The artwork titled “Chinese Ornament no. 1. Ornaments painted on porcelain and wood from woven fabrics” forms a part of “The Grammar of Ornament” series published in 1856 by Owen Jones. Emblematic of the Art Nouveau (Modern) art movement, this work is categorized within the domain of design, showcasing a catalogue of ornamental motifs derived from Chinese art and craftmanship.
In the artwork, a remarkable array of geometrical patterns, each distinct in design and color scheme, is presented. Conceived in a grid-like formation, the patterns exemplify the intricate aesthetics inherent in Chinese ornamentation. The colors are predominantly rich and earthy, juxtaposed by vibrant shades of blue and the use of white to offer contrast and highlight the meticulous detail of each design.
Each individual pattern presents a highly structured, symmetrical arrangement, featuring recurring shapes and interlacing lines that symbolize traditional Chinese motifs. The ornamental designs vary in complexity from basic interlocking patterns to elaborate compositions with multiple layers of symmetry and interplay of shapes. Some are suggestive of textile patterns, while others allude to more rigid, architectural influences. Collectively, they embody the principles of order and harmony, key characteristics of the design philosophy of the time, and reflect an encyclopedic approach to decorative arts that was championed by Owen Jones in his landmark publication.
