“Call to Revolution and Table of Universal Brotherhood (Struggle in the Orient)” is a symbolic and historical painting created by artist Jose Clemente Orozco between 1930 and 1931. Part of the mural cycle known as “The New School Mural Cycle,” this artwork is distinguished by its powerful symbolism and its connection to the Muralism art movement. The subject matter delves into themes of revolution and universal brotherhood, presenting a profound narrative through its visual elements.
The artwork features several distinct scenes unified within a single mural composition. Dominated by earthy tones of red, brown, and green, it exhibits a range of human figures engaged in various symbolic actions. At the center, a group of men is depicted wielding tools and weapons, signifying struggle and resistance. To the right, more stylized, static figures are observed, representing significant historical or cultural personas. The left side of the artwork incorporates abstract and geometric forms, perhaps hinting at industrialization or structural oppression. The overall composition is dynamic, compelling the viewer to contemplate the socio-political and cultural messages conveyed through Orozco’s bold and expressive style.
