Allegory on Social Injustice (1526) by Albrecht Durer

Allegory on Social Injustice - Albrecht Durer - 1526

Artwork Information

TitleAllegory on Social Injustice
ArtistAlbrecht Durer
Date1526
Art MovementNorthern Renaissance
Current LocationArt Institute of Chicago, Chicago, IL, US

About Allegory on Social Injustice

The image you’ve provided is indeed an allegorical representation and is often attributed to the Northern Renaissance movement. It is not, however, an artwork created by Albrecht Dürer in 1526 titled “Allegory on Social Injustice” located at the Art Institute of Chicago, as such, these specific details may be incorrect. However, I can describe the contents of the image itself.

In this depiction, we see a series of figures that seem to symbolize various social roles and vices. On the left, there is a large wheel labeled with words such as “Machtkel” and “Nemung,” and around the wheel, we see animals and figures that represent different societal roles or classes. A fox dressed as a monk, a dog as a soldier, and other figures involved in what appears to be a commentary on the nature of society and its inequalities or corruptions. Each figure is associated with a label that indicates their societal role, such as farmer (Bawr) or beggar (Bettler).

On the right, there are characters engaged in an interaction that includes an exchange of goods or perhaps a form of bribery; figures hold bags presumably filled with money and display attributes of wealth and power. Banners and scrolls contain inscriptions in a script reminiscent of Northern European languages of the time, possibly German, further grounding this work in the context of the Northern Renaissance.

Despite the incorrect attribution, the image does convey themes characteristic of the Northern Renaissance, such as a critical perspective on social structures, an attention to detail, and an interest in conveying moral or philosophical messages through pictorial means. The intricate linework and the way in which human follies are personified by animals and allegorical figures align with the broader themes of moral analysis and humanism that were explored during the Northern Renaissance period.

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