Regionalism

“Prize Cow,” created by the artist Alex Colville in 1977, is an animal painting that belongs to the Regionalism art movement. The artwork depicts a large reddish-brown cow standing prominently in the foreground, attended by a person in a hat and blue clothing, gently patting the animal’s back. The scene is framed within a circular …

Prize Cow (1977) by Alex Colville Read More »

“River Spree,” created by artist Alex Colville in 1971, belongs to the art movement of Regionalism and is categorized as a genre painting. The artwork captures a serene river scene characterized by meticulous detail and a contemplative mood. In the artwork, a person is seen walking a white dog along a paved pathway that runs …

River Spree (1971) by Alex Colville Read More »

“Three Sheep” is a painting created by artist Alex Colville in 1954, representing the Regionalism art movement. This animal painting genre work depicts a serene, pastoral scene featuring three sheep. Two of the sheep are shown standing, as if attentively observing their surroundings, while the third sheep is grazing. The artwork exemplifies meticulous attention to …

Three Sheep (1954) by Alex Colville Read More »

The artwork titled “Church and Horse,” created by Alex Colville in 1964, aligns with the Regionalism art movement and falls under the genre of animal painting. In the artwork, the viewer is presented with a striking image of a solitary horse standing in front of a modest, white-painted church. The building, which forms the focal …

Church and Horse (1964) by Alex Colville Read More »

The artwork “Hollywood” by Thomas Hart Benton, created between 1937 and 1938, belongs to the Regionalism art movement and falls under the genre painting category. It is a masterful depiction of Hollywood’s film industry during its golden era, highlighting the bustling activity and various roles involved in movie production. In the artwork, a vibrant and …

Hollywood (1937 – 1938) by Thomas Hart Benton Read More »

The artwork, entitled “Indian Arts,” was created by Thomas Hart Benton in 1932 using tempera and oil as the medium. It belongs to the Regionalism art movement and falls under the genre of genre painting. This piece is part of the series “The Arts of Life in America” and is currently housed in the New …

Indian Arts (1932) by Thomas Hart Benton Read More »

The artwork “Instruments of Power” by Thomas Hart Benton, created between 1930 and 1931 using tempera and oil on panel, is a significant piece within the Regionalism art movement. Measuring 233.7 x 406.4 cm, this cityscape genre painting is part of the “America Today” series and currently resides in the Metropolitan Museum of Art (Met) …

Instruments of Power (1930 – 1931) by Thomas Hart Benton Read More »

“July Hay” is an artwork created by Thomas Hart Benton in 1942, employing tempera, oil, and masonite as mediums. This piece is a notable example of the Regionalism art movement and is classified under the genre of genre painting. The painting is housed in the Metropolitan Museum of Art (Met) in New York City, NY, …

July Hay (1942) by Thomas Hart Benton Read More »

The artwork, titled “Louisiana Rice Fields,” was created by Thomas Hart Benton in 1928 using oil as the medium. It falls under the Regionalism art movement and is categorized as a landscape and genre painting. The artwork depicts a scene of agricultural activity in the Louisiana rice fields. The canvas is imbued with the hustle …

Louisiana Rice Fields (1928) by Thomas Hart Benton Read More »

“Madison Square Park in New York, City in the Early 1920’s,” created in 1920 by Thomas Hart Benton, is a captivating cityscape painting that belongs to the Regionalism art movement. The artwork vividly portrays a bustling urban setting in Madison Square Park, New York City, during the early 1920s. The artwork presents an intricate depiction …

Madison Square Park in New York, City in the Early 1920’s (1920) by Thomas Hart Benton Read More »

The artwork entitled “Midwest,” created by Thomas Hart Benton in 1931, forms part of the “America Today” series and is executed using tempera on canvas. This piece, which belongs to the Regionalism art movement, is categorized under the genre of genre painting and is housed at the Metropolitan Museum of Art (the Met) in New …

Midwest (1931) by Thomas Hart Benton Read More »

The artwork, titled “New England Editor,” was created by artist Thomas Hart Benton in 1946. This piece falls under the genre of portraiture and is part of the art movement known as Regionalism. The artwork presents a detailed and contemplative scene where an elderly man, presumably an editor, is seated at a desk engaged in …

New England Editor (1946) by Thomas Hart Benton Read More »

The artwork titled “Outreaching Hands” by Thomas Hart Benton was created in 1931 using canvas and tempera. It is part of the Regionalism art movement and belongs to the genre of genre painting. This piece is included in Benton’s series “America Today” and is displayed at the Metropolitan Museum of Art (Met) in New York …

Outreaching Hands (1931) by Thomas Hart Benton Read More »

The artwork titled “People of Chilmark (figure Composition)” was painted by Thomas Hart Benton in 1920. Executed in oil, this piece belongs to the Regionalism art movement and is categorized under the genre of history painting. In the artwork, strong, muscular figures are depicted in various dynamic poses, each deeply engaged in their respective tasks …

People of Chilmark (figure Composition) (1920) by Thomas Hart Benton Read More »

“Persephone” is an artwork created by Thomas Hart Benton in 1939. This piece belongs to the Regionalism art movement and falls within the genres of mythological painting and nude painting (nu). The artwork portrays a mythological scene with a central figure, a nude female, reclining on a blanket with her head resting on her hand. …

Persephone (1939) by Thomas Hart Benton Read More »

“Poker Night (from a Streetcar Named Desire)” is an artwork created by Thomas Hart Benton in 1946. This piece is associated with the Regionalism art movement and belongs to the genre painting category. The artwork vividly captures a moment filled with tension and drama. It depicts a dimly lit room where five men are intensely …

Poker Night (from a Streetcar Named Desire) (1946) by Thomas Hart Benton Read More »

The artwork titled “Portrait of a Musician” was created by Thomas Hart Benton in 1949. This piece belongs to the Regionalism art movement and is classified as a portrait genre. The artwork depicts a musician deeply engaged in playing a double bass. The musician is adorned in a dark blue suit, complemented by a white …

Portrait of a Musician (1949) by Thomas Hart Benton Read More »

The artwork, titled “Prodigal Son,” was created by artist Thomas Hart Benton in 1939 using the medium of lithography. This piece is associated with the Regionalism art movement and belongs to the genres of religious painting and genre painting. In “Prodigal Son,” a lone figure stands in the foreground, gazing pensively towards a dilapidated, broken-down …

