Howard Hodgkin’s After Corot is a painting that utilizes framing and serves as both an arch and spatial device, establishing the foreground of the picture. One of Hodgkin’s signature motifs in his artwork was incorporating the painted frame into the picture-space to create a distinctive formal effect. The painting is executed on a wooden support rather than traditional canvas.
Hodgkin’s artwork is deeply embedded in tradition but still maintains its own distinct style by creating tension between the painted frame and its ground. Though he was recognized for his abstract work, Hodgkin’s approach to easel painting was always representational. In 1985, he represented Britain at the Venice Biennale, won the prestigious Turner Prize two years later, and was ultimately knighted in 1992.
In summary, Howard Hodgkin utilized framing in After Corot to establish foreground space while also incorporating painted frames into his artwork as one of his signature techniques. His use of wooden supports instead of canvas allows for even more creativity within traditional representation easel painting style. His works often featured tension between the painted frame and its ground while maintaining representational aesthetics at their core. Overall, it is clear that Howard Hodgkin had significant influence within contemporary British art during his time as an artist.