The artwork titled “Study for Artist and Model” was created by Kent Monkman in 2003. It is recognized for its significance within Postcolonial and Queer art movements, and it fits within the genres of figurative art and nude painting (nu). This piece exemplifies the engagement with cultural and gender themes that are characteristic of Monkman’s …
Study for Artist and Model (2003) by Kent Monkman Read More »
The artwork “Study for Apollo and Hyacinthus (Sepia)” is a creation of artist Kent Monkman, completed in the year 2008. Falling within the realms of postcolonial and queer art movements, this sketch is exemplary of the artist’s exploration of mythological painting. The sepia tones of the artwork evoke a sense of antiquity while also engaging …
Study for Apollo and Hyacinthus (Sepia) (2008) by Kent Monkman Read More »
The artwork titled “Taxonomy of the European Male” by Kent Monkman was created in 2005 and is a significant piece within the postcolonial and queer art movements, classified under the genre of performance. This work is a candid exploration of cultural and gender identity themes, which are recurrent in Monkman’s oeuvre. In the artwork, an …
Taxonomy of the European Male (2005) by Kent Monkman Read More »
“The Art Game” by Kent Monkman, created in 2011, is a mixed media installation piece rooted in the postcolonial and queer art movements. Its composition and thematic exploration within the installation genre provide a thought-provoking commentary on cultural and identity-related narratives. The artwork presents a large, ornately framed presentation, invoking the grandeur associated with classical …
“Study for The Examination,” created by Kent Monkman in 2020, is an acrylic painting on canvas. The artwork falls under the genres of postcolonial art and queer art, and it is characterized as a figurative piece. The artwork portrays a dramatic scene within a rustic interior, possibly a large hut. The composition is filled with …
Study for The Examination (2020) by Kent Monkman Read More »
“The Atelier,” a mixed media installation created by Kent Monkman in 2011, is a prominent artwork within the Postcolonial and Queer art movements. It showcases an artist’s studio, meticulously designed to evoke the intersection of various artistic and cultural narratives. The artwork is composed of several elements including an easel with a partially painted canvas, …
The artwork titled “The Chase” is a creation of the artist Kent Monkman, produced in the year 2014. This piece is distinguished by its association with the Postcolonial art and Queer art movements, and it falls under the figurative genre of artwork. The artwork depicts an intriguing and dynamic scene where Indigenous figures engage in …
The artwork titled “The Daddies” was created by Kent Monkman in 2016. It belongs to both the Postcolonial and Queer art movements and is classified as a figurative nude painting. The artwork depicts a vividly detailed scene involving numerous formally dressed individuals gathered around a table in a grand room with large windows offering a …
The artwork “Sunday in the Park” by Kent Monkman, created in 2010, is a prominent piece within the realms of Postcolonial and Queer art movements, employing genres such as figurative and landscape to communicate its narrative. This painting presents a complex and layered tableau that amalgamates natural splendor with human presence, mirroring the intersectionality of …
“The Ford Erections,” created by Kent Monkman in 2014, belongs to the Postcolonial and Queer art movements. This figurative artwork masterfully captures a narrative that intertwines cultural commentary with vivid imagery. The artwork depicts a nocturnal scene set amidst a dense forest, which is illuminated by a dramatic, cloud-filled sky. In the foreground, several pickup …
“The Subjugation of Truth,” created by Kent Monkman in 2016, is an exemplary piece of postcolonial and queer art within the figurative genre. The artwork vividly portrays a historical scene imbued with critical commentary on colonialism and its impact on Indigenous peoples. The artwork meticulously captures an intense moment of negotiation between colonial officials and …
The artwork “We Had An Agreement” by Kent Monkman, created in 2011, is a notable piece within the Postcolonial and Queer art movements. It belongs to the photo genre. The artwork captures a moment featuring a man, elegantly attired in formal uniform, seated on an ornate chair with a footstool in front of him. He …
The artwork, “Welcoming the Newcomers,” was created by Kent Monkman in 2019. Executed in acrylic on canvas, this piece is a significant contribution to the Postcolonial and Queer art movements. It falls within the genres of figurative and nude painting (nu). The artwork presents a vivid and dynamic scene set against a dramatic backdrop of …
“Welcome to the Studio,” created by artist Kent Monkman in 2014, is a compelling piece that falls within the Postcolonial and Queer art movements. This figurative artwork invites viewers into a richly populated scene brimming with historical and cultural references. The composition teems with figures engaged in varied activities, many of whom appear to be …