Prodigal Son (1939) by Thomas Hart Benton Read More »

“Roasting Ears,” created by Thomas Hart Benton between 1938 and 1939, is a superb example of the Regionalism art movement. The artwork falls into the genre of genre painting, depicting everyday life with an emphasis on rural scenes. In this painting, Benton captures a tranquil agricultural setting, highlighting the simple yet profound moments of labor …

Roasting Ears (1938 – 1939) by Thomas Hart Benton Read More »

The artwork, entitled “Self Portrait,” was created by Thomas Hart Benton in 1934. It belongs to the Regionalism art movement and is classified as a self-portrait. In the artwork, the artist depicts himself seated before an easel, deeply engrossed in the act of painting. Benton’s intense gaze is directed towards the canvas, capturing the seriousness …

Self Portrait (1934) by Thomas Hart Benton Read More »

“Self Portrait,” created by Thomas Hart Benton in 1970, is a notable work within the Regionalism art movement. This particular piece falls within the genre of self-portraiture. In the artwork, Thomas Hart Benton portrays himself standing confidently in his studio, brush in hand. He is depicted with an air of determined focus, wearing a green …

Self Portrait (1970) by Thomas Hart Benton Read More »

The artwork entitled “Self-portrait with Rita,” created by Thomas Hart Benton in 1922, is an oil painting representative of the Regionalism art movement. It falls under the genre of self-portrait and portrait. The artwork depicts an intimate scene set against an outdoor backdrop, presumably a beach. Thomas Hart Benton captures himself, shirtless and standing confidently, …

Self-portrait with Rita (1922) by Thomas Hart Benton Read More »

The artwork titled “Spring Tryout” was created by Thomas Hart Benton in 1946. Executed in the medium of lithography, the artwork is part of the Regionalism art movement and belongs to the genre of genre painting. The composition of “Spring Tryout” encapsulates a vigorous scene set against a dynamic backdrop. In the artwork, a young …

Spring Tryout (1946) by Thomas Hart Benton Read More »

The artwork, titled “Steel,” was created by Thomas Hart Benton in 1931. Executed in tempera on canvas, this piece belongs to the Regionalism art movement and falls under the genre of genre painting. It is part of the series “America Today” and is currently housed at the Metropolitan Museum of Art (Met) in New York …

Steel (1931) by Thomas Hart Benton Read More »

“The Kentuckian,” created by Thomas Hart Benton in 1954, belongs to the Regionalism art movement and is classified as poster art. This notable work is housed at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California. The artwork depicts a scene of a frontiersman accompanied by a boy and a dog traversing …

The Kentuckian (1954) by Thomas Hart Benton Read More »

“The Sources of Country Music” is an artwork created by Thomas Hart Benton in 1975. Executed with acrylic on canvas, it belongs to the art movement known as Regionalism and falls under the genre of genre painting. The artwork portrays a vibrant and dynamic depiction of various scenes where music plays an integral role in …

The Sources of Country Music (1975) by Thomas Hart Benton Read More »

The artwork “Threshing Wheat,” created by Thomas Hart Benton in 1939, is a notable example of the Regionalism art movement and falls under the genre of genre painting. This work vividly depicts a rural American scene, showcasing the laborious process of threshing wheat. The artwork portrays an expansive field of wheat under a dynamic sky …

Threshing Wheat (1939) by Thomas Hart Benton Read More »

The artwork, titled “Trail Riders,” was created by Thomas Hart Benton between the years 1964 and 1965. Executed in oil on canvas, this piece belongs to the Regionalism art movement and falls under the landscape genre. “Trail Riders” depicts an expansive, mountainous landscape dominated by a central, towering peak blanketed with pristine white snow. The …

Trail Riders (1964 – 1965) by Thomas Hart Benton Read More »

“Unemployment, Radical Protest, Speed,” a 1932 artwork by Thomas Hart Benton, is rendered using tempera on board. This piece, belonging to the art movement Regionalism, is a genre painting and forms a part of the series “The Arts of Life in America.” The artwork vividly depicts the tumultuous era of the Great Depression, marked by …

Unemployment, Radical Protest, Speed (1932) by Thomas Hart Benton Read More »

The artwork, “Weighing Cotton,” painted by Thomas Hart Benton in 1939, belongs to the art movement known as Regionalism and is classified within the genre painting classification. This piece illustrates a scene characteristic of American rural life. In this genre painting, workers are depicted meticulously engaged in the process of weighing and loading cotton onto …

Weighing Cotton (1939) by Thomas Hart Benton Read More »

The artwork titled “Wheat” was created by Thomas Hart Benton in 1967 using oil on wood. It is part of the Regionalism art movement and falls under the landscape genre. This piece vividly depicts a scene of densely packed wheat, meticulously detailed to convey the texture and form of the grain. In the artwork, Benton’s …

Wheat (1967) by Thomas Hart Benton Read More »

The artwork titled “Achelous and Hercules” was created by Thomas Hart Benton in 1947 utilizing oil as the medium. This piece is classified under the Regionalism art movement and falls within the genre of mythological painting. It is presently housed at the Smithsonian American Art Museum in Washington, DC, USA. The artwork vividly portrays a …

Achelous and Hercules (1947) by Thomas Hart Benton Read More »

The artwork, titled “American Discovery Viewed by Native Americans,” was created by Thomas Hart Benton in 1922. This piece belongs to the Regionalism art movement and falls under the genre of history painting. The artwork depicts the moment of American discovery from the perspective of Native Americans. In the foreground, Native Americans are rendered with …

American Discovery Viewed by Native Americans (1922) by Thomas Hart Benton Read More »

The artwork, titled “Arts of the City,” is a creation by Thomas Hart Benton, completed in 1932. The piece employs tempera and oil mediums and is a part of the Regionalism art movement, specifically falling under the genre of genre painting. It belongs to the series “The Arts of Life in America” and is currently …

Arts of the City (1932) by Thomas Hart Benton Read More »

“Arts of the South” is a genre painting created by Thomas Hart Benton in 1932 as part of the series “The Arts of Life in America.” Executed in tempera and oil, this artwork belongs to the Regionalism art movement and is exhibited at the New Britain Museum of American Art in New Britain, Connecticut. This …

