“D’après la Marquise de la Solana” is a 1969 artwork by Brice Marden, a notable figure in the Minimalism art movement. The artwork falls under the abstract genre, embodying the minimalist ethos through its simplicity and reduced color palette.
The artwork consists of three vertical panels, each distinguished by a distinct hue. The left panel displays a muted green tone, the center panel features a deep, solid gray, and the right panel exhibits a subdued pinkish shade. The arrangement and uniformity of these panels exemplify the minimalist approach, focusing on the purity of color and form, devoid of any intricate details or representational elements. This composition invites viewers to engage with the subtle variations in tone and the relationships between the colors, evoking a contemplative response to the visual experience.