The artwork titled “A funeral mask tolls bell,” created by artist Odilon Redon in 1882, is a lithograph on paper that explores themes associated with the Symbolist movement. Measuring 19.2 x 15.8 cm, this genre painting forms part of the series “To Edgar Poe.” It is currently housed in the Los Angeles County Museum of Art (LACMA) in Los Angeles, CA, US.
The composition of the artwork is striking, presenting an enigmatic subject that is emblematic of Redon’s fascination with the dreamlike and the macabre. Dominating the frame is a large, dark bell, under which hangs a pendulous clapper. Juxtaposed against this somber object is a spectral figure with a pallid, skull-like face that occupies the bottom of the work, gazing upward with large, expressive eyes that are evocative of inner turmoil or profound contemplation. The figure appears to be framed by or entwined with ropes or lines that contribute to the feeling of entrapment or connection to the bell. The stark contrasts and dramatic use of light and shadow intensify the haunting and mysterious quality of the piece, while the minimalist detail urges the viewer to ponder its symbolism and narrative implications. The existential tone and otherworldly atmosphere are reflective of Redon’s unique vision and his contribution to the Symbolist art movement.