The artwork “We Agreed to Share, Not Surrender,” created by artist Kent Monkman in 2011, belongs to the art movements of Postcolonial art and Queer art. The genre of this work is photo. The artwork features an individual, donned in a dazzling red sequined dress, red gloves, and red high-heeled boots, kneeling on a silky …
We Agreed to Share, Not Surrender (2011) by Kent Monkman Read More »
The artwork titled “United in Love,” created by Kent Monkman in 2018, falls under the art movements of Postcolonial art and Queer art. It is classified as a photo and showcases a compelling blend of artistic elements and cultural commentary. The artwork displays a juxtaposition of imagery embedded within a dual panel format. On the …
The artwork titled “Trappers of Men” was created by Kent Monkman in 2006. This piece is notable for its affiliations with the Postcolonial and Queer art movements. As a figurative landscape, it melds intricate landscape elements with detailed and expressive human figures, offering a poignant commentary that resonates with its thematic roots. In this evocative …
The artwork, titled “The Triumph of Mischief,” was created by the artist Kent Monkman in the year 2007. This piece is associated with the Postcolonial and Queer art movements and falls under the genre of figurative art. In “The Triumph of Mischief,” Monkman presents a vivid and dynamic tableau set against a serene backdrop of …
The artwork, entitled “Wolfe’s Haircut,” was created by artist Kent Monkman in 2011. It belongs to the art movements of Postcolonial art and Queer art and falls under the genres of figurative and nude painting (nu). The artwork portrays a dramatic and thought-provoking scene within an interior tent setting, illuminated gently by candlelight. A central …
“Achilles and Patroclus” is a 2008 painting by Kent Monkman that falls within the Postcolonial and Queer art movements. This mythological and nude painting depicts a serene yet striking scene imbued with complex narratives. The artwork juxtaposes elements of classical myths with Monkman’s exploration of historical and cultural themes. The artwork presents a lush, idyllic …
“Berdashe Body Pillow,” crafted by artist Kent Monkman in 2016, is an emblematic piece within the realms of postcolonial and queer art. Categorized as an ‘object’ artwork genre, this creation melds cultural narratives and provocative aesthetics to deliver a compelling statement. The artwork depicts a body pillow adorned with a full-body print of a figure …
The artwork “Birth of a Nation,” created by Kent Monkman in 2012, belongs to the Postcolonial Art and Queer Art movements and is categorized under the figurative genre. The painting vividly portrays a complex and dynamic scene filled with various characters and activities. The central focus of the artwork is a blend of Indigenous peoples, …
The artwork named “Casualties of Modernity,” created by Kent Monkman in 2012, belongs to the art movements of postcolonial art and queer art, and is categorized as figurative in genre. “Casualties of Modernity” presents a striking depiction that juxtaposes traditional landscape with elements of contemporary crisis. The landscape features a dramatic canyon extending into the …
“Casualties of Modernity,” a mixed media installation created by Kent Monkman in 2015, embodies elements of Postcolonial and Queer art. The artwork features a hospital room setting, with a mannequin dressed as a nurse standing beside a hospital bed. The bed is occupied by a stylized wooden figure, fragmented and laying atop the neatly arranged …
The artwork titled “Faint Heart 27,148” was created by artist Kent Monkman in 2008. It is associated with the postcolonial art and queer art movements and falls under the figurative genre. In this piece, a prominent figure is depicted with a commanding and expressive presence. The individual wears minimal attire, consisting of a white loincloth …
“Expelling the Vices” is a figurative artwork created by Kent Monkman in 2014, and it belongs to the Postcolonial art and Queer art movements. The artwork presents a dynamic and provocative scene that features a striking central figure, a partially nude person riding a rearing horse, who seems to be dominating a chaotic moment. The …
The artwork, titled “Empathy for the Less Fortunate,” was created by Kent Monkman in 2011. This piece belongs to the postcolonial art and queer art movements and falls within the figurative genre. The artwork depicts a serene and expansive natural landscape, characterized by towering mountains, cascading waterfalls, and a calm lake surrounded by lush greenery. …
Empathy for the Less Fortunate (2011) by Kent Monkman Read More »
The artwork titled “Duel After the Masquerade” was created by the artist Kent Monkman in 2007. It belongs to both the postcolonial art and queer art movements, and can be classified as a figurative genre. The artwork presents a surreal and evocative scene set in a snow-covered landscape. Central to the composition are several figures …
