Suprematism

The Red Cross on a Black Circle (c.1915) by Kazimir Malevich

“The Red Cross on a Black Circle” is an abstract artwork by Kazimir Malevich, a pioneer of the Suprematist movement, which he created around 1915. The work is rendered in oil on canvas and epitomizes the Suprematist genre, known for its focus on fundamental geometric forms and its divergence from representational art. Upon examining the …

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Suprematism by Kazimir Malevich

The artwork, titled “Suprematism,” is attributed to Kazimir Malevich, an avant-garde artist known for his pioneering role in the development of the Suprematist movement. This particular art movement celebrates abstract forms and pure artistic feeling, eschewing the depiction of recognizable objects. The genre of the artwork is abstract, emphasizing geometric shapes and their relationships to …

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Suprematism. Self Portrait in two dimensions (1915) by Kazimir Malevich

The artwork titled “Suprematism. Self Portrait in Two Dimensions,” created by Kazimir Malevich in 1915, belongs to the art movement known as Suprematism and falls under the genre of abstract art. This piece exemplifies Malevich’s innovative approach to abstraction and geometrical forms, which are central to the Suprematist movement and its emphasis on the supremacy …

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Suprematism. Two Dimensional Self Portrait (1915) by Kazimir Malevich

The artwork titled “Suprematism. Two Dimensional Self Portrait,” created by Kazimir Malevich in 1915, is an exemplary piece of the Suprematism movement. Rendered in oil on canvas, the abstract painting measures 80 by 62 cm and is housed in the Stedelijk Museum in Amsterdam, Netherlands. This abstract artwork features a composition of geometric shapes and …

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Suprematism. Two Dimensional Self Portrait (1915) by Kazimir Malevich

The artwork titled “Suprematism. Two Dimensional Self Portrait” by Kazimir Malevich, executed in 1915, is an oil painting on canvas, embodying the Suprematism art movement. With dimensions of 80 x 62 cm, this abstract piece is housed in the Stedelijk Museum in Amsterdam, Netherlands. In the artwork, Malevich utilizes basic geometric shapes to manifest his …

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Suprematism with Blue Triangle and Black Square (1915) by Kazimir Malevich

“Suprematism with Blue Triangle and Black Square” is an abstract artwork created by Kazimir Malevich in 1915. Executed in oil on canvas, this piece belongs to the Suprematism art movement. It is currently housed in the Stedelijk Museum in Amsterdam, Netherlands. The artwork features a simple yet profound composition. Central to the piece is a …

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Suprematism with Eight Red Rectangles (1915) by Kazimir Malevich

“Suprematism with Eight Red Rectangles” is an abstract artwork created by Kazimir Malevich in 1915. This piece is a representation of the Suprematism movement, which emphasizes basic geometric forms and a limited range of colors. Malevich, a pioneer of this movement, focuses on pure abstraction in this composition. The artwork consists of a collection of …

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Suprematistic composition (Combined feeling: Circle and square) (1927; Germany) by Kazimir Malevich

The artwork, titled “Suprematistic composition (Combined feeling: Circle and square)” by Kazimir Malevich, was created in 1927 in Germany. Executed with pen on an abstract Suprematist style, the artwork epitomizes the principles of the Suprematism art movement. The composition features a minimalist arrangement of geometric shapes including circles, rectangles, and lines. These forms intersect and …

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Suprematistic composition (Feeling of a mystic “wave” out of the cosmos) (1927; Germany) by Kazimir Malevich

The artwork titled “Suprematistic composition (Feeling of a mystic ‘wave’ out of the cosmos)” was created by Kazimir Malevich in the year 1927 in Germany. Rendered in pen, this piece belongs to the Suprematism art movement and is categorized under the abstract genre. In the artwork, a minimalist abstract form emanates from the center, characterized …

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Suprematistic composition (Feeling of the current. Telegraphy.) (1927; Germany) by Kazimir Malevich

“Suprematistic Composition (Feeling of the Current. Telegraphy.)” is an abstract artwork created by Kazimir Malevich in 1927 in Germany. This piece, executed in pen, belongs to the Suprematism art movement. The artwork features abstract geometric forms, including various lines, shapes, and patterns. A prominent element of the composition is its use of minimalistic forms arranged …

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Suprematistic composition. White in white. (Feeling of fading away.) (1927; Germany) by Kazimir Malevich

