The artwork titled “Roses” was created by Jannis Kounellis in 1998 and belongs to the Post-Minimalism art movement. It is categorized as an installation piece. The artwork consists of an orderly arrangement of cylindrical forms that bear a striking resemblance to rolled up newspapers or similar materials. These elements are tightly coiled and placed in …
The artwork “Untitled” created by Jannis Kounellis in 1960 belongs to the Post-Minimalism art movement and is classified under the abstract genre. The artwork is a complex assemblage that merges various materials and forms. Displayed on a muted and textured background, possibly metallic or painted to appear industrial, the composition is dominated by a sheet …
The artwork, “Untitled”, created by Jannis Kounellis in 1960, belongs to the Post-Minimalism movement and falls within the genre of installation art. The artwork presents a composition characterized by its use of mixed media and three-dimensional elements that transcend traditional boundaries. Central to the installation is an arrangement of hanging objects, including a green fabric …
The artwork entitled “Untitled,” created by Jannis Kounellis in 1968, is an emblematic piece of the Post-Minimalism art movement. This installation artwork exemplifies Kounellis’s innovative approach and reflects the aesthetic tendencies of its time. The artwork is composed of a wooden framework supporting multiple layers of intertwined, coarse wool fibers. The wool strands vary in …
The artwork, titled “Untitled,” was created by Jannis Kounellis in 1969. It is a part of the Post-Minimalism art movement and falls under the genre of installation art. The artwork is composed of an assemblage of natural stones meticulously arranged to create a dry stone wall. The wall fills a doorway, effectively blocking passage and …
The artwork titled “Untitled,” crafted by Jannis Kounellis in 1969, falls within the Post-Minimalism movement and is categorized as an installation piece. The artwork is a striking composition of stacked stones meticulously arranged within a doorframe or a doorway space, presenting an assemblage that seamlessly intertwines elements of architecture and sculpture. The stones vary in …
The artwork titled “Untitled (table)” was created by the artist Jorge Pardo in 2006. This piece is associated with the Post-Minimalism movement and falls within the genres of design and furniture. The artwork is depicted as a sculptural table, exhibiting a distinct and innovative design. The tabletop features an artistic arrangement of vibrant circular shapes, …
The artwork, titled “Untitled (wine credenza),” was created by Jorge Pardo in 2007. It falls under the Post-Minimalism art movement and is categorized within the genre of design. The artwork features a wooden credenza with an innovative design to store wine bottles. The front facade is opened to reveal an interior structured with hexagonal compartments, …
“Bird Boy,” a sculpture created in 1995 by Lenore Tawney, is a notable work within the Post-Minimalism art movement. The artwork exemplifies Tawney’s distinctive approach to sculpture and artistry. The artwork features a headless mannequin-like figure standing upright. The body is simplified and stylized, lacking detailed anatomical features, which is characteristic of post-minimalist aesthetics. On …
The artwork, “Bound Man,” was created by Lenore Tawney in 1957 as part of the Post-Minimalism art movement. This genre-defying piece is a tapestry that evokes an intricate, textured representation of its subject. The artwork presents a vertically aligned, human-like form intricately wrapped and bound, suggesting themes of confinement and entanglement. The use of varied …
The artwork titled “Cloud Series V” was created by Lenore Tawney in 1978. It belongs to the Post-Minimalism art movement and is categorized as a tapestry. The artwork is characterized by its intricate and delicate weaving, which forms a complex interplay of textures and lines. The central element appears to be a semi-translucent, white fabric …
“Floating Shapes” by Lenore Tawney, completed in 1958, is an exemplary piece within the Post-Minimalism art movement, classified in the genre of tapestry. The artwork presents itself as an intricate textile that features an array of floating geometric shapes rendered in subtle, earthy hues. In the artwork, abstract geometric forms are juxtaposed against a light, …
“Fruitful Place” is a tapestry created by Lenore Tawney in 1966, embodying the principles of the Post-Minimalism art movement. The artwork, composed of paper and possibly other materials arranged in a meticulous and methodical manner, exemplifies the genre of tapestry. The artwork features a circular composition constructed from what appears to be strips of paper, …
The artwork titled “In Fields of Light,” created by Lenore Tawney in 1975, is a representation of the Post-Minimalism art movement and falls under the genre of tapestry. This piece exemplifies the subtle, meticulous craftsmanship and conceptual depth characteristic of the period and style. The artwork is an expansive tapestry woven with a vibrant orange …
“Lake of Field” is an installation artwork created by Lenore Tawney in 1990, recognized under the Post-Minimalism art movement. The artwork belongs to the genre of installation art, embodying intricate thought and conceptual depth characteristic of the movement it represents. The artwork consists of a rustic wooden box, possibly a vintage crate, with the word …
The artwork titled “M. Ray,” crafted by artist Lenore Tawney in 1986, belongs to the Post-Minimalism movement and is classified under the figurative genre. The artwork exemplifies a collage of various elements, harmoniously arranged to create a complex and engaging composition. Dominated by shades of blue and juxtaposed with snippets of black and white imagery, …
The artwork, titled “Path II,” was created by the artist Lenore Tawney in 1966. It belongs to the art movement known as Post-Minimalism and falls under the genre of tapestry. In “Path II,” Lenore Tawney employs an abstract geometric design that features four vertically arranged rectangular segments with negative space in the middle of each, …
The artwork titled “Tau,” created by Lenore Tawney in 1974, belongs to the Post-Minimalism movement and falls under the tapestry genre. Executed with a formal elegance, this piece encapsulates Tawney’s adept mastery in weaving and her inclination towards minimalistic aesthetic principles, infused with a nuanced, textural quality. Prominently featuring a cross-like (“T”) structure, the artwork …
“The Crossing,” created by Lenore Tawney in 1998, is an installation artwork emblematic of the Post-Minimalism art movement. This sophisticated piece marries minimalistic aesthetics with intricate detail, resulting in an intense visual experience. The artwork comprises a tall, rectangular wooden frame that resembles a portal or a large loom. Within the frame, numerous thin, dark …
