Archangel Michael and the Monk Archippus at Chonae (c.1150) by Orthodox Icons

Archangel Michael and the Monk Archippus at Chonae - Orthodox Icons - c.1150

Artwork Information

TitleArchangel Michael and the Monk Archippus at Chonae
ArtistOrthodox Icons
Datec.1150
Art MovementMiddle Byzantine (c. 850–1204),Komnenian style (1081-1185)

About Archangel Michael and the Monk Archippus at Chonae

The artwork titled “Archangel Michael and the Monk Archippus at Chonae” is an icon created around the year 1150, during the Middle Byzantine period, specifically within the timeframe of the Komnenian style which spanned from 1081 to 1185. The icon is part of a series known as “Angels and Ethereal Powers,” encapsulating the deep religious and spiritual sentiment integral to Orthodox Christian doctrine and artistic representation.

In the artwork, two figures are depicted separated by a fissure in the ground, which gives the impression of a dramatic event. On the left, the Archangel Michael is represented with an imposing stance, holding a staff and possessing large, outspread wings that emphasize his celestial nature. Clothed in an elegant, flowing garment that hints at divine movement, Michael commands attention, his gaze directed toward the abyss before him.

To the right stands the monk Archippus, sheltered within an architectural structure that suggests a place of worship or hermitage. The monk is portrayed in a posture of prayer or supplication, with his hands raised and his attention focused on the Archangel or the heavenly act being performed. His plain, monastic attire contrasts with the grandeur of the Archangel’s garb, highlighting his humility and piety.

The split in the composition suggests a miraculous occurrence or intervention, a theme common in religious iconography, wherein the physical world is altered or affected by divine forces. The vivid colors and the intricate detailing of the figures and surrounding areas, including the folds of the garments and the structure of the wings, showcase the skill and religious fervor of the iconographer. The condition of the artwork, with visible cracking and wear, adds to the historical significance and offers a tangible connection to the artistic traditions of the period.

Overall, the icon encapsulates the interplay between heavenly beings and devout individuals, as revered in Orthodox Christian art, and demonstrates the aesthetic values and iconographic conventions of the Middle Byzantine period.

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