“**Ceremony for Freeway Fets**,” created by artist **Senga Nengudi** in **1978**, is an exemplary piece associated with the **Feminist Art** and **Postcolonial Art** movement. The artwork is classified within the **photo** genre and encapsulates a poignant narrative reflective of both movements’ thematic concerns. The artwork is a collection of photographs mounted on a wall, arrayed …
Ceremony for Freeway Fets (1978) by Senga Nengudi Read More »
The artwork titled “Columbus” by Howardena Pindell, created in 2020, is situated within the Postcolonial art movement and is categorized as an installation. The artwork comprises a large, black canvas bearing the name “COLUMBUS” in bold, central lettering around which circular text radiates in repetitive, concentric circles. The words, which appear to be distressed or …
The artwork “Four Little Girls” by Howardena Pindell, created in 2020, is an influential piece situated within the realms of Conceptual Art and Postcolonial art as its art movement, and is categorized as an installation in terms of its genre. This poignant artwork is a multifaceted installation that demands engagement and reflection on part of …
The artwork titled “Rambo Real Estate: Homelessness” was created by artist Howardena Pindell in 1987. It is a collage that belongs to the conceptual art and postcolonial art movements. The genre of the piece is figurative, which typically means it represents forms that are recognizably derived from life. Within the artwork, one can observe an …
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The artwork titled “Autobiography: Africa (Red Frog II)” was created by Howardena Pindell in 1986. It is associated with the art movements of Lyrical Abstraction and Postcolonial Art and falls under the genre of figurative art. The artwork features a large circular canvas densely filled with an intricate and vibrant pattern. The background is dominated …
Autobiography: Africa (Red Frog II) (1986) by Howardena Pindell Read More »
The artwork, titled “Autobiography: India (Lakshmi),” is an evocative piece created by Howardena Pindell in 1984. Executed in collage medium, this figurative artwork is associated with the Postcolonial art movement. The piece serves to narrate and explore themes related to postcolonial identity and cultural heritage. The artwork presents a circular composition centered on an image …
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“Autobiography: Water (Ancestors/Middle Passage/Family Ghosts)”, created by Howardena Pindell in 1988, is a notable work in the Postcolonial art movement. This figurative artwork embodies a rich narrative and incorporates a blend of personal and historical references, exploring themes related to ancestry, the Middle Passage, and familial legacies. The artwork features a central, humanoid figure rendered …
The artwork, titled “Homebound,” was created by Mona Hatoum in the year 2000 and falls within the Post-Minimalism and Postcolonial art movements. This installation artwork features a meticulously arranged assembly of domestic objects and furniture, interconnected with electrical wires and illuminated by various light sources. “Homebound” is a striking installation that occupies a large, sparsely …
The artwork, titled “Hot Spot (stand),” is an installation piece created by the artist Mona Hatoum in 2018. Executed in the medium of wire, it aligns with the art movement of Postcolonial art. The piece features a glowing representation of the world, signifying tensions and conflicts across different regions. “Hot Spot (stand)” presents a globe …
“Light Sentence,” created by Mona Hatoum in 1992, is a notable work within the Post-Minimalism and Postcolonial art movements. This installation exemplifies these movements through its use of minimalist elements to explore complex themes related to identity, displacement, and surveillance. The artwork features a series of wire mesh lockers suspended in a dimly lit room. …
“Nature Morte Aux Grenades” is an installation artwork created by Mona Hatoum between 2006 and 2007. This piece falls under the art movements of Postcolonial Art and Conceptual Art. The artwork features a genre installation where everyday objects are transformed to present a deeper meaning beyond their physical appearance. The artwork consists of a metallic …
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“Remains of the Day” is an installation artwork by Mona Hatoum, created between 2016 and 2018. This piece falls within the Postcolonial and Conceptual Art movements. The artwork presents an arrangement of partially charred furniture, including chairs and a table, with fine mesh-like structures that seem as though they are disintegrating. These damaged and fragmented …
The artwork “Lo, The Mystique City” by Betye Saar is an etching created in 1965 which falls under the genre of symbolic painting and is part of the postcolonial art movement. The piece features a prominent central structure that appears to be a fountain, and surrounding it are several architecturally varied buildings that add to …
The artwork titled “Mojotech” by artist Betye Saar created in 1987 is a part of the postcolonial art movement and is classified as an installation. This piece reflects Saar’s exploration of themes such as technology, ethnicity, and history through a multidimensional art form. “Mojotech” is an installation that showcases a variety of colors and collage-like …
The artwork titled “My Last Buffalo” was created by artist Betye Saar in 1973. It is a collage that is part of the postcolonial art movement. The artwork combines various elements and imagery that seem to evoke themes of the past and its influence on identity and memory. The collage features a central figure, a …
“Black Girl’s Window” is an assemblage artwork created by artist Betye Saar in 1969. The piece is informed by the Feminist Art and Postcolonial Art movements, reflecting on themes of race, gender, and spirituality. The artwork is a window-like construct where a dark silhouette of a girl’s head and shoulders is centered in the bottom …
“El Diablito,” created in 1981 by artist Betye Saar, is a collage that reflects the postcolonial art movement. It showcases Saar’s signature style, which often includes mixed media and explores themes of African American identity and spirituality. The artwork presents a vivid assortment of materials, colors, and textures, creating a dynamic and layered composition. The …
“Fragments” is an artwork created by Betye Saar in 1976, which embodies the medium of assemblage and collage and is part of the Postcolonial art movement. This mixed media piece incorporates various materials to present a visual narrative that may encompass personal or cultural identity, heritage, and memory, themes often explored in Saar’s work. The …