The artwork, titled “Suprematistic composition. White in white. (Feeling of fading away.)” by Kazimir Malevich, was created in 1927 in Germany. Rendered in pen, this piece belongs to the Suprematism art movement and falls within the abstract genre. The artwork presents a minimalist composition dominated by subtle gradations of white tones, featuring intersecting and overlapping …

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Suprematistic Construction (1915) by Kazimir Malevich

“Suprematistic Construction,” an abstract artwork by Kazimir Malevich, created in 1915, exemplifies the Suprematism movement. The artwork, executed in oil and wood, measures 72 by 52 cm and represents a prominent example of Malevich’s innovative approach to abstract art. The artwork features a dynamic composition of geometric shapes, particularly elongated rectangles and squares, arranged in …

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Quadrilateral and the circle (1915) by Kazimir Malevich

The artwork titled “Quadrilateral and the Circle” was crafted by Kazimir Malevich in the year 1915. This piece epitomizes the Suprematism art movement and falls under the abstract genre. The artwork consists of a simple yet powerful composition featuring a black circle positioned above a dark, rectangular quadrilateral against a light background. The stark contrast …

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Suprematist Painting (1916) by Kazimir Malevich

The artwork titled “Suprematist Painting,” created by Kazimir Malevich in 1916, is an exemplary piece of the Suprematism art movement and belongs to the abstract genre. Suprematism, spearheaded by Malevich, emphasizes fundamental geometric forms and a limited range of colors, striving to portray pure artistic feeling rather than the visual depiction of objects. In this …

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The Movement of the Suprematistic Square, Which Constitutes a New Dihedral Suprematistic Element (1927; Germany) by Kazimir Malevich

“The Movement of the Suprematistic Square, Which Constitutes a New Dihedral Suprematistic Element,” created in 1927 while in Germany, is an abstract artwork by Kazimir Malevich. Executed using pen and print, this piece is a representative of the Suprematism movement. The artwork features a composition of geometric forms conveying dynamic movement. At the heart of …

The Movement of the Suprematistic Square, Which Constitutes a New Dihedral Suprematistic Element (1927; Germany) by Kazimir Malevich Read More »

Suprematist Composition: Aeroplane Flying (1915) by Kazimir Malevich

“Suprematist Composition: Aeroplane Flying” is an oil painting on canvas created by Kazimir Malevich in 1915. This artwork belongs to the Suprematism art movement and falls under the abstract genre. It is housed at the Museum of Modern Art (MoMA) in New York City, NY, US. The artwork features a dynamic arrangement of geometric shapes, …

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Renewal Suprematist square (1920) by Kazimir Malevich

The artwork titled “Renewal Suprematist square” was created by Kazimir Malevich in 1920. This piece belongs to the Suprematism art movement and is recognized for its abstract genre. The artwork features a minimalist composition centered on a bold black square that dominates the canvas. The square is set against a stark white background, emphasizing contrast …

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The principle of painting the walls (1920) by Kazimir Malevich

Kazimir Malevich’s 1920 artwork, “The Principle of Painting the Walls,” epitomizes the Suprematism art movement and falls under the abstract genre. The artwork exemplifies Malevich’s pursuit of purity in geometric forms and colors, devoid of representational elements. The composition prominently features a variety of geometric shapes meticulously arranged on the canvas. A large black rectangle …

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Sketchbook (c.1916; Russian Federation) by Kazimir Malevich

The artwork, titled “Sketchbook” by Kazimir Malevich, was created circa 1916 in the Russian Federation. It employs gouache and graphite as its mediums and belongs to the Suprematism art movement. This abstract sketch and study, measuring 19 x 12 cm, represents Malevich’s exploration and experimentation with geometric forms and their dynamic interaction. In “Sketchbook,” the …

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Sketchbook (c.1916; Russian Federation) by Kazimir Malevich

The artwork titled “Sketchbook,” created by Kazimir Malevich circa 1916 in the Russian Federation, is rendered using gouache and graphite. Representing the Suprematism movement, this abstract sketch-styled artwork measures 19 x 12 cm. The artwork exhibits dynamic use of geometric shapes and bold lines intersecting at various angles, indicative of Suprematism’s emphasis on fundamental geometric …

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Sketchbook (c.1916; Russian Federation) by Kazimir Malevich

