Born in Lithuania in 1898, Ben Shahn was a leading American social realist artist of the 1930s. He studied at New York University and City College during the 1920s before gaining major recognition for his series The Passion of Sacco and Vanzetti in 1932. Shahn’s expressive figurative paintings, murals, and posters were inexorably tied to his pursuit of social justice and lifelong activism within leftist political beliefs.
Shahn’s work displayed a combination of realism and abstraction, addressing various social and political causes. He had a deep affection for American workers, immigrants, and disenfranchised communities, often expressing an abhorrence for injustice and oppression. One of his most notable works is his mural in Jersey Homesteads (now Roosevelt), New Jersey. Commissioned by the United States government as part of the New Deal art programs during the Great Depression, it depicts scenes from rural life with an emphasis on immigration to America.
Shahn was also known for his left-wing political views and his series of lectures published as The Shape of Content. His work has been offered at auction multiple times with prices ranging from $5 USD to $95,000 USD. Despite passing away in 1969, he remains a significant contributor to American Social Realism today due to his unique style combining artistic expression with politics as well as tackling real-world subjects that resonate today like labor laws reform incrimination among other topics related to worker rights.
All Ben Shahn Artwork on Artchive
Artwork Name |
Year |
Medium |
Third Allegory |
1955 |
tempera,watercolor,paper,masonite |
Spring |
1946 |
|
Signs |
|
|
Self-Portrait Among Church Goers |
|
watercolor,paper |
The Four Prosecutors - Sacco-Vanzetti Case |
1932 |
|
The Red Stairway |
|
|
Street musicians in Maynardville |
1935 |
|
Seward Park |
1936 |
|
The Harpie |
|
|
Sign on a restaurant We Cater to White Trade only |
1938 |
|
Those unknown |
|
|
Three Creole Girls |
1935 |
|
Three Lutes |
|
|
Age of Anxiety |
1953 |
|
Three men |
|
|
Three Men |
|
|
Trapper's house |
1935 |
|
Vanity |
|
|
Years of Dust', US government poster |
|
lithography |
Advertisements from Natchez, Mississippi of a popular malaria cure |
1935 |
|
Age of anxiety |
|
|
Blind Botanist |
|
|
Amusement Park |
|
|
Applicants waiting for jobs in front of FERA offices |
1935 |
|
Applicants waiting for jobs in front of FERA offices |
1935 |
|
Applicants waiting for jobs in front of FERA offices |
1935 |
|
Applicants waiting for jobs in front of FERA offices |
1935 |
|
American Life #14 |
|
|
Allegory |
1948 |
|
Bookshop: Hebrew Books, Holy Day Books |
1953 |
|
Cotton picker, Arkansas |
1935 |
|
East Side Soap Box |
|
|
Composition for Clarinets and Tin Horn |
1951 |
|
Death Of A Miner |
|
|
Demonstration in Paris |
1932 |
|
Double self-portrait |
1933 |
|
Coal company town in Jenkins |
1935 |
|
Children lined up at enterance to Casino Cinema |
1935 |
|
Cherubs and Children |
|
|
Erinys |
1957 |
|
Four Piece Orchestra |
|
|
Identity |
|
|
Florestine Carson, unemployed Creole Negro trapper, and daughter |
1935 |
|
Fourth of July: Orator |
|
|
French Workers |
1942 |
|
Helix and Crystal |
1957 |
|
Fiddlin Bill Henseley, Mountain Fiddler |
1937 |
|
Father and Son |
1946 |
|
Étude pour la peinture murale du Jersey Homestead |
1936 |
|
Man reading newspaper in Jackson Square |
1935 |
|
Maimonides |
|
|
Untitled |
|
|
Loading recently mined coal in Jenkins |
1935 |
|
Martin Luther King |
1965 |
|
Miner's Wives |
1944 |
tempera,cardboard |
New York |
1947 |
|
Liberation |
1945 |
|
Italian Landscape II: Europa |
1944 |
|
Italian Landscape |
c.1944 |
paper |
Untitled |
|
|
Untitled |
|
|
Untitled |
|
|
Untitled |
|
|
Untitled |
|
|
Untitled |
|
|
Untitled |
|
|
Untitled |
|
|
Untitled |
|
|
Untitled |
|
|
Poster in protest of the exection of Sacco and Vanzetti |
1932 |
|
Poster for Congress of Industrial Rights |
1946 |
|
Second Allegory |
1953 |
|
Portrait of myself as a young boy |
1943 |
gouache,board |
Renascence |
|
|
Sacco and Vanzetti |
1932 |
|
Scene in Jackson Square |
1935 |
|
Portrait of Dag Hammarskjold |
1962 |
wood |
November 22 1963 |
|
|
Untitled |
|
|
Handball |
1939 |
Tempera on paper over composition board |
The Passion of Sacco and Vanzetti |
1931 - 1932 |
tempera,Canvas |
Blind Accordion Player |
1945 |
Tempera on board |
Vacant Lot |
1939 |
Watercolor and gouache on paper mounted on plywood panel |