Angel, from the polyptych of St. Nicolas of Tolentino (1501) by Raphael

Angel, from the polyptych of St. Nicolas of Tolentino - Raphael - 1501

Artwork Information

TitleAngel, from the polyptych of St. Nicolas of Tolentino
ArtistRaphael
Date1501
Mediumoil,panel
Dimensions58 x 36 cm
Art MovementHigh Renaissance
Current LocationLouvre, Paris, France

About Angel, from the polyptych of St. Nicolas of Tolentino

The artwork titled “Angel, from the polyptych of St. Nicolas of Tolentino” was created by Raphael, an eminent artist of the High Renaissance, in the year 1501. This religious painting, executed in oil on panel, measures 58 x 36 cm and is part of the collection at the Louvre in Paris, France.

The artwork reveals the illustrious talent of Raphael through the depiction of an angel, a celestial being often associated with purity and divine communication. The angel is presented in a three-quarter profile, gazing heavenward with a contemplative expression that captures both reverence and serenity. The figure is adorned in a garment of warm, earthy tones, which provides a striking contrast against the implied ethereality of its presence. The folds of the garment are rendered with precision, showcasing Raphael’s mastery of form and his ability to convey the texture of the fabric.

A notable feature of the painting is the scroll, unfurled and held gracefully by the angel’s hands, bearing the Latin inscription. The finesse with which the fingers of the angel interact with the parchment underscores Raphael’s attention to detail and his capability to infuse life and realism into his work. The careful placement of shadows and light around the figure adds depth, making the angel stand out as the focal point.

With the blending of divine subject matter and humanistic portrayal, Raphael’s artwork embodies the spirit of the High Renaissance, emphasizing classical beauty, harmony, and a balanced composition. The delicate depiction of the angel’s features, combined with the gentle curls of hair and the subtle glow surrounding the figure, imbue the artwork with a sense of grace and divinity, befitting its religious genre.

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