“Keep for Old Memiors” is an artwork created by artist Betye Saar in 1976. Saar is known for her contributions to the Feminist Art and Postcolonial Art movements, and she often uses mediums such as assemblage and collage. This particular piece is a prime example of her work, combining various materials and imagery to convey …
The artwork “Nine Mojo Secrets,” created by Betye Saar in 1971, is an assemblage piece that belongs to the Feminist Art and Postcolonial Art movements. This intriguing work exemplifies the artist’s exploration of themes related to mysticism, cultural identity, and social narrative. The artwork itself is a richly layered assemblage featuring a combination of materials …
The artwork titled “Samsara” by Betye Saar, created in 1960, is an etching that belongs to the Postcolonial art movement. The piece features an abstract composition characterized by an array of irregularly shaped forms. These forms are composed of overlapping and intersecting lines, blending hues of red, black, and teal. The visual effect suggests a …
The artwork, titled “The Liberation of Aunt Jemima,” was created by Betye Saar in 1972. This piece, executed using assemblage, is associated with the Feminist Art and Postcolonial art movements. “The Liberation of Aunt Jemima” by Betye Saar is a powerful assemblage that critiques and transforms the racist and stereotypical image of Aunt Jemima, a …
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Entitled “The Trickster”, this sculpture was crafted by Betye Saar in 1994. It falls under the genre of sculpture and is associated with the Postcolonial art movement. The artwork is composed of a tall, rectangular structure with a predominantly industrial aesthetic. The primary material appears to be metal, characterized by a rusty, weathered surface that …
The artwork titled “Backdrops Circa 1940,” created by artist Lorna Simpson in 1998, belongs to the art movements of Postcolonial art and Conceptual Art. This piece, which falls under the genre of photograph, offers an evocative exploration of historical and cultural contexts. The artwork presents two black and white images side by side, each depicting …
The artwork, titled “Counting,” was created by Lorna Simpson in 1991 and belongs to the Postcolonial art movement. The genre of this artwork is categorized as a photo. “Counting” is a thought-provoking composition consisting of three black and white photographic panels stacked vertically. The top panel features a tightly framed image of a person’s collarbone …
The artwork titled “C-Rations,” created by artist Lorna Simpson in 1991, is a representative piece within the postcolonial art movement. Categorized under the genre of photo, Simpson’s work explores nuanced themes with compelling visual and textual elements. The artwork is presented as a diptych, with two distinct but related black and white photographic frames side …
“Five Day Forecast” is a notable artwork created by Lorna Simpson in 1991, belonging to the Feminist Art and Postcolonial art movements. This artwork is a genre of photography and is housed in Tate Britain, London, UK. The artwork consists of five black and white photographs arranged in a horizontal sequence, each depicting a frontal …
The artwork “Guarded Conditions” by Lorna Simpson, created in 1989, belongs to the art movements of Postcolonial art and Conceptual Art. This piece, categorized within the photo genre, powerfully engages with themes of identity, embodiment, and societal perceptions. The artwork features a repeated image of a woman in a white gown, her back facing the …
The artwork, titled “Haze,” was created by artist Lorna Simpson in 1998. It is a part of the Postcolonial Art and Conceptual Art movements and is classified as a photo. The artwork is a monochromatic photograph capturing an expansive urban landscape. The cityscape is shrouded in what appears to be a layer of smog or …
The artwork, created by Lorna Simpson in 1991, is titled “Is (from The S.A.F.E. Portfolio).” This piece falls within the genres of photo art, rooted in the Art Movements of Feminist Art and Postcolonial Art. In the artwork, we observe a monochromatic photograph focusing on the upper body of a figure dressed in a vintage-style …
Is (from The S.A.F.E. Portfolio) (1991) by Lorna Simpson Read More »
The artwork titled “Personal Effects,” created by artist Lorna Simpson in 1991, is a notable piece within the Feminist Art and Postcolonial Art movements. This artwork, categorized under the genre of photography, evokes a profound reflection on identity, race, and gender. The artwork consists of a diptych featuring two distinct yet interconnected components. On the …
“Photo Booth” is a piece created by Lorna Simpson in 2008, falling under the art movements of Postcolonial Art and Conceptual Art. It belongs to the genre of photography. The artwork is an assemblage of numerous small, framed, black-and-white photographs, meticulously arranged on a white wall. Each frame contains an individual portrait, varying in size …
The artwork titled “Twenty Questions (A Sampler)” was created by Lorna Simpson in 1986. It is associated with the Feminist Art and Postcolonial art movements and falls within the photo genre. The artwork features four circular images, each depicting the back of a woman’s head with short, dark hair. Above the circles is a label …
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The artwork is titled “Untitled (A Lie is Not a Shelter)” and was created by Lorna Simpson in 1989. It is a part of the Postcolonial art movement and falls within the genre of photo-based artwork. The artwork features a close-up black-and-white photograph of a person’s torso and crossed arms. Text is superimposed over the …
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The artwork titled “Untitled (Upper Case and Lower Case Wigs)” was created by Lorna Simpson in 1994. It is associated with the Postcolonial and Conceptual Art movements and belongs to the genre of photography. The artwork presents a minimalist composition, featuring two distinct images framed within a stark, white background. The upper image depicts what …
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“Struggle for Balance” is a provocative artwork by Kent Monkman, created in the year 2013. The piece is rooted in the Postcolonial art movement and exhibits characteristics of Classical Realism, while it belongs to the genre of figurative art. Its creation reflects a meaningful exploration of themes and narratives relevant to the postcolonial experience. The …
The artwork “St. Sebastian” was created by Kent Monkman in 2017. It exemplifies the artistic movements of Classical Realism and Postcolonial art, featuring a figurative and religious painting genre. This piece presents a complex visual narrative rooted in historical and cultural reference points. In the artwork, a scene unfolds within a lush landscape, reminiscent of …
