The artwork titled “Call to Revolution and Table of Universal Brotherhood (Homecoming of the Worker of the New Day)” is a powerful example of symbolic and history painting executed by José Clemente Orozco between 1930 and 1931. Orozco, a prominent figure of the Mexican Muralism movement, created this piece as part of “The New School Mural Cycle.” The murals are imbued with political and social themes reflecting the ethos of the period, aiming to convey a message of unity, struggle, and transformation.
The artwork is a visual testament to Orozco’s masterful skills in mural painting, presenting a striking combination of figures and architecture that juxtapose themes of revolution, fraternity, and societal reformation. The central panel above the doorway serves as the focal point where two groups of individuals emerge from contrasting backgrounds, symbolizing different aspects of the collective struggle and the quest for a harmonious society. On the left, a person holds another in a protective or supportive embrace, suggesting themes of compassion and unity. The table in the middle, laden with bread, books, and a plow, signifies the fusion of sustenance, knowledge, and labor—key elements of Orozco’s vision for a reformed society.
On the right-hand side, a group of figures are engaged in what appears to be a passionate discussion or exchange, further emphasizing the notions of communication and cooperation among the masses. These interactions are framed by the arches and architectural motifs that may allude to the societal structures within which these activities take place. Muted tones of red, brown, and ochre dominate the mural, perhaps reflecting the earthiness of the message and the proletarian roots of the subjects. The integration of geometric shapes and the interplay of light and shadow lend the artwork a timeless quality, underscoring Orozco’s intention to depict universal themes that transcend his era.
This tableau of labor, intellect, and fellowship stands as a dynamic symbol of Orozco’s plea for a united front amongst the working classes, echoing the calls for revolution that were prominent during his time. Through this mural, Orozco leaves an indelible mark on the legacy of art as a vessel for socio-political dialogue and presents a vision of hope for the future.
