Annunciation (c.1480; Milan, Italy) by Leonardo da Vinci

Annunciation - Leonardo da Vinci - c.1480; Milan, Italy

Artwork Information

ArtistLeonardo da Vinci
Datec.1480; Milan, Italy
Dimensions16 x 60 cm
Art MovementEarly Renaissance
Current LocationLouvre, Paris, France

About Annunciation

The artwork “Annunciation” by Leonardo da Vinci is a religious painting that dates back to approximately 1480 and was created in Milan, Italy. The medium of this piece is oil on panel, measuring 16 x 60 cm. It belongs to the Early Renaissance movement and is currently housed in the Louvre Museum in Paris, France. The artwork is characterized by its depiction of a significant biblical event, portrayed with the finesse and style that are emblematic of da Vinci’s contributions to the Early Renaissance period.

In the artwork, the scene of the Annunciation is captured with astonishing detail and composure. To the left, an angel, traditionally identified as Gabriel, kneels with one wing displayed elegantly as if having just landed. The angel gestures towards the Virgin Mary, who is depicted on the right side of the panel. Clad in a flowing blue robe, Mary appears in a humble posture with her arms crossed over her chest, communicating a sense of surprise and devotion as she receives the angel’s message.

The composition is divided into two clear spaces, one that houses the angel and the other Mary, creating a narrative dynamic between the divine messenger and the human recipient of the holy proclamation. The setting of the Annunciation includes a Renaissance architectural backdrop that frames the encounter, complete with detailed columns and a building representing the domestic space. The background extends into a serene landscape with trees, hinting at the merging of the earthly realm with the divine.

Leonardo’s mastery in conveying psychological depth is evident in the sensitive expression of the Virgin and the respectful demeanor of the angel. The subdued color palette further amplifies the solemnity of the moment. The detailed depiction of nature, a trait that Leonardo is famed for, includes a variety of plants and the precise rendering of light, which creates a palpable atmosphere that captivates the viewer. Clever use of perspective and attention to detail underscore Leonardo’s commitment to naturalism, making “Annunciation” a masterpiece that exemplifies the Early Renaissance’s drive to harmonize human experience with a heightened sense of realism.

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