The artwork “Study for Apollo and Hyacinthus (Sepia)” is a creation of artist Kent Monkman, completed in the year 2008. Falling within the realms of postcolonial and queer art movements, this sketch is exemplary of the artist’s exploration of mythological painting. The sepia tones of the artwork evoke a sense of antiquity while also engaging …
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The artwork titled “Study for Artist and Model” was created by Kent Monkman in 2003. It is recognized for its significance within Postcolonial and Queer art movements, and it fits within the genres of figurative art and nude painting (nu). This piece exemplifies the engagement with cultural and gender themes that are characteristic of Monkman’s …
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The artwork titled “Study for Throwing Sodomites to the Dogs” was created by artist Kent Monkman in 2020. It is an acrylic painting on canvas that falls under the genres of Classical Realism and Postcolonial art, characterized as figurative and a nude painting (nu). The piece is a reflective and critical examination of historical narratives …
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The artwork “Sunday in the Park” by Kent Monkman, created in 2010, is a prominent piece within the realms of Postcolonial and Queer art movements, employing genres such as figurative and landscape to communicate its narrative. This painting presents a complex and layered tableau that amalgamates natural splendor with human presence, mirroring the intersectionality of …
The artwork titled “Taxonomy of the European Male” by Kent Monkman was created in 2005 and is a significant piece within the postcolonial and queer art movements, classified under the genre of performance. This work is a candid exploration of cultural and gender identity themes, which are recurrent in Monkman’s oeuvre. In the artwork, an …
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The artwork titled “Teaching the Lost” is a creation by Kent Monkman from the year 2012. It resides within the realms of Postcolonial art and Classical Realism, characterized by its figurative genre. The piece is emblematic of Monkman’s incisive explorations of themes such as identity, colonization, and the historical discourse between Indigenous peoples and Western …
“The Art Game” by Kent Monkman, created in 2011, is a mixed media installation piece rooted in the postcolonial and queer art movements. Its composition and thematic exploration within the installation genre provide a thought-provoking commentary on cultural and identity-related narratives. The artwork presents a large, ornately framed presentation, invoking the grandeur associated with classical …
“Study for The Examination,” created by Kent Monkman in 2020, is an acrylic painting on canvas. The artwork falls under the genres of postcolonial art and queer art, and it is characterized as a figurative piece. The artwork portrays a dramatic scene within a rustic interior, possibly a large hut. The composition is filled with …
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“The Atelier,” a mixed media installation created by Kent Monkman in 2011, is a prominent artwork within the Postcolonial and Queer art movements. It showcases an artist’s studio, meticulously designed to evoke the intersection of various artistic and cultural narratives. The artwork is composed of several elements including an easel with a partially painted canvas, …
“The Big Basket Seller” is a figurative artwork created in 2002 by Kent Monkman, an artist associated with the Postcolonial art movement and Classical Realism. The artwork portrays two individuals in a serene outdoor setting. The central figure, dressed in period attire featuring a distinctive red cloak and a top hat, strides forward while carrying …
The artwork titled “The Chase” is a creation of the artist Kent Monkman, produced in the year 2014. This piece is distinguished by its association with the Postcolonial art and Queer art movements, and it falls under the figurative genre of artwork. The artwork depicts an intriguing and dynamic scene where Indigenous figures engage in …
The artwork titled “The Daddies” was created by Kent Monkman in 2016. It belongs to both the Postcolonial and Queer art movements and is classified as a figurative nude painting. The artwork depicts a vividly detailed scene involving numerous formally dressed individuals gathered around a table in a grand room with large windows offering a …
The artwork titled “The Dance to Overcome the Earth,” created by Kent Monkman in 2011, is a reflection of the Postcolonial art and Classical Realism movements. This figurative piece captures a compelling narrative through its visual elements, combining detailed realism with symbolic depictions. The artwork portrays an idyllic natural setting with towering trees, a serene …
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“The Deluge,” created in 2019 by artist Kent Monkman, is an evocative piece rendered in acrylic on canvas, fitting within the classical realism and postcolonial art movements. This figurative artwork showcases a dynamic composition that invites contemplation of its historical and cultural narrative. The artwork presents a dramatic scene where figures appear to be grappling …
“The Deposition,” crafted by Kent Monkman in 2014, emerges from the Postcolonial art and Classical Realism movements. This figurative and religious painting intricately intertwines classical themes with contemporary contexts, resulting in a profound narrative tableau. The artwork depicts a street scene set against a backdrop of urban decay. Muted colors dominate the facade of a …
“The Ford Erections,” created by Kent Monkman in 2014, belongs to the Postcolonial and Queer art movements. This figurative artwork masterfully captures a narrative that intertwines cultural commentary with vivid imagery. The artwork depicts a nocturnal scene set amidst a dense forest, which is illuminated by a dramatic, cloud-filled sky. In the foreground, several pickup …
“The Impending Storm” is a compelling artwork created by Kent Monkman in 2004. Falling within the genres of figurative and landscape, it is part of the Postcolonial art and Classical Realism movements. This masterpiece blends elements to evoke both a sense of imminent natural turmoil and a deeper, perhaps metaphorical, reflection on societal themes. The …
The artwork titled “The Institution” by Kent Monkman, created in 2020, employs acrylic on canvas as its medium. This piece is categorized under the Art Movements of Classical Realism and Postcolonial art, and belongs to the figurative genre. The themes and style of the artwork reflect the elements of its corresponding art movements, conveying profound …
