Buffalo Bull’s Back Fat (Stu-mick-o-súcks) Head Chief of the Blood Tribe (Blackfoot) (1832) by George Catlin

Buffalo Bull's Back Fat (Stu-mick-o-súcks) Head Chief of the Blood Tribe (Blackfoot) - George Catlin - 1832

Artwork Information

TitleBuffalo Bull's Back Fat (Stu-mick-o-súcks) Head Chief of the Blood Tribe (Blackfoot)
ArtistGeorge Catlin
Date1832
Art MovementRealism

About Buffalo Bull's Back Fat (Stu-mick-o-súcks) Head Chief of the Blood Tribe (Blackfoot)

The artwork titled “Buffalo Bull’s Back Fat (Stu-mick-o-súcks), Head Chief of the Blood Tribe (Blackfoot)” is a portrait created by George Catlin in 1832. A piece exemplifying the Realism art movement, it captures the visage and attire of the distinguished leader with stark realism and attention to detail.

The portrait displays a solemn and profound figure gazing directly at the viewer. The subject’s face is adorned with pigmented lines, signifying cultural or ceremonial importance, likely rooted in the traditions of the Blood Tribe, part of the Blackfoot Confederacy. His hair is parted down the middle, with a feathered headdress accentuating the strong, contemplative expression on his face.

The individual is draped in a richly colored garment that showcases elaborate decoration, replete with beadwork and symbolic designs. Arms crossed, he cradles a pipe, which is itself ornamented and interspersed with feathers—a traditional item that may carry ceremonial significance or indicate a status of negotiation and peace. The prominence of red coloration in the attire and face paint, as well as the intricate decorative elements, suggests a person of high status and respect within his community.

George Catlin’s study and devotion to the realistic depiction of Indigenous peoples of North America are evident in the meticulous rendering of textures, patterns, and accessories, which provide not only visual interest but also cultural insight into the Blood Tribe during the early 19th century. This artwork serves as a historical document, preserving the likeness and cultural heritage of an important figure in Blackfoot society.

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