene is dominated …

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Vedute di Roma by Giovanni Battista Piranesi

The artwork “Vedute di Roma,” created by Giovanni Battista Piranesi, is a quintessential representation of the Neoclassicism art movement and falls under the cityscape genre. Piranesi’s work is a detailed and evocative depiction of Rome, capturing its architectural grandeur and historical significance. The artwork presents an intricate view of ruins enveloped by lush foliage, with …

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Vedute di Roma by Giovanni Battista Piranesi

The artwork, titled “Vedute di Roma,” was created by the artist Giovanni Battista Piranesi and is associated with the Neoclassicism art movement. This piece belongs to the genre of capriccio, which typically depicts architectural fantasies combining real or imagined structures, often ancient ruins with various artistic elements. In this particular artwork, Piranesi masterfully portrays a …

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View of the facade of the Basilica of St. John Lateran by Giovanni Battista Piranesi

The artwork titled “View of the facade of the Basilica of St. John Lateran,” created by Giovanni Battista Piranesi, is an exemplary piece from the Neoclassicism art movement, classified under the cityscape genre. This artwork is part of the series “Vedute di Roma.” The artwork depicts a detailed and grand portrayal of the Basilica of …

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View of the facade of the Basilica of St. Maria Maggiore by Giovanni Battista Piranesi

The artwork, titled “View of the facade of the Basilica of St. Maria Maggiore,” was created by Giovanni Battista Piranesi. It belongs to the Neoclassicism art movement and falls under the genre of cityscape. This piece is part of the series “Vedute di Roma.” The artwork presents a meticulously detailed rendition of the facade of …

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View of the Falls of Tivoli by Giovanni Battista Piranesi

The artwork “View of the Falls of Tivoli” by Giovanni Battista Piranesi belongs to the Neoclassicism art movement and is categorized under the genre of cityscape. It is part of the “Vedute di Roma” series. The artwork skillfully portrays the striking landscape of Tivoli with a focus on its dramatic waterfalls, rendered in intricate detail …

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View of the Farnese Palace by Giovanni Battista Piranesi

“View of the Farnese Palace” is a remarkable artwork created by Giovanni Battista Piranesi, a prominent figure of the Neoclassicism art movement. This artwork belongs to the genre of cityscape and is part of the series “Vedute di Roma.” The artwork meticulously depicts the grandeur of the Farnese Palace alongside a bustling urban scene. The …

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View of the Flavian Amphitheatre, called the Coliseum (a bird) by Giovanni Battista Piranesi

The artwork titled “View of the Flavian Amphitheatre, called the Coliseum (a bird)” was created by Giovanni Battista Piranesi, an eminent artist from the Neoclassicism art movement. This piece is a part of the “Vedute di Roma” series and belongs to the genre of veduta, which focuses on detailed, scenic depictions of cityscapes. The artwork …

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View of the great Basilica of St. Peter`s Square and was originally located where the Cirque and the Gardens of Gaius and Nero in the Valley of the Vatican by Giovanni Battista Piranesi

The artwork titled “View of the Great Basilica of St. Peter’s Square and was originally located where the Cirque and the Gardens of Gaius and Nero in the Valley of the Vatican” was created by the artist Giovanni Battista Piranesi. This interior scene is part of the “Vedute di Roma” series and belongs to the …

View of the great Basilica of St. Peter`s Square and was originally located where the Cirque and the Gardens of Gaius and Nero in the Valley of the Vatican by Giovanni Battista Piranesi Read More »

View of the Mausoleum of Hadrian Helium (now called Castle St. Angelo, on the other side of the facade inside the Castle) by Giovanni Battista Piranesi

The artwork, titled “View of the Mausoleum of Hadrian Helium (now called Castle St. Angelo, on the other side of the facade inside the Castle),” is a creation by the artist Giovanni Battista Piranesi. It belongs to the Neoclassical movement and falls within the cityscape genre. This particular piece is part of the “Vedute di …

View of the Mausoleum of Hadrian Helium (now called Castle St. Angelo, on the other side of the facade inside the Castle) by Giovanni Battista Piranesi Read More »

View of the monument erected by the Emperor Titus Vespasian restored for the new aqueducts of anion and Claudia by Giovanni Battista Piranesi

The artwork titled “View of the monument erected by the Emperor Titus Vespasian restored for the new aqueducts of Anio and Claudia” is a striking piece created by Giovanni Battista Piranesi. The piece belongs to the Neoclassicism art movement and falls within the cityscape genre. It is part of the renowned series “Vedute di Roma”. …

View of the monument erected by the Emperor Titus Vespasian restored for the new aqueducts of anion and Claudia by Giovanni Battista Piranesi Read More »