The artwork titled “The King I” was created by artist Lenore Tawney in 1962. This piece falls under the art movement known as Post-Minimalism and is classified specifically within the tapestry genre. The tapestry showcases the artist’s distinctive approach to textile art, blending minimalistic aesthetics with a sense of complexity and depth. This striking artwork …
The artwork titled “Garden Sculpture,” created by Dieter Roth in 1996, belongs to the art movements of Neo-Dada and Post-Minimalism. It is a genre of installation art, demonstrating a complex assembly of various materials meticulously arranged within an enclosed space. In the artwork, multiple interconnected structures made from an assortment of materials such as wood, …
“Body Object Series #10,” created by Ann Hamilton in 1984, belongs to the Post-Minimalism art movement and is categorized within the genre of performance art. The artwork exemplifies the innovative spirit and intellectual depth of Hamilton’s work, reflecting the experimental ethos of Post-Minimalism. The artwork features a figure whose head is encased in a woven …
The artwork under discussion is titled “body object series #17 toothpick suit,” and was created by the artist Ann Hamilton in 1984. This piece is associated with the Post-Minimalism art movement and falls within the genre of performance art. The artwork presents a figure seen from behind, adorned in a suit entirely covered with toothpicks. …
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The artwork titled “ciliary #11,” created by Ann Hamilton in 2010, is a sculpture associated with the Post-Minimalism art movement. The artwork displays intricate and disciplined use of material and form, characteristic of Post-Minimalist sensibilities. The sculpture exemplifies a radial, pleated structure akin to a fan or a circular web. Its construction appears meticulous, with …
“Corpus,” created in 2004 by Ann Hamilton, is a striking example of Post-Minimalism, expressed as an installation artwork. The expansive piece dominates an entire room, filled with a sea of white fabric or paper that blankets the floor. The installation is illuminated by the soft, pinkish hue of light streaming through large windows lining the …
The artwork, titled “ghost…a border act,” was created by Ann Hamilton in the year 2000. This piece belongs to the Post-Minimalism art movement and falls within the genre of installation art. The artwork features a central scene composed of a single chair and a table, upon which rests a mechanical device, all placed within an …
The artwork, titled “Indigo Blue,” is an installation created by artist Ann Hamilton in 2007. It belongs to the Post-Minimalism art movement. The installation genre of the artwork reflects the artist’s innovative approach and conceptual style. In the artwork, a large heap of indigo-dyed cloth dominates the room, forming a mound that conveys a sense …
“Privation and Excesses” is a notable installation artwork created by Ann Hamilton in 1989. This piece is associated with the Post-Minimalism art movement. Distinguished by its thoughtful exploration of materiality and space, Hamilton’s work seeks to engage with the viewer’s sensory experience and induce contemplation on themes of presence and absence. The artwork is set …
“The Event of a Thread” is an installation artwork created by Ann Hamilton in 2013. This piece is part of the Post-Minimalism art movement. The artwork is a large-scale installation, which typically emphasizes simplicity and openness to interpretation. The artwork is an expansive installation set within a large hall. It features a massive, undulating white …
The artwork “Untitled (Book Ball)” was created by the artist Ann Hamilton in 1994 and belongs to the Post-Minimalism art movement. Classified as a sculpture, this intriguing piece invites viewers to contemplate its unique assemblage and silent narrative within a modern display case. The artwork consists of an open book and a ball of string …
The artwork titled “Untitled (Self-Portrait),” created by Ann Hamilton in the year 2000, belongs to the Post-Minimalism art movement and falls within the genre of photographic art. The artwork presents a close-up image of a person’s mouth, with several fine, thread-like strands extending out from between their lips. The composition is stark and minimalist, featuring …
The artwork, titled “Untitled” and created in 1971 by Jannis Kounellis, is a significant piece within the Post-Minimalism movement and belongs to the installation genre. The artwork features a large, rectangular panel with a deep, muted green-blue surface. On its right side, a series of linear, musical-like patterns is subtly crafted, evoking a sense of …
The artwork titled “Untitled” by Jannis Kounellis, created in 1979, belongs to the Post-Minimalism art movement and falls under the genre of installation art. The artwork features a minimalist line drawing on the walls of a room, depicting a cityscape with simplistic, geometric buildings. Suspended on the wall are two dark birds in flight, each …
The artwork entitled “Untitled,” created by Jannis Kounellis in 1998, exemplifies the Post-Minimalism art movement and falls under the genre of installation art. The artwork comprises a grid of burlap sacks suspended within a rectangular steel frame and arranged in rows and columns. Each sack, restrained and supported by taut wires, exudes a sense of …
The artwork, titled “Untitled,” was created by Jannis Kounellis in 1999. It belongs to the Post-Minimalism art movement and falls under the genre of installation art. The artwork presents a complex yet structured composition featuring two horizontal shelves mounted on a large vertical surface. Upon these shelves rests a dense array of dried flowers, twigs, …
The artwork, titled “Untitled,” was created by Jannis Kounellis in 2001. It belongs to the Post-Minimalism art movement and is categorized within the genre of installation art. The artwork manifests as an intricate spatial configuration within a pristine white-walled gallery, employing a plethora of suspended elements. The installation is characterized by numerous vertically hung chains …
“Untitled (Coffee)”, created by Jannis Kounellis in 1991, is an artwork that belongs to the Post-Minimalism movement and falls within the installation genre. The artwork features a collection of coffee beans enclosed in a rectangular frame made of gray metallic material. Dominating the lower portion of the composition, the coffee beans create a densely textured …
“Untitled (Hair)” is an installation artwork created by the artist Jannis Kounellis in 2004, a noteworthy contribution to the Post-Minimalism art movement. The artwork presents a visually arresting composition, encapsulating four tufts of dark human hair meticulously arranged and affixed onto a stark, vertically oriented panel. These bands of hair, evenly spaced, create a rhythmic …
The artwork, titled “Untitled (Hanging Knife),” was created by Jannis Kounellis in 1991. This installation piece falls under the Post-Minimalism art movement. The artwork features a stark presentation of a knife with a wooden handle, suspended by a hook within a frame. Surrounding the knife is a circular arrangement of black material, possibly fine wire …
