Apostle St. Paul (c.1612; Spain) by El Greco

Apostle St. Paul - El Greco - c.1612; Spain

Artwork Information

TitleApostle St. Paul
ArtistEl Greco
Datec.1612; Spain
Mediumoil,canvas
Dimensions97 x 77 cm
Art MovementMannerism (Late Renaissance)
Current LocationEl Greco Museum, Toledo, Spain

About Apostle St. Paul

The artwork titled “Apostle St. Paul” is a distinguished piece created by the artist El Greco around the year 1612 in Spain. This oil on canvas painting falls within the Mannerism movement, specifically during the Late Renaissance period. The dimensions of this religious painting are 97 by 77 centimeters. This work of El Greco is presently housed in the El Greco Museum, located in Toledo, Spain.

In the artwork, the Apostle St. Paul is depicted in a contemplative pose, with his gaze directed slightly upwards, as if in deep thought or in the midst of receiving divine inspiration. He holds a sword in his left hand, which is both a symbol of his martyrdom and his spirited defense of the Christian faith. His right hand is delicately holding a small book, suggesting his role as a writer of the epistles in the New Testament. The constrast between the sword and the book can be seen as a representation of the transformation from Saul, the persecutor of Christians, to Paul, the apostle of Christ.

The Apostle’s dark, focused eyes and his gently furrowed brow serve to express an inner spiritual life. His beard and hair are rendered with particular attention, giving a sense of the subject’s age and wisdom. The vibrant red of Paul’s cloak wraps around his body, providing a stark contrast to the subdued hues of his undergarments and the dark background that engulfs the figure. El Greco’s signature elongated forms and exaggerated movement are evident in the flowing drapery and the dynamic positioning of Paul’s limbs, characteristics that define the Mannerist style.

The illumination of St. Paul’s face and hands not only draws the viewer’s attention to these pivotal aspects of the work but also suggests a metaphysical light, a common motif in religious art of the period to suggest the presence of the divine. The painting’s emotionally charged atmosphere, combined with El Greco’s distinct elongation of forms and dramatic interplay between light and shadow, exemplifies the artist’s unique contribution to the Mannerist movement and his exploration of the spiritual and mystical dimensions of religious subjects.

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