Georges Braque’s artwork “Aria de Bach” from 1913 is a notable example of Synthetic Cubism, an art movement that marked a distinct phase in the early 20th-century avant-garde scene. This piece, composed with charcoal, collage, pencil, and cardboard, is a still life measuring 62 x 46 cm. Its origins trace back to France, where Braque, along with Picasso, pioneered Cubism. Currently, “Aria de Bach” resides within a private collection.
The artwork features a composition characterized by fragmented and overlapping planes. The collage technique is evident in the inclusion of different materials that add texture and a physical dimension to the piece. A sheet of music titled “Aria de Bach” is prominently situated at the lower portion of the work, suggesting a thematic connection to the musical piece by Johann Sebastian Bach. Moreover, the geometric forms and monochromatic tones are interspersed with subtle shading, creating depth within the flat, abstracted elements. The guitar strings and shapes suggest musical instruments, while the play on spatial perceptions reflects the innovation of Synthetic Cubism, where objects are constructed from an assortment of pre-existing materials. Despite its abstraction, there’s a harmonious balance in the artwork, resonating with the musical quality of the aria it references.