Arts of the South (1932) by Thomas Hart Benton Read More »

“Arts of the West,” created by Thomas Hart Benton in 1932, epitomizes the Regionalism art movement. Executed in tempera on board, this genre painting is part of the series “The Arts of Life in America.” It is currently housed in the New Britain Museum of American Art in New Britain, Connecticut, USA. The artwork vividly …

Arts of the West (1932) by Thomas Hart Benton Read More »

The artwork titled “A Social History of the State of Missouri (detail)” was created by Thomas Hart Benton in 1936. This piece belongs to the Regionalism art movement and is classified within the genre painting genre. It forms part of the larger series known as “A Social History of the State of Missouri.” The artwork …

A Social History of the State of Missouri (detail) (1936) by Thomas Hart Benton Read More »

The artwork, titled “A Social History of the State of Missouri (detail),” was created by the artist Thomas Hart Benton in 1936. It is part of the art movement known as Regionalism and falls within the genre of genre painting. This piece belongs to the series “A Social History of the State of Missouri.” The …

A Social History of the State of Missouri (detail) (1936) by Thomas Hart Benton Read More »

The artwork, “A Social History of the State of Missouri (detail)” by Thomas Hart Benton, created in 1936, is a significant piece within the Regionalism movement and belongs to the genre painting category. It forms part of the series “A Social History of the State of Missouri.” In this detailed section of the artwork, Thomas …

A Social History of the State of Missouri (detail) (1936) by Thomas Hart Benton Read More »

The artwork, titled “A Social History of the State of Missouri (detail),” was created by Thomas Hart Benton in 1936. It belongs to the Regionalism art movement and is classified as a genre painting. This piece is part of a larger series called “A Social History of the State of Missouri.” In this vivid and …

A Social History of the State of Missouri (detail) (1936) by Thomas Hart Benton Read More »

The artwork, titled “A Social History of the State of Missouri (detail) – Beer Making” by Thomas Hart Benton, was created in 1936. It belongs to the Regionalism art movement and falls under the genre painting category. This piece is part of the larger series “A Social History of the State of Missouri.” The artwork …

A Social History of the State of Missouri (detail) – Beer Making (1936) by Thomas Hart Benton Read More »

The artwork “A Social History of the State of Missouri (detail) – Frankie and Johnny,” created by artist Thomas Hart Benton in 1936, is a notable piece within the Regionalism art movement. This genre painting is part of Benton’s series “A Social History of the State of Missouri” and exemplifies his focus on depicting the …

A Social History of the State of Missouri (detail) – Frankie and Johnny (1936) by Thomas Hart Benton Read More »

The artwork titled “A Social History of the State of Missouri (detail) – Hay Thrower” was created by Thomas Hart Benton in 1936. This piece is a part of the Regionalism art movement and belongs to the genre of genre painting. It is included in the series “A Social History of the State of Missouri”. …

A Social History of the State of Missouri (detail) – Hay Thrower (1936) by Thomas Hart Benton Read More »

“A Social History of the State of Missouri (detail) – Jesse James” is an artwork created by Thomas Hart Benton in 1936, belonging to the art movement known as Regionalism. The artwork is a genre painting, representing a scene from the series “A Social History of the State of Missouri.” This specific detail from the …

A Social History of the State of Missouri (detail) – Jesse James (1936) by Thomas Hart Benton Read More »

The artwork under discussion, titled “A Social History of the State of Missouri (detail) – Slaves Used for Lead Mining,” was created by the artist Thomas Hart Benton in 1936. This particular piece belongs to the Art Movement known as Regionalism and is categorized within the genre painting genre. The artwork is a part of …

A Social History of the State of Missouri (detail) – Slaves Used for Lead Mining (1936) by Thomas Hart Benton Read More »

The artwork entitled “A Social History of the State of Missouri (detail) – Steamboat Sam Clemens with Huck Finn and Jim on Raft” was created by Thomas Hart Benton in 1936. It is a notable example of the Regionalism art movement and is classified as genre painting. This piece forms part of the series “A …

A Social History of the State of Missouri (detail) – Steamboat Sam Clemens with Huck Finn and Jim on Raft (1936) by Thomas Hart Benton Read More »

The artwork, titled “Changing West,” was created by the artist Thomas Hart Benton in 1931. Executed in tempera on canvas, this piece is a notable example of the Regionalism art movement and belongs to the genre painting category. The painting is part of the “America Today” series, and it is currently housed at the Metropolitan …

Changing West (1931) by Thomas Hart Benton Read More »

The artwork titled “Chilmark Landscape,” created by Thomas Hart Benton in 1922, is an oil painting representing the Regionalism art movement. This landscape genre piece captures the essence of a rural scene, depicting a serene and picturesque countryside. In the foreground of the artwork, undulating green hills are painted in rich, natural tones, merging seamlessly …

Chilmark Landscape (1922) by Thomas Hart Benton Read More »

The artwork, titled “City Activities with Dance Hall” and created by Thomas Hart Benton in 1931, employs tempera on canvas as its medium. It belongs to the Regionalism art movement and falls under the genre of genre painting. This piece is part of the “America Today” series and is currently housed in the Metropolitan Museum …

City Activities with Dance Hall (1931) by Thomas Hart Benton Read More »

“City Activities with Subway,” created by Thomas Hart Benton in 1931, is an artwork from the Regionalism movement and belongs to the genre of genre painting. Executed using tempera on canvas, this piece is part of the “America Today” series and is currently housed in the Metropolitan Museum of Art (Met) in New York City, …

City Activities with Subway (1931) by Thomas Hart Benton Read More »

“City Building” is an artwork created by Thomas Hart Benton in 1931. The painting, rendered in tempera on canvas, is a significant piece within the Regionalism art movement and belongs to the genre painting category. It is part of the “America Today” series and is currently housed in the Metropolitan Museum of Art (Met) in …

City Building (1931) by Thomas Hart Benton Read More »

The artwork “Coal” by Thomas Hart Benton was created in 1931 using tempera on canvas and belongs to the Regionalism art movement. This piece, which is a genre painting, is part of the “America Today” series and is housed in the Metropolitan Museum of Art in New York City. In the artwork, Benton presents a …

Coal (1931) by Thomas Hart Benton Read More »