View of the Palace Stopani by Giovanni Battista Piranesi

The artwork titled “View of the Palace Stopani,” created by Giovanni Battista Piranesi, belongs to the Neoclassical art movement and falls under the cityscape genre. It is part of the series “Vedute di Roma.” In the artwork, an architectural masterpiece stands prominently at the center. The palace’s imposing facade showcases classical architectural elements such as …

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Thomas Noel-Hill (1770–1832), 2nd Baron Berwick of Attingham (1793) by Angelica Kauffman

The artwork titled “Thomas Noel-Hill (1770–1832), 2nd Baron Berwick of Attingham” is an oil painting created by artist Angelica Kauffman in 1793. Belonging to the Neoclassicism movement, the genre of the painting is a portrait. The piece was painted during a period where art was characterized by a renewed interest in classical forms and simplicity, …

Thomas Noel-Hill (1770–1832), 2nd Baron Berwick of Attingham (1793) by Angelica Kauffman Read More »

Portrait of Augusta of Saxe Weimar Eisenach by Franz Xaver Winterhalter

The artwork, titled “Portrait of Augusta of Saxe-Weimar-Eisenach” and created by Franz Xaver Winterhalter, belongs to the Neoclassical art movement and falls under the genre of portraiture. This distinguished painting captures the regal presence of Augusta of Saxe-Weimar-Eisenach, adorned in an elaborate costume fitting of her high status. She is depicted wearing an intricate, cream-colored …

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Self Portrait, the Artist Hesitating Between the Arts of Music and Painting (1791) by Angelica Kauffman

The artwork titled “Self Portrait, the Artist Hesitating Between the Arts of Music and Painting” is an oil on canvas painting by Angelica Kauffman, dated to 1791. It is an exemplar of the Neoclassical art movement and measures 215.9 x 147.3 cm. The self-portrait is housed at Nostell Priory in Nostell, UK. It is a …

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The Artist in the Character of Design Listening to the Inspiration of Poetry by Angelica Kauffman

“The Artist in the Character of Design Listening to the Inspiration of Poetry” is a Neoclassical oil portrait by Angelica Kauffman. Kauffman, who was active in the 18th century, infused her work with the aesthetic principles of Neoclassicism, which emphasized clarity, order, and idealized beauty derived from classical art. The painting depicts two allegorical female …

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Venus Persuades Helen to Accept the Love of Paris (1790) by Angelica Kauffman

The artwork titled “Venus Persuades Helen to Accept the Love of Paris” was created by Angelica Kauffman in 1790. This oil on canvas painting, measuring 102 by 127.5 cm, belongs to the Neoclassicism and Rococo art movements. The piece is a mythological painting and currently resides in the Hermitage Museum, located in Saint Petersburg, Russia. …

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Portrait of Count Alexei Bobrinsky (1844) by Franz Xaver Winterhalter

The artwork, titled “Portrait of Count Alexei Bobrinsky,” is a portrait crafted by the artist Franz Xaver Winterhalter in the year 1844. It belongs to the Neoclassicism movement, characterized by its adherence to classical art forms and clear delineation of subjects, and falls under the genre of portraiture. In the artwork, Count Alexei Bobrinsky is …

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Venus Directing Aeneas and Achates to Carthage (1768) by Angelica Kauffman

“Venus Directing Aeneas and Achates to Carthage,” an oil painting created by Angelica Kauffman in 1768, exemplifies the Neoclassical movement. This artwork falls within the genres of mythological and history painting, reflecting the period’s fascination with classical antiquity and heroic narratives. The artwork captures a mythological scene where the goddess Venus, adorned in a flowing …

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Virgil Reading the Aeneid to Augustus and Octavia by Angelica Kauffman

“Virgil Reading the Aeneid to Augustus and Octavia” is an oil painting on canvas created by Angelica Kauffman. This neoclassical and rococo artwork, categorized as a history painting, measures 123 x 159 cm and is housed in the Hermitage Museum, Saint Petersburg, Russia. In the artwork, the Roman poet Virgil is depicted reading his epic, …

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Vortigern, King of Britain, Enamoured with Rowena at the Banquet of Hengist, the Saxon General (1770) by Angelica Kauffman

The artwork, titled “Vortigern, King of Britain, Enamoured with Rowena at the Banquet of Hengist, the Saxon General,” was created by Angelica Kauffman in 1770. Executed in oil, this historical painting belongs to the Neoclassicism art movement. In the artwork, the scene depicts a banquet attended by various figures clad in historical garb. Central to …

Vortigern, King of Britain, Enamoured with Rowena at the Banquet of Hengist, the Saxon General (1770) by Angelica Kauffman Read More »

Alcestis by Angelica Kauffman

The artwork titled “Alcestis” was created by Angelica Kauffman, a distinguished artist associated with the Neoclassicism art movement. This piece falls within the genre of mythological painting, depicting a poignant scene derived from classical mythology. In the artwork, the viewer is presented with an emotionally charged narrative scene. Central to the composition is a reclining …

