The artwork “After the Bullfight,” created by Mary Cassatt in 1873, is an oil on canvas that typifies Realism. With dimensions of 64 by 82.5 cm, this portrait is part of the collection at the Art Institute of Chicago, in Chicago, Illinois, United States. The genre of the artwork suggests an intention to depict the subject in a realistic and truthful manner, consistent with Realist principles.
The artwork captures a poignant moment post-bullfight, featuring a matador in the midst of reflection or rest. The matador’s garb is highly detailed, with embellishments and decorative elements that catch the light, suggesting the use of sequins or other shimmering decorations traditional in bullfighting attire. The deep reds of his outfit and the subtle sheen of the fabric contrast against the muted background, thereby drawing the viewer’s attention to the figure.
His posture is relaxed yet weary, a hand raised to his lips in a gesture that could imply deep thought or exhaustion. The matador’s face is depicted with soft shadows that impart a sense of introspection or solemnity following the intense experience of the bullfight. The realistic representation, including the intricate details of the costume and the lifelike rendition of the subject’s complexion and expression, aligns with the Realism movement’s objective to portray everyday subjects with truth and accuracy, devoid of idealization.