“**Cotton Pickers, Georgia**,” a genre painting created by Thomas Hart Benton between 1928 and 1929, is an evocative work in the Regionalism art movement. Executed in tempera and oil on canvas, this artwork measures 72.6 by 91.1 centimeters and is presently housed in the Metropolitan Museum of Art in New York City, NY, US. The …

Cotton Pickers, Georgia (1928 – 1929) by Thomas Hart Benton Read More »

The artwork, titled “Cradling Wheat,” was created by Thomas Hart Benton in 1939. This piece is associated with the Regionalism art movement and is categorized as a genre painting. The artwork depicts a vibrant and dynamic scene of farm laborers in the midst of wheat harvesting. The composition shows men and women diligently working in …

Cradling Wheat (1939) by Thomas Hart Benton Read More »

“Deep South” by Thomas Hart Benton, painted in 1931, is a notable work in the Regionalism art movement, exemplified through the medium of tempera on canvas. This genre painting is part of Benton’s “America Today” series and is housed in the Metropolitan Museum of Art in New York City. The artwork vividly captures a variety …

Deep South (1931) by Thomas Hart Benton Read More »

The artwork titled “Denys Wortman Paints Thomas Hart Benton,” created by Thomas Hart Benton in 1953, is a prominent example of the Regionalism art movement. It is a portrait painting that captures a moment of artistic activity, displaying a figure engrossed in the process of painting. In the artwork, a man is seated at a …

Denys Wortman Paints Thomas Hart Benton (1953) by Thomas Hart Benton Read More »

The artwork, titled “Departure of the Joads from ‘The Grapes of Wrath’”, is a lithograph created in 1939 by Thomas Hart Benton. It is representative of the Regionalism art movement and falls within the genres of poster and literary painting. The artwork depicts a poignant scene based on John Steinbeck’s novel “The Grapes of Wrath”. …

Departure of the Joads from ‘The Grapes of Wrath’ (1939) by Thomas Hart Benton Read More »

The artwork “Mail Service in the Arctic,” created by Rockwell Kent in 1937, belongs to the Regionalism art movement and is categorized as genre painting. This piece captures a vivid depiction of life and activities in a specific locale, reflecting the social and cultural dynamics of the time. In the artwork, a moment of bustling …

Mail Service in the Arctic (1937) by Rockwell Kent Read More »

“Mail Service in the Tropics,” a creation by Rockwell Kent, belongs to the Regionalism art movement and is classified under the genre painting category. The artwork vividly portrays a scene of mail delivery in a tropical setting, encapsulating the essence of daily life and the cultural milieu. The artwork depicts a mailman riding a horse, …

Mail Service in the Tropics by Rockwell Kent Read More »

The artwork titled “Moonlight, Winter,” created by Rockwell Kent circa 1940, is a notable piece within the art movement of Regionalism, specifically categorized under the genre of cloudscape. The artwork captures a serene nocturnal winter scene dominated by a bright, full moon encircled by a halo, casting a soft glow over the snow-covered landscape below. …

Moonlight, Winter (c.1940) by Rockwell Kent Read More »

The artwork, titled “America at Peace,” was created by Rockwell Kent in 1944. It belongs to the Regionalism art movement and is categorized as an allegorical painting. This significant piece of art is housed in the United States Capitol, Washington, DC, US. The painting portrays a serene and idealized vision of America. Dominating the upper …

America at Peace (1944) by Rockwell Kent Read More »

“Spring in the Country” is an oil painting created in 1941 by the artist Grant Wood, who was a key figure in the Regionalism movement. This artwork is also considered a genre painting, capturing aspects of everyday life during its time. The artwork portrays a tranquil and idyllic rural scene enriched with the fertile promise …

Spring in the Country (1941) by Grant Wood Read More »

“Parson Weems’ Fable,” created in 1939 by artist Grant Wood, is a history painting that exemplifies the Regionalism art movement. This work, rendered in oil on canvas, is part of the collection at the Amon Carter Museum of American Art located in Fort Worth, Texas, United States. The artwork explores a well-known American legend with …

Parson Weems’ Fable (1939; United States) by Grant Wood Read More »

The artwork, entitled “Plaid Sweater,” is a creation by artist Grant Wood, who completed this oil on cardboard portrait in the year 1931. As a product of the Regionalism art movement, this piece mirrors the cultural emphasis on rural American themes that characterized works of that period. “Plaid Sweater” portrays a young boy dressed in …

Plaid Sweater (1931) by Grant Wood Read More »

The artwork titled “Portrait of Nan” by Grant Wood, created in 1933, embodies the aesthetic of the Regionalism art movement popular in the United States during the interwar period. This portrait is executed in oil on masonite, a distinctive choice of medium that aligns with the practical and accessible spirit of Regionalism. As with other …

Portrait of Nan (1933) by Grant Wood Read More »

The artwork titled “Adolescence” was created by the American artist Grant Wood in 1933. As a prominent piece of the Regionalism movement, which emphasized rural American themes and landscapes, this particular artwork falls under the genre of animal painting. Displayed within the United States during a time of cultural introspection, “Adolescence” reflects the values and …

Adolescence (1933; United States) by Grant Wood Read More »

“Return From Bohemia” is a self-portrait by Grant Wood, created in 1935. This artwork is associated with the Regionalism art movement, reflecting the artist’s personal style and thematic focus on American rural scenes and subjects. As a self-portrait, it offers insight into Wood’s self-perception and artistic identity. The artwork presents a group of figures standing …

Return From Bohemia (1935) by Grant Wood Read More »

The artwork titled “Seed Time and Harvest” was created by Grant Wood in 1937. This work is a distinctive example of the Regionalism art movement, which emphasizes rural American themes and depicts them in a figurative style. Wood is known for his genre paintings that vividly portray the rural American Midwest. The artwork presents a …

Seed Time and Harvest (1937) by Grant Wood Read More »

The artwork titled “The Sentimental Yearner” is attributed to the artist Grant Wood, created in the year 1936. It is classified within the art movement known as Regionalism, a movement emphasizing rural American themes and landscapes. The genre of this particular work is a portrait, capturing the likeness and the emotional disposition of the subject …

The Sentimental Yearner (1936) by Grant Wood Read More »

