Diptych: Study from the Human Body – from a Drawing by Ingres (1982 – 1984) by Francis Bacon

Diptych: Study from the Human Body - from a Drawing by Ingres - Francis Bacon - 1982 - 1984

Artwork Information

TitleDiptych: Study from the Human Body - from a Drawing by Ingres
ArtistFrancis Bacon
Date1982 - 1984
Dimensions198 x 147 cm
Art MovementExpressionism

About Diptych: Study from the Human Body - from a Drawing by Ingres

The artwork entitled “Diptych: Study from the Human Body – from a Drawing by Ingres” was created by Francis Bacon between 1982 and 1984. It embodies the Expressionism art movement and possesses figurative qualities. Each panel of the diptych has dimensions of 198 by 147 centimeters. The composition unfolds across two panels that, when combined, form a continuous yet disjointed narrative typical of a diptych.

Upon examination of the artwork, one observes that both panels feature a figure rendered with distortion, a characteristic approach by Bacon to human forms. The left panel portrays a contorted human figure perched upon what appears to be a stool; the figure’s limbs are interwoven in an almost uncomfortable, disjointed manner. This figure is set against a stark, flat orange background that emphasizes the isolation and intensity of the subject. The body seems to be in tension, suggesting movement or a momentary pause in an ongoing action.

The right panel of the diptych features a similarly stylized form, this time a torso isolated from the rest of the body, presented from the back view. The torso is situated atop a pedestal-like structure with a piece of paper, which includes what appears to be handwritten text and is marked by a downward-pointing arrow. This notation suggests a reference or a clue, which might lead one to assume that it bears significance in the interpretation of the artwork. Again, the figure rests against a flat, monochromatic background that is richly saturated with the same orange hue as in the left panel.

The repetition of color and thematic exploration of the human form in both segments unites the two halves of the diptych, despite the differing compositions and perspectives of each. Bacon’s expressionistic handling of the figures, combined with the stark, minimalistic backgrounds, results in a powerful visual impact that speaks to the artist’s interest in the complexities of human existence and emotion. Overall, the artwork demands contemplation, inviting viewers to reflect on the human condition through the lens of Bacon’s distinctive style.

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