The artwork, titled “The Massacre of the Innocents,” was created by Kent Monkman in 2015. It is an exemplary piece within the art movements of Classical Realism and Postcolonial art. The genre of the artwork is both figurative and religious painting. The artwork presents a vivid and dynamic scene set against a vast, picturesque landscape. …
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The artwork titled “The Scream” by Kent Monkman, created in 2016 in Canada, is an acrylic painting that belongs to the Postcolonial art movement and falls under the genre of history painting. This powerful and evocative artwork portrays a chaotic and emotionally intense scene where figures in red uniforms and religious attire aggressively apprehend children …
The artwork titled “The Scream” was created by Kent Monkman in the year 2017. This work, which belongs to the genres of Postcolonial Art and Classical Realism, is represented in a figurative style. The artwork captures an intense and emotionally charged scene. It depicts a woman in a state of distress, her face marked by …
“The Subjugation of Truth,” created by Kent Monkman in 2016, is an exemplary piece of postcolonial and queer art within the figurative genre. The artwork vividly portrays a historical scene imbued with critical commentary on colonialism and its impact on Indigenous peoples. The artwork meticulously captures an intense moment of negotiation between colonial officials and …
The artwork titled “The Three Bachelors” was created by Kent Monkman in 2018. Crafted using acrylic on canvas, it aligns with the Classical Realism and Postcolonial art movements. The genre of this piece is figurative, specifically a nude painting (nu). In the artwork, one observes a striking scene set within a natural, forested environment, where …
The artwork, titled “The Triumph of Mischief,” was created by the artist Kent Monkman in the year 2007. This piece is associated with the Postcolonial and Queer art movements and falls under the genre of figurative art. In “The Triumph of Mischief,” Monkman presents a vivid and dynamic tableau set against a serene backdrop of …
The artwork titled “Trappers of Men” was created by Kent Monkman in 2006. This piece is notable for its affiliations with the Postcolonial and Queer art movements. As a figurative landscape, it melds intricate landscape elements with detailed and expressive human figures, offering a poignant commentary that resonates with its thematic roots. In this evocative …
The artwork titled “United in Love,” created by Kent Monkman in 2018, falls under the art movements of Postcolonial art and Queer art. It is classified as a photo and showcases a compelling blend of artistic elements and cultural commentary. The artwork displays a juxtaposition of imagery embedded within a dual panel format. On the …
The artwork, titled “Water Walker,” was created by Kent Monkman in 2020. This piece, executed in acrylic on canvas, belongs to the art movements of Classical Realism and Postcolonial art. It falls within the genres of figurative and portrait painting. In the artwork, a figure garbed in traditional attire is depicted sitting on a rock …
The artwork “We Agreed to Share, Not Surrender,” created by artist Kent Monkman in 2011, belongs to the art movements of Postcolonial art and Queer art. The genre of this work is photo. The artwork features an individual, donned in a dazzling red sequined dress, red gloves, and red high-heeled boots, kneeling on a silky …
We Agreed to Share, Not Surrender (2011) by Kent Monkman Read More »
“Wedding at Sodom,” a 2017 creation by Kent Monkman, is a distinguished artwork contextualized within the Classical Realism and Postcolonial art movements. This figurative and nude painting exhibits an intricate tapestry of human figures and dynamics evocative of critical historical themes, rendered with meticulous detail. The artwork presents a rich tableau of characters set against …
The artwork “We Had An Agreement” by Kent Monkman, created in 2011, is a notable piece within the Postcolonial and Queer art movements. It belongs to the photo genre. The artwork captures a moment featuring a man, elegantly attired in formal uniform, seated on an ornate chair with a footstool in front of him. He …
“Welcome to the Studio,” created by artist Kent Monkman in 2014, is a compelling piece that falls within the Postcolonial and Queer art movements. This figurative artwork invites viewers into a richly populated scene brimming with historical and cultural references. The composition teems with figures engaged in varied activities, many of whom appear to be …
The artwork, “Welcoming the Newcomers,” was created by Kent Monkman in 2019. Executed in acrylic on canvas, this piece is a significant contribution to the Postcolonial and Queer art movements. It falls within the genres of figurative and nude painting (nu). The artwork presents a vivid and dynamic scene set against a dramatic backdrop of …
“Woe to Those Who Remember From Whence They Came,” created by artist Kent Monkman in 2008, is an art piece that encompasses elements from the Postcolonial art movement and Classical Realism. The artwork, categorized within the genres of figurative and landscape art, delivers a poignant narrative through its vivid depiction. The artwork reveals a dynamic …
Woe to Those Who Remember From Whence They Came (2008) by Kent Monkman Read More »
The artwork, entitled “Wolfe’s Haircut,” was created by artist Kent Monkman in 2011. It belongs to the art movements of Postcolonial art and Queer art and falls under the genres of figurative and nude painting (nu). The artwork portrays a dramatic and thought-provoking scene within an interior tent setting, illuminated gently by candlelight. A central …
“A Child is Born,” a figurative and religious painting by Kent Monkman, created in 2017, moves within the realms of Classical Realism and Postcolonial art. The artwork showcases a multifaceted narrative that aligns with traditional and contemporary artistic movements. The artwork presents an intricate composition set in a pastoral landscape, dominated by a large tree …
“Achilles and Patroclus” is a 2008 painting by Kent Monkman that falls within the Postcolonial and Queer art movements. This mythological and nude painting depicts a serene yet striking scene imbued with complex narratives. The artwork juxtaposes elements of classical myths with Monkman’s exploration of historical and cultural themes. The artwork presents a lush, idyllic …
“Berdashe Body Pillow,” crafted by artist Kent Monkman in 2016, is an emblematic piece within the realms of postcolonial and queer art. Categorized as an ‘object’ artwork genre, this creation melds cultural narratives and provocative aesthetics to deliver a compelling statement. The artwork depicts a body pillow adorned with a full-body print of a figure …
The artwork, titled “Bête Noire,” was created by Kent Monkman in 2014. Executed using mixed media, it is part of the Postcolonial art movement and falls under the installation genre. The artwork features a dramatic and evocative scene set against a panoramic painted backdrop of a vast, open landscape with mountains and a body of …