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Allegory of poetry and music (1782) by Angelica Kauffman

The artwork, “Allegory of Poetry and Music,” was created by Angelica Kauffman in 1782. This oil on canvas painting belongs to the Neoclassicism movement and represents the allegorical painting genre. Presently, it is exhibited in Kenwood House, London, UK. In this exquisite piece, two elegantly dressed women are depicted seated closely together, embodying the personifications …

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Ariadne left on the island of Naxos by Angelica Kauffman

The artwork titled “Ariadne left on the island of Naxos” was created by the artist Angelica Kauffman, an influential figure in the art movements of Neoclassicism and Rococo. This mythological painting is currently housed in the Gemäldegalerie Alte Meister in Dresden, Germany. In the artwork, a sorrowful scene unfolds depicting the mythological character Ariadne, abandoned …

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Bacchus and Ariadne by Angelica Kauffman

The artwork, titled “Bacchus and Ariadne,” is a mythological painting by Angelica Kauffman, rendered in oil and belonging to the Neoclassicism art movement. In this painting, the artist explores themes from ancient mythology. The artwork depicts a poignant scene from classical mythology where Bacchus, the god of wine, encounters the heartbroken Ariadne. Ariadne is portrayed …

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Beauty Directed by Prudence (1780) by Angelica Kauffman

“Beauty Directed by Prudence,” an oil on canvas created in 1780 by Angelica Kauffman, stands as a notable example of Neoclassicism and Rococo. This allegorical painting portrays a vivid scene imbued with symbolic significance, rendered in the artist’s signature style that blends classical influences with a refined elegance. The artwork captures three figures in a …

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Beauty, supported by Prudence, Scorns the Offering of Folly (c.1780) by Angelica Kauffman

“Beauty, supported by Prudence, Scorns the Offering of Folly,” created circa 1780 by the distinguished artist Angelica Kauffman, is an exquisite allegorical painting executed in oil on canvas. This piece, characterized by dimensions of 65.5 x 65.5 cm, is a remarkable example of Neoclassicism with influences of Rococo. The artwork presents three female figures set …

Beauty, supported by Prudence, Scorns the Offering of Folly (c.1780) by Angelica Kauffman Read More »

Children with a bird’s nest and flowers by Angelica Kauffman

The artwork, titled “Children with a bird’s nest and flowers,” was created by Angelica Kauffman and belongs to the Neoclassicism art movement. It is a portrait genre painting that captures a group of children, embodying the classical beauty and elegance characteristic of the period. In the artwork, three children are depicted in an intimate setting …

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Christ and the Samaritan woman at the well (1796) by Angelica Kauffman

The artwork titled “Christ and the Samaritan Woman at the Well” was created by Angelica Kauffman in 1796. This religious painting, rendered in oil on canvas, is a notable example of the Neoclassicism art movement. The artwork measures 123.5 by 158.5 centimeters and is currently housed in the Neue Pinakothek in Munich, Germany. The artwork …

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Countess Anna Protassowa with niece (1788) by Angelica Kauffman

The artwork, entitled “Countess Anna Protassowa with Niece,” is a portrait created by the artist Angelica Kauffman in 1788. This oil on canvas piece is a representation of the Neoclassical and Rococo art movements and measures 123 by 159 centimeters. Currently housed in the Hermitage Museum in Saint Petersburg, Russia, the artwork features a formidable …

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The Blessed Virgin with Saints Peter and Paul, by Guercino by Giovanni Battista Piranesi

The artwork “The Blessed Virgin with Saints Peter and Paul,” created by Giovanni Battista Piranesi, reflects the Neoclassical art movement and belongs to the genre of religious painting. This piece is part of the “Collection of drawings engraved after Guercino,” showcasing Piranesi’s skill in engraving. In “The Blessed Virgin with Saints Peter and Paul,” the …

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Allegory of Providence by Giovanni Battista Piranesi

“Allegory of Providence” by Giovanni Battista Piranesi is a notable piece within the Neoclassicism movement, specifically classified as an allegorical painting. The artwork elegantly captures a scene imbued with profound symbolic meaning, characteristic of the allegorical genre in which it is rooted. In the artwork, multiple figures are depicted in a moment brimming with activity …

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Altar and sacred furnishings of the Egyptian Temple by Giovanni Battista Piranesi

The artwork entitled “Altar and Sacred Furnishings of the Egyptian Temple” is a design piece created by Giovanni Battista Piranesi, an artist associated with the Neoclassicism movement. The genre of this artwork is a technical and architectural design. The artwork meticulously delineates various elements associated with the sacred altars and furnishings one would find in …

