The artwork “A study for an equestrian monument” is attributed to the eminent artist Leonardo da Vinci and dates back to circa 1490, with its origins in Milan, Italy. This work is executed using metalpoint on paper, a technique typical of the meticulous draftsmanship of the High Renaissance period. The piece is relatively small in scale, measuring 18.8 by 15.2 cm, and is categorized as a sketch and study, indicative of a preparatory work rather than a finished piece.
The artwork itself portrays a vigorous and dynamic study of a horse in motion, showcasing Leonardo’s profound understanding of equine anatomy and movement. The horse is depicted rearing, with its front legs energetically lifted off the ground as if in mid-action. Its muscular structure is carefully rendered, exhibiting a tension in its form that brings the desgin to life. Atop the horse, faintly sketched, is a figure that suggests the rider of this equestrian monument, adding to the perspective of power and motion intended for the final sculpture. Leonardo’s characteristic use of fine lines to contour the forms and more vigorous marks to suggest shadow and depth is evident, illustrating his meticulous approach to capturing the vitality and strength of the subject. This study exemplifies Leonardo’s propensity to explore and prepare his ideas thoroughly before executing them in larger works, reflecting not only his artistic brilliance but also his diligent and systematic method of working.
