Marsden Hartley was an American Painter born on 4 January 1877 in Lewiston, Maine. Hartley started studying art after moving to Ohio in 1893, taking classes locally, and attending the Cleveland School of Art. Hartley received a five-year study sponsorship in New York, under William Merrit Chase and at the National Academy of Design. He returned to his hometown after his studies and taught painting.
In 1909, back in New York, Hartley met Alfred Stieglitz, who gave him his first solo exhibition. Throughout his career, Hartley frequently traveled to European cities, sometimes relocating there. The influences of his many travels are evident in his landscapes. Hartley returned to Maine during his later years and continued to paint despite his failing health. He died on 2 September 1943 in Ellsworth, Maine.
What was Marsden Hartley Known For?
Marsden Hartley was known for painting abstractions using simplified forms, bold and bright colors, and a unique application of brushstrokes. Hartley’s subject matter varied from landscapes to genre scenes, which showed keen attention to detail. During his last years, Marsden focused on portraiture, using his famed color and brushstroke application.
Who was Marsden Hartley Influenced By?
Pablo Picasso, Albert Pinkham Ryder, and the Der Blaue Reiter influenced different phases of Marsden Hartley’s art creation. While at the Academy, Hartley met Ryder, the abstract painter, who would become one of the first influences on his style. Subsequently, Hartley encountered Picasso’s works in Europe, which he stated: “seemed to burn my head off.”
What Art Movement was Marsden Hartley Associated With?
Marsden Hartley was associated with the Dada art movement. However, the portraits he created later in his career showcase Realism techniques.
Marsden Hartley Artwork
Hartley’s works have influenced European modernism and its associated artists immensely. Below are some of them
Abstraction
Birds of the Bagaduce
Eight Bells Folly, Memorial to Hart Crane
Fisherman’s Last Supper
Gardener’s Gloves and Shears
Hall of the Mountain King
Landscape, New Mexico
Large Country Petrified Sand Hills
Lighthouse
Pueblo Mountain
Purple Mountainsen, Vence
Sextant
Smelt Brook Falls
Storm Clouds, Maine
Sustained Comedy
The Ice Hole
Valley Road
All Marsden Hartley Artwork on Artchive
Artwork Name | Year | Medium |
---|---|---|
Abstraction | 1914 | |
Birds of the Bagaduce | 1939 | |
Christ Held by Half-Naked Men | 1940 | |
E | 1915 | |
Eight Bells Folly: Memorial to Hart Crane | 1933 | |
Fisherman's Last Supper | 1941 | |
Gardener's Gloves and Shears | 1937 | |
Hall of the Mountain King | 1909 | |
Handsome Drinks | 1916 | |
Himmel | 1915 | oil,canvas |
New Mexico Recollections, No. 12 | ||
Musical Theme (Oriental Symphony) | 1913 | |
Morgenrot | 1932 | |
Mont Sainte-Victoire | 1927 | |
Lighthouse | 1915 | |
Landscape, New Mexico | 1923 | |
Landscape, New Mexico | 1920 | |
Landscape, New Mexico | 1920 | |
Painting No. 48 | 1913 | oil,canvas |
Purple Mountains, Vence | 1926 | |
Still Life, No. 1 | 1912 | |
Pueblo Mountain | 1918 | |
Red Tree | 1910 | |
Sextant | 1917 | |
Smelt Brook Falls | ||
Painting Number 5 | 1915 | oil,canvas |
Painting No. 50 | 1915 | |
Storm Clouds, Maine | 1906 | |
Sustained Comedy | 1939 | |
The Ice Hole | 1908 | |
Valley Road | 1920 | |
Portrait of a German Officer | 1914 | Oil on Canvas |
New Mexico Recollections No. 12 | 1922-23 | Oil on Canvas |
New England Sea View - Fish House | 1934 | Oil on board |
Carnelian Country | 1932 | Oil on cardboard |