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Altar dedicated to Apollo found in the Villa of Pompey the Great in Albano by Giovanni Battista Piranesi

The artwork, titled “Altar dedicated to Apollo found in the Villa of Pompey the Great in Albano,” was created by Giovanni Battista Piranesi and belongs to the Neoclassicism art movement. It falls within the design genre. The artwork depicts an intricately designed altar dedicated to the god Apollo. The altar, of Doric order, is adorned …

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Altrorilievo other side of the pedestal (two branches) by Giovanni Battista Piranesi

The artwork named “Altrorilievo other side of the pedestal (two branches)” was created by Giovanni Battista Piranesi and belongs to the Neoclassicism art movement. The artwork falls within the genre of design. The artwork showcases an elaborate and intricate depiction of a pedestal adorned with various elements. Central to the composition is a tall column …

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A marble plaque with the inscription: Roman Antiquities outside of Rome, drawn and engraved by Venetian architect Giambattista Piranesi, Part Two (c.1748) by Giovanni Battista Piranesi

The artwork, titled “A marble plaque with the inscription: Roman Antiquities outside of Rome, drawn and engraved by Venetian architect Giambattista Piranesi, Part Two,” was created by Giovanni Battista Piranesi around 1748. This piece belongs to the Neoclassicism art movement and is a cityscape genre. The artwork captures an ancient ruin with a grandiose sense …

A marble plaque with the inscription: Roman Antiquities outside of Rome, drawn and engraved by Venetian architect Giambattista Piranesi, Part Two (c.1748) by Giovanni Battista Piranesi Read More »

Amphitheater of Pula in Istria near the sea (1748) by Giovanni Battista Piranesi

The artwork, titled “Amphitheater of Pula in Istria near the sea,” was created by Giovanni Battista Piranesi in 1748 during the Neoclassical art movement. It is a cityscape that captures the grandeur and desolation of ancient ruins surrounded by natural elements. In the artwork, a dilapidated structure, possibly part of the amphitheater, stands majestically amidst …

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Amphitheatre of Verona (c.1748) by Giovanni Battista Piranesi

The artwork entitled “Amphitheatre of Verona,” created by Giovanni Battista Piranesi circa 1748, exemplifies the Neoclassicism art movement and falls within the cityscape genre. The artwork depicts an impressive and somewhat deteriorated ancient structure enveloped by foliage and trees, characteristic of classical ruins. The prominent round tower, outlined with detailed stonework, dominates the composition. To …

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Andromeda on the rock by Guercino by Giovanni Battista Piranesi

The artwork titled “Andromeda on the rock by Guercino,” crafted by Giovanni Battista Piranesi, is a notable example of Neoclassicism. It belongs to the mythological painting genre and is a part of the “Collection of drawings engraved after Guercino.” In the artwork, Andromeda is depicted in a poised and elegant manner, showcasing the classical beauty …

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Bases and pedestals (a simple outline) (Arch of Augustus at Rimini, Fortuna Virile) by Giovanni Battista Piranesi

The artwork entitled “Bases and pedestals (a simple outline) (Arch of Augustus at Rimini, Fortuna Virile)” was created by Giovanni Battista Piranesi and belongs to the Neoclassicism art movement. The genre of this piece is design. The artwork depicts detailed architectural elements, specifically bases and pedestals, with a focus on the structural components and their …

Bases and pedestals (a simple outline) (Arch of Augustus at Rimini, Fortuna Virile) by Giovanni Battista Piranesi Read More »

Bas-relief carved in a marble vase in the existing Palace of Villa Borghese, representing a bacchanal (1778) by Giovanni Battista Piranesi

The artwork, “Bas-relief carved in a marble vase in the existing Palace of Villa Borghese, representing a bacchanal,” was created by Giovanni Battista Piranesi in 1778. It belongs to the Neoclassicism art movement and is categorized within the genre painting genre. The meticulously detailed bas-relief depicted in the artwork features a dramatic scene from a …

Bas-relief carved in a marble vase in the existing Palace of Villa Borghese, representing a bacchanal (1778) by Giovanni Battista Piranesi Read More »

Black and white mosaic floor of the Temple of the cell referred to above, and which was inscribed at the entrance of the enclosure by Giovanni Battista Piranesi

The artwork, titled “Black and white mosaic floor of the Temple of the cell referred to above, and which was inscribed at the entrance of the enclosure,” is attributed to the artist Giovanni Battista Piranesi. Belonging to the Neoclassicism art movement, the artwork is a design piece that illustrates various inscriptions found within the Temple …

Black and white mosaic floor of the Temple of the cell referred to above, and which was inscribed at the entrance of the enclosure by Giovanni Battista Piranesi Read More »