The artwork entitled “Shrine Quartet,” created by Grant Wood in 1939, is a lithograph that is a prime example of the Regionalism art movement. As a genre painting from the United States, it addresses everyday life and culture specific to a region. The artwork portrays a quartet of four male figures, presumably Shriners, each wearing …

Shrine Quartet (1939; United States) by Grant Wood Read More »

The artwork in question is titled “Sketch for house in American Gothic,” created by the artist Grant Wood in the year 1930. This sketch is a precursor to Wood’s iconic painting “American Gothic” and belongs to the Regionalism art movement, which celebrated rural American themes and landscapes during the early 20th century. The genre of …

Sketch for house in American Gothic (1930) by Grant Wood Read More »

“Spring In Town,” created by Grant Wood in 1941, is an exemplar of the Regionalism art movement and falls within the genre painting category. This artwork, executed using oil on wood, vividly portrays a scene of rural American life. The artwork depicts a tranquil scene suffused with the warmth and industrious spirit of small-town life …

Spring In Town (1941) by Grant Wood Read More »

The artwork titled “Spring Plowing,” created by Grant Wood in 1932, is a quintessential representation of the Regionalism art movement. This landscape genre painting vividly portrays the agricultural scene of the Midwestern United States, a common theme in Wood’s oeuvre. His meticulous attention to detail and use of earthy tones capture the essence of rural …

Spring Plowing (1932) by Grant Wood Read More »

“Autumn Oaks” is a landscape painting by Grant Wood, created in 1933 during the Regionalism art movement. The artwork, titled “Autumn Oaks,” depicts a serene, pastoral landscape characterized by tall oak trees adorned in autumnal hues. The piece captures the reddish-brown foliage of the trees set against a backdrop that subtly transitions from the warm, …

Autumn Oaks (1933) by Grant Wood Read More »

“Spring Turning,” created by Grant Wood in 1936, is an oil on board painting that exemplifies the Regionalism art movement. This landscape artwork is housed in the Reynolda House Museum of American Art in Winston-Salem, NC, US. The artwork presents a serene and stylized depiction of rolling green hills adorned with expansive, geometric patches of …

Spring Turning (1936) by Grant Wood Read More »

“Stone City, Iowa,” created in 1930 by Grant Wood, is an oil painting on wood exemplifying the Regionalism art movement. Measuring 77 x 101.5 cm, this landscape is housed at the Joslyn Art Museum in Omaha, Nebraska, U.S. The artwork depicts a serene and meticulously detailed rural scene characterized by rolling hills, lush farmland, and …

Stone City, Iowa (1930) by Grant Wood Read More »

The artwork named “Sultry Night,” created by Grant Wood in 1939, is a lithograph that belongs to the Regionalism art movement. This piece is classified under the genres of genre painting and nude painting (nu). In the artwork, a solitary nude man is depicted in an outdoor rural setting. The man stands near an old-fashioned …

Sultry Night (1939) by Grant Wood Read More »

The artwork, titled “Booster,” was created by the artist Grant Wood in the year 1936. This piece belongs to the art movement known as Regionalism and falls under the genre of portraiture. “Booster” is a finely detailed portrait depicting a man clad in a pinstriped suit, with a patterned tie, projecting an air of assertiveness …

Booster (1936) by Grant Wood Read More »

The artwork titled “The Appraisal” was created by Grant Wood in 1931. It is an oil painting on board, and it belongs to the Regionalism art movement. This artwork is classified under the genre of portrait and genre painting. In “The Appraisal,” Wood depicts two women engaging in what appears to be a conversation. The …

The Appraisal (1931) by Grant Wood Read More »

The artwork, titled “The Birthplace of Herbert Hoover, West Branch, Iowa,” was created by Grant Wood in 1931. This oil on board painting belongs to the Regionalism art movement and is classified under the landscape genre. Currently, the artwork is housed at the Minneapolis Institute of Art in Minneapolis, Minnesota, USA. The composition of the …

The Birthplace of Herbert Hoover, West Branch, Iowa (1931) by Grant Wood Read More »

“The Midnight Ride of Paul Revere” by Grant Wood, painted in 1931, is an evocative historical painting rendered in oil on masonite. This artwork, emblematic of the Regionalism art movement, recounts a pivotal moment in American history. It is housed in the Metropolitan Museum of Art in New York City, NY, USA. The artwork visually …

The Midnight Ride of Paul Revere (1931) by Grant Wood Read More »

“Overmantel Decoration” is an artwork created by Grant Wood in 1930, belonging to the Regionalism movement and depicting a landscape genre. The artwork showcases a serene pastoral scene, set within a carefully tended garden. Dominated by a stately home surrounded by lush trees and manicured lawns, the scene includes elements of Victorian and rural American …

Overmantel Decoration (1930) by Grant Wood Read More »

The artwork entitled “The Perfectionist,” created by Grant Wood in 1936, belongs to the Regionalism art movement and is categorized within the genre of portraiture. “The Perfectionist” captures a contemplative woman, seated and framed by intricately detailed lace curtains, enhancing the introspective mood of the piece. She is depicted wearing a patterned blue dress with …

The Perfectionist (1936) by Grant Wood Read More »

The artwork titled “The Sentimental Folk Song,” created by Grant Wood in 1940, is an oil painting on masonite. It belongs to the Regionalism art movement and falls under the genre of genre painting. This piece is currently housed in the New Britain Museum of American Art, located in New Britain, Connecticut, United States. In …

The Sentimental Folk Song (1940) by Grant Wood Read More »

“The Stone of Wall 1,” created by Grant Wood in 1930, is an example of the Regionalism art movement and belongs to the genre of sketch and study. The artwork presents a vivid depiction of rural landscapes, emblematic of Wood’s style and the broader Regionalist focus on American Midwest scenes during that period. The artwork …

The Stone of Wall 1 (1930) by Grant Wood Read More »

“American Gothic,” painted by Grant Wood in 1930 using oil on board, is a seminal work of the Regionalism art movement. The artwork, a portrait with dimensions of 62.4 by 74.3 cm, is housed at the Art Institute of Chicago in Chicago, Illinois, United States. The artwork features a stern-looking man and woman set against …

American Gothic (1930) by Grant Wood Read More »

“Approaching Storm,” created by Grant Wood in 1940, is a lithographic artwork that embodies the Regionalism art movement and falls under the genre of genre painting. The artwork portrays a compelling rural scene with a palpable tension as dark clouds gather overhead, signaling an impending storm. In this lithograph, Grant Wood draws attention to the …

