The artwork “Comedians’ Handbill” by Paul Klee dates from 1938 and is executed in gouache on cardboard. As a prominent example of Abstract Art, it challenges traditional modes of representation through its abstract forms and techniques. Measuring 54.6 cm in height and 36.2 cm in width, the piece exemplifies the genre of abstract art and resides in the Metropolitan Museum of Art (Met) in New York City, NY, US.
The composition of “Comedians’ Handbill” is dominated by an array of black lines and shapes set against an ochre background, which together create a labyrinthine array of forms. The figures and motifs contained within the artwork seem to be playfully arranged, reminiscent of hieroglyphs or symbols, and suggest a sense of motion or performance fitting for its title. Each form, while abstract, hints at elements of the human form or facial features, which could be interpreted as referencing the characters implied by the title of the piece. The use of black lines to delineate the primary figures and shapes is offset by the strategic use of white and pink, which add depth and contrast to the overall composition. The signature and date at the bottom of the artwork affirm its authenticity and chronology.