Condemnation of St. Lawrence by the Emperor Valerian (1447 – 1449) by Fra Angelico

Condemnation of St. Lawrence by the Emperor Valerian - Fra Angelico - 1447 - 1449

Artwork Information

TitleCondemnation of St. Lawrence by the Emperor Valerian
ArtistFra Angelico
Date1447 - 1449
Mediumfresco,wall
Art MovementEarly Renaissance
Current LocationPalazzo Apostolico, Vatican

About Condemnation of St. Lawrence by the Emperor Valerian

The artwork titled “Condemnation of St. Lawrence by the Emperor Valerian” is a religious fresco painted by Fra Angelico between 1447 and 1449. This Early Renaissance piece is located within the Palazzo Apostolico in the Vatican. Renowned for its fresco technique, the artwork is a visual embodiment of the pious and artistic endeavors characterizing the period.

This fresco depicts a poignant scene central to the legend of St. Lawrence, a Christian deacon who suffered martyrdom. The central figure of the piece is most likely St. Lawrence himself, standing calmly before Emperor Valerian, who is seated on a throne with a commanding posture. Surrounded by soldiers and other figures, the moment captures the tension and gravity of Lawrence’s condemnation.

The composition is dense with characters, filling the scene with a range of expressions and stances that communicate the narrative. The architectural elements, such as the intricate archways and lush patterning of the foliage, showcase a blend of celestial and earthly spheres, a common motif in religious artwork from this era.

Fra Angelico’s use of color is rich and vibrant, with the reds, blues, and golds standing out to highlight the importance of the figures and their divine or imperial status. The careful arrangement of the figures and the attention to detail in the fresco technique illuminate the dramatic moment, inviting the viewer to consider the divine narrative it represents. In the lower foreground, disconnected from the central action, the instruments of St. Lawrence’s impending martyrdom, a gridiron and chains, are prominently displayed, forecasting the saint’s grim fate and underlining the painting’s didactic purpose.

Other Artwork from Fra Angelico

More Early Renaissance Artwork

Scroll to Top