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“Object for an armchair” is a sculpture created by the artist Phyllida Barlow in 1994, belonging to the Post-Minimalism art movement. The artwork is characterized by its genre, sculpture. The artwork features a substantial, cylindrical form wrapped in what appears to be a soft, textured material, predominantly in light pink hues. This cylindrical structure is …
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“3 to 1 in Groovy Green,” created by Charles Long in 1995, is a notable artwork within the Post-Minimalism movement and falls under the genre of installation. The artwork features a striking arrangement characterized by the use of vivid color and unconventional forms. The artwork consists of a bright green, amorphous sculpture placed on a …
The artwork titled “Abe Lincoln” was created by artist Charles Long in 1995. It belongs to the Post-Minimalism art movement and is a sculpture. The sculpture features a sleek, bulbous base that tapers into a long, narrow and pointed form, adhering to the principles of minimalism in its clean, unembellished design. The smooth, glossy surface …
The artwork titled “Agnes Martin Kippenberger,” created by Charles Long in 2005, belongs to the Post-Minimalism art movement and is categorized as a sculpture. The intricate assembly of this sculpture signifies a nuanced approach distinct to both the artist and the movement it represents. The artwork consists of several bulky, textured forms mounted on thin, …
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The artwork, titled “Andy Warhol,” was created by Charles Long in 1998 and belongs to the Post-Minimalism art movement. It is a sculpture that captures the essence of the genre through its form and presentation. The sculpture features a smooth, abstract shape that sits atop a finely crafted, ornate wooden table. The form of the …
“Bubble Gum Station,” an installation artwork by Charles Long created in 1995, belongs to the Post-Minimalism art movement. The artwork features elements that reflect the genre of installation art, characterized by the use of everyday objects in an artistic context. The artwork presents a round table with a large, pink textured mass resembling chewed bubble …
The artwork named “Buloop, Buloop” was created by Charles Long in the year 1995, and belongs to the Post-Minimalism art movement. “Buloop, Buloop” is an installation genre artwork that exemplifies the artist’s experimental approach to form and materials. The artwork comprises a large transparent water container, filled with water and mounted on a plinth. Atop …
The artwork “Extinction Cords,” created by Charles Long in the year 2000, is a sculpture associated with the Post-Minimalism art movement. The artwork consists of three large, orange-colored, pod-like forms that are fluid in shape and somewhat anthropomorphic. Each form is bulbous at its base and tapers into elongated, thin extensions that curl up at …
The artwork titled “My Colorful Family” was created by Charles Long in 1998. This sculpture falls under the Post-Minimalism art movement. The piece is a vibrant representation of familial connections through abstract forms and vivid colors. The artwork comprises five distinct, organically-shaped sculptures mounted on a plain white background. Each sculpture is of a unique …
The artwork, titled “Twelve Soups,” is a sculpture created by artist Charles Long in 2003. This piece belongs to the Post-Minimalism art movement. The sculpture demonstrates a distinct blend of form and material, exhibiting a grid-like structure constructed from thin, interlaced rods. Positioned atop this skeletal framework are twelve abstract, amorphous shapes, which appear to …
“A.C.Q. I” is an installation artwork created by the artist Senga Nengudi between 2016 and 2017. This piece is associated with the Post-Minimalism art movement. The artwork unfolds within a white-walled space featuring a hardwood floor. Various elements are suspended and mounted on the walls, utilizing an arrangement of brown fabrics and ropes stretched taut …
The artwork, titled “Eggactly,” was created by Senga Nengudi in 1996 and belongs to the Post-Minimalism art movement. This piece is classified as an installation. “Eggactly” is an installation that immediately draws attention with its dynamic and complex composition. The central element is a semi-translucent blue plastic material, intricately draped and covering a canvas or …
The artwork, titled “Study for ‘Mesh Mirage’”, was created by the distinguished artist Senga Nengudi in 1977. This piece is associated with the Post-Minimalism art movement and is categorized under the genre of installation. In the artwork, one can observe an intricately constructed figure seemingly formed with everyday materials and textiles. The figure appears to …
“Untitled Water Composition (recreated in 2018)” is an installation artwork by Senga Nengudi, originally created between 1969 and 1970 and associated with the Post-Minimalism art movement. The artwork comprises a number of translucent, water-filled sculptures in varying shapes and colors, predominantly green, yellow, and orange. These sculptures are placed on pedestals of different heights, creating …
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The artwork, entitled “Aperture,” created by Lita Albuquerque in 1996, falls within the Post-Minimalism movement and is classified as an installation. This particular piece showcases Albuquerque’s engagement with space, light, and material, characteristic of Post-Minimalist aesthetics. “Aperture” features a structured composition of sleek, wooden partitions arranged symmetrically, creating a corridor-like space that directs the viewer’s …
“Axis Mundi” is an artwork created by Lita Albuquerque in 1981, situated within the framework of the Post-Minimalism art movement. The piece falls under the genre of sculpture. The artwork features two distinctly standing tower-like structures composed of various materials. The structures ascend in a spiraled fashion, becoming increasingly narrow as they reach upward. The …
The artwork, titled “City of White Rock and City of Red Pyramid,” was created by Lita Albuquerque in 1979. This installation is attributed to the Post-Minimalism art movement. The work exhibits a central theme that embodies Albuquerque’s exploration of spatial arrangement and color dynamics. The artwork features a bold and intriguing composition where distinct contrasts …
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“Malibu Line” is an installation artwork by Lita Albuquerque, created in 1978 and associated with the Post-Minimalism art movement. The artwork features a stark blue line set against a natural landscape that extends from an earthy terrain towards the horizon, integrating seamlessly with the ocean’s edge. The vibrant blue line cuts through the natural surroundings, …
