The artwork titled “Bicho,” created by the artist Lygia Clark in 1960, is a notable piece within the Neo-Concretism art movement. This sculpture features an assemblage of geometric forms, which interplay with each other in an intricately balanced manner. “Bicho,” which translates to “Creature” in Portuguese, embodies the fluidity and transformative aspects inherent in Neo-Concretism, challenging the boundaries of static art forms.
The sculpture is composed of multiple interlocking metal planes, forming a complex, abstract structure. The planes include triangles and semi-circles, which are expertly arranged to create a dynamic three-dimensional form. The metallic surfaces of the sculpture reflect light, adding an additional layer of visual interest and depth. The modular nature of the piece reflects Clark’s interest in the relationship between art and the viewer, inviting interaction and contemplation.