The artwork titled “Sketchbook” was created by Kazimir Malevich around the year 1916 in the Russian Federation. Rendered in graphite, it is a part of the Suprematism movement, an abstract artistic genre focused on basic geometric forms, such as squares and circles. With dimensions of 19 by 12 cm, the artwork represents an abstract, sketch …

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Sketchbook (c.1916; Russian Federation) by Kazimir Malevich

The artwork titled “Sketchbook” by Kazimir Malevich, created circa 1916 in the Russian Federation, exemplifies the Suprematism art movement. Executed in gouache and graphite, it is an abstract sketch and study measuring 19 by 12 centimeters. The artwork features a variety of geometric shapes and lines, arranged in a seemingly chaotic yet harmonious manner. Predominantly, …

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Tribune of speakers (1920) by Kazimir Malevich

The artwork titled “Tribune of Speakers” by Kazimir Malevich, dated 1920, is a notable piece within the Suprematism art movement. This piece, categorized as a sketch and study, features geometric abstraction central to Suprematist principles. The artwork consists of a sequence of geometric shapes rendered in black and red, set against a textured beige background. …

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Black cross on a red oval (1927) by Kazimir Malevich

The artwork, titled “Black Cross on a Red Oval,” was created by Kazimir Malevich in 1927 and belongs to the Suprematism movement. As an abstract piece, it exemplifies Malevich’s exploration of geometric forms and their interaction within space. The artwork features a striking combination of simple geometric shapes laid out in a minimalistic but highly …

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Black Square (2nd version) (c.1923) by Kazimir Malevich

The artwork, titled “Black Square (2nd version),” was created by Kazimir Malevich around the year 1923. This particular piece, rendered in oil on canvas, belongs to the Suprematism art movement and falls under the genre of abstract art. The artwork is currently housed in the Russian Museum located in Saint Petersburg, Russia. “Black Square (2nd …

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Black Square (3rd version) (c.1929) by Kazimir Malevich

The artwork titled “Black Square (3rd version)” is an iconic piece by Kazimir Malevich, created circa 1929. Executed in oil on canvas, this abstract piece is a significant representation of the Suprematism movement. Currently housed in the Tretyakov Gallery in Moscow, Russia, this composition exemplifies Malevich’s pioneering exploration of geometric abstraction and his radical departure …

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Black Square (4th version) (c.1930 – c.1932) by Kazimir Malevich

The artwork “Black Square (4th version),” created by Kazimir Malevich around 1930 to 1932, is an oil painting on canvas that belongs to the Suprematism art movement. The painting, measuring 53.5 by 53.5 cm, is an abstract piece currently housed at the Hermitage Museum in Saint Petersburg, Russia. The artwork depicts a black square centered …

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Black square and a white tube-shaped by Kazimir Malevich

The artwork, titled “Black Square and a White Tube-shape,” is a creation of Kazimir Malevich, an artist associated with the Suprematism movement. This piece falls within the abstract genre, showcasing Malevich’s exploration of geometric forms and stark contrasts in his artistic expression. In the artwork, there is a prominent black square centrally placed, with a …

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Magnetic Suprematism (1917) by Kazimir Malevich

The artwork titled “Magnetic Suprematism,” created by Kazimir Malevich in 1917, belongs to the Suprematism art movement and is categorized as a sketch and study. The artwork presents a minimalist composition featuring a trio of abstract shapes: a heavily shaded black ellipse, a hatched rectangular form slightly angled, and a meticulously shaded quarter-circle. These shapes …

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Sketchbook (c.1916; Russian Federation) by Kazimir Malevich

The artwork “Sketchbook” by Kazimir Malevich, created circa 1916 in the Russian Federation, is a piece rendered using gouache and graphite. This artwork, measuring 19 x 12 cm, belongs to the Suprematism movement and falls into the genre of abstract sketch and study. The abstract composition is characterized by geometric shapes and intersecting lines rendered …

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Sketchbook (c.1916; Russian Federation) by Kazimir Malevich

The artwork, titled “Sketchbook,” is a graphite piece by artist Kazimir Malevich, created circa 1916 in the Russian Federation. Belonging to the Suprematism art movement, this abstract sketch and study measures 19 x 12 cm. This artwork features a composition typical of Suprematism, characterized by basic geometric forms and a limited color palette. Predominantly neutral …

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Two squares by Kazimir Malevich

