Portrait of Madame Ingres is a late period oil on canvas painting by Jean-Auguste-Dominique Ingres, completed in 1859. The painting depicts Delphine Ramel, Ingres’ second wife. She is presented as warm and engaging, devoid of upper-class pretensions found in Ingres’ other female portraits. This painting was the artist’s final painted portrait apart from two self-portraits.
Delphine Ramel was born to Dominique Ramel and was the niece of Charles Marcotte d’Argenteuil. She grew up in a well-to-do family with connections to high society figures. Madame Ingres is dressed elegantly in typical 19th-century attire, wearing a red velvet dress with lace detailing and a white collar.
In contrast to many of Ingres’ previous female portraits that are known for their aloofness, Delphine appears relaxed and friendly towards the viewer. The painting showcases her beauty but also highlights her personality through the use of subdued colors and a warm eye gaze.
Overall, Portrait of Madame Ingres gives insight into both the life of Jean-Auguste-Dominique Ingres and his relationship with his second wife. It is a beautiful example of 19th-century portraiture that captures not only physical appearance but also personality and character through subtle artistic choices.