The artwork “Birth of a Nation,” created by Kent Monkman in 2012, belongs to the Postcolonial Art and Queer Art movements and is categorized under the figurative genre. The painting vividly portrays a complex and dynamic scene filled with various characters and activities. The central focus of the artwork is a blend of Indigenous peoples, …
The artwork, titled “Bull in a China Shop,” was created by Kent Monkman in 2015. It is an example of postcolonial art within the genre of object art. The artwork depicts a fascinating and thought-provoking composition. The sculpture is shaped to resemble a large bull’s skull with exaggerated horns. It is adorned with intricate blue …
The artwork named “Casualties of Modernity,” created by Kent Monkman in 2012, belongs to the art movements of postcolonial art and queer art, and is categorized as figurative in genre. “Casualties of Modernity” presents a striking depiction that juxtaposes traditional landscape with elements of contemporary crisis. The landscape features a dramatic canyon extending into the …
“Casualties of Modernity,” a mixed media installation created by Kent Monkman in 2015, embodies elements of Postcolonial and Queer art. The artwork features a hospital room setting, with a mannequin dressed as a nurse standing beside a hospital bed. The bed is occupied by a stylized wooden figure, fragmented and laying atop the neatly arranged …
The artwork, titled “Certificate of Mischief Nation,” was crafted by Kent Monkman in 2013. It falls under the Postcolonial art movement and is categorized within the artwork genre of ‘object.’ The artwork consists of a certificate and two banknotes, vividly detailed and reminiscent of official government documents and currency. The certificate, bordered in red with …
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The artwork titled “Charged Particles in Motion,” created by Kent Monkman in 2007, belongs to the art movements of Postcolonial art and Queer art. This figurative piece vividly portrays a scene that invites viewers to explore themes of cultural identity and history while also challenging conventional narratives through its complex and dynamic composition. The artwork …
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“Danaë Receiving the Golden Rain,” created by Kent Monkman in 2015, is an artwork that belongs to the Postcolonial and Queer art movements. The genre of this painting is figurative and mythological. The artwork employs a classical mythological subject interpreted through contemporary lenses. The artwork portrays a rich and meticulously detailed natural landscape, with lush …
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The artwork titled “Daniel Boone’s First View of the Kentucky Valley” was created by Kent Monkman in 2001. This piece is associated with the Postcolonial and Queer art movements and falls under the genres of figurative and nude painting (nu). The artwork depicts a historical and evocative scene, blending narrative elements with a bold socio-political …
Daniel Boone’s First View of the Kentucky Valley (2001) by Kent Monkman Read More »
The artwork titled “Death of the Female” was created by Kent Monkman in 2014. It belongs to the art movements of Postcolonial art and Queer art and is classified under the figurative genre. The artwork depicts a chaotic and poignant street scene set against the backdrop of a church and a rundown house. In the …
“Descent into Amnesia,” created by Kent Monkman in 2011, is a figurative artwork within the Postcolonial and Queer art movements. The artwork presents a detailed and expansive landscape, filling the scene with dramatic natural features such as towering mountains and a winding river. In the forefront, a group of figures, evidently native individuals based on …
The artwork titled “Duel After the Masquerade” was created by the artist Kent Monkman in 2007. It belongs to both the postcolonial art and queer art movements, and can be classified as a figurative genre. The artwork presents a surreal and evocative scene set in a snow-covered landscape. Central to the composition are several figures …
Duel After the Masquerade (2007) by Kent Monkman Read More »
The artwork, titled “Empathy for the Less Fortunate,” was created by Kent Monkman in 2011. This piece belongs to the postcolonial art and queer art movements and falls within the figurative genre. The artwork depicts a serene and expansive natural landscape, characterized by towering mountains, cascading waterfalls, and a calm lake surrounded by lush greenery. …
Empathy for the Less Fortunate (2011) by Kent Monkman Read More »
“Expelling the Vices” is a figurative artwork created by Kent Monkman in 2014, and it belongs to the Postcolonial art and Queer art movements. The artwork presents a dynamic and provocative scene that features a striking central figure, a partially nude person riding a rearing horse, who seems to be dominating a chaotic moment. The …
The artwork titled “Faint Heart 27,148” was created by artist Kent Monkman in 2008. It is associated with the postcolonial art and queer art movements and falls under the figurative genre. In this piece, a prominent figure is depicted with a commanding and expressive presence. The individual wears minimal attire, consisting of a white loincloth …
The artwork “Faint Heart 9,273” by Kent Monkman, created in 2008, belongs to both the Postcolonial art and Queer art movements and is classified as a figurative piece. The artwork features a central figure adorned with a minimal yet striking costume, including a headdress with prominent, radiating feathers, and a red loincloth. The figure’s arms …
The artwork titled “Faint Heart 96,922” was created by Kent Monkman in 2008. It falls under the art movements of Postcolonial art and Queer art and is categorized as figurative in genre. The artwork depicts a figure standing in a confident pose. The figure is adorned in traditional attire, including a feathered headdress and a …
“Forest with Trees,” a figurative artwork by Kent Monkman, was created in 2008. This piece is associated with the Postcolonial art and Queer art movements. The artwork captures a picturesque scene within a dense forest surrounded by towering mountains. A powerful waterfall cascades down rocky cliffs into a tranquil river below. The central figure appears …
The artwork, created in 2003 by Kent Monkman, is titled “Fort Edmonton.” It is associated with the Postcolonial and Queer art movements and falls within the figurative and nude painting (nu) genre. The piece vividly depicts a complex interaction set against a forested landscape. In the foreground, a tumultuous scene unfolds with two horses appearing …
