The artwork titled “Composition,” painted by Fernand Léger in 1919, is an embodiment of the Cubism art movement and represents a genre of abstract art.
In analyzing the artwork, one can observe its vivid use of geometric forms and a palette dominated by strong primary colors such as yellows, reds, and blacks. The composition features an array of cylindrical shapes and angular forms meticulously structured in a dynamic yet harmonious arrangement, indicative of Léger’s fascination with modernity and machinery. Striking contrasts between light and shadow provide depth to the geometric elements, creating a sense of movement. The overall abstraction eschews any representation of reality, focusing instead on conveying a mechanical aesthetic emblematic of Cubist ideals.
