Archangel Gabriel from a King’s Door with the Annunciation (c.1450) by Orthodox Icons

Archangel Gabriel from a King's Door with the Annunciation - Orthodox Icons - c.1450

Artwork Information

TitleArchangel Gabriel from a King's Door with the Annunciation
ArtistOrthodox Icons
Datec.1450
Art MovementLate Byzantine/Palaeologan Renaissance (c. 1261–1453)
Current LocationPrinceton University Art Museum (PUAM), Princeton, NJ, US

About Archangel Gabriel from a King's Door with the Annunciation

The artwork titled “Archangel Gabriel from a King’s Door with the Annunciation” was created by Orthodox Icons around 1450, during the Late Byzantine/Palaeologan Renaissance period, which spanned from 1261 to 1453. This icon is part of the “Angels and Ethereal Powers” series and is currently housed at the Princeton University Art Museum (PUAM) in Princeton, New Jersey, United States. The genre of the artwork is iconography, which is a significant tradition in Eastern Orthodox Christian art.

The artwork depicts Archangel Gabriel, a prominent figure in Christian iconography, especially pertaining to the Annunciation, the biblical scene where Gabriel announces to the Virgin Mary that she will give birth to Jesus Christ. Rendered in a gold-hued background, the archangel is featured with wings and clad in a flowing reddish garment that drapes elegantly around the figure’s dynamic pose. The muted green marble-like base the figure stands on may symbolize the earth, enhancing the divine nature of this celestial messenger. The vivid gold background, typical of Byzantine icons, is not just decorative but imbued with theological meaning; it represents the heavenly realm and the divine light.

The physical condition of the artwork suggests a valued history with evident signs of age and wear. Despite the flaking and deteriorating edges, the image of the archangel maintains a sense of poise and spiritual gravity. The artist has used the stylized forms and elongated lines characteristic of Byzantine art, which blend a spiritual and otherworldly aesthetic with subtle naturalism in the figure’s rendering.

This piece would have likely been a part of a larger ensemble of works, given its reference to being from a King’s Door, suggesting it was once part of a significant architectural project, perhaps a church or royal chapel. It carries the weight of religious significance and historical value, representing the creative and devotional craftsmanship of the Late Byzantine period.

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