The artwork titled “Two Squares,” created by Kazimir Malevich, is a notable piece within the art movement known as Suprematism. Classified as a sketch and study, this artwork exemplifies the fundamental geometric abstraction characteristic of the Suprematist movement. The artwork features two prominent square forms rendered in black. The upper middle section of the composition …

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Combined Suprematistic Composition. (Feeling of Metallic Sounds – Dynamic) (Pale – Metallic Colour) (1927; Germany) by Kazimir Malevich

The artwork titled “Combined Suprematistic Composition (Feeling of Metallic Sounds – Dynamic) (Pale – Metallic Colour)” was created by Kazimir Malevich in 1927 in Germany, using pen as the medium. This piece is part of the Suprematism art movement and falls under the abstract genre. The artwork features a series of geometric shapes and lines …

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Movement Suprematist square (1920) by Kazimir Malevich

The artwork titled “Movement Suprematist Square,” created by Kazimir Malevich in 1920, exemplifies the Suprematism art movement and belongs to the abstract genre. An emblematic piece by Malevich, it conveys the artist’s focus on fundamental geometric forms and pure artistic feeling, devoid of conventional subject matter. The artwork features a stark composition dominated by two …

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Suprematist Composition: White on White (1917 – 1918) by Kazimir Malevich

“Suprematist Composition: White on White,” created by Kazimir Malevich between 1917 and 1918, embodies the essence of the Suprematism movement. Crafted using oil on canvas, the abstract artwork measures 79.4 by 79.4 centimeters and resides in the Museum of Modern Art (MoMA) in New York City, NY, US. The artwork features a minimalist design, comprising …

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Composition suprematistic elements (Feeling of the flight) (1927; Germany) by Kazimir Malevich

The artwork titled “Composition suprematistic elements (Feeling of the flight)” was created by Kazimir Malevich in 1927 in Germany. Executed using pen and print, this piece belongs to the Suprematism art movement and falls under the abstract genre. The artwork showcases several geometric shapes, prominently featuring a large, intersecting black shape positioned diagonally towards the …

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Composition with a black circle (1916) by Kazimir Malevich

“Composition with a Black Circle” by Kazimir Malevich, created in 1916, is a paramount example of the Suprematism art movement, and it belongs to the abstract genre. The artwork consists of a simple, yet profoundly significant, black circle set against a subtle square background. The stark blackness of the circle stands in strong contrast to …

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Contrasting suprematistic elements (1927; Germany) by Kazimir Malevich

“Contrasting Suprematistic Elements” by Kazimir Malevich, created in 1927 in Germany, is a pen and print artwork belonging to the Suprematism art movement. This abstract piece epitomizes Malevich’s exploration of geometric forms and the supremacy of pure artistic feeling over the depiction of objects. The artwork is composed of three distinct geometric shapes arranged vertically: …

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Decor sketches for the opera “Victory over the Sun” (1913) by Kazimir Malevich

The artwork, titled “Decor sketches for the opera ‘Victory over the Sun,’” created by Kazimir Malevich in the year 1913, belongs to the Cubism and Suprematism art movements. This piece is a design genre artwork and is part of the “Victory over the Sun” series. This artwork features a composition of abstract geometric forms in …

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Workers of all countries unite! (1918) by Kazimir Malevich

The artwork titled “Workers of all countries unite!” was created by Kazimir Malevich in 1918. This piece belongs to the Constructivism and Suprematism art movements and is classified as a poster. The artwork exhibits a dynamic and geometric composition with a prominent circular form in the center, inscribed with the rallying cry “Workers of all …

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Square, circle and arrow (1915) by Kazimir Malevich

The artwork titled “Square, circle and arrow” by Kazimir Malevich, created in 1915, belongs to the Suprematism art movement and is classified as a sketch and study. This composition exemplifies Malevich’s revolutionary approach to abstract art, focusing on fundamental geometric shapes and their spatial relationships to evoke pure artistic feeling. The artwork features a stark …

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Suprematic compositional elements (1920) by Kazimir Malevich

The artwork titled “Suprematic compositional elements,” created by Kazimir Malevich in 1920, is a notable piece within the Suprematism art movement. This genre of abstract art emphasizes the supremacy of pure artistic feeling over the depiction of objects and is characterized by simple geometric forms and a limited color palette. In the artwork, a collection …

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Suprematic elements (1917) by Kazimir Malevich