Approaching Storm (1940) by Grant Wood Read More »

“Arbor Day,” crafted by Grant Wood in 1932, is a landscape painting rooted in the Regionalism art movement. This particular piece resides in the Museum of Fine Arts (MFA) in Boston, Massachusetts, United States. The artwork, characterized by its detailed representation of American rural life, encapsulates the essence of Regionalism through its depiction of a …

Arbor Day (1932) by Grant Wood Read More »

The artwork, entitled “Arnold Comes of Age,” was created by Grant Wood in 1930. It is an oil painting on wood, belonging to the Regionalism art movement and classified within the portrait genre. In this artwork, a young man stands in the foreground with a solemn expression, dominating the composition. He is dressed in a …

Arnold Comes of Age (1930) by Grant Wood Read More »

The artwork, “Vegetables” by Grant Wood, created in 1939 in the United States, is a lithograph that falls under the Regionalism art movement. It is a still life piece, meticulously illustrating a variety of vegetables in a bowl. In the artwork, a white bowl with a blue rim is centrally placed, brimming with an assortment …

Vegetables (1939; United States) by Grant Wood Read More »

The artwork, titled “Victorian Survival,” was created by the artist Grant Wood in 1931. It belongs to the Regionalism art movement and is classified as a portrait. The artwork depicts a stern-looking elderly woman seated against a simple, muted backdrop. Her attire, a long-sleeved, high-neck black dress, suggests a sense of somberness and modesty. Her …

Victorian Survival (1931) by Grant Wood Read More »

The artwork, titled “Village Slums,” was created by Grant Wood in 1937 and belongs to the Regionalism art movement. It is a landscape genre artwork that depicts a rustic, rural scene typical of the artist’s oeuvre. The artwork portrays a bleak and wintry scene in a village setting. Snow covers the ground and rooftops, blanketing …

Village Slums (1937) by Grant Wood Read More »

The artwork named “Woman with Plants,” created by the renowned artist Grant Wood in 1929, is an oil painting on board that embodies the Regionalism art movement. This portrait, which depicts a woman with a plant, captures the essence of this significant art genre. The artwork portrays an elderly woman holding a potted plant, specifically …

Woman with Plants (1929) by Grant Wood Read More »

The artwork, titled “Young Corn,” was created by Grant Wood in 1931. It is executed in oil on canvas and belongs to the Regionalism art movement. This landscape genre piece showcases the agrarian beauty of rural America with a focus on the young cornfields and rolling hills. In “Young Corn,” Grant Wood depicts an idyllic …

Young Corn (1931) by Grant Wood Read More »

“Breaking the Prairie” is a genre painting created by the artist Grant Wood between 1936 and 1937 in the United States, belonging to the Regionalism art movement. The artwork, rich in historical and cultural context, portrays scenes of agrarian labor and the early settlers’ efforts to cultivate the land. The artwork is divided into several …

Breaking the Prairie (1936 – 1937; United States) by Grant Wood Read More »

“Plowing,” an artwork created by Grant Wood in 1936, belongs to the Regionalism art movement and is categorized within the landscape genre. The artwork presents a serene and refined depiction of rural life, reflecting the essence of Midwestern America during the early 20th century. In the artwork, rolling fields dominate the composition, characterized by meticulously …

Plowing (1936) by Grant Wood Read More »

“Tame Flowers,” created by Grant Wood in 1939, is a lithograph that embodies the Regionalism art movement. This work, originating from the United States, falls under the genre of flower painting. The artwork features an arrangement of potted flowers meticulously placed on an octagonal wooden surface. The prominent elements include bright hydrangea blossoms, pink geraniums, …

Tame Flowers (1939; United States) by Grant Wood Read More »

“Daughters of Revolution” is a portrait painted in 1932 by the American artist Grant Wood. Created with oil on masonite, the artwork measures 101.6 by 50.8 cm. It is a fine example of the Regionalism art movement and is currently housed in the Cincinnati Art Museum in Cincinnati, Ohio, United States. The artwork depicts three …

Daughters of Revolution (1932) by Grant Wood Read More »

“Death on the Ridge Road,” crafted by Grant Wood in 1935, epitomizes the Regionalist art movement and is classified as a genre painting. The artwork, executed in oil on masonite, portrays a dramatic rural scene marked by tension and impending danger. The artwork depicts two automobiles speeding towards a perilous curve on a narrow, hilly …

Death on the Ridge Road (1935) by Grant Wood Read More »

“December Afternoon,” created by Grant Wood in 1940, is an artwork belonging to the Regionalism movement and falls under the genre of genre painting. The artwork portrays a tranquil winter scene with a focus on rural life. A person is depicted leading a horse towards a stable while a sleigh rests nearby in the snow, …

December Afternoon (1940) by Grant Wood Read More »

“Dinner for Threshers,” created by Grant Wood in 1934, is an oil on board painting that belongs to the Regionalism art movement. This genre painting is housed at the Fine Arts Museums of San Francisco in San Francisco, CA, US. The artwork depicts a detailed and intimate scene of a rural American household set in …

Dinner for Threshers (1934) by Grant Wood Read More »

“Fall Plowing,” created by Grant Wood in 1931, is an oil on canvas artwork that belongs to the Regionalism art movement. It is a landscape genre painting that depicts the rural American Midwest during the autumn season. This piece exemplifies Wood’s distinctive style and thematic focus on agrarian life. The artwork showcases a meticulously cultivated …

Fall Plowing (1931) by Grant Wood Read More »

The artwork titled “Family Doctor,” created by Grant Wood in the year 1940, belongs to the Regionalism art movement and is classified as a genre painting. This piece of art is a testament to the movement’s emphasis on depicting realistic scenes from rural and small-town America. The artwork portrays a close-up view of a doctor’s …

Family Doctor (1940) by Grant Wood Read More »

“Farm View” is an artwork created by Grant Wood in 1932, situated within the Regionalism art movement and classified under the landscape genre. The artwork depicts a tranquil farm scene, characterized by carefully contoured fields and structures typical of rural America. Dominated by a central barn with distinct geometric shapes and a nearby farmhouse, the …

Farm View (1932) by Grant Wood Read More »

