The artwork, “Aught,” by Eva Hesse, created in 1968, is a notable piece within the Post-Minimalism movement and falls under the genre of installation art.
The artwork consists of four rectangular forms meticulously arranged in a horizontal sequence. Each form exhibits a distinct texture and wrinkling, suggesting a tactile and organic quality that diverges from the rigid structures often associated with Minimalism. These forms are mounted on a stark white wall, creating a striking contrast that emphasizes their earthy, tactile nature. The reflective surface below them enhances the installation, adding depth and a sense of continuity to the overall composition. This installation underlines Hesse’s characteristic use of unconventional materials and her exploration of form, space, and abstraction.