The artwork “Call to Revolution and Table of Universal Brotherhood” by Jose Clemente Orozco, created during the years 1930-1931, is a significant piece within the muralism art movement. This piece belongs to a series of murals crafted for The New School in New York City, USA. Characterized by its symbolic and historical painting genres, Orozco’s artwork reflects a powerful and emotionally charged narrative, resonating with the social and political issues of its time.
In this elaborate mural, Orozco explores themes of revolution and humanity’s quest for unity amidst adversity. Three distinct panels articulate a profound commentary on the struggle within Western societies. On the one hand, there is an embodiment of revolutionary fervor, depicted through figures that are actively engaged—with one even raising a clenched fist, possibly signifying solidarity and resistance. The central panel suggests a gathering of individuals, perhaps a depiction of unity and discussion among diverse peoples, indicating the concept of the “Table of Universal Brotherhood.” Meanwhile, the far-right panel presents a serene but potent image of Mahatma Gandhi accompanied by a follower, highlighting the inclusion of global figures who symbolize peaceful resistance and the potential for communal harmony.
The artwork, with its strong use of earth tones and bold figures, conveys a narrative that emphasizes Orozco’s view on the universal struggle for equity and justice. Demonstrating the muralist’s distinctive style, the panels flow with dynamic energy and dramatic emphasis. Composed with a commanding visual language, the artwork is a testament to Orozco’s commitment to addressing social and political themes through public art.