The artwork titled “God and Man, No Religion” by Kent Monkman, created in 2012, belongs to the Postcolonial and Queer art movements and falls within the figurative genre. In the artwork, there is a dramatic landscape dominated by steep, towering cliffs and a cascading waterfall, likely capturing the sublime beauty of a natural setting. The …
The artwork titled “Heaven and Earth,” created by Kent Monkman in 2001, belongs to the Postcolonial and Queer art movements. Classified within the genres of figurative and nude painting (nu), this piece embodies the artist’s exploration of complex themes. In this evocative painting, a dramatic natural backdrop is depicted, with dark, swirling storm clouds overtaking …
The artwork “History is Painted by the Victors,” created by artist Kent Monkman in 2013, is a prominent piece within the movements of Postcolonial art and Classical Realism. This figurative work is richly emblematic of Monkman’s reflective engagements with historical narratives and their representations. The artwork presents a tranquil yet thought-provoking scene that encapsulates a …
History is Painted by the Victors (2013) by Kent Monkman Read More »
“Honour Dance” is a 2020 acrylic painting on canvas by the artist Kent Monkman. This piece belongs to the postcolonial art and queer art movements and is identified as figurative genre artwork. The artwork portrays a group of Indigenous individuals engaged in an animated scene with one central, elaborately adorned figure exuding confidence and poise. …
The artwork titled “Hope,” created by Kent Monkman in 2014, falls within the realms of Postcolonial and Queer art movements. This figurative piece captures a poignant and evocative narrative through its visual elements. The artwork portrays four individuals in a dynamic and vivid outdoor scene, seemingly engaged in the act of carrying a human figure …
“Jackson’s Hole” is an artwork created by Kent Monkman in 2019, classified under the art movements of Postcolonial art and Queer art, and categorized in the genre of objects. The artwork depicts a representation of two human figures etched into a piece of rock. The figures, formed with bold, linear grooves, exhibit elongated limbs and …
The artwork “Kindred Spirits (After Durand)” by Kent Monkman, created in 2017, is an acrylic painting on canvas that embodies the convergence of Classical Realism and Postcolonial art movements. The genre of this figurative piece, which includes elements of nude painting, showcases the artist’s unique vision and commentary. In the artwork, two figures stand prominently …
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The artwork titled “Kiss the Sky,” created by Kent Monkman in 2010, is an exemplary piece within the Postcolonial and Queer art movements. Categorized as a mythological painting, this work encapsulates the artist’s exploration of indigenous identity, colonial histories, and queer perspectives. The artwork depicts a dramatic landscape, presumably a canyon, with towering cliffs that …
“La Nouvelle Odalisque,” created in 2017 by Kent Monkman, is a figurative, postcolonial acrylic painting on canvas that belongs to the Classical Realism and Postcolonial art movements. The artwork portrays a group of partially nude figures within a lush, verdant setting, evoking themes of narrative tradition and complex cultural interplay. The central figure, depicted nude, …
The artwork titled “Leda and the Swan” by Kent Monkman, belongs to the genres of figurative and mythological painting. It is associated with the art movements of postcolonial art and classical realism. The artwork vividly captures a scene set amidst a mountainous landscape with a cascading waterfall in the background. The foreground of the painting …
“Le Petit Déjeuner Sur L’herbe” is an artwork by Kent Monkman, created in 2014. The piece is a part of the Postcolonial and Queer art movements and falls within the figurative genre. The artwork depicts a vivid and bustling street scene out front of a hotel and restaurant, set against the backdrop of an urban …
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“Les Castors Du Roi,” crafted by Kent Monkman in 2011, belongs to the Postcolonial and Queer art movements and is classified within the figurative and nude painting (nu) genre. The piece reflects themes of colonial encounters and indigenous resistance through a visually intricate tableau. The artwork presents a vibrant and dynamic scene set on the …
The artwork titled “Love,” created by Kent Monkman in 2014, belongs to the art movements of Postcolonial art and Queer art. This figurative piece powerfully communicates themes relevant to these movements through its visual narrative. In the artwork, four individuals are depicted gathered closely around a lifeless figure, cradling and supporting it with apparent care …
The artwork, titled “Love Conquers All” by artist Kent Monkman, was created in 2017. It aligns with the Postcolonial and Queer art movements and belongs to the genre of object art. The artwork features an elaborate, golden triptych resembling a medieval altarpiece, with intricately carved arches and windows on the side panels. At the top …
The artwork, entitled “Minimalism,” was created by artist Kent Monkman in 2017. This mixed media installation is part of the Postcolonial art movement. In the artwork, a figure with long, dark hair, draped in a light-colored garment, is depicted from the back. The figure holds a single feather aloft towards a brightly illuminated rectangular space …
The artwork titled “Miss Africa,” created by Kent Monkman in 2013, is part of the Postcolonial and Queer art movements, and falls within the figurative genre. In the artwork, there is a vivid and intricate scene that merges historical and contemporary elements with a keen emphasis on diversity and cultural intersections. The central figure, adorned …
The artwork titled “Miss Chief’s Wet Dream,” created by Kent Monkman in 2018, employs acrylic on canvas and represents a synthesis of Classical Realism and Postcolonial art movements. The genre of the piece falls under figurative and nude painting (nu). The artwork presents a dynamic and tumultuous scene set on a choppy, stormy sea under …
The artwork titled “Miss Europe,” created by Kent Monkman in 2016, is a notable example of Classical Realism and Postcolonial art. This figurative and nude painting genre piece visually narrates an array of historical and contemporary themes, amalgamating various time periods and cultural motifs. The artwork embodies a dynamic and chaotic scene reminiscent of classical …
“Nation to Nation,” created by the artist Kent Monkman in 2020, is a figurative and nude painting executed in acrylic on canvas. This artwork belongs to the Postcolonial and Queer art movements. The artwork vividly portrays a critical and bold depiction involving two male figures, one of whom is nude, wearing an elaborate feathered headdress, …
