The artwork titled “Depression Bread Line,” crafted by George Segal in 1999, is a compelling piece within the Environmental (Land) Art movement and belongs to the genre of sculpture.
The sculpture portrays a somber scene reflective of the Great Depression era, featuring a line of five monochromatic figures standing in a row. These hollow, life-sized figures, cloaked in long, overcoats and hats, convey a sense of desolation and hardship as they stand against a textured brick wall. The attention to detail in the figures’ postures and facial expressions encapsulates the despair and stoicism of individuals waiting in line for aid or food, a common sight during the economic downturn of the 1930s. The artwork’s use of materials and its installation in an outdoor setting further enhances its impact, inviting viewers to reflect on the historical significance and the enduring resonance of economic struggle.