Borghese fighter by Giovanni Battista Piranesi

The artwork titled “Borghese Fighter,” created by Giovanni Battista Piranesi, is a prominent piece belonging to the Neoclassicism art movement and falls under the genre of design. Piranesi, renowned for his etchings, presents a highly detailed depiction of a classical figure, demonstrating the era’s emphasis on classical antiquity and its ideals of beauty and heroism. …

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Count Nikolai Tolstoy with his wife Anna Ivanovna and their son Alexander (c.1795) by Angelica Kauffman

The artwork, titled “Count Nikolai Tolstoy with his wife Anna Ivanovna and their son Alexander,” was created by Angelica Kauffman around the year 1795. This portrait resides within the Neoclassicism and Rococo art movements. In this piece, Kauffman explores the genre of portraiture, depicting a noble family of three. In the artwork, a serene and …

Count Nikolai Tolstoy with his wife Anna Ivanovna and their son Alexander (c.1795) by Angelica Kauffman Read More »

Diomed and Cressida (from William Shakespeare’s ‘Troilus and Cressida’, Act V, Scene II) (1789) by Angelica Kauffman

The artwork entitled “Diomed and Cressida (from William Shakespeare’s ‘Troilus and Cressida’, Act V, Scene II)” was created by Angelica Kauffman in 1789. Executed in oil, this painting is a notable example of the Neoclassical art movement and falls under the genre of history painting. The scene depicted in the artwork illustrates a moment from …

Diomed and Cressida (from William Shakespeare’s ‘Troilus and Cressida’, Act V, Scene II) (1789) by Angelica Kauffman Read More »

Euphrosyne Complaining to Venus of the Wound Caused by Cupid’s Dart by Angelica Kauffman

“Euphrosyne Complaining to Venus of the Wound Caused by Cupid’s Dart” is an oil painting created by Angelica Kauffman, a prominent figure in the Neoclassicism art movement. The artwork falls under the categories of mythological painting and history painting, effectively combining elements from both genres. The artwork depicts a dramatic scene where Euphrosyne, one of …

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Family portrait of Catherine Petrovna Baryatinskiy by Angelica Kauffman

“Family Portrait of Catherine Petrovna Baryatinskiy” is a Neoclassical portrait created by the artist Angelica Kauffman. The artwork depicts an elegant portrayal of a family group set in a refined and stately ambiance. In the artwork, four figures are rendered with nuanced attention to their attire and posture. The composition is anchored by a seated …

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Ferdinand IV of Naples and his family (1783) by Angelica Kauffman

The artwork titled “Ferdinand IV of Naples and his family” was painted by Angelica Kauffman in 1783. Executed in oil on canvas, this piece belongs to the Neoclassicism and Rococo art movements and is classified as a portrait. The artwork is currently housed in the National Museum of Capodimonte in Naples, Italy. The composition showcases …

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Four Children With A Basket Of Fruit by Angelica Kauffman

The artwork titled “Four Children With A Basket Of Fruit,” created by Angelica Kauffman, is an oil painting on canvas, measuring 74 x 61 cm. It belongs to the Neoclassicism and Rococo art movements and falls under the genre painting category. Currently held in a private collection, the piece exemplifies Kauffman’s masterful technique and her …

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Frances Ann Acland (1735/1736–1800), Lady Hoare (1773) by Angelica Kauffman

The artwork entitled “Frances Ann Acland (1735/1736–1800), Lady Hoare” was created by the artist Angelica Kauffman in 1773. Executed in oil, this portrait is representative of the Neoclassicism art movement. The artwork depicts a noblewoman, presumably Frances Ann Acland, Lady Hoare, seated in a serene pose. The subject is adorned in a red dress, with …

Frances Ann Acland (1735/1736–1800), Lady Hoare (1773) by Angelica Kauffman Read More »

Hector Calls Paris to the Battle (1775) by Angelica Kauffman

The artwork titled “Hector Calls Paris to the Battle” was painted by Angelica Kauffman in 1775, using oil on canvas. It belongs to the Neoclassicism art movement and measures 137 x 178 cm. This mythological painting is housed in the Hermitage Museum in Saint Petersburg, Russia. The composition of the artwork captures a pivotal moment …

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Borghese hermaphrodite by Giovanni Battista Piranesi

The artwork titled “Borghese Hermaphrodite,” created by the artist Giovanni Battista Piranesi, belongs to the Neoclassicism art movement and is categorized under the genre of design. The artwork features a finely detailed depiction of the famous Borghese Hermaphrodite statue. The subject of the artwork is a reclining figure, exquisitely rendered, lying upon a plush, cushioned …

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Bottle and glass vases and crystal faceted, found in Pompeii by Giovanni Battista Piranesi

The artwork titled “Bottle and glass vases and crystal faceted, found in Pompeii” is a creation by Giovanni Battista Piranesi. This piece is a representation of the Neoclassicism art movement and belongs to the genre of still life. The artwork displays an array of glass vessels and jars, meticulously illustrated with fine details reflecting light …