The artwork, titled “Pierre’s Hole,” was created by Kent Monkman in 2019. It is associated with the Postcolonial art and Queer art movements and falls under the genre of object. The artwork features a piece of rugged stone, on which is etched an intricate figure rendered in a stylized form. The lines are meticulously carved …
The artwork titled “Pity,” created by Kent Monkman in 2013, falls within the Postcolonial art and Classical Realism movements. The artwork is categorized under the figurative genre. The artwork presents a breathtaking mountain landscape dominated by a towering, snow-capped peak rising majestically against a dramatic sky filled with swirling clouds tinged with pink and blue …
“Potiphar’s Wife” is an artwork created by Kent Monkman in the year 2017. The piece falls within the art movements of postcolonial art and queer art, and it is recognized as a photograph. This artwork presents a narrative that evokes themes around power, desire, and cultural intersections. The artwork depicts a scene rich in color …
The artwork titled “Raccoon Jockstrap” was created by Kent Monkman in 2007. It falls under the art movements postcolonial art and queer art and belongs to the genre of object. The artwork comprises a meticulously fashioned jockstrap made from raccoon fur. The fur, appearing rich and texturally intricate, dominates the visual impression. The structure of …
The artwork, titled “Reincarceration,” was created in 2013 by artist Kent Monkman. Associated with the Postcolonial and Queer art movements, this piece falls within the figurative genre, reflecting Monkman’s insightful narrative and profound sociocultural themes. The artwork depicts a serene natural landscape dominated by a river, lush trees, and an expansive sky. The scene is …
The artwork named “Resurgence of the People,” created by the artist Kent Monkman in 2019, is an acrylic painting on canvas. This piece is influenced by the art movements of Classical Realism and Postcolonial art, and it falls under the figurative genre. The artwork portrays a dramatic and complex scene featuring a group of people …
The artwork titled “Salome,” created by the artist Kent Monkman in 2017, belongs to the movements of Postcolonial art and Queer art. The genre of the artwork is a photo. The artwork depicts an individual seated on an ornate throne, positioned centrally against an architectural backdrop featuring a grand, arched passageway with green curtains. The …
The artwork titled “Selflessly She Gives Herself for the Promulgation of Her Kind” created by Kent Monkman in 2009, falls within the realms of postcolonial art and queer art movements. This figurative piece exemplifies the blending of these genres and reflects cultural, historical, and nuanced thematic elements that Monkman is known for. The piece is …
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The artwork “Spouter Geyser,” created by Kent Monkman in 2019, belongs to the postcolonial art and queer art movements. This object genre artwork embodies Monkman’s exploration of historical and contemporary dynamics through the lens of postcolonial and queer perspectives. The artwork features an intricately carved design on a stone, with bold lines and distinct shapes …
The artwork, titled “Abduction,” was created by Harmonia Rosales in 2017. It is associated with the Postcolonial and Feminist Art movements and falls under the genre of symbolic painting. In the artwork, a powerful and dynamic scene is depicted. It features a figure, draped in a flowing pink cloth, intertwined with a majestic eagle against …
The artwork titled “Ase’” by Harmonia Rosales, created in 2019, is a religious painting that belongs to the postcolonial art movement and is part of the series “The Orishas (2019)”. In the artwork, Harmonia Rosales intricately depicts a vibrant and mystical scene set in a lush, dense forest. Central to the composition is a regal …
The artwork titled “Assumption of a Woman,” created by Harmonia Rosales in 2020, falls under the genres of Postcolonial art and Feminist Art. Characterized as a symbolic painting, it embodies themes central to the intersection of cultural identity and gender. In the artwork, four figures elevate a central woman, all appearing to defy gravity as …
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The artwork titled “Assumption of Yemaya,” created by Harmonia Rosales in 2019, is a part of the art movement known as Postcolonial art. This religious painting is included in the series “The Orisha’s (2019).” The composition of the artwork depicts a serene figure lying amidst a bed of vibrant floral elements and lush greenery, with …
The artwork “Awakening,” created by Harmonia Rosales in 2017, belongs to the postcolonial art and feminist art movements and is a symbolic painting from the series “B.I.T.C.H. Black Imaginary To Counter Hegemony (2017).” The painting vividly captures a narrative rich in symbolism and cultural recontextualization. The artwork portrays two figures, one depicted soaring above with …
“Beauty,” created in 2019 by Harmonia Rosales, is a distinguished piece within the realms of Postcolonial and Feminist art. This religious painting is part of the artwork series “The Orisha’s (2019)” and embodies a profound and meaningful aesthetic. The artwork illustrates two regal figures, both adorned with intricate golden accents on their skin, set against …
“Birth of Eve,” created by artist Harmonia Rosales in 2018, falls under the Postcolonial art movement and is a religious painting. It is part of the series titled “New World Consciousness (2018).” The artwork vividly reimagines a classic theological scene from a postcolonial perspective. Central to the piece is a depiction of Eve, motherly seated …
The artwork titled “Birth of Oshun” by Harmonia Rosales, created in 2017, is a notable piece in the art movements of Postcolonial Art and Feminist Art. This mythological painting is part of the series “B.I.T.C.H. Black Imaginary To Counter Hegemony (2017).” The artwork depicts a reimagining of the mythological scene popularized by Botticelli’s “The Birth …
“Fall,” created by Harmonia Rosales in 2018, is an allegorical painting and a part of the series “New World Consciousness (2018).” Classified under the art movement known as postcolonial art, the artwork embodies a reflective exploration of cultural identity and historical narrative. The artwork depicts a profile of a young individual with meticulously detailed, rich …
The artwork titled “I Exist,” created by Harmonia Rosales in 2017, is a part of her series “B.I.T.C.H. Black Imaginary To Counter Hegemony.” It belongs to the postcolonial and feminist art movements and falls within the genre of religious painting. The central theme of the artwork reflects a reimagining and subversion of traditional biblical narratives …
