The artwork titled “Arabs – the Death of Raimundus Lullus” was created by the artist Salvador Dali in 1963. Although Dali is typically associated with Surrealism, this particular work is often categorized under the genre of abstract art, which may seem surprising given the artist’s usual style. It was crafted during a period that saw the prominence of Abstract Expressionism, a movement characterized by gestural brushstrokes and an emphasis on spontaneity and individual expression. The genre leans towards abstraction, distilling images to their essence through a subjective lens.
In scrutinizing the artwork, one is greeted by a textured, tumultuous landscape that is both chaotic and mesmerizing. Beautifully chaotic swirls of paint undulate across the canvas, creating what could be perceived as turbulent clouds or frothy waves—an ambiguity that is quintessential to abstract art. The choice of colors is earthy, dominated by pale ochres, whites, and deep browns, invoking an organic feeling and possibly reflecting the natural elements. The heavy impasto technique used, where thick layers of paint are applied, contributes to a profound sense of depth and movement within the artwork.
This piece does not directly narrate the historical event it is named after—the death of Raimundus Lullus, a philosopher, writer, and missionary who was stoned to death in North Africa. Instead, it captures a more ephemeral, emotional response to the theme, allowing viewers to imprint their interpretations upon the canvas. The dramatic texture and sweeping gestures within the artwork evoke a sense of turmoil and perhaps reflect the violent end of Raimundus Lullus, offering a more visceral rather than literal representation. Through abstract forms and vigorous application of paint, Dali has created a hypnotizing tableau that stands as a testament to his versatility and ability to convey intense emotions without explicit representation.