The artwork titled “Suprematic Elements” was created by Kazimir Malevich in 1917. This piece belongs to the Suprematism movement and is classified as a sketch and study. The artwork presents a series of abstract forms, primarily focusing on the interplay of geometric shapes. The composition is minimalist, with simple lines and curves, suggesting dynamic movement …

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Suprematic group using the triangle (1920) by Kazimir Malevich

“Suprematic Group Using the Triangle” is an abstract artwork created by Kazimir Malevich in 1920, belonging to the Suprematism art movement. The piece embodies the core principles of Suprematism, which focuses on basic geometric forms and the supremacy of pure artistic feeling over the depiction of objects. The artwork features a collection of distinct geometric …

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Suprematic Painting (1918) by Kazimir Malevich

“Suprematic Painting,” created by the artist Kazimir Malevich in 1918, is an oil on canvas piece belonging to the Suprematism art movement. The artwork, housed in the Stedelijk Museum in Amsterdam, Netherlands, measures 106 by 70 centimeters and epitomizes the abstract genre. The artwork presents a minimalist and abstract composition, characteristic of Suprematism, which seeks …

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Suprematic track (1916) by Kazimir Malevich

The artwork titled “Suprematic track,” created by Kazimir Malevich in 1916, is a prime example of the Suprematism art movement and falls within the abstract genre. The work exemplifies Malevich’s endeavor to delve into geometric abstraction and to transcend the traditional confines of understandable imagery by focusing on elementary forms. The artwork features an arrangement …

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Suprematism (design for a theatre curtain, with El Lissitsky) (c.1919) by Kazimir Malevich

“Suprematism (design for a theatre curtain, with El Lissitsky),” created by Kazimir Malevich around 1919, is a work of gouache, pencil, and watercolor on paper, measuring 45 by 62.5 cm. This abstract, sketch, and study piece belonging to the Suprematism art movement is currently housed in the Tretyakov Gallery in Moscow, Russia. The artwork exemplifies …

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Suprematism (1915) by Kazimir Malevich

“Suprematism” is an abstract artwork created by Kazimir Malevich in 1915. It belongs to the Suprematism art movement, which focuses on basic geometric forms and pure artistic feeling over visual representation. The artwork illustrates Malevich’s pioneering approach to abstraction, serving as a hallmark of his innovative prowess within this genre. The artwork features an assemblage …

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Suprematism (1915) by Kazimir Malevich

The artwork, titled “Suprematism,” was created by Kazimir Malevich in 1915. It is an oil on canvas painting associated with the Suprematism art movement, characterized by its abstract genre. This significant piece is currently housed at the Stedelijk Museum in Amsterdam, Netherlands. The artwork is composed of several geometric shapes, predominantly black rectangles and squares, …

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Suprematism (1915) by Kazimir Malevich

The artwork titled “Suprematism,” created by Kazimir Malevich in 1915, is a fundamental piece within the Suprematism art movement, characterized by its abstract genre. The artwork exemplifies the essence of Suprematism through its geometric composition, featuring an array of black and dark rectangular shapes. These shapes vary in size and orientation, dispersed against a pristine, …

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Mural (1924) by Fernand Leger

The artwork titled “Mural,” created by Fernand Léger in 1924, belongs to the Suprematism art movement. This abstract piece, measuring 162.4 x 130.7 cm, is presently housed at the Musée National Fernand Léger in Biot, France. The artwork showcases a minimalist arrangement of geometric shapes and a restrained color palette, primarily featuring blocks of green, …

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Mural (1926) by Fernand Leger

The artwork is titled “Mural,” created by the renowned artist Fernand Léger in 1926. Reflecting the art movement of Suprematism, the piece spans dimensions of 130.4 by 97 cm and is categorized within the abstract genre. Currently housed in the Musée National Fernand Léger in Biot, France, this artwork exemplifies the stylistic elements and innovative …

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The Creation of the World Fetish drawing of costume (1923) by Fernand Leger

“The Creation of the World Fetish drawing of costume” is an artwork created by Fernand Léger in 1923, belonging to the Suprematism art movement and categorized under the design genre. The artwork depicts a stylized anthropomorphic figure, rendered in stark black against a light background. The figure’s design is geometric and abstract, characteristic of the …

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Illustration to ‘Suprematic tale about two squares’ (1920; Moscow, Russian Federation) by El Lissitzky