The artwork titled “Lioness,” created by Harmonia Rosales in 2017, is a symbolic painting that belongs to the art movements of Postcolonial and Feminist Art. It is part of Rosales’s series titled “B.I.T.C.H. Black Imaginary To Counter Hegemony (2017).” In this representation, the artist portrays a serene, intimate scene where a woman and a majestic …
“Oshosi Receives His Crown,” created by artist Harmonia Rosales in 2019, is a distinguished work within the postcolonial art movement. It is classified as a religious painting and is part of Rosales’ series titled “The Orishas (2019).” The artwork depicts a serene and lush natural setting, where a central figure standing barefoot, colored in dark …
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The artwork, titled “Our Lady of Regla,” was created by Harmonia Rosales in 2019. It falls under the art movements of Postcolonial art and Feminist art and belongs to the genre of religious painting. “The artwork” depicts an ethereal vision of the Madonna and Child but reframes this iconic Christian imagery within a postcolonial and …
The artwork titled “Oya” was created by Harmonia Rosales in 2019. It falls under the Postcolonial art movement and belongs to the genre of religious painting. It is part of the series “The Orisha’s (2019)”. The artwork features a dignified portrait of a person, with a strong focus on realism and intricate detail. The subject, …
The artwork titled “Oya’s Betrayal” was created by Harmonia Rosales in 2020. It belongs to the art movements of Postcolonial art and Feminist Art and is classified under the genre of religious painting. The artwork depicts a scene imbued with significant cultural and religious symbolism. Three central figures are clad in ornate, flowing garments, their …
The artwork titled “Portrait of Oshun,” created by Harmonia Rosales in 2019, is a part of the “The Orisha’s (2019)” series and belongs to the Postcolonial art movement. This religious painting exemplifies the exploration and celebration of cultural and spiritual heritage through modern artistic expression. The artwork features a striking portrait of a young individual …
“Spring,” created by Harmonia Rosales in 2018, is an allegorical painting belonging to the Postcolonial art movement. It is part of the series titled “New World Consciousness (2018).” The artwork features an intricate blend of cultural motifs and symbolic elements, reflecting the artist’s exploration of postcolonial themes and the reconceptualization of historical narratives. In the …
The artwork titled “Summer” was created by Harmonia Rosales in 2018. This piece is part of the “New World Consciousness (2018)” series and falls within the postcolonial art movement, specifically functioning as an allegorical painting. The artwork vividly portrays a young individual with a snake wrapped around their neck, set against a richly detailed and …
“The Annunciation of a Woman” is a religious painting created in 2018 by the artist Harmonia Rosales. The artwork belongs to the Postcolonial and Feminist art movements. The artwork portrays a significant scene wherein the central focus lies on two elegantly depicted figures set against a gilded background. On the left, a winged figure draped …
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“The Creation of God” by Harmonia Rosales, completed in 2017, is a significant contribution to the Postcolonial and Feminist art movements. This religious painting is part of the “B.I.T.C.H. Black Imaginary To Counter Hegemony (2017)” series. The artwork reimagines Michelangelo’s iconic fresco, “The Creation of Adam,” by presenting Black women in the roles of God …
The artwork, titled “The Harvest,” was created by Harmonia Rosales in 2018. It is part of the artist’s series “New World Consciousness (2018)” and belongs to the postcolonial art movement. This piece can be classified as both an allegorical and religious painting. In the artwork, a black woman with a serene expression is seated centrally, …
The artwork named “The Virgin,” created by Harmonia Rosales in 2017, belongs to the genres of Postcolonial art and Feminist Art. It is a religious painting and part of the series “B.I.T.C.H. Black Imaginary To Counter Hegemony (2017).” The artwork portrays a mother and child, reflecting traditional imagery often associated with the Virgin Mary and …
“The Virtuous Woman” is a symbolic painting created by Harmonia Rosales in 2017. This work is part of the postcolonial and feminist art movements and belongs to the B.I.T.C.H. Black Imaginary To Counter Hegemony series of 2017. The artwork features a woman depicted in a manner reminiscent of Leonardo da Vinci’s Vitruvian Man, emphasizing symmetry …
The artwork titled “Winter” was created by Harmonia Rosales in 2018. This piece belongs to the art movement known as Postcolonial art and falls under the genre of allegorical painting. “Winter” is part of the series “New World Consciousness (2018),” which aims to reframe historical narratives and foreground Afrocentric perspectives. The artwork depicts a serene …
The artwork titled “Yemaya” was created by Harmonia Rosales in 2019 and belongs to the postcolonial art movement. It is a religious painting and part of the series called “The Orisha’s (2019)”. The artwork depicts a striking portrayal of a figure with water and fish playfully encircling the face, suggesting a deep connection to marine …
The artwork, “Yemaya Meets Erinle,” by Harmonia Rosales is a religious painting that was created in 2019. It belongs to the series “The Orisha’s (2019)” and is categorized under the Postcolonial art movement. In the artwork, two central figures are prominently depicted. An interaction is taking place between the depicted male figure, clothed in a …
The artwork, titled “The Sleep of Reason Produces Monsters (America),” was created by artist Yinka Shonibare in 2008. This photographic piece is attributed to the Contemporary and Postcolonial art movements and classified within the photo genre. The artwork depicts a richly dressed figure with a 17th-century baroque attire, slumped over a table while surrounded by …
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The artwork titled “THE SLEEP OF REASON PRODUCES MONSTERS (ASIA)” was created by Yinka Shonibare in 2008. Executed using photography, this piece is a notable contribution to the Contemporary and Postcolonial art movements. The photograph falls under the genre of photo art. In the artwork, a figure is depicted resting their head on a table, …
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“The Sleep of Reason Produces Monsters (Australia)” is a photographic artwork created by Yinka Shonibare in 2008. This contemporary piece fits within the postcolonial art movement and is characterized by its photographic genre. The artwork depicts a person in vibrant, patterned attire draped over a table, seemingly in slumber, surrounded by an array of night …
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