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Bottles and glasses, found at Pompeii by Giovanni Battista Piranesi

The artwork titled “Bottles and glasses, found at Pompeii” by Giovanni Battista Piranesi belongs to the Neoclassicism art movement and is categorized under the still life genre. This finely detailed drawing presents an array of vessels, emphasizing different shapes and textures. The composition meticulously arranges bottles and glasses against a contrasting background, capturing the intricate …

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Demonstration of a part of the interior of the Pantheon put in a straight line by Giovanni Battista Piranesi

The artwork titled “Demonstration of a part of the interior of the Pantheon put in a straight line” was created by the artist Giovanni Battista Piranesi and belongs to the Neoclassicism art movement. It is a cityscape that elegantly captures an architectural portion of the Pantheon’s interior, rendered in a linear perspective. In this detailed …

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Demonstration of cross-section diameter of the Gate of the Temple of Vesta in Tivoli by Giovanni Battista Piranesi

The artwork titled “Demonstration of cross-section diameter of the Gate of the Temple of Vesta in Tivoli” was created by Giovanni Battista Piranesi and belongs to the Neoclassicism art movement. This cityscape artwork is an architectural drawing that illustrates a detailed cross-sectional view of the Gate of the Temple of Vesta in Tivoli, showcasing the …

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Demonstration of in large atrium aforesaid by Giovanni Battista Piranesi

The artwork, titled “Demonstration of in large atrium aforesaid,” is a creation by Giovanni Battista Piranesi under the Neoclassicism art movement. It is a design genre piece that showcases Piranesi’s architectural and artistic prowess. In the artwork, Piranesi masterfully employs intricate linear details and shading to depict an architectural element, most likely a section of …

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Demonstration of large parts of the second inner order of the Pantheon, now there are no more by Giovanni Battista Piranesi

The artwork, titled “Demonstration of large parts of the second inner order of the Pantheon, now there are no more,” was created by the artist Giovanni Battista Piranesi. It belongs to the Neoclassicism art movement and is categorized within the design genre. The artwork meticulously illustrates large sections of the architectural details and components of …

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Demonstration of of the house itself by Giovanni Battista Piranesi

The artwork titled “Demonstration of the House Itself” by Giovanni Battista Piranesi is an exemplar of the Neoclassicism movement, belonging to the genre of design. The piece manifests the meticulous and elaborate architectural style characteristic of the period and showcases Piranesi’s mastery in draftsmanship. In this sophisticated architectural drawing, four distinct views are presented: a …

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Demonstration of some parts of the Opera brick, which builds the Pantheon by Giovanni Battista Piranesi

The artwork titled “Demonstration of some parts of the Opera brick, which builds the Pantheon,” created by Giovanni Battista Piranesi, belongs to the Neoclassicism art movement and falls under the genre of design. Encompassed within its intricate lines and detailed illustrations, the artwork exemplifies Piranesi’s profound expertise in architectural design and classical antiquity. The artwork …

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Demonstration of some parts of the Opera brick, which builds the Pantheon by Giovanni Battista Piranesi

The artwork titled “Demonstration of some parts of the Opera brick, which builds the Pantheon” is created by Giovanni Battista Piranesi and belongs to the Neoclassicism art movement and design genre. The artwork presents detailed architectural drawings and designs, meticulously illustrating the intricate components involved in the construction of the Pantheon. One can observe the …

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Demonstration of the `apparatus of a mobile stage for the representation of tragic, comic and satirical perspective and pulpit by Giovanni Battista Piranesi

The artwork, titled “Demonstration of the `apparatus of a mobile stage for the representation of tragic, comic and satirical perspective and pulpit,” was created by Giovanni Battista Piranesi and falls under the Neoclassicism art movement. It is categorized within the design genre. The artwork meticulously illustrates an elaborate stage apparatus intended for theatrical representations, encompassing …

Demonstration of the `apparatus of a mobile stage for the representation of tragic, comic and satirical perspective and pulpit by Giovanni Battista Piranesi Read More »

Demonstration of the door of the Pantheon by Giovanni Battista Piranesi

The artwork, titled “Demonstration of the door of the Pantheon,” is a design piece by Giovanni Battista Piranesi, associated with the Neoclassicism art movement. The artwork meticulously illustrates the architectural details of the Pantheon’s door, showcasing the precise measurements and ornamental features characteristic of Neoclassical design. The central panel displays the double doors, adorned with …

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Flora of dressing the hair in place by Giovanni Battista Piranesi

The artwork “Flora of Dressing the Hair in Place,” created by Giovanni Battista Piranesi, belongs to the Neoclassicism art movement and falls under the genre of a sketch and study. Piranesi, renowned for his detailed and intricate works, has depicted a delicate scene with careful attention to form and composition. In the artwork, a female …

