Max Beckmann’s “Carnival Mask, Green, Violet and Pink (Columbine)” is a powerful painting created in 1950. The artwork features a woman wearing a cat-like mask seated assertively on a table surrounded by discarded playing cards. This painting was part of Beckmann’s series of Carnival-themed works, which explores the concepts of power and identity.
The posture of the masked figure and her commanding presence in the composition suggest a strong sense of confidence and empowerment. The colors used in “Carnival Mask, Green, Violet and Pink (Columbine)” are bold yet harmonious with each other. Violet has long been associated with royalty while green represents growth and renewal. In contrast, pink symbolizes love and warmth. These colors work together to convey the sensuality that dominates this piece.
The painting was exhibited at Tate Modern as part of the retrospective exhibition “Max Beckmann,” which was jointly organized by New York Museum of Modern Art and The Centre Pompidou. Overall, “Carnival Mask, Green, Violet and Pink (Columbine)” showcases Beckmann’s skill in combining elements such as color palette, composition and texture to communicate his artistic vision effectively to his audience.