“Cell (Eyes and Mirrors)” is an installation artwork by Louise Bourgeois, created in the United States in 1993. This piece falls under the Confessional Art movement. The genre of this artwork is characterized by its installation format, engaging viewers with an immersive experience.
The artwork presents a haunting and encapsulated environment, confined within a metal cage-like structure. Inside, various elements such as mirrors, eyes, and other reflective surfaces are strategically placed. The composition includes two large, black spherical forms resembling eyes, imposing a sense of voyeurism and self-reflection upon the viewer. Additionally, freestanding mirrors and other reflective objects contribute to the theme of internal and external examination. The use of these elements within the confines of the cage suggests themes of entrapment and introspection, resonating deeply with the principles of Confessional Art. The mirrors not only reflect the surroundings but also evoke the viewer’s personal confrontation with their own image and psyche, emphasizing the intimate and psychological aspects inherent in Bourgeois’ work.