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Following the above table by Giovanni Battista Piranesi

The artwork “Following the above table” by Giovanni Battista Piranesi is a creation of the Neoclassicism art movement and belongs to the genre of design. Piranesi, an Italian artist famed for his detailed etchings and architectural studies, exhibits meticulous craftsmanship and an affinity for classical antiquity in this work. The artwork presents a complex and …

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Following the above table by Giovanni Battista Piranesi

The artwork titled “Following the above table” is a piece by Giovanni Battista Piranesi, a notable artist associated with the Neoclassicism movement. This design genre artwork exemplifies intricate attention to detail and classical inspiration. The artwork is a meticulously crafted composition that appears to depict a collage or assemblage of classical architectural elements and text, …

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Following the above table by Giovanni Battista Piranesi

The artwork titled “Following the above table” was created by Giovanni Battista Piranesi and belongs to the Neoclassicism art movement. This piece is categorized within the genre of design. The artwork features an intricate array of architectural fragments and detailed inscriptions, meticulously presented in a grayscale palette. Dominating the left section is a large inscribed …

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Following the above table, with a special section by Giovanni Battista Piranesi

The artwork entitled “Following the above table, with a special section,” created by Giovanni Battista Piranesi, is a notable piece from the Neoclassicism art movement, and falls under the genre of cityscape. This detailed and meticulously rendered illustration depicts a decaying yet impressive architectural structure, characterizing the grandeur of ancient ruins. In the foreground, remnants …

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Hector Taking Leave of Andromache by Angelica Kauffman

“Hector Taking Leave of Andromache” is an oil painting by Angelica Kauffman, reflecting the Neoclassical art movement and falling within the genres of mythological and history painting. The artwork encapsulates a poignant moment derived from classical antiquity, showcasing both Kauffman’s adeptness at capturing emotional depth and her meticulous attention to historical detail. In the artwork, …

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Hector Taking Leave of Andromache (1768) by Angelica Kauffman

The artwork titled “Hector Taking Leave of Andromache,” created by Angelica Kauffman in 1768, is an oil painting that belongs to the Neoclassicism art movement. This mythological painting depicts a poignant moment derived from classical literature. In the artwork, three figures are prominently featured against a backdrop of architectural elements. Hector, a Trojan hero adorned …

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Ideal portrait of Shakespeare (c.1775) by Angelica Kauffman

The artwork, titled “Ideal Portrait of Shakespeare,” was created by Angelica Kauffman circa 1775. It belongs to the Neoclassicism art movement and falls under the genre of portraiture. This piece exemplifies Kauffman’s interpretation of William Shakespeare, encapsulated in a refined and idealized representation typical of the Neoclassical style. This portrait features a bust of William …

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Interview of Edgar and Elfrida, after Her Marriage to Athelwold by Angelica Kauffman

The artwork titled “Interview of Edgar and Elfrida, after Her Marriage to Athelwold” created by Angelica Kauffman, is an exemplary oil painting within the Neoclassical art movement, classified under the genre of history painting. This piece captures a historical and dramatic narrative, infused with the classical aesthetics typical of Neoclassicism. In the artwork, several figures …

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Jane Maxwell (c.1749–1812), Duchess of Gordon, Wife of the 4th Duke of Gordon by Angelica Kauffman

The artwork, titled “Jane Maxwell (c.1749–1812), Duchess of Gordon, Wife of the 4th Duke of Gordon,” is an oil portrait by the renowned artist Angelica Kauffman. This piece exemplifies the Neoclassicism art movement and captures the essence of high portraiture during that era. In this portrait, the Duchess is depicted seated, with a serene and …

Jane Maxwell (c.1749–1812), Duchess of Gordon, Wife of the 4th Duke of Gordon by Angelica Kauffman Read More »

Forum of Augustus by Giovanni Battista Piranesi

The artwork, titled “Forum of Augustus,” is an exemplar of the Neoclassicism art movement created by the distinguished artist Giovanni Battista Piranesi. Classified under the genre of capriccio, this work vividly encapsulates imaginative architectural fantasies, deviating from strict historical accuracy to evoke a certain mood or atmosphere. In the artwork, one discerns a grand, decaying …

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Four sides of the sedan, a clock, two candlesticks, table wall by Giovanni Battista Piranesi

The artwork, titled “Four sides of the sedan, a clock, two candlesticks, table wall,” is an exquisite design piece created by the renowned artist Giovanni Battista Piranesi. This work, which is categorized under the Neoclassicism art movement, exemplifies the design genre and showcases Piranesi’s meticulous attention to detail. In the artwork, one can observe an …

Four sides of the sedan, a clock, two candlesticks, table wall by Giovanni Battista Piranesi Read More »

