The artwork named “Bouches En Marche” by Alina Szapocznikow, dated 1966, belongs to the Nouveau Réalisme art movement and falls under the genre of sculpture.
“Bouches En Marche” features a composition of multiple human mouths sculpted in a surreal and abstract fashion. Each mouth is depicted in an exaggerated form, mounted on thin, elongated stems that make them appear as though they are detached from their natural context. The mouths are positioned at varying heights and angles, giving the impression of motion or a dynamic arrangement. The overall appearance of the sculpture is both surreal and thought-provoking, emphasizing the artist’s innovative approach to form and expression within the framework of Nouveau Réalisme.