The artwork, “February” by Grant Wood, created in 1940, is a lithograph that belongs to the Regionalism art movement and falls under the genre of animal painting. In “February,” the artist depicts a stark winter scene dominated by the silhouettes of three horses positioned against a snowy landscape. The composition is characterized by its use …

February (1940) by Grant Wood Read More »

“Fertility,” created by Grant Wood in 1939, represents a notable piece within the Regionalism art movement, exemplifying the landscape genre. The artwork captures a quintessential rural American scene, reflecting the beauty and productivity of the American Midwest. In the artwork, a meticulously cultivated cornfield extends towards a prominent barn and silo, structures that dominate the …

Fertility (1939) by Grant Wood Read More »

The artwork titled “Fruits,” created by Grant Wood in 1939, exemplifies the Regionalism art movement and belongs to the still life genre. This work presents a meticulous illustration of a basket brimming with an assortment of fruits, arranged on a wooden surface. In the artwork, a white basket is prominently positioned, filled with a variety …

Fruits (1939) by Grant Wood Read More »

The artwork titled “Haying,” created by Grant Wood in 1939, is an oil painting on canvas. It belongs to the Regionalism art movement and is classified within the landscape genre. This esteemed piece is housed in the National Gallery of Art located in Washington, DC, US. In the artwork, expansive golden fields dominate the scene, …

Haying (1939) by Grant Wood Read More »

The artwork, titled “Honorary Degree” and created by Grant Wood in 1938, belongs to the art movement known as Regionalism. It falls under the genre of genre painting. “Honorary Degree” depicts a ceremonious academic scene, featuring three individuals in traditional graduation attire. The central figure, clad in a graduation gown and cap, is seen receiving …

Honorary Degree (1938) by Grant Wood Read More »

“In the Spring” is a 1939 artwork by Grant Wood, created in the genre painting style and belonging to the Regionalism art movement. The artwork depicts a rural scene resonant with the themes of everyday life in the American Midwest. The artwork prominently features a farmer in the foreground, standing confidently with a slight smile …

In the Spring (1939) by Grant Wood Read More »

The artwork titled “Iowa Cornfield,” created by the artist Grant Wood in the year 1941, is a notable representation of the Regionalism art movement. Belonging to the landscape genre, this piece vividly captures the essence of the American Midwest. In the artwork, an array of corn shocks, intricately depicted, stretch across a rolling terrain, bathed …

Iowa Cornfield (1941) by Grant Wood Read More »

The artwork “Boy Milking Cow” by Grant Wood was created in 1932 in the United States. It is an oil painting that belongs to the Regionalism movement and the genre painting category. The artwork depicts a young boy engaged in the act of milking a cow. The scene is simple yet profound, illustrating an aspect …

Boy Milking Cow (1932; United States) by Grant Wood Read More »

The artwork titled “Iowa’s Product,” created by Grant Wood in 1932, exemplifies the Regionalism art movement and falls within the genre of genre painting. This piece captures a slice of rural American life through its detailed and representational style, characteristic of the Regionalist aesthetic. In the artwork, a young woman is depicted standing against a …

Iowa’s Product (1932) by Grant Wood Read More »

The artwork titled “Farmer’s Wife with Chickens” was painted by Grant Wood in 1932, in the United States. The medium used is oil, and the artwork belongs to the Regionalism art movement. It is categorized under the genre of genre painting. In the artwork, a woman is depicted standing on a small patch of ground, …

Farmer’s Wife with Chickens (1932; United States) by Grant Wood Read More »

“Farmer with Pigs and Corn” is an oil painting created by Grant Wood in 1932. The artwork belongs to the Regionalism art movement and falls under the genre of genre painting. The painting provides a realistic portrayal of rural American life, a common theme in Wood’s oeuvre. In this artwork, a male figure, presumably a …

Farmer with Pigs and Corn (1932) by Grant Wood Read More »

The artwork titled “Iowa Landscape” was created by Grant Wood in the year 1941. It belongs to the Regionalism art movement and is categorized within the landscape genre. The artwork vividly depicts a rural scene, conveying the distinctive essence of the Regionalism movement, which emphasizes realistic portrayals of rural American life. In the composition, small …

Iowa Landscape (1941) by Grant Wood Read More »

The artwork titled “January” was created by Grant Wood in the year 1940. Executed in oil on masonite, it is a notable piece within the Regionalism art movement. The painting depicts a landscape genre and its dimensions are 67 by 82.5 centimeters. Currently, it is housed in the Cleveland Museum of Art (CMA) in Cleveland, …

January (1940) by Grant Wood Read More »

The artwork, titled “Portrait of John B. Turner, Pioneer,” was created by Grant Wood in 1929. This piece belongs to the art movement known as Regionalism and falls within the portrait genre. In the artwork, the subject, John B. Turner, an elderly man, is depicted in formal attire, wearing a dark suit, white shirt, and …

Portrait of John B. Turner, Pioneer (1929) by Grant Wood Read More »

The artwork, titled “Landscape,” was created by the artist Grant Wood in the year 1931. It belongs to the art movement known as Regionalism and falls within the genre of landscape. In the artwork, Grant Wood masterfully depicts a sweeping view of rolling fields that extend into the horizon. The composition features a patchwork of …

Landscape (1931) by Grant Wood Read More »

The artwork entitled “March,” created by Grant Wood in 1939, is a significant piece within the Regionalism art movement, portraying a landscape genre. The artwork depicts a meticulously rendered rural scene, characterized by a winding road extending into the hilly terrain, flanked by undulating fields and sparse fencing. At the crest of a hill, a …

March (1939) by Grant Wood Read More »

The artwork, titled “Portrait of Frances Fiske Marshall” by Grant Wood, was created in 1929. It is a distinguished piece within the Regionalism art movement and belongs to the portrait genre. The artwork reveals a woman seated with an elegant posture, gazing gently towards the viewer. She is adorned in a red shawl decorated with …

Portrait of Frances Fiske Marshall (1929) by Grant Wood Read More »

The artwork entitled “Near Sundown” was created by American artist Grant Wood in the year 1933. It belongs to the Regionalism art movement and is categorized in the landscape genre. The painting depicts a serene rural scene, demonstrating Wood’s focus on the American Midwest. In “Near Sundown,” warm earth tones dominate the landscape, bathed in …

