“Celtic Ornament no. 2. Interlaced styles” is an artwork by Owen Jones that epitomizes the Art Nouveau movement, specifically within the modern style. The artwork is a part of the influential 19th-century publication “The Grammar of Ornament” from the year 1856, where it is included as a design genre, showcasing the aesthetic principles and decorative motifs of the time.
The artwork itself is an intricate compilation of various interlaced patterns and designs that are emblematic of Celtic art. Each panel or segment of the composition features symmetrical, geometric knotwork, and stylized forms that are meticulously intertwined. The patterns employ a palette of rich colors, often contrasting deeply saturated hues with bright accents to emphasize the complexity and depth of each design. The use of space and the balance between the ornate elements contribute to a harmonious and dynamic visual experience, revealing Owen Jones’ mastery of pattern design and his understanding of Celtic artistic traditions. The presentation of these designs in a structured array offers a compelling visual study of ornamentation and the diversity within the Celtic decorative repertoire.