The artwork, titled “Materia Prima,” is an installation piece created by the artist Lita Albuquerque in 1979. This work belongs to the Post-Minimalism movement and is a notable representation within the installation genre of art. “Materia Prima” is composed of minimalistic elements arranged within a spacious environment. The artwork features several distinct components: two sizable …
The artwork titled “Particle Memory,” created by Lita Albuquerque in 1995, is an exemplary piece within the Post-Minimalism art movement, categorized under the abstract genre. The artwork presents a profound display of delicate patterns that evoke concepts of light and space. Set against a deep, velvety blue background, a series of evenly spaced, small, luminous …
“Rock and Pigment Installation” by Lita Albuquerque, created in 1978, is a seminal work within the Post-Minimalism art movement, categorized under the genre of installation art. The artwork demonstrates Albuquerque’s innovative exploration of natural materials in site-specific contexts. The artwork features an expansive desert landscape, adorned with an array of rocks dispersed at varying intervals. …
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The artwork titled “Sphere of Influence / Spheres of Influence” was created by artist Lita Albuquerque in 1988. It is a Post-Minimalism installation piece that exemplifies the artistic sensibilities of that movement. The installation features a minimalist aesthetic, utilizing geometric shapes and simple forms to evoke a contemplative atmosphere. The artwork is characterized by a …
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“Stellar Axis: Antarctica” is an installation artwork created by artist Lita Albuquerque in 2006. This work is categorized under the Post-Minimalism art movement. In the genre of installation art, Albuquerque’s piece uniquely engages with the stark, icy landscape of Antarctica, making a significant impact within the broader spectrum of contemporary art. The artwork features a …
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“Butterfly Suite IV,” created by artist Richard Smith in 1972, belongs to the Post-Minimalism art movement and is categorized within the abstract genre. The artwork showcases an intricate abstract composition with a striking interplay of lines and shading. Dominated by curved, dark, diagonal stripes and bold red accents, the design symmetrically converges at a point, …
“Florentine Set 1,” created by Richard Smith in 1973, is an abstract artwork that falls under the Post-Minimalism art movement. Richard Smith’s distinct approach is evident in this piece, which is characterized by its abstract nature and minimalist aesthetic. The artwork features a complex interplay of geometric forms and organic patterns. It consists of multiple …
“Folded Paper Clip I” is an abstract artwork created by Richard Smith in 1975. Belonging to the Post-Minimalism art movement, the artwork demonstrates distinctive characteristics of this genre, emphasizing simplification and abstraction with a focus on form and color. The artwork features a geometric composition with a large red-brown quadrilateral on the left juxtaposed against …
The artwork titled “Four Knots,” created by Richard Smith in 1976, represents the Post-Minimalism art movement and falls within the abstract genre. The artwork features a large, almost monochromatic square with a brownish tone. It is divided into several sections by fine lines, creating a subtle grid pattern. At the intersections of these divisions, there …
“Gift Wrap,” created by Richard Smith in 1963, identifies itself within the Pop Art and Post-Minimalism movements. The artwork, classified as figurative, is a sophisticated combination of painted panels, with geometric shapes and vibrant colors. The artwork features an array of interlocking and overlapping geometric forms, each adorned with vivid hues of red, orange, yellow, …
“Lawson Set (Green tied in 3 sections)” is an abstract artwork created by Richard Smith in 1973, falling under the Post-Minimalism art movement. In this piece, Smith employs abstract techniques to convey a unique visual expression that is characterized by simplicity and restraint. The artwork consists of a vivid green band positioned vertically and tied …
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The artwork titled “Nosegay Green,” created by Richard Smith in 1975, is an installation piece that is part of the Post-Minimalism art movement. This artwork is characterized by its exploration of minimalistic aesthetics with an inclination toward more expressive forms. “Nosegay Green” features a composition of overlapping, irregularly shaped panels that are suspended, likely creating …
The artwork, titled “Piano,” was created by Richard Smith in 1963. This installation piece belongs to the art movements of Abstract Expressionism and Post-Minimalism. The artwork is an innovative exploration within these genres, portraying a dynamic and spatial interplay between form and color. The artwork prominently features a complex, three-dimensional structure integrated into the canvas, …
“Print 1 From Paper Clip Suite” is an abstract artwork created by Richard Smith in 1974. Belonging to the Post-Minimalism art movement, this piece exemplifies the use of minimalist elements combined with slight hints of complexity. The artwork predominantly features a pastel beige background with a texture resembling soft brush strokes arranged in a symmetrical …
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The artwork titled “Proscenium,” created by Richard Smith in 1969, exemplifies the art movements of Hard Edge Painting and Post-Minimalism. Classified under the abstract genre, this piece represents a significant exploration of geometric forms and color contrasts. In “Proscenium,” the artist employs bold, flat planes of color, meticulously delineated to create a sense of structured …
The artwork titled “Riverfall,” created by Richard Smith in 1969, belongs to the Pop Art and Post-Minimalism movements. It is a figurative piece, embodying the essence of these artistic styles through its unique presentation and thematic elements. “The artwork” consists of multiple panels arranged side by side, forming a cohesive and expansive composition. The panels …
The artwork titled “Hair and There” was created by the artist Mona Hatoum in 2004. Falling within the Post-Minimalism art movement and categorized as figurative in genre, this piece exemplifies Hatoum’s exploration of themes and materials. In examining the artwork, one observes two distinct yet similar images. Both images display intricate, tangled forms that resemble …
The artwork titled “Hair Mesh” was created by Mona Hatoum in 2013. It is categorized under the Post-Minimalism art movement and falls within the installation genre. The artwork consists of a sheer, diaphanous fabric grid suspended from a minimalist black rod affixed to a white wall. The grid pattern exudes a sense of delicate intricacy, …
The artwork, titled “Homebound,” was created by Mona Hatoum in the year 2000 and falls within the Post-Minimalism and Postcolonial art movements. This installation artwork features a meticulously arranged assembly of domestic objects and furniture, interconnected with electrical wires and illuminated by various light sources. “Homebound” is a striking installation that occupies a large, sparsely …