Duel After the Masquerade (2007) by Kent Monkman Read More »
“Descent into Amnesia,” created by Kent Monkman in 2011, is a figurative artwork within the Postcolonial and Queer art movements. The artwork presents a detailed and expansive landscape, filling the scene with dramatic natural features such as towering mountains and a winding river. In the forefront, a group of figures, evidently native individuals based on …
The artwork titled “Daniel Boone’s First View of the Kentucky Valley” was created by Kent Monkman in 2001. This piece is associated with the Postcolonial and Queer art movements and falls under the genres of figurative and nude painting (nu). The artwork depicts a historical and evocative scene, blending narrative elements with a bold socio-political …
Daniel Boone’s First View of the Kentucky Valley (2001) by Kent Monkman Read More »
“Danaë Receiving the Golden Rain,” created by Kent Monkman in 2015, is an artwork that belongs to the Postcolonial and Queer art movements. The genre of this painting is figurative and mythological. The artwork employs a classical mythological subject interpreted through contemporary lenses. The artwork portrays a rich and meticulously detailed natural landscape, with lush …
Danaë Receiving the Golden Rain (2015) by Kent Monkman Read More »
The artwork titled “Charged Particles in Motion,” created by Kent Monkman in 2007, belongs to the art movements of Postcolonial art and Queer art. This figurative piece vividly portrays a scene that invites viewers to explore themes of cultural identity and history while also challenging conventional narratives through its complex and dynamic composition. The artwork …
Charged Particles in Motion (2007) by Kent Monkman Read More »
The artwork titled “Death of the Female” was created by Kent Monkman in 2014. It belongs to the art movements of Postcolonial art and Queer art and is classified under the figurative genre. The artwork depicts a chaotic and poignant street scene set against the backdrop of a church and a rundown house. In the …
The artwork “Faint Heart 9,273” by Kent Monkman, created in 2008, belongs to both the Postcolonial art and Queer art movements and is classified as a figurative piece. The artwork features a central figure adorned with a minimal yet striking costume, including a headdress with prominent, radiating feathers, and a red loincloth. The figure’s arms …
The artwork titled “Faint Heart 96,922” was created by Kent Monkman in 2008. It falls under the art movements of Postcolonial art and Queer art and is categorized as figurative in genre. The artwork depicts a figure standing in a confident pose. The figure is adorned in traditional attire, including a feathered headdress and a …
“Forest with Trees,” a figurative artwork by Kent Monkman, was created in 2008. This piece is associated with the Postcolonial art and Queer art movements. The artwork captures a picturesque scene within a dense forest surrounded by towering mountains. A powerful waterfall cascades down rocky cliffs into a tranquil river below. The central figure appears …
The artwork, created in 2003 by Kent Monkman, is titled “Fort Edmonton.” It is associated with the Postcolonial and Queer art movements and falls within the figurative and nude painting (nu) genre. The piece vividly depicts a complex interaction set against a forested landscape. In the foreground, a tumultuous scene unfolds with two horses appearing …
The artwork titled “God and Man, No Religion” by Kent Monkman, created in 2012, belongs to the Postcolonial and Queer art movements and falls within the figurative genre. In the artwork, there is a dramatic landscape dominated by steep, towering cliffs and a cascading waterfall, likely capturing the sublime beauty of a natural setting. The …
The artwork titled “Heaven and Earth,” created by Kent Monkman in 2001, belongs to the Postcolonial and Queer art movements. Classified within the genres of figurative and nude painting (nu), this piece embodies the artist’s exploration of complex themes. In this evocative painting, a dramatic natural backdrop is depicted, with dark, swirling storm clouds overtaking …
“Honour Dance” is a 2020 acrylic painting on canvas by the artist Kent Monkman. This piece belongs to the postcolonial art and queer art movements and is identified as figurative genre artwork. The artwork portrays a group of Indigenous individuals engaged in an animated scene with one central, elaborately adorned figure exuding confidence and poise. …
The artwork titled “Hope,” created by Kent Monkman in 2014, falls within the realms of Postcolonial and Queer art movements. This figurative piece captures a poignant and evocative narrative through its visual elements. The artwork portrays four individuals in a dynamic and vivid outdoor scene, seemingly engaged in the act of carrying a human figure …
“Jackson’s Hole” is an artwork created by Kent Monkman in 2019, classified under the art movements of Postcolonial art and Queer art, and categorized in the genre of objects. The artwork depicts a representation of two human figures etched into a piece of rock. The figures, formed with bold, linear grooves, exhibit elongated limbs and …
