“Bust of the Virgin” (circa 1520–1525) by Andrea Briosco, is a remarkable sculpture that exemplifies the High Renaissance’s nuanced approach to religious subjects, particularly in the Veneto region of Italy, where Andrea Briosco was predominantly active.
Andrea Briosco (1470-1532), known as Riccio, was an Italian sculptor, known for his bronze works that combine technical mastery with a profound depth of expression, reflecting the Renaissance’s humanistic values.
The “Bust of the Virgin” is notable for its delicate portrayal of the Virgin Mary, capturing both her divinity and humanity. During the Renaissance, artists sought to humanize religious figures, presenting them in a way that emphasized their emotional and spiritual depth, making them accessible and relatable to the viewer. Riccio’s sculpture likely reflects this trend, showcasing the Virgin Mary not just as a celestial figure but as a paragon of maternal grace and tenderness.