Convergence Number 10, 1952 (1952) by Jackson Pollock

Convergence Number 10, 1952 - Jackson Pollock - 1952

Artwork Information

TitleConvergence Number 10, 1952
ArtistJackson Pollock
Date1952
MediumOil and Enamel on Canvas
Dimensions393.7 x 237.5 cm
Art MovementAction painting
Current LocationAlbright-Knox Art Gallery, Buffalo, NY, US

About Convergence Number 10, 1952

The artwork “Convergence Number 10, 1952” is a creation of artist Jackson Pollock, completed in the year 1952. This piece is executed in oil and enamel on canvas, exemplifying the action painting technique characteristic of Pollock’s approach to art. Measuring 393.7 cm by 237.5 cm, the work represents an abstract genre and is a notable expression of the highly energetic and dynamic movement within art history. Currently, this significant painting is housed at the Albright-Knox Art Gallery located in Buffalo, New York, United States.

“Convergence Number 10, 1952” is a vibrant collage of colors and forms, showcasing a busy tangle of dripped and splattered paint across the canvas, reflecting the intensity and physicality of Pollock’s famously unique painting method. His technique involved laying the canvas on the ground and rhythmically pouring, flicking, and dripping paint from a stick or a brush, often directly from the can, allowing him to move around the canvas from all sides. Pollock’s revolutionary approach discarded traditional tools and methods, thereby breaking away from figurative representation and challenging the very definition of painting.

The artwork’s surface is a dense web of overlapping lines and colors, with a palette predominately consisting of yellows, blues, reds, whites, and blacks. These colors appear to explode outward from multiple focal points, creating a sense of depth and movement that seems almost uncontrollable, conveying a raw and powerful emotional resonance. This immersive array of intersecting lines and splashes forms a complex visual landscape that is both chaotic and harmonious, inviting viewers to lose themselves in the intricacies of Pollock’s abstract expressionist vision.

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