Near Sundown (1933) by Grant Wood Read More »

The artwork “New Road” by Grant Wood, created in 1939, belongs to the Regionalism art movement and depicts a landscape. This piece portrays a significant aspect of American rural life with an emphasis on the geographical and cultural elements specific to that region. In the artwork, one is drawn to the meticulously rendered rolling hills …

New Road (1939) by Grant Wood Read More »

The artwork “Dies Irae” by Maxfield Parrish, created in 1925, is an illustration that falls within the Regionalism art movement. This piece is part of the series “The Knave of Hearts”. The artwork depicts a nostalgic and whimsical scene, characterized by a rider on horseback, draped in intricate and colorful garments, accompanied by four figures …

Dies Irae (1925) by Maxfield Parrish Read More »

“Hill Top Farm, Winter” is a landscape painting created by Maxfield Parrish in 1949. The artwork is emblematic of the Regionalism art movement, which focuses on representing scenes from rural America. The piece depicts a serene winter landscape characterized by snow-covered ground and structures, under a deep blue sky transitioning to a light, almost ethereal …

Hill Top Farm, Winter (1949) by Maxfield Parrish Read More »

“Lady Violetta and the Knave Examine the Tarts” is an illustration crafted by the artist Maxfield Parrish in 1925, belonging to the art movement Regionalism. This artwork is part of the series “The Knave of Hearts.” The artwork depicts two figures, Lady Violetta and the Knave, seemingly engrossed in the examination of a set of …

Lady Violetta and the Knave Examine the Tarts (1925) by Maxfield Parrish Read More »

The artwork titled “Pastry Chefs” was created by Maxfield Parrish in 1925. It is an illustration that belongs to the Regionalism art movement and is part of the series “The Knave of Hearts.” The artwork depicts two pastry chefs, adorned in white chef hats and uniforms, standing symmetrically on either side of a grand cooking …

Pastry Chefs (1925) by Maxfield Parrish Read More »

The artwork titled “Puss in Boots,” created by Maxfield Parrish in 1913, belongs to the art movement known as Regionalism and is classified under the genre of illustration. This piece exemplifies Parrish’s unique illustrative style and is a visual representation of the classic fairy tale. In the artwork, we observe a richly detailed scene where …

Puss in Boots (1913) by Maxfield Parrish Read More »

The artwork, titled “Tart Thief,” was created by Maxfield Parrish in 1925. It belongs to the art movement known as Regionalism and is categorized in the genre of illustration. This particular piece is part of the series “The Knave of Hearts.” In “Tart Thief,” Maxfield Parrish employs his signature luminous colors and meticulous attention to …

Tart Thief (1925) by Maxfield Parrish Read More »

“The Knave of Hearts,” created by the artist Maxfield Parrish in 1925, is a notable example of the Regionalism art movement and falls under the genre of illustration. This artwork is part of the series entitled “The Knave of Hearts.” The artwork portrays three central figures, each distinctively dressed in elaborate and colorful costumes, reflecting …

The Knave of Hearts (1925) by Maxfield Parrish Read More »

“The Knave of Hearts” is an artwork by Maxfield Parrish, dated 1925, and is representative of the Regionalism art movement. This piece falls under the genre of illustration and is part of Parrish’s series titled “The Knave of Hearts.” The artwork portrays a scene set in an opulent palace-like environment, characterized by its grand architectural …

The Knave of Hearts (1925) by Maxfield Parrish Read More »

“The Knave of Hearts,” created by Maxfield Parrish in 1925, belongs to the Regionalism art movement and falls within the genre of illustration. It is part of Parrish’s series entitled “The Knave of Hearts.” The artwork showcases three figures in an ornate setting characterized by intricately detailed, arched columns framing a vivid landscape. The central …

The Knave of Hearts (1925) by Maxfield Parrish Read More »

The artwork titled “Charlie Ervine” is a portrait painted by artist Andrew Wyeth in 1937, reflecting the Regionalism art movement. As a genre, the piece is categorized as a portrait and it captures a figure in a specific setting that resonates with the ideals of Regionalism, emphasizing a portrayal of rural American themes. In this …

Charlie Ervine (1937) by Andrew Wyeth Read More »

“The Hunter” is a painting by Andrew Wyeth, an artist associated with the Regionalism art movement, which focuses on rural American themes and landscapes. The genre of this artwork is landscape, and it captures the essence of the place and time it represents, often with an emphasis on the natural environment and the lives of …

The Hunter by Andrew Wyeth Read More »

“The Lobsterman,” a work by Andrew Wyeth, exemplifies the Regionalism art movement through its genre painting style, focusing on a scene of everyday life. The painting depicts a rugged scene of a lobster fisherman at work. It captures the essence of the fisherman’s daily routine, which is characterized by simplicity and a connection to the …

The Lobsterman by Andrew Wyeth Read More »

“The White Dory” is a painting by Andrew Wyeth created in 1941. The medium used for this artwork is oil on canvas. It belongs to the Regionalism art movement and is categorized within the landscape genre. Its dimensions are 43.2 x 73.7 cm. Currently, the painting is housed in a private collection. In the painting, …

The White Dory (1941) by Andrew Wyeth Read More »

The artwork “Turkey Cove Ledge” by Andrew Wyeth belongs to the Regionalism art movement and is characterized as a landscape genre. Regionalism is a realist modern American art movement that was popular during the 1930s and depicted rural American themes. In the painting, we see a tranquil scene with a focus on nature and rural …

Turkey Cove Ledge by Andrew Wyeth Read More »

The artwork entitled “Dodge’s Ridge” was created by Andrew Wyeth in 1947. Executed in tempera on fiberboard, this piece is a notable example of the Regionalism movement. The dimensions of the artwork are 122.3 by 104.5 centimeters. Classified within the landscape genre, “Dodge’s Ridge” is housed at the Smithsonian American Art Museum in Washington, DC, …

Dodge’s Ridge (1947) by Andrew Wyeth Read More »

The artwork titled “End of Olsons,” created by the artist Andrew Wyeth, belongs to the art movement known as Regionalism and falls under the landscape genre. In the artwork, Andrew Wyeth skillfully captures a serene yet poignant scene dominated by the rugged, weathered roof of a homestead with a prominent brick chimney. Below the roof, …

End of Olsons by Andrew Wyeth Read More »