Romanesque

The Church, the Bride of Christ and Mother of the Faithful in Baptism (c.1165) by Hildegard of Bingen

The artwork titled “The Church, the Bride of Christ and Mother of the Faithful in Baptism” is a miniature created by Hildegard of Bingen, a renowned figure of the medieval period. The work dates from around 1165 and is part of the Romanesque art movement. It is included within Hildegard’s series “Scivias,” which is short …

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Ninth Vision. Personification of God’s power by Hildegard of Bingen

The artwork titled “Ninth Vision. Personification of God’s power” is a creation by Hildegard of Bingen, an influential figure of the Romanesque art movement. This miniature, with dimensions of 36 x 26 cm, is part of the seminal work “Liber Divinorum Operum (The Book of Divine Works).” The artwork in question is a vivid and …

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Prayer Book of Hildegard of Bingen (c.1179) by Hildegard of Bingen

The artwork known as the “Prayer Book of Hildegard of Bingen” was created by Hildegard of Bingen around the year 1179. It epitomizes the Romanesque art movement and falls under the genres of religious painting and illustration. This particular piece is part of a larger body of works that illuminate the mystical visions and theological …

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Second vision. Adam as Mankind by Hildegard of Bingen

The artwork “Second vision. Adam as Mankind” by Hildegard of Bingen is a notable Romanesque miniature with dimensions of 36 x 26 cm. It is a part of the “Liber Divinorum Operum” series and showcases the artistic style and religious contemplation characteristic of Hildegard’s oeuvre. This artwork presents a complex, symbolic illustration centered on the …

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The true Trinity in true unity (c.1165) by Hildegard of Bingen

The artwork entitled “The true Trinity in true unity” was created by Hildegard of Bingen circa 1165. It exemplifies the Romanesque art movement and is categorized as a miniature. This work is part of the series “Scivias – Scito vias Domini” which translates to “Know the Ways of God,” encapsulating a collection of visionary writings …

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Frontispiece of Scivias, showing Hildegard receiving a vision, dictating to Volmar, and sketching on a wax tablet by Hildegard of Bingen

The artwork known as the “Frontispiece of Scivias” is an illuminated manuscript miniature by Hildegard of Bingen, a notable figure from the Romanesque period. It is part of the “Scivias” series which stands for “Scito vias Domini” or “Know the Ways of God.” This medieval piece of art is emblematic of both the religious impetus …

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First Vision. Fiery life-force by Hildegard of Bingen

The artwork titled “First Vision. Fiery life-force” is a miniature by Hildegard of Bingen, associated with the Romanesque art movement. It measures 36 x 26 cm and is part of the series “Liber Divinorum Operum (The Book of Divine Works)”. The artwork depicts an intricate and symbolically rich scene, characteristic of Romanesque miniatures. Rendered with …

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Vision of the City of God by Hildegard of Bingen

The artwork, titled “Vision of the City of God,” is a Romanesque miniature created by Hildegard of Bingen. It embodies the intricate and symbolic nuances characteristic of the Romanesque art movement, captivating viewers with its spiritual and fantastical representation of a divine vision. The artwork depicts a fortified, celestial city, encompassing architectural structures meticulously rendered …

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Vision of the angelic hierarchy by Hildegard of Bingen

“Vision of the Angelic Hierarchy,” a miniature artwork by Hildegard of Bingen, is a quintessential representation of the Romanesque art movement. This piece is part of the “Scivias – Scito vias Domini (Know the Ways of God)” series. The illustration is meticulously arranged in concentric circles, each depicting an angelic order, with an impressive blend …

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Prophet Elijah in the desert with Hagiographic cycle (c.1275 – c.1325) by Orthodox Icons

The artwork entitled “Prophet Elijah in the desert with Hagiographic cycle” is a significant piece of ecclesiastical art created during the period circa 1275 to 1325. Crafted using tempera on wood, this icon is attributed to the Pskov school of icon painting, which exhibits influences of the Romanesque art movement. The dimensions of this icon …

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Obadiah, Messenger of King Ahab, Meets Elijah (from Hagiographic cycle of detail of ‘Prophet Elijah in the desert’ ) (c.1275 – c.1325) by Orthodox Icons

The artwork titled “Obadiah, Messenger of King Ahab, Meets Elijah,” created by Orthodox Icons between c.1275 – c.1325, is a tempera on wood piece that exemplifies the Pskov School of icon painting within the Romanesque art movement. This iconographic work, part of the “Saints” series, is currently housed in the Tretyakov Gallery in Moscow, Russia. …

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Elijah In The Widow’s House Multiplies Bread (from Hagiographic cycle of detail of ‘Prophet Elijah in the desert’ ) (c.1275 – c.1325) by Orthodox Icons

The artwork titled “Elijah In The Widow’s House Multiplies Bread,” dating from approximately 1275 to 1325, is attributed to the Orthodox Icons and belongs to the Pskov school of icon painting. This piece, created using tempera on wood, is part of the Romanesque art movement and classifies as an icon within the genre of Saints. …

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Elijah Meets the Sarepta Widow (from Hagiographic cycle of detail of ‘Prophet Elijah in the desert’ ) (c.1275 – c.1325) by Orthodox Icons

The artwork titled “Elijah Meets the Sarepta Widow (from Hagiographic cycle of detail of ‘Prophet Elijah in the desert’)” was created by Orthodox Icons between circa 1275 and circa 1325. This tempera-on-wood piece belongs to the Pskov school of icon painting, identified with the Romanesque art movement. It is categorized as an icon and is …

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Elijah Raises the Widow’s Son (from Hagiographic cycle of detail of ‘Prophet Elijah in the desert’ ) (c.1275 – c.1325) by Orthodox Icons

The artwork titled “Elijah Raises the Widow’s Son (from Hagiographic cycle of detail of ‘Prophet Elijah in the desert’)” was created between c.1275 and c.1325 by an artist associated with Orthodox Icons. This piece, rendered in tempera on wood, belongs to the Pskov school of icon painting and is influenced by the Romanesque art movement. …

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Castello Di Venere, Erice, Italy (c.1150) by Romanesque Architecture

The artwork titled “Castello Di Venere, Erice, Italy” was created circa 1150 by the artist Romanesque Architecture. This piece belongs to the Romanesque art movement and falls under the genre of architecture. The artwork portrays the majestic Castello di Venere, perched atop the rocky heights of Erice, Italy. Its robust stone structure, characteristic of Romanesque …

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