Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Colors, Portrait of M Felix Feneon in 1890 (1890) by Paul Signac

Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Colors, Portrait of M Felix Feneon in 1890 - Paul Signac - 1890

Artwork Information

TitleAgainst the Enamel of a Background Rhythmic with Beats and Angles, Tones and Colors, Portrait of M Felix Feneon in 1890
ArtistPaul Signac
Date1890
MediumOil on Canvas
Dimensions29 1/8 x 38 5/8 in. (73.9 x 98.1 cm)
Current LocationThe Museum of Modern Art, New York

About Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Colors, Portrait of M Felix Feneon in 1890

One of Paul Signac’s most notable works is his 1890 oil painting, “Portrait of M. Félix Fénéon”. The portrait depicts Fénéon standing in left profile against a backdrop of swirling colors and angles. Fénéon was an art critic, editor, translator, anarchist activist, and friend of Signac’s.

The painting was created in the Neo-Impressionist style and reflects the subject’s originality. Signac honors his friend and captures his essence by using bold shades and tones that mirror Fénéon’s dynamic character. The painting remains one of Signac’s most successful works to date.

Beyond its artistic merits, the portrait is significant in art history as well. Through it, viewers get a glimpse into the world of avant-garde artists in late 19th-century Paris. It also serves as an excellent example of Neo-Impressionism for art students studying the movement. Overall, “Portrait of M. Félix Fénéon” remains a timeless masterpiece that continues to captivate both art enthusiasts and casual observers to this day.

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