The artwork titled “Kiss the Sky,” created by Kent Monkman in 2010, is an exemplary piece within the Postcolonial and Queer art movements. Categorized as a mythological painting, this work encapsulates the artist’s exploration of indigenous identity, colonial histories, and queer perspectives. The artwork depicts a dramatic landscape, presumably a canyon, with towering cliffs that …
The artwork titled “Miss Africa,” created by Kent Monkman in 2013, is part of the Postcolonial and Queer art movements, and falls within the figurative genre. In the artwork, there is a vivid and intricate scene that merges historical and contemporary elements with a keen emphasis on diversity and cultural intersections. The central figure, adorned …
The artwork, titled “Love Conquers All” by artist Kent Monkman, was created in 2017. It aligns with the Postcolonial and Queer art movements and belongs to the genre of object art. The artwork features an elaborate, golden triptych resembling a medieval altarpiece, with intricately carved arches and windows on the side panels. At the top …
The artwork titled “Love,” created by Kent Monkman in 2014, belongs to the art movements of Postcolonial art and Queer art. This figurative piece powerfully communicates themes relevant to these movements through its visual narrative. In the artwork, four individuals are depicted gathered closely around a lifeless figure, cradling and supporting it with apparent care …
“Les Castors Du Roi,” crafted by Kent Monkman in 2011, belongs to the Postcolonial and Queer art movements and is classified within the figurative and nude painting (nu) genre. The piece reflects themes of colonial encounters and indigenous resistance through a visually intricate tableau. The artwork presents a vibrant and dynamic scene set on the …
“Le Petit Déjeuner Sur L’herbe” is an artwork by Kent Monkman, created in 2014. The piece is a part of the Postcolonial and Queer art movements and falls within the figurative genre. The artwork depicts a vivid and bustling street scene out front of a hotel and restaurant, set against the backdrop of an urban …
Le Petit Déjeuner Sur L’herbe (2014) by Kent Monkman Read More »
“Nation to Nation,” created by the artist Kent Monkman in 2020, is a figurative and nude painting executed in acrylic on canvas. This artwork belongs to the Postcolonial and Queer art movements. The artwork vividly portrays a critical and bold depiction involving two male figures, one of whom is nude, wearing an elaborate feathered headdress, …
The artwork, titled “Pierre’s Hole,” was created by Kent Monkman in 2019. It is associated with the Postcolonial art and Queer art movements and falls under the genre of object. The artwork features a piece of rugged stone, on which is etched an intricate figure rendered in a stylized form. The lines are meticulously carved …
“Potiphar’s Wife” is an artwork created by Kent Monkman in the year 2017. The piece falls within the art movements of postcolonial art and queer art, and it is recognized as a photograph. This artwork presents a narrative that evokes themes around power, desire, and cultural intersections. The artwork depicts a scene rich in color …
The artwork titled “Raccoon Jockstrap” was created by Kent Monkman in 2007. It falls under the art movements postcolonial art and queer art and belongs to the genre of object. The artwork comprises a meticulously fashioned jockstrap made from raccoon fur. The fur, appearing rich and texturally intricate, dominates the visual impression. The structure of …
The artwork, titled “Reincarceration,” was created in 2013 by artist Kent Monkman. Associated with the Postcolonial and Queer art movements, this piece falls within the figurative genre, reflecting Monkman’s insightful narrative and profound sociocultural themes. The artwork depicts a serene natural landscape dominated by a river, lush trees, and an expansive sky. The scene is …
The artwork titled “Salome,” created by the artist Kent Monkman in 2017, belongs to the movements of Postcolonial art and Queer art. The genre of the artwork is a photo. The artwork depicts an individual seated on an ornate throne, positioned centrally against an architectural backdrop featuring a grand, arched passageway with green curtains. The …
The artwork titled “Selflessly She Gives Herself for the Promulgation of Her Kind” created by Kent Monkman in 2009, falls within the realms of postcolonial art and queer art movements. This figurative piece exemplifies the blending of these genres and reflects cultural, historical, and nuanced thematic elements that Monkman is known for. The piece is …
Selflessly She Gives Herself for the Promulgation of Her Kind (2009) by Kent Monkman Read More »
The artwork “Spouter Geyser,” created by Kent Monkman in 2019, belongs to the postcolonial art and queer art movements. This object genre artwork embodies Monkman’s exploration of historical and contemporary dynamics through the lens of postcolonial and queer perspectives. The artwork features an intricately carved design on a stone, with bold lines and distinct shapes …