Fourth side of the pedestal of the same column by Giovanni Battista Piranesi

The artwork titled “Fourth side of the pedestal of the same column” by Giovanni Battista Piranesi represents a distinct piece within the Neoclassicism art movement and falls under the genre of design. This intricate artwork showcases Piranesi’s mastery in depicting antique architectural elements with meticulous attention to detail. The artwork features an ornate and complex …

Fourth side of the pedestal of the same column by Giovanni Battista Piranesi Read More »

Interior of house Cavedio by Giovanni Battista Piranesi

The artwork titled “Interior of house Cavedio” is a creation of Giovanni Battista Piranesi, a prominent figure within the Neoclassicism art movement. This piece belongs to the design genre and reflects the intricacies characteristic of Piranesi’s architectural illustrations. The artwork presents a detailed floor plan of the interior of a house, meticulously capturing the structural …

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Interior of pronaos of the Temple itself, which looks toward the ground by Giovanni Battista Piranesi

“Interior of pronaos of the Temple itself, which looks toward the ground,” created by Giovanni Battista Piranesi, is a cityscape artwork aligning with the Neoclassicism art movement. The artwork captures the architectural essence of an ancient Roman temple, emphasizing the grandeur and meticulous details of classical architecture. The artwork depicts an impressive interior view of …

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Interior of the Church of Our Lady of the Angels called the Charterhouse, which was once the principal room of the Baths of Diocletian by Giovanni Battista Piranesi

The artwork titled “Interior of the Church of Our Lady of the Angels called the Charterhouse, which was once the principal room of the Baths of Diocletian” was created by the artist Giovanni Battista Piranesi. This piece belongs to the Neoclassicism art movement and falls under the genre of interior artwork. It is part of …

Interior of the Church of Our Lady of the Angels called the Charterhouse, which was once the principal room of the Baths of Diocletian by Giovanni Battista Piranesi Read More »

Interior view of the Basilica of St. John Lateran by Giovanni Battista Piranesi

The artwork, titled “Interior view of the Basilica of St. John Lateran” by Giovanni Battista Piranesi, belongs to the Neoclassicism art movement and falls under the genre of cityscape. It is part of the “Vedute di Roma” series. The artwork showcases a magnificent depiction of the exterior of the Basilica of St. John Lateran. The …

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Interior view of the Basilica of St. Maria Maggiore by Giovanni Battista Piranesi

The artwork named “Interior view of the Basilica of St. Maria Maggiore” by Giovanni Battista Piranesi is a remarkable example of Neoclassical art, situated within the genre of cityscapes. This piece is part of the series “Vedute di Roma,” which translates to “Views of Rome.” Piranesi’s work captures the architectural grandeur and intricate details of …

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Interior view of the Basilica of St. Peter in the Vatican by Giovanni Battista Piranesi

The artwork, titled “Interior view of the Basilica of St. Peter in the Vatican,” is a distinguished creation by Giovanni Battista Piranesi, prominent within the Neoclassicism art movement. This piece belongs to the “Vedute di Roma” series and falls under the interior genre. The artwork elegantly depicts the grandeur of St. Peter’s Basilica in the …

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Interior view of the Basilica of St. Peter in the Vatican near the Grandstand by Giovanni Battista Piranesi

The artwork, titled “Interior view of the Basilica of St. Peter in the Vatican near the Grandstand,” is crafted by the distinguished artist Giovanni Battista Piranesi. This piece belongs to the Neoclassicism art movement and is categorized under the cityscape genre. Additionally, it is part of the “Vedute di Roma” series. The artwork presents a …

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Interior view of the city of Pompeii with side porches by Giovanni Battista Piranesi

“Interior view of the city of Pompeii with side porches” is an artwork by Giovanni Battista Piranesi, a prominent figure of the Neoclassicism art movement, categorized under the genre of design. The artwork provides an intricate and detailed depiction of the ancient city of Pompeii, focusing particularly on the side porches of its architectural structures. …

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Interior view of the Colosseum by Giovanni Battista Piranesi

The artwork titled “Interior view of the Colosseum,” created by Giovanni Battista Piranesi, is an exemplar of the Neoclassical art movement. This piece is categorized under the genre of “capriccio” and forms part of the series “Vedute di Roma”. This intricate depiction showcases the monumental interior of the Colosseum in Rome, capturing the grandeur and …

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Interior View of the Flavian Amphitheatre, called the Colosseum by Giovanni Battista Piranesi

The artwork titled “Interior View of the Flavian Amphitheatre, called the Colosseum” was created by Giovanni Battista Piranesi, an Italian artist associated with the Neoclassical movement. This piece belongs to the genre of ‘capriccio’ and is part of the series “Vedute di Roma,” which focuses on various views of Rome. The artwork depicts a dramatic …

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