The artwork entitled “Chinese Ornament no. 2” is a creation by Owen Jones, featured within his compendium “The Grammar of Ornament” published in 1856. This particular work is a part of a series showcasing various designs, which are reflective of the Art Nouveau movement, more specifically during the period when it was transitioning into Modernism. The genre of the artwork is design, illustrating a selection of ornamental patterns derived from the art of painting on porcelain and wood, as well as from woven fabrics, with a distinct emphasis on Chinese motifs and aesthetic principles.
Within the artwork, multiple panels are arranged in a systematic grid, each depicting an individual design pattern characterized by symmetry, stylized natural forms, and a vibrant color palette. The diverse ornamentation displayed ranges from intricate geometric arrangements to flowing, organic shapes that are emblematic of traditional Chinese decorative arts. The recurring use of motifs such as florals, dragons, and phoenixes, as well as various abstracted decorative forms, reflects the rich visual language and symbolism inherent in Chinese culture.
Each panel is bordered by a neutral background, allowing the rich reds, blues, greens, golds, and other hues to stand out prominently. The designs within the panels incorporate a variety of shapes including interconnected circles, spirals, and tessellated patterns, displaying a masterful understanding of rhythm and repetition in visual composition. The patterns exemplify the principles Jones championed in his seminal work, advocating for the unity of form and function in design and illustrating how the study of historical ornament could inform contemporary artistic practice. Overall, the artwork serves as a comprehensive and instructive representation of Chinese-inspired ornamentation, as interpreted through the lens of a Western designer in the 19th century.