The artwork titled “Illustration to ‘Suprematic tale about two squares’” was created by the artist El Lissitzky in 1920 in Moscow, Russian Federation. It falls under the Suprematism art movement and is categorized as an illustration. This piece is part of the series “Suprematic tale about two squares.” The artwork features a minimalist design emblematic …

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Illustration to ‘Suprematic tale about two squares’ (1920; Moscow, Russian Federation) by El Lissitzky

The artwork, titled “Illustration to ‘Suprematic tale about two squares’,” was created by the artist El Lissitzky in 1920 in Moscow, Russian Federation. It belongs to the Suprematism art movement and falls under the genre of illustration. The piece is part of the series “Suprematic tale about two squares.” The artwork features a minimalist design …

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Insert the red and clear on black (1920; Moscow, Russian Federation) by El Lissitzky

“Insert the red and clear on black” is an artwork created by El Lissitzky in 1920, in Moscow, Russian Federation. This piece is an illustration belonging to the “Suprematic tale about two squares” series and forms part of the Suprematism art movement. The artwork showcases a striking arrangement of geometric shapes, primarily utilizing red and …

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Preliminary sketch for a poster (1920) by El Lissitzky

The artwork titled “Preliminary sketch for a poster,” created by El Lissitzky in 1920, employs gouache on paper as its medium. As an abstract piece belonging to the Suprematism art movement, it encapsulates the avant-garde aesthetic of the early 20th century. The artwork embodies a geometric abstraction, prominently featuring interlocking circles and rectangles rendered in …

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There is over (1920; Moscow, Russian Federation) by El Lissitzky

The artwork titled “There is over,” created by El Lissitzky in 1920 in Moscow, Russian Federation, belongs to the Suprematism art movement and is part of the “Suprematic tale about two squares” series. This illustration captures the essence of Suprematism, an art genre that emphasizes basic geometric forms and a limited range of colors. In …

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Beat all the scattered (1920; Moscow, Russian Federation) by El Lissitzky

The artwork, titled “Beat all the scattered,” was created by El Lissitzky in 1920 in Moscow, Russian Federation. It is a part of the Suprematism art movement and falls under the genre of illustration. This piece is included in the “Suprematic tale about two squares” series. In the artwork, a minimalistic composition is presented within …

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Beat the Whites with the Red Wedge (1920; Vitebsk, Belarus) by El Lissitzky

The artwork titled “Beat the Whites with the Red Wedge” was created by El Lissitzky in 1920 in Vitebsk, Belarus. This piece, rendered on paper through the medium of lithography, is a quintessential example of the Suprematism art movement. Classified within the genre of posters, the piece embodies abstract and geometric elements characteristic of the …

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Book cover for ‘Suprematic tale about two squares’ (1920; Moscow, Russian Federation) by El Lissitzky

The artwork titled “Book cover for ‘Suprematic tale about two squares’” was created by the artist El Lissitzky, initially dated to the year 1920 in Moscow, Russian Federation. This piece of design belongs to the Suprematism art movement and is part of the series “Suprematic tale about two squares.” The artwork features a minimalist design, …

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Flying to earth from a distance (1920; Moscow, Russian Federation) by El Lissitzky

The artwork titled “Flying to Earth from a Distance,” created in 1920 by El Lissitzky in Moscow, Russian Federation, is a notable example of the Suprematist movement. Measuring 25.5 x 21 cm, this illustration is part of the series “Suprematic Tale About Two Squares.” The visual presentation aligns with the artistic principles advocated by the …

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Here are two squares (1920; Moscow, Russian Federation) by El Lissitzky

The artwork titled “Here are two squares” was created by El Lissitzky in 1920 in Moscow, Russian Federation. It belongs to the Suprematism art movement and can be categorized as an illustration. This piece is part of the “Suprematic tale about two squares” series. In the artwork, two prominent squares dominate the composition, encapsulated within …

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Red Square Painterly Realism of a Peasant - Malevich, Kasimir - 1915 - 3

Red Square Painterly Realism of a Peasant (1915) by Kasimir Malevich

The artwork titled “Red Square: Painterly Realism of a Peasant,” created by Kasimir Malevich in 1915, epitomizes the Suprematist movement—a radical abstraction in art. Crafted using oil on canvas, it measures 53 by 53 centimeters and is housed in the Russian Museum in Saint Petersburg, Russia. As a genre, it is classified as abstract. The …

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