The artwork, titled “Anthropometry of the Blue Period,” was created by Yves Klein in 1960. Classified under the Nouveau Réalisme movement and figurative genre, this piece is part of Klein’s series known as “Anthropométries.”
The artwork presents a series of blue imprints rendered against a light background. These imprints capture the impressions of human figures, characterized by their bold and dynamic blue outlines. The figures are arranged sequentially, each echoing the contours of the human form yet rendered with a distinct, almost abstract interpretation. The intensity of the blue pigment creates a striking contrast with the subdued backdrop, emphasizing the physicality and presence of the forms. The piece reflects Klein’s innovative approach of using live models as “living brushes,” directly applying paint to their bodies and pressing them against the canvas. This method not only embodies the essence of Nouveau Réalisme but also highlights Klein’s fascination with the human body as both subject and tool of artistic expression.
