Man Ray was an influential American artist who spent most of his career in Paris. Born Emmanuel Radnitzky in 1890 in Philadelphia, Pennsylvania, Man Ray pursued a range of artistic forms such as painting, object art, and filmmaking. He considered himself a painter above all but became one of the leading photographers and painters of both the Dada and Surrealist movements.
Man Ray’s family changed their surname to Ray because they were afraid of anti-Semitism in America. After moving to Paris in 1921, he established himself as a prominent member of the Surrealist group without ever formally joining it. Instead, his ties with Dada and Surrealism remained informal throughout his life.
Man Ray was a significant contributor to these avant-garde art movements during their heydays between World War I and World War II. He produced major works that blended elements from both movements while maintaining his unique style. Among his most well-known works are “Le Violon d’Ingres,” “The Gift,” and portraits of some famous personalities like James Joyce, Gertrude Stein, Salvador Dalí – with whom he collaborated creatively -, Pablo Picasso among others.
While he worked exceptionally well across media like photography and film-making – with him being hailed as the pioneer of surrealist photography – Man Ray is more known for contributing significantly to painting through bringing new techniques into the field., including cameraless photographs and rayographs – an image made by placing objects onto photo paper then exposing it to light -, which became defining icons influencing future artists.
Despite passing away at age 86 in 1976 due to a lung infection – The contributory influence Man Ray had on modern art lives on through retrospective shows across various museums globally where visitors can appreciate one or more pieces showcasing the mastery possessed by this renowned artist whose legacy will not be easily forgotten nor go out-of-style anytime soon.
All Man Ray Artwork on Artchive
Artwork Name |
Year |
Medium |
Shadows from the portfolio Revolving Doors |
1926 |
|
Shakespearean Equation: King Lear |
1948 |
oil,canvas |
Shakespearean Equation: Measure For Measure |
1948 |
oil,canvas |
Shakespearean Equation: Twelfth Night |
1948 |
oil,canvas |
Silhouette |
1916 |
charcoal,gouache,indian ink,board |
Solarisation |
1931 |
|
Still Life with Red Tea Kettle |
1913 |
oil,canvas |
The Black Tray |
1914 |
oil,canvas |
The Coat Stand |
1920 |
|
The Enigma of Isidore Ducasse |
1920 |
ready-made |
Composition (Marchand de Couleurs) |
1929 |
oil,pencil,linen |
Dora Marr |
1936 |
photography |
Cadeau/Gift (Replica of the Lost 1921 Original) |
|
|
Black and white |
1926 |
photography |
As You Like It |
1948 |
oil,wood,canvas |
A Night at Saint Jean |
|
|
André Breton |
c.1930 |
|
Young Girl (Jeune fille) from the portfolio Revolving Doors |
1926 |
|
Concrete Mixer from the portfolio Revolving Doors |
1926 |
|
Decanter from the portfolio Revolving Doors |
1926 |
|
Departure of Summer |
1914 |
oil,canvas |
Diderot's Harpsichord or The Merchant of Venice |
1948 |
oil,canvas |
Dora Maar |
1936 |
|
Untitled |
1915 |
oil,canvas |
Dragonfly from the portfolio Revolving Doors |
1926 |
|
Electro-Magie |
1972 |
aquatint,etching |
Woman with Long Hair |
1929 |
|
Veiled Erotic Meret Oppenheim |
1933 |
|
Untitled (The Three Graces) |
1969 |
lithography |
Untitled (Aztec figurine of the goddess Tlazoteotl) |
c.1932 |
photomontage,gelatin silver print |
Untitled Abstract |
1948 |
lithography |
Untitled |
1915 |
charcoal,paper |
Untitled |
1908 |
pencil,ink,paper |
Tristan Tzara |
1921 |
|
The Meeting from the portfolio Revolving Doors |
1926 |
|
The Kiss |
1935 |
|
The Imaginary Portrait of the Marquis de Sade |
|
oil,canvas |
The hill |
1913 |
oil,canvas |
The Gift |
1921 |
ready-made |
Hills |
1914 |
oil,canvas |
Mime from the portfolio Revolving Doors |
1926 |
|
Minotaur |
1934 |
|
Mina Loy |
|
photography |
Legend from the portfolio Revolving Doors |
1926 |
|
Me, She |
1934 |
|
Main Ray |
1936 |
assemblage |
Long Distance from the portfolio Revolving Doors |
1926 |
|
Portrait of Alfred Stieglitz |
1913 |
|
Nut Girls (Les Filles des Noix) |
1941 |
collage |
Observatory Time: The Lovers |
1932 - 1934 |
oil,canvas |
Optical Hopes and Illusions |
1928 |
oil,canvas |
Orchestra from the portfolio Revolving Doors |
1926 |
|
Orquesta Sinfonica |
1916 |
|
Peggy Guggenheim |
1924 |
|
Photo De Suzy Solidor, La Fille Aux Cheveux De Lin |
1929 |
|
Pisces |
1938 |
|
Lee Miller |
1930 |
photography |
Lee Miller |
|
|
Le Beau Temps |
1939; Paris, France |
oil |
Glass tears |
1932 |
photography |
Landscape |
1914 |
watercolor,paper |
La Fortune |
1938 |
oil,canvas |
Kiki de Montparnasse |
|
|
Kiki de Montparnasse |
1922 |
photography |
Juliet et Margaret |
|
|
Jazz |
1919 |
|
Invention |
1916 |
oil,board |
Ingres' Violin |
1924 |
photography |
Indestructible Object (or Object to Be Destroyed) |
1923 |
ready-made |
Portrait of Juliet |
|
|
Rayograph (The Kiss) |
1922 |
photogram |
Ridgefield Landscape |
1914 |
charcoal,paper |
Return to Reason |
1921 |
oil,board |
Self-Portrait with Gun |
1932 |
|
Rrose Selavy alias Marcel Duchamp |
1921 |
|
Self-Portrait |
|
|
Self-Portrait |
1941 |
|
Self-Portrait Assemblage |
1916 |
|
Promenade |
1915 - 1945 |
gouache |
Primacy of Matter over Thought |
1929 |
|
Premier Promenade |
1912 |
pen,ink,watercolor,paper |
Prayer |
1930 |
|
Portrait of Rrose Sélavy |
1921 |
photography |
A l'heure de l'observatoire - Les amoureux |
1936 |
Black and white photograph |
Dust Breeding (Elevage de poussiere) |
1920 |
Black and white photograph |
Portrait imaginaire de D. A. F. de Sade |
1938 |
Oil on Canvas with painted wood panel |