The artwork titled “Impenetrable,” created by Mona Hatoum in 2009, exemplifies the Post-Minimalism art movement and belongs to the genre of installation art. This compelling piece of artistry commands attention through its intricate structure and profound conceptual depth. In “Impenetrable,” the artist has constructed a large, cube-like structure composed of numerous thin vertical rods hanging …
“Interior Landscape,” created by Mona Hatoum in 2008, is a noteworthy piece from the Post-Minimalism and Conceptual Art movements. This installation art encapsulates the artist’s distinctive style and thematic preoccupations, contributing to the broader discourse of contemporary art. The artwork presents a minimalist setting with a worn and weathered metal bed frame dominating the composition. …
“Light Sentence,” created by Mona Hatoum in 1992, is a notable work within the Post-Minimalism and Postcolonial art movements. This installation exemplifies these movements through its use of minimalist elements to explore complex themes related to identity, displacement, and surveillance. The artwork features a series of wire mesh lockers suspended in a dimly lit room. …
The artwork, titled “The Light at the End,” was created by Mona Hatoum in 1989 and belongs to the Post-Minimalism art movement. This piece represents an installation genre. The artwork features a dark room with dim lighting, predominantly using shades of black and deep red, contributing to a haunting and somber atmosphere. At the center …
The artwork, entitled “Turbulence (black)”, was created by artist Mona Hatoum in 2014 and belongs to the Post-Minimalism art movement. This piece is an installation artwork. The artwork presents a circular form meticulously composed of countless small, dark, and presumably identical objects arranged in a dense and uniform pattern directly on the floor. Its monochromatic …
“Hair and Wire, Venice Beach” is an installation artwork created by David Hammons in 1977. This piece falls under the Post-Minimalism art movement, known for its departure from the strict structural forms of Minimalism, incorporating more personal and political themes into its aesthetics. Photograph of the installation by Bruce Talamon. The artwork depicts a series …
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The artwork titled “Your Mobile Expectations,” created by Olafur Eliasson in 2008, embodies the Post-Minimalism art movement. It is a sculpture that explores the relationship between spatial perception and material reality. The artwork presents itself as a semi-elliptical form, appearing akin to a segment of a vast rib-like structure. It is made of what seems …
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The artwork titled “Your strange certainty still kept” was created by Olafur Eliasson in 1996. It is an installation piece associated with the Light and Space and Post-Minimalism art movements. The genre of the piece emphasizes the transformative qualities of perception, engaging the viewer in a multi-sensory experience that is both physical and ephemeral. Upon …
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“Little Sun,” created by Olafur Eliasson in 2012, is a piece of design that falls within the Post-Minimalism art movement. This artwork exemplifies the artist’s innovative approach to merging functional design with art. The artwork, “Little Sun,” showcases a design resembling a stylized sunflower with a bright yellow color, evoking a sense of warmth and …
The artwork, titled “Moss Wall,” is a creation by artist Olafur Eliasson, completed in 1994. This installation piece belongs to the Environmental (Land) Art and Post-Minimalism movements. “Moss Wall” exemplifies Eliasson’s innovative approach to art, merging natural elements with minimalist aesthetics. The artwork displays an extensive wall covered with live moss, meticulously arranged to form …
The artwork, titled “One-way colour tunnel,” was created by Olafur Eliasson in 2007. This installation belongs to the Light and Space as well as the Post-Minimalism art movements. Eliasson’s creation exemplifies the explorative nature of artistic installations through the use of light, color, and perception. The artwork features a vibrant, geometrically constructed tunnel, the walls …
“The movement meter for Lernacken,” created by Olafur Eliasson in 2000, is an embodiment of the Post-Minimalism art movement and falls within the installation genre. This piece reflects Eliasson’s innovative approach to art, utilizing geometric repetition and vibrant colors to create a multidimensional experience. The artwork features a large, curved structure composed of multiple panels. …
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“The New York City Waterfalls,” created by artist Olafur Eliasson in 2008, is an installation artwork belonging to the Post-Minimalism movement. The artwork is notable not only for its grand scale and urban setting but also for its innovative approach to art as an experiential process. The artwork features water cascading down from scaffolding structures …
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“Accession II” is a sculpture by Eva Hesse, created between 1968 and 1969. The artwork, belonging to the Post-Minimalism movement, is composed of steel and plastic. It can be found at the Detroit Institute of Arts in Detroit, Michigan, USA. The artwork is a cubic structure with all surfaces, both internal and external, densely covered …
“Addendum,” created by Eva Hesse in 1967, is an installation artwork crafted from wood. The piece is associated with the Minimalism and Post-Minimalism art movements. This notable work is housed in the Tate Modern in London, United Kingdom. The artwork features a horizontal wooden bar mounted on the wall, from which numerous thin, flexible cords …
The artwork, “Aught,” by Eva Hesse, created in 1968, is a notable piece within the Post-Minimalism movement and falls under the genre of installation art. The artwork consists of four rectangular forms meticulously arranged in a horizontal sequence. Each form exhibits a distinct texture and wrinkling, suggesting a tactile and organic quality that diverges from …
“Contingent” by Eva Hesse, created in 1968, is a notable piece within the Post-Minimalism movement. This mixed media installation is housed at the National Gallery of Australia (NGA) in Canberra, Australia. The artwork is a seminal installation consisting of varying panels suspended from the ceiling. These panels appear to be composed of translucent, textured materials …
“Expanded Expansion,” created by Eva Hesse in 1969, is an exemplary piece from the Post-Minimalism art movement. This artwork is an installation, a genre that involves large-scale, often site-specific works designed to transform a viewer’s perception of a space. The artwork features a series of large, draped canvases that hang from the wall, elongated and …
The artwork titled “Hang Up,” created by Eva Hesse in 1966, falls under the genres of Conceptual Art and Post-Minimalism. This installation represents a significant example of these art movements, de-emphasizing traditional aesthetics while focusing on the idea and process behind the work. The artwork comprises a large, rectangular frame covered in a material with …
The artwork, titled “Hauser & Werth,” is a sculpture created by Eva Hesse, an artist associated with the Post-Minimalism movement. Post-Minimalism is known for expanding on Minimalism’s principles, often incorporating more personal, expressive, and process-oriented elements. The sculpture features a complex interplay of textures and forms. Comprised of what appears to be delicate and malleable …
The artwork “Ingeminate, November,” created by Eva Hesse in 1965, is an installation piece representative of the Post-Minimalism movement. The artwork embodies the experimental and non-traditional approaches characteristic of Post-Minimalism. The artwork consists of two elongated, cylindrical forms that appear to be affixed to a vertical surface. These forms are reminiscent of organic shapes and …
“Metronomic Irregularity II” is an installation artwork by Eva Hesse, created in 1966 and associated with the Post-Minimalism art movement. The artwork comprises a trio of square panels, each connected through intricate, looping strands that extend horizontally between the panels. These strands create a sense of chaotic order, as they intertwine in an seemingly random …
“Repetition Nineteen I,” created by Eva Hesse in 1967, epitomizes the Post-Minimalism movement through its thought-provoking installation style. The artwork consists of nineteen cylindrical forms, each uniquely shaped and arranged in an irregular pattern. The artwork portrays a subtle yet compelling interplay between uniformity and individuality. Each cylinder, rendered in a stark white color, presents …
“Repetition Nineteen III,” created in 1968 by artist Eva Hesse, is an installation work of fiberglass rooted in the Post-Minimalism art movement. It is housed in the Museum of Modern Art (MoMA) in New York City, NY, US. The artwork consists of multiple translucent, cylindrical forms arranged irregularly on a wooden floor. The contours of …
The artwork, entitled “Right After,” was created by the artist Eva Hesse in the year 1969. It belongs to the Post-Minimalism art movement and is classified as an installation genre. The artwork consists of numerous entangled, suspended cords that form loose, flowing loops, draping elegantly from the ceiling to various heights before terminating almost close …
The artwork “Ringaround Arosie,” created by Eva Hesse in 1965, belongs to the genres of Feminist Art and Post-Minimalism. This piece, a sculpture, exemplifies the groundbreaking work of the artist within these distinct movements. The artwork features a tactile, circular structure characterized by concentric layers of material, giving a distinct impression of three-dimensionality against a …
The artwork titled “Tomorrow’s Apples (5 in White)” is a creation by Eva Hesse, completed in 1965. It is composed using a variety of materials, including enamel, gouache, board, and mixed media, and falls under the Post-Minimalism art movement. The piece belongs to the abstract genre and is part of the collection at Tate Modern …
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The artwork, titled “Untitled” and created by Eva Hesse, belongs to the Post-Minimalism art movement and falls under the genre of installation art. The artwork is composed of two beige, organically shaped, semi-cylindrical forms adorned with loose strings or cords. These forms appear soft and are positioned on a clean, white surface. The strings are …
The artwork, entitled “Untitled,” was created by artist Eva Hesse in 1968. It is a sculpture that belongs to the Post-Minimalism art movement. With its abstract form, the sculpture reflects Hesse’s experimental approach and her contribution to the genre. The artwork features a linear arrangement of a brown, textured base with six cylindrical, cream-colored structures …
“Vertiginous Detour,” a conceptual and post-minimalist installation artwork by Eva Hesse, exemplifies innovative artistic expression characteristic of its movements. The artwork itself is a suspended, spherical installation composed of intertwined, dark strands that cascade downward in an organic and somewhat chaotic manner. The upper portion narrows and gathers, creating a net-like pattern that holds the …
The artwork titled “Ventilator,” created by Olafur Eliasson in 1997, represents a significant piece in the realms of Conceptual Art and Post-Minimalism. As an installation, this work exemplifies Eliasson’s innovative approach to art, wherein he often incorporates natural elements and mechanical processes to engage viewers on sensory and intellectual levels. In the artwork, a single …
“Embankment” is an installation artwork created in 2005 by Rachel Whiteread, affiliated with the Conceptual Art and Post-Minimalism movements. The artwork features a large-scale collection comprised of what appears to be a multitude of white, cubic forms, meticulously arranged to form imposing, architectural-like structures. These structures extend across a vast space, creating towering mounds and …
“Ghost,” crafted by Rachel Whiteread in 1990, is a sculpture belonging to the Post-Minimalism art movement. The artwork exemplifies the genre of sculpture and demonstrates Whiteread’s innovative approach to form and space. The artwork is a large, room-sized cast of the interior of a Victorian living room. Captured in a chalky white hue, the piece …
The artwork, titled “House,” created by artist Rachel Whiteread in 1993, belongs to the Post-Minimalism art movement and falls within the genre of installation art. The artwork itself portrays a concrete cast of a condemned Victorian terraced house located in East London. This striking installation captures the negative space of the internal features of a …
“Snow Show (collaboration with Juhani Pallasmaa)” is an installation artwork created by artist Rachel Whiteread in 2004 as a part of the Post-Minimalism art movement. The artwork is set in an outdoor snowy landscape, where it presents a stark, minimalist structure that appears to be sculpted from snow or a similar material with a smooth, …
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“Untitled (Air Bed II)” is a sculpture created in 1992 by artist Rachel Whiteread. This artwork belongs to the art movements of Conceptual Art and Post-Minimalism. The artwork exemplifies the minimalist aesthetic and conceptual nature typical of Whiteread’s oeuvre. The artwork features a rectangular form that appears to be a cast of an air mattress. …
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“Untitled (Floor)” is a sculpture created in 1995 by Rachel Whiteread, an artist associated with the Conceptual Art and Post-Minimalism movements. The artwork is a three-dimensional piece that exemplifies Whiteread’s explorations of space and materiality, transforming ordinary objects into thoughtful meditations on absence and presence. The artwork consists of a black, rectangular structure, divided into …
“Untitled (Floor/Ceiling)” is a sculpture created in 1993 by artist Rachel Whiteread. It belongs to the Conceptual Art and Post-Minimalism movements. The artwork features two rectangular forms placed on a flat surface. These forms are minimalist in design, emphasizing simplicity and abstraction. The artwork comprises two sections: one thin, flat surface on the left and …
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“Untitled Monument”, created in 2001 by artist Rachel Whiteread, is a sculpture that falls within the genres of Conceptual Art and Post-Minimalism. The artwork, part of Whiteread’s oeuvre, exemplifies her distinctive minimalist approach and conceptual exploration. The artwork is a large, transparent, resin cast of an empty plinth, designed to occupy the Fourth Plinth in …
The artwork, titled “Untitled (Nine Tables),” was created by Rachel Whiteread in 1998. It belongs to the movements of Conceptual Art and Post-Minimalism and represents the genre of installation art. “Untitled (Nine Tables)” features a symmetrical arrangement of nine concrete castings of tables. Each table is inverted, with the flat tabletop surface resting on the …
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“Untitled (One Hundred Spaces)” is a work created by the artist Rachel Whiteread in 1997. This piece falls under the art movements of Conceptual Art and Post-Minimalism and is categorized as an installation. The artwork consists of an array of vivid resin casts that fill an expansive gallery space. These colorful blocks, meticulously arranged in …
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The artwork entitled “Untitled (Rooms),” created by Rachel Whiteread in 2001, belongs to the Post-Minimalism art movement and is categorized as an installation genre. This commanding sculptural installation features an assemblage of large, uniformly white structures that represent negative spaces, likely interiors of rooms or architectural spaces cast in plaster or another solid material. The …
The artwork titled “Untitled (Stairs)” is a sculpture created by Rachel Whiteread in 2001. This piece is associated with the art movements of Conceptual Art and Post-Minimalism. The artwork presents a striking sculptural form, characterized by its abstract and engaging design. It features two large orthogonal structures representing staircases, set in an inverted and intersecting …
“Untitled (Twenty-Four Switches)” is an artwork created by Rachel Whiteread in 1998. This piece belongs to the movements of Conceptual Art and Post-Minimalism, and it falls under the genre of installation art. The artwork features a rectangular object with a grid of twenty-four switch-like impressions uniformly arranged in rows and columns. The switch impressions are …
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The artwork “Water Tower,” created by Rachel Whiteread in 1998, exemplifies the movements of Conceptual Art and Post-Minimalism within the sculpture genre. This piece situates itself within the broader context of Whiteread’s oeuvre, which often explores the negative space of objects and architectural forms. In the artwork, a translucent tank replicates the form of a …
“After” is a sculpture created by Richard Deacon in 1998, belonging to the Post-Minimalism art movement. The artwork embodies the genre of sculpture, showcasing Deacon’s unique approach to form and structure. The sculpture, composed of interconnected wooden elements, presents an intricate and organic design. Its woven structure suggests a sense of fluidity and motion, while …
“Art For Other People #12,” crafted by Richard Deacon in 1984, is a notable example of Post-Minimalist sculpture. As part of this avant-garde art movement, the artwork showcases Deacon’s distinctive approach to form and material, challenging traditional boundaries within sculpture. The artwork features an intriguing combination of materials, with a prominent, undulating form rendered in …
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The artwork, titled “Art For Other People #6,” was created by artist Richard Deacon in 1983. This piece falls within the Post-Minimalism art movement and is categorized as a sculpture. The artwork features an intriguing combination of materials and forms. It appears to utilize metal components, possibly brass, and a fabric element resembling canvas or …
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“For Those Who Have Ears #2” is an arresting sculpture created in 1983 by Richard Deacon, an artist associated with the Post-Minimalism movement. This piece exemplifies Deacon’s explorations within the genre of sculpture, where he often manipulates materials into complex, fluid forms that challenge conventional understandings of space and structure. The artwork features a series …
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The artwork titled “If The Shoe Fits,” created by Richard Deacon in 1981, is a sculptural piece that aligns with the Post-Minimalism art movement. This genre challenges the rigid formalism of Minimalism, opening up to more complex and expressive forms. The sculpture is an abstract construction, characterized by its free-flowing, undulating shapes and interplay of …
The artwork titled “It’s Orpheus When There’s Singing #7” by Richard Deacon, created in 1979, is a striking example of Post-Minimalism within the genre of sketch and study. This art piece intricately reflects Deacon’s innovative approach to forms and structures through his delicate and precise use of lines and shapes. In this artwork, a complex …
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“Slippery When Wet,” created by Richard Deacon in 2004, is a sculpture that epitomizes the Post-Minimalism art movement. Characterized by its abstract and somewhat fluid form, the artwork challenges traditional perceptions of structure and material use. This piece is renowned for its intricate curvatures and the seemingly delicate balance that holds the composition together, all …
“Struck Dumb” is a sculpture created in 1988 by the artist Richard Deacon, representing the Post-Minimalism art movement. The artwork undoubtedly exemplifies the genre of sculpture as it embodies a tangible form and structure with expressive intent and conceptual depth. The sculpture is characterized by its large, elongated, and bulbous form, constructed of a metallic …
The artwork titled “This, That And The Other,” created by Richard Deacon in 1985, is an exemplary piece within the genre of sculpture and is associated with the Post-Minimalism art movement. This artwork embodies the characteristics of its movement, emphasizing complex forms and the use of unconventional materials. The sculpture features a large, meandering form …
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The artwork titled “Untitled” by Richard Deacon, created in 1980, belongs to the Post-Minimalism art movement and falls under the genre of sculpture. The artwork is a striking example of Deacon’s sculptural prowess, featuring an intricate arrangement of curved elements, likely crafted from metal or wood. The sweeping lines and open structure allow light to …
“Angel of the North,” created by Antony Gormley in 1998, is an iron sculpture that belongs to the Post-Minimalism art movement. This remarkable work exemplifies the genre of sculpture and stands as a testament to Gormley’s artistic vision. The artwork, towering against a backdrop of serene blue sky and scattered clouds, depicts a human figure …
The artwork, titled “Another Place,” was created by Antony Gormley in 1997 and is associated with the Post-Minimalism art movement. It is classified within the genre of sculpture. “Another Place” features a collection of life-sized cast-iron figures set along a flat, expansive coastal landscape. These figures, modeled from the artist’s own body, face out towards …
“**Bread Line**,” created by Antony Gormley in 1979, is a remarkable instance of Post-Minimalist art, falling within the genre of installation art. The artwork comprises a long, linear arrangement of small, indivisible elements laid out on a seemingly expansive and neutral-toned surface. This simplistic yet profound installation features each element systematically placed, forming an elongated …
“Event Horizon,” created by Antony Gormley in 2007, is a notable piece within the realm of Post-Minimalism and belongs to the genre of sculpture. The artwork features multiple life-size cast-iron and fiberglass sculptures of the artist’s own body, placed in varied and often unexpected locations within the urban environment. In the specific instance depicted in …
The artwork “Field,” created by Antony Gormley in 1989, is an installation piece associated with the Post-Minimalism art movement. As a genre, the artwork belongs to the broader installation category, emphasizing spatial arrangements and viewer interaction. The artwork features an array of small, terracotta figures organized in a meticulously planned pattern, radiating outward from a …
The artwork, titled “Form and Content,” was created by Antony Gormley in 1979. This piece is associated with the Post-Minimalism art movement and is classified within the genre of installation art. The artwork features an arrangement of glass bottles meticulously placed on a textured, flat surface. The pieces are aligned in a diagonal formation, presumably …
The artwork titled “Land Sea and Air I,” created by Antony Gormley in 1979, is a sculpture that is part of the Post-Minimalism art movement. This genre of artwork often focuses on simple, geometric, and unconventional forms, reflecting a departure from the rigidity of minimalism. In the artwork, there are three distinct, dark, pebble-like forms …
The artwork titled “Last Tree” was created by Antony Gormley in 1979. This sculpture, which belongs to the Post-Minimalism art movement, exemplifies Gormley’s innovative approach within the genre. The artwork features a cross-section of a tree trunk, meticulously carved and stripped of its bark to reveal the intricate concentric rings within. The natural lines and …
“Natural Selection,” created by Antony Gormley in 1981, is an evocative representation of the Post-Minimalism art movement. This installation artwork encapsulates a profound exploration into the progression and transformation of forms, a recurring theme in Gormley’s oeuvre. The artwork consists of a series of objects meticulously arranged on a wooden floor, forming a gradual, linear …
The artwork named “Sleeping Place,” created by Antony Gormley in 1973, falls under the Post-Minimalism art movement and is categorized as a sculpture. The sculpture, rendered in a monochromatic hue, appears to be a form draped with a textured material, creating an abstract, organic shape. The artwork likely represents a space or an entity in …
“Three Places,” created by Antony Gormley in 1983, is a sculpture situated within the Post-Minimalism art movement. The artwork exemplifies the genre of sculpture through its unique composition. The artwork features three distinct human forms crafted in a minimalist style, strategically positioned within an open, unadorned space. One figure is standing upright, another is seated …
The artwork, titled “Tree Seed,” was created by Antony Gormley in 1978. It belongs to the Post-Minimalism movement and is categorized within the genre of sculpture. The artwork is a sculptural representation that bears the resemblance to an abstracted seed form. Positioned on a wooden floor, it appears as an organic object, characterized by a …
“Bolivian Coal Line” is an installation artwork created by Richard Long in 1992. This piece is associated with the Environmental (Land) Art and Post-Minimalism art movements. The artwork exemplifies Richard Long’s characteristic use of natural materials and his minimalist aesthetic. The artwork consists of a long, linear arrangement of coal pieces laid out meticulously on …
“Planet Circle 1991,” crafted by the artist Richard Long, is a compelling example of Environmental (Land) Art and Post-Minimalism. This installation artwork exemplifies Long’s mastery in utilizing natural materials and simplistic forms to evoke a profound connection with the natural world. The artwork consists of a meticulously arranged circle of white stones, placed on a …
“River Avon Mud Drawing,” created by Richard Long in 1983, is a notable piece within the Post-Minimalism movement and falls under the abstract genre of artwork. The artwork exudes a sense of natural essence through its medium and form. In the artwork, a plethora of swirling motions converge to create a circular pattern. The texture, …
“Riverlines (detail)” is an abstract artwork created by Richard Long in 2006 and belongs to the Post-Minimalism art movement. The artwork showcases intricate and rhythmic patterns that evoke a sense of natural flow, akin to the lines and textures found in riverbeds. The composition is divided into two distinct sections: the upper portion features densely …
The artwork “Small White Pebble Circles Date,” created by Richard Long in 1987, is an installation piece associated with the Post-Minimalism art movement. The composition consists of small white pebbles arranged meticulously into concentric circles. In this work, the artist employs natural elements to create a harmonious and minimalistic design. The white pebbles are uniformly …
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The artwork titled “South Bank Circle” was created by Richard Long in 1991. This piece is a part of the Post-Minimalism art movement and falls under the genre of installation art. The artwork consists of a circular arrangement of angular, irregularly-shaped stones. Each stone is carefully positioned to create a sense of deliberate chaos and …
The artwork titled “2 X 4 Landscape” was created in 2006 by the artist Maya Lin. This piece, made from wood, is associated with the Post-Minimalism art movement and falls within the installation genre. The artwork consists of an intricate assembly of small wooden blocks meticulously arranged to form a sprawling, undulating landscape that mimics …
