The artwork titled “Cardboard for the windows of the Chapel of St. Ferdinand: Faith” was crafted by the eminent artist Jean Auguste Dominique Ingres in the year 1842. Embodying the principles of Neoclassicism, this allegorical painting is part of a series of designs for stained glass windows intended for the Chapel of St. Ferdinand in Paris.
The artwork presents an allegorical figure personifying Faith. It is rendered predominantly in, what appears to be, a monochromatic palette which serves to emphasize the virtue it represents. Faith is depicted as a serene woman embodying classical beauty, a hallmark of Neoclassical aesthetics. She is garbed in a flowing white robe that gently drapes around her body, suggesting purity and simplicity.
The figure holds a golden chalice in one hand, aloft and steady, which is emblematic of the Holy Communion and the Christian faith. Within the chalice, there can be seen a glowing host, further symbolizing the presence of the sacred in the sacraments. Her other hand is gently pressed against her chest which may signify her devout nature and heartfelt belief.
Her countenance emanates a sense of calm and resilience, characteristics often associated with unwavering faith. Moreover, she wears a diadem, adding a regal touch to her presence and possibly implying the sovereignty of faith over earthly concerns.
The entire depiction is set against an unembellished blue background contained within an oval frame. This creates a sense of focus and sanctity, framing the allegorical representation of Faith as an object of contemplation. Through this artwork, Ingres has offered a meditation on the spiritual virtue of faith, realized